Black Holes and Revelations (2006) incorporated electronic and pop elements, displayed in singles such as "Supermassive Black Hole", and brought Muse wider international success. The Resistance (2009) and The 2nd Law (2012) explored themes of government oppression and civil uprising and cemented Muse as one of the world's major stadium acts. Rolling Stone stated the band possessed "stadium-crushing songs". Topping the US Billboard 200, their seventh