“I’m not a singer, I’m not a deejay, I’m an ENTERTAINER”, asserts Mr. Lex, … Read Full Bio ↴“I’m not a singer, I’m not a deejay, I’m an ENTERTAINER”, asserts Mr. Lex, the resonant, rolling tongued dancehall sensation formerly known as Lexxus who is on a mission to take Jamaican music to the heights of international popularity. “This is Reggae we’re talking about here and the music is not as big as it’s supposed to be. Can you think of a Reggae artist they would put in Madison Square Garden or Yankee Stadium? I wanna be the one they put there and I know I’ve achieved what I want when I’m on stage and 200,000 people come to see me!”

Born Christopher Palmer and raised in the Mountain View area of Kingston, Mr. Lex has been performing, as he says “since the day I was born”. A former student at Kingston’s (now defunct) Fox Drama School, Mr. Lex is an accomplished actor who has appeared in several plays and earned a Best Actor award in 1992. Mr. Lex also distinguished himself as one of the finest dancers in Jamaica when he joined the popular dance troupe Squad One but for the past seven years he has pursued an extremely promising career as a deejay whose electrifying stage performances are enhanced by his vast experience in dance and theater.

Mr. Lex first displayed his deejaying skills in 1992 at the popular Sunday night dances held in Kingston’s Harbor View area, featuring the Super Dee sound system. Representatives from The New York based label Natural Bridge Records heard Lex’s impressive lyrical flow and brought him to Kingston’s Mixing Lab recording studios where the 16 year old recorded his first single, “Own A Home”, his tribute to women who aren’t dependent on men for financial support. Subsequent single releases including “Unification” and “Ghetto Man Slam” yielded little fanfare for the aspiring deejay but he perservered and in 1997 his efforts were rewarded with three hit singles, “Runaway Train” (X-Rated label), “Fade Away” (2-Hard Records) and “Boogie Woogie” for producers Steely and Clevie. Mr Lex also received several concert bookings including an invitation to perform in New York City where he decided to live for an entire year.

Lex’s popularity lagged in Jamaica due to the time he spent abroad so he returned home in 1998 and reestablished himself through a series of successful stage shows. The determined entertainer advantageously utilized his acting and dancing capabilities to support his microphone skills at Kingston’s largest annual dancehall concert, Sting in December 1998 and the event marked a turning point in Mr.Lex’s career: “I wasn’t so hot then, so coming back performing at Sting wasn’t really the glamorous thing it was supposed to be,” confides Mr. Lex, “but I performed at 3 AM, after a lot of artists got booed (and bottled); I did my thing and it was wicked. It was like they were waiting for me to come on and start the show. No one knew my music because all of it was new but because I projected my songs, danced and used up the stage, I was getting the crowd into my act.”

Many of the unknown songs Mr. Lex performed at Sting became Jamaican radio hits while his performance in August 1999 during Montego Bay’s Reggae Sumfest Dancehall Night has amplified the Mr. Lex buzz to a near deafening decibel! Attired in an outrageous leather outfit, Mr. Lex energetically delivered a hit filled set which included his first #1 single “Get Wid It”, produced by King Jammy$, “Yu Nah”, another #1 and his current smash “Cook” which humorously urges women to brush up on their culinary skills to keep their men happy; both tracks were produced by Steely and Clevie. Other Mr. Lex tunes dominating radio air play in Jamaica (and in Caribbean communities throughout the United States and England) include “Cellie”, “Real Age” and the imaginative “Divine Reasoning” (King Jammy$), Lex’s conversation with The Creator, illustrating his devout belief in The Almighty: “Every night mi go to mi bed mi haffe pray, thank Father God for letting mi see another day\\gimme the health, gimme the strength to let mi sing

Can You Hear Me Now
Mr. Lex Lyrics

Jump to: Overall Meaning ↴ Line by Line Meaning ↴

I love to feel your face
Against my skin
I love to feel your face
In my hand
I love to feel your face

Can you hear
My heart beat

Can you hear
It when I'm sweet
Can you hear

I don't think
You hear me pray
I don't think
You hear me say
I don't think

I love to feel your face
Against my skin
I love to feel your face
In my hands
I love to feel your face

I love it
When you hold me
I love it
When you show me
I love it

I don't think
This is real
I don't think
That you feel
I don't think

I don't know
What to think
I don't think
That you know

I love to feel your face
Against my skin
I love to feel your face

In my hands
I love to feel your face

Overall Meaning

In Mr. Lex's song "Can You Hear Me Now," the lyrics describe a deep desire for connection and intimacy with someone. The repetition of the line "I love to feel your face" emphasizes the physical aspect of this desire, suggesting that the singer longs for the sensation of their loved one's face against their skin and in their hands. This physical touch symbolizes a deeper emotional connection and signifies the singer's craving for closeness.

However, despite this longing, the singer questions whether their feelings are reciprocated. They ask, "Can you hear my heart beat?" and express doubt that the other person can truly hear and understand them. The repetition of the line "I don't think" further emphasizes this uncertainty and suggests a lack of confidence in the other person's ability to truly perceive their emotions.

The lyrics also hint at a sense of longing and yearning for reassurance and validation. The lines "I love it when you hold me, I love it when you show me" express a desire for affection and affirmation from the loved one. Yet, once again, the singer questions the authenticity of these experiences, expressing doubt that they are genuine and real.

Line by Line Meaning

I love to feel your face
I deeply enjoy the physical sensation of touching your face

Against my skin
The contact of your face against my skin brings me pleasure

In my hand
The sensation of holding your face in my hand makes me happy

Can you hear
Can you perceive and understand

My heart beat
The sound and rhythm of my heartbeat

It when I'm sweet
It becomes evident when I am being affectionate or kind

I don't think
I am uncertain

You hear me pray
You are not listening to my prayers

You hear me say
You do not pay attention to what I say

I don't think
I am unsure

I love it
I greatly enjoy