Mr.Children or Misuchiru as they are known to their fans is a famous Japane… Read Full Bio ↴Mr.Children or Misuchiru as they are known to their fans is a famous Japanese pop/rock group formed in 1989 by Kazutoshi Sakurai, Kenichi Tahara, Keisuke Nakagawa, and Hideya Suzuki.
Mr.Children is one of the most popular bands in Japan. They made their major debut in 1992 with the release of their first album, "EVERYTHING", but it wasn't until one of their singles was used as a drama theme song, like their fourth single "Cross Road", that they started getting noticed. They got their big break in 1994 with the release of their fifth single, "innocent world", which made record sales and earned the Japan Record Award in 1994. Their fourth album, "Atomic Heart", which was released in the same year, is still their top selling album to date. Since then, all their singles have been number one hits in the Oricon charts like "Tomorrow never knows" and "Namonaki-uta", and many of them became million sellers, and they've produced other noteworthy albums.
In 1997, they took a long vacation, and came back to the Japanese music scene the next year with the single "Owari-naki-tabi."
Their sound is essentially a blend of light pop and classic rock. But due to the band's inclination to experiment with various music styles, their sound is constantly evolving. They have delved into various types of rock as well as jazz, blues, folk, country, and dance. Despite this constant change, however, their music has progressed successfully, proving them to be a versatile band that can last.
The main force behind the band is their singer and songwriter, Kazutoshi Sakurai, who composes almost all of their songs. The rest of the band include Kenichi Tahara on guitar, Keisuke Nakagawa on bass, and Hideya Suzuki (Jen) on drums and backing vocals. They also have supporting musicians on keyboards, guitar, brass instruments (trumpet and saxophone), and computer programming for their tours because they usually embellish their recordings.
It must be noted that a good part of what makes Mr.Children's songs unique is Sakurai's remarkable vocal ability. His vocal range is higher than the typical male range, and he sings with a noticeable Western style. Also, it is because he is influenced by the great classic rock artists of the '60s and '70s (in particular, the Beatles and the Rolling Stones) that the band's music usually has a classic rock feel. But being the vocalist of the band doesn't prevent him from sometimes sharing guitar solos with Tahara, or playing them by himself. He also plays the piano and harmonica proficiently.
Tahara and Nakagawa are the quietest members of the group, often choosing to remain in the background when the band appears on TV shows. Jen seems to be the most extroverted member who takes his top off onstage at any opportunity. He also always matches Sakurai's sense of humor. They are all very talented musicians who make vital contributions to the band.
On December 31, 2004, their song "Sign," was again awarded the Japan Record Award, ten years after the first.
Mr. Children has a long-time association with the Toys Factory record label.
Mr.Children is one of the most popular bands in Japan. They made their major debut in 1992 with the release of their first album, "EVERYTHING", but it wasn't until one of their singles was used as a drama theme song, like their fourth single "Cross Road", that they started getting noticed. They got their big break in 1994 with the release of their fifth single, "innocent world", which made record sales and earned the Japan Record Award in 1994. Their fourth album, "Atomic Heart", which was released in the same year, is still their top selling album to date. Since then, all their singles have been number one hits in the Oricon charts like "Tomorrow never knows" and "Namonaki-uta", and many of them became million sellers, and they've produced other noteworthy albums.
In 1997, they took a long vacation, and came back to the Japanese music scene the next year with the single "Owari-naki-tabi."
Their sound is essentially a blend of light pop and classic rock. But due to the band's inclination to experiment with various music styles, their sound is constantly evolving. They have delved into various types of rock as well as jazz, blues, folk, country, and dance. Despite this constant change, however, their music has progressed successfully, proving them to be a versatile band that can last.
The main force behind the band is their singer and songwriter, Kazutoshi Sakurai, who composes almost all of their songs. The rest of the band include Kenichi Tahara on guitar, Keisuke Nakagawa on bass, and Hideya Suzuki (Jen) on drums and backing vocals. They also have supporting musicians on keyboards, guitar, brass instruments (trumpet and saxophone), and computer programming for their tours because they usually embellish their recordings.
It must be noted that a good part of what makes Mr.Children's songs unique is Sakurai's remarkable vocal ability. His vocal range is higher than the typical male range, and he sings with a noticeable Western style. Also, it is because he is influenced by the great classic rock artists of the '60s and '70s (in particular, the Beatles and the Rolling Stones) that the band's music usually has a classic rock feel. But being the vocalist of the band doesn't prevent him from sometimes sharing guitar solos with Tahara, or playing them by himself. He also plays the piano and harmonica proficiently.
Tahara and Nakagawa are the quietest members of the group, often choosing to remain in the background when the band appears on TV shows. Jen seems to be the most extroverted member who takes his top off onstage at any opportunity. He also always matches Sakurai's sense of humor. They are all very talented musicians who make vital contributions to the band.
On December 31, 2004, their song "Sign," was again awarded the Japan Record Award, ten years after the first.
