Dorset and Colin Earl had previously been members of The Good Earth. Soon after recruiting Paul King and Mike Cole, they made their national debut at the Hollywood Festival at Newcastle-under-Lyme, Staffordshire in May 1970, the week their first single, "In the Summertime" was released. They stole the show and the record topped the UK Singles Chart for seven weeks, made number one in almost every other country around the world, and to date has sold around 23 million copies. After John Godfrey replaced Cole, their second single "Baby Jump" also topped the UK chart in March 1971. A third hit, "Lady Rose" (also in 1971), gave the group the image as a band for producing summertime based hits.
In time Dorset found the group's good-time blues and jug band repertoire a little restricting, and in 1972 he released a solo album Cold Blue Excursion, with his songs backed by strings and brass and, in one instance, a jazz band. His intention to broaden the group's appeal by recruiting a drummer led to King and Earl trying to sack him, but the management, regarding Dorset as inseparable in the public eye from Mungo Jerry, fired them both instead. Dorset and Godfrey, the bassist, recruited new members and presented a new sound, heard on the fourth album Boot Power. King and Earl went on to form the King Earl Boogie Band.
Mungo Jerry's hits continued through to 1976 with "Open Up" (Top Twenty in Europe and number one in Brazil); "Alright Alright Alright" (a rewrite of an old French hit for Jacques Dutronc, and again a major hit worldwide reaching the Top 3 in the UK); "Wild Love"; "Long Legged Woman Dressed In Black"; "Hello Nadine" (European hit and Top Five in Canada); and "It's a Secret" (European hit).
In 1975 Earl, who had played piano with Foghat in between, returned to play keyboards, and percussion player Joe Rush, part-time member of the band in earlier days, also came back for a while.
The group's line-up has changed constantly over the years. Among those who have played with them are bassist Bob Daisley, drummers Dave Bidwell, Paul Hancox and Boris Williams, guitarist Dick Middleton and keyboard/accordion player Steve Jones. They have remained particularly popular throughout Europe. Mungo Jerry was the first western band who had live TV gigs, in all countries behind the Iron Curtain. Their famous "Golden Orpheus" gig in Bulgaria, also gave them a lot of new fans.
In 1980 another Dorset song, "Feels Like I'm in Love", originally written for Elvis Presley, and recorded by the band as a B side of a single, became a British number one hit for Kelly Marie. They remained successful with overseas hits like "On A Night Like This", "Knockin' On Heaven's Door" and "Sunshine Reggae" (British version by Mungo Jerry & Horizon). But Dorset had to wait until 1995 for a real comeback, when "In the Summertime" was recorded by reggae vocalist Shaggy, who topped the charts worldwide. The last UK chart entry for Mungo Jerry was "Toon Army", a song for Newcastle United F.C. in 1999.
In 1983 "Mungo Jerry" Ray Dorset was part of the blues supergroup Katmandu, which recorded A Case For The Blues, with guitarist Peter Green, formerly of Fleetwood Mac, and keyboard player Vincent Crane, formerly of Atomic Rooster and The Crazy World of Arthur Brown.
In 2003, with German musicians, Dorset recorded Adults Only album under the name Mungo Jerry Blues Band, widely acclaimed as one of the best of his career. 2005 saw him performing with three Mungo Jerry line-ups: The British Mungo Jerry Band (pop/rock), the German Mungo Jerry Blues Band (blues/rock) and Mungo Jerry & the Goodtime Gamblers (jug/blues/skiffle).
Also in June 2005, Ray Dorset had a gig again as a duo with Mike Cole - the original double bass player from the early Mungo days - as a highlight of the "35 Years Of Mungo Jerry" event in both Newcastle and Stoke.
In March 2006 Mungo Jerry released their new single "Mr Midnight" from Phantom of the Opera on Ice (http://www.plazarecords.co.uk); produced by Roberto Danova - who had mixed in the past the old continental Mungo Jerry hits "Lana" and "It's a Secret" - and is well-known for his work with rock and pop music, in combination with big orchestras.
Hit Me
Mungo Jerry Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
Well hit me baby, hit me real hard
Yeah, hit me baby, hit me real hard
Hit me baby, hit me real hard
Yeah, hit me baby, hit me real hard
Hit me ......
Taeh, I'm gonna talk to You, make You feel so tall,
Baby we'll do it up there, We've been doing it a long time,
I just can't get You off my mind,
Hit me ......
I don't know why, I want You to do it,
I don't know why, I want You to do it,
Hit me bae, hit me babe, hit me babe
I feel it comin', feel it comin', feel it comin', feel it comin'
Hit me, hit me, hit me ......
The lyrics to Mungo Jerry's song Hit Me are open to interpretation, but they seem to be about a desire for physical and emotional connection. The repeated refrain of "hit me baby, hit me real hard" could be interpreted as a plea for intimacy or excitement. The line "we're gonna rock, I want you to roll" suggests a desire to engage in a passionate and possibly physical encounter. The singer also talks about wanting to talk to the other person and make them feel tall, which could indicate a desire to build up their confidence and make a connection on a deeper level.
The verse "I don't know why, I want you to do it" could also be interpreted as the singer being unsure about their own desires and motivations, but still feeling drawn to the other person. The repetition of "hit me" throughout the song adds to the urgency and intensity of the lyrics, and the final line "feel it comin', feel it comin', feel it comin', feel it comin'" could symbolize the build-up of sexual or emotional tension.
Overall, Hit Me is a song that expresses a strong desire for connection and intimacy, but leaves much of the meaning open to interpretation.
Line by Line Meaning
Well hit me baby, hit me real hard
I want you to physically hit me with force.
Yeah, hit me baby, hit me real hard
I am excited about the prospect of being hit hard and want you to do it.
Oh we're gonna rock, I want You to roll,
We are going to have a wild time and I want you to fully participate.
Taeh, I'm gonna talk to You, make You feel so tall,
I will engage you in conversation and make you feel important and empowered.
Baby we'll do it up there, We've been doing it a long time,
We will continue to engage in this behavior we enjoy and have been doing for a while.
I just can't get You off my mind,
I am obsessed with thoughts about you.
I don't know why, I want You to do it,
I am unsure why I desire this behavior from you.
Hit me bae, hit me babe, hit me babe
I am urging you to hit me multiple times.
I feel it comin', feel it comin', feel it comin', feel it comin'
I sense that something intense is about to happen.
Hit me, hit me, hit me ......
I am eagerly anticipating you hitting me repeatedly.
Contributed by Caden G. Suggest a correction in the comments below.
@elgnophs2575
Introuvable jusque là sur le net !
Excellent merci !
@siegfriedneher6117
Great Man!!!
@buckdharma64
Wish I could press like every time I Listen to it on YT
@micaakaplan
thanks!