Mr.Children is one of the most popular bands in Japan. They made their major debut in 1992 with the release of their first album, "EVERYTHING", but it wasn't until one of their singles was used as a drama theme song, like their fourth single "Cross Road", that they started getting noticed. They got their big break in 1994 with the release of their fifth single, "innocent world", which made record sales and earned the Japan Record Award in 1994. Their fourth album, "Atomic Heart", which was released in the same year, is still their top selling album to date. Since then, all their singles have been number one hits in the Oricon charts like "Tomorrow never knows" and "Namonaki-uta", and many of them became million sellers, and they've produced other noteworthy albums.
In 1997, they took a long vacation, and came back to the Japanese music scene the next year with the single "Owari-naki-tabi."
Their sound is essentially a blend of light pop and classic rock. But due to the band's inclination to experiment with various music styles, their sound is constantly evolving. They have delved into various types of rock as well as jazz, blues, folk, country, and dance. Despite this constant change, however, their music has progressed successfully, proving them to be a versatile band that can last.
The main force behind the band is their singer and songwriter, Kazutoshi Sakurai, who composes almost all of their songs. The rest of the band include Kenichi Tahara on guitar, Keisuke Nakagawa on bass, and Hideya Suzuki (Jen) on drums and backing vocals. They also have supporting musicians on keyboards, guitar, brass instruments (trumpet and saxophone), and computer programming for their tours because they usually embellish their recordings.
It must be noted that a good part of what makes Mr.Children's songs unique is Sakurai's remarkable vocal ability. His vocal range is higher than the typical male range, and he sings with a noticeable Western style. Also, it is because he is influenced by the great classic rock artists of the '60s and '70s (in particular, the Beatles and the Rolling Stones) that the band's music usually has a classic rock feel. But being the vocalist of the band doesn't prevent him from sometimes sharing guitar solos with Tahara, or playing them by himself. He also plays the piano and harmonica proficiently.
Tahara and Nakagawa are the quietest members of the group, often choosing to remain in the background when the band appears on TV shows. Jen seems to be the most extroverted member who takes his top off onstage at any opportunity. He also always matches Sakurai's sense of humor. They are all very talented musicians who make vital contributions to the band.
On December 31, 2004, their song "Sign," was again awarded the Japan Record Award, ten years after the first.
Mr. Children has a long-time association with the Toys Factory record label.
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Mr.Children Lyrics
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くちびるに触れ
時間が止まった
硬い氷は溶け
身体中を滑る 2人の熱で
何が起こったの?
窓の外の月を見てる
まるで近未来の映画のよう
アンドロイドが
感情なんかなく
ただ互いのエネルギーを
吸い合うように
意味はあるだろう
たけど深く考えられない
気まずさでビール口に運んだ
テーブルの上の灰皿
アメリカ史紐解く文庫本
それはきっと彼のもの
「そろそろ行くね」って僕の
言葉を待っていたかのよう
無駄のない動きで君は そう僕に手を振る
「すぐ捕まるさ」
そう言いながらスニーカーを履き
タクシーに向けて僕は走った oh
ベッドで聞いていた blues
誰の曲かも君は知りはしない
きっと彼の好きな曲
愛し愛されてたとしても
そう感じられるのは一瞬で
その一瞬を君は僕に分けてくれた
君の胸に触れ
くちびるに触れ
時間が止まった
硬い氷は溶け
身体中を滑る 2人の熱で
何が起こったの?
このまま何も考えたくない
25時の首都高に輝く ah
窓の外の月を見てる
The song "Others" by Mr.Children is a melancholic reflection on a fleeting romantic encounter, full of visceral imagery and bittersweet musings. The first stanza describes the moment when the two protagonists touch each other's fingers and lips, causing time to stand still. The second stanza compares the melting of the cold ice under their bodies to the warm heat they generate together, without fully understanding what happened. The third stanza introduces a futuristic element, imagining two androids devoid of emotions but exchanging energy through physical contact, which blurs the lines between lust and love. The fourth stanza skips to the aftermath of the encounter, as the singer and his partner share a drink, avoiding eye contact and discussing trivial things. The fifth stanza depicts the moment when the two have to part, with the singer running to catch a taxi, leaving his beloved behind. The final stanza brings the song back to a timeless moment of contemplation, as they watch the moon from a car racing on an empty highway at an impossible hour.
The lyrics of "Others" are full of vivid sensory details, which suggest both the intensity and the fleetingness of the emotions involved in the encounter. The use of the second person pronoun ("you") throughout the song makes the narrative more personal, while also creating a sense of distance and disconnection. The contrast between the physical sensations and the emotional confusion of the singer, along with the futuristic twist, gives the song a complex and intriguing atmosphere. The final image of the moon seen from a fast-moving car adds a sense of romanticism and longing, as if the singer is trying to hold on to a moment that is already slipping away.
Line by Line Meaning
君の指に触れ
Touching your fingers
くちびるに触れ
Touching your lips
時間が止まった
Time stopped
硬い氷は溶け
The hard ice melts
身体中を滑る 2人の熱で
Sliding throughout both of our bodies with warmth
何が起こったの?
What happened?
しばらく何も考えたくない
I don't want to think about anything for a while
窓の外の月を見てる
Looking at the moon outside my window
まるで近未来の映画のよう
Just like a movie from the near future
アンドロイドが感情なんかなく
Androids don't have feelings
ただ互いのエネルギーを吸い合うように
Just like we're sucking each other's energy
意味はあるだろう
There is a meaning, I'm sure
たけど深く考えられない
But I can't think deeply about it
気まずさでビール口に運んだ
I awkwardly drank my beer
テーブルの上の灰皿
The ashtray on the table
アメリカ史紐解く文庫本
A pocketbook about unraveling American history
それはきっと彼のもの
It must be his
「そろそろ行くね」って僕の
As I said, "I should go now"
言葉を待っていたかのよう
As if you were waiting for me to say that
無駄のない動きで君は そう僕に手を振る
You waved at me in a very efficient movement
「すぐ捕まるさ」
"I'll get caught soon"
そう言いながらスニーカーを履き
While saying that, I put on my sneakers
タクシーに向けて僕は走った oh
I ran towards the taxi, oh
ベッドで聞いていた blues
The blues I was listening to in bed
誰の曲かも君は知りはしない
You don't even know whose song it is
きっと彼の好きな曲
It must be his favorite song
愛し愛されてたとしても
Even if we loved each other
そう感じられるのは一瞬で
The feeling is only for a moment
その一瞬を君は僕に分けてくれた
But you shared that moment with me
君の胸に触れ
Touching your chest
くちびるに触れ
Touching your lips
時間が止まった
Time stopped
硬い氷は溶け
The hard ice melts
身体中を滑る 2人の熱で
Sliding throughout both of our bodies with warmth
何が起こったの?
What happened?
このまま何も考えたくない
I don't want to think about anything like this anymore
25時の首都高に輝く ah
Shining on the 25th hour of Tokyo's elevated expressway, ah
窓の外の月を見てる
Looking at the moon outside my window
Lyrics © O/B/O APRA AMCOS
Written by: Kazutoshi Sakurai
Lyrics Licensed & Provided by LyricFind
Ref
Mr.Children 歌詞付き曲集#1
作業中などに、ぜひご視聴ください!
https://youtu.be/zhaf3LTHGlw
mrk
最後の「25時の首都高に輝く窓の外の月を見てる」が良過ぎで何回もリピってしまう
がなゆう
歌い方や歌詞もいいけど、最後のアウトロも最高。壮大的な感じ。
Sayoko Kikuchi
ビートルズ…。🤭✨
イケメンNo.1
ミスチルあんま聴いたことないけど、この曲は特別やな。
ぴよすけ
こんな大人の恋したことないけど
メロディと歌声に自然と涙が出る
この歌詞をかける桜井さんの感性本当にすごい😢
Sayoko Kikuchi
普段は、大勢に対して、共感、忖度?、迎合?、スタイル👋☺️✨で、【波乗り🌊】してる感じで。
たまに、【傑作✨❓】【秀作✨❓】小出しにして来るから。
ホント、何なんですか⁉️💥😮
この兄さん達。☺️✨
花
ミスチルのこの曲を聞けた事にすごく感動して何回も聞いてます
ミスチルにしか作れない曲だと思う
本当に神です!
福介 億
街灯がぼんやり灯り、アオムラサキの夕日を海辺で眺めながら…聴きたい
花子さん
ずっと聞きたかったから嬉しいです