Mr. Children has a long-time association with the Toys Factory record label.
ティーンエイジ・ドリーム（Ⅰ～Ⅱ）
Mr.Children Lyrics
かさばった部屋の荷物を
一日中 かたづけていると
隠れてた 想い出達が
引き出しから そっと顔を出した
Tululu, tululu, tululu
Tululu, tululu
それは今も 僕の宝物
あの日の気持ち 鮮やかに甦る
まるで 恋人のように
あの娘の そばでいつも
ふざけてばかりいた放課後
みんなの噂になって
上手く 話せなくなった
Friend, oh my friend, oh my friend
置き忘れたままの teenage dream
もうあの時は 戻らないけど
今もこの胸に 焼きついたまま
誰かが 忘れていった
埃をかぶってる sixty-eight guns
すりきれて 針がはねては
同じフレーズを 繰り返してるよ
Tululu, tululu, tululu
Tululu, tululu
訳もなく 胸が痛くなる
から廻りする
時はまるでメリーゴーランド
あの日の気持ち 鮮やかに甦る
少しは 大人になって
いろんなことが 変わった
愛すべき人に出会って
だけど あの想い出は
投げやりな 僕をずっと
ささえてるから
形を変えてゆく teenage dream
もうあの時は 戻らないから
新しい夢を 抱きしめていよう
置き忘れたままの teenage dream
もうあの時は 戻らないけど
今もこの胸に 焼きついたまま
コノテデ セカイヲ ウゴカシテ
イチニチジュウ ワラッテイタイ
(Oh yeah, yeah, yeah, yeah)
ダレモガ ミナ ナミダスルホドノ
トワノ ウタヲ ウタイタイ
(Oh yeah, yeah, yeah, yeah)
フルエブルブルトマラナイホドノ
アツイキスヲ シテミタイ
ヤスミノヒニワ アノコト
ドライブニ イキタイ
(Oh yeah, yeah, yeah, yeah)
ソシテ ダキアッタママ
ダキアッタママデ
テンマデ テンマデ
イッショニ ノボリタイ
一日中 かたづけていると
隠れてた 想い出達が
引き出しから そっと顔を出した
Tululu, tululu, tululu
Tululu, tululu
それは今も 僕の宝物
あの日の気持ち 鮮やかに甦る
あの娘の そばでいつも
ふざけてばかりいた放課後
みんなの噂になって
上手く 話せなくなった
Friend, oh my friend, oh my friend
置き忘れたままの teenage dream
もうあの時は 戻らないけど
今もこの胸に 焼きついたまま
誰かが 忘れていった
埃をかぶってる sixty-eight guns
すりきれて 針がはねては
同じフレーズを 繰り返してるよ
Tululu, tululu, tululu
Tululu, tululu
訳もなく 胸が痛くなる
から廻りする
時はまるでメリーゴーランド
あの日の気持ち 鮮やかに甦る
少しは 大人になって
いろんなことが 変わった
愛すべき人に出会って
だけど あの想い出は
投げやりな 僕をずっと
ささえてるから
形を変えてゆく teenage dream
もうあの時は 戻らないから
新しい夢を 抱きしめていよう
置き忘れたままの teenage dream
もうあの時は 戻らないけど
今もこの胸に 焼きついたまま
コノテデ セカイヲ ウゴカシテ
イチニチジュウ ワラッテイタイ
(Oh yeah, yeah, yeah, yeah)
ダレモガ ミナ ナミダスルホドノ
トワノ ウタヲ ウタイタイ
(Oh yeah, yeah, yeah, yeah)
フルエブルブルトマラナイホドノ
アツイキスヲ シテミタイ
ヤスミノヒニワ アノコト
ドライブニ イキタイ
(Oh yeah, yeah, yeah, yeah)
ソシテ ダキアッタママ
ダキアッタママデ
テンマデ テンマデ
イッショニ ノボリタイ
Lyrics © O/B/O APRA AMCOS
Written by: 桜井和寿
Lyrics Licensed & Provided by LyricFind
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ミスチル_mania
この曲このアルバムの中で一番好きなんすよねぇ
サビがクッソ良い
ラスク/RASUKU
この曲まじで好き
グッド稼ぎから国民を守る党
まじで飽きないし満足できる1曲だわ
特にマイフレンド〜の所とサビと 4:06 ここからやばすぎ
みんな大好き福沢諭吉くん
この曲好きすぎる
じょーじ
kind of love で一番好きな曲
somari
懐かし過ぎて泣いた
毎日狂ったようにミスチル聞いてたあの頃
KOTOBUKI sun
なぜだろう、小さい頃を思い出す···
KID Q
めっちゃ時代感じる
名人名人
最新アルバムのダンシングシューズはこの曲の弟みたいな存在の曲だと思っているからそろそろこれ歌ってほしいわ。
登録者1000人で切腹する井伊直政
kind of loveで一番好き。これ好きって言ってる人はワイのミスチルにわかフィルター余裕で通過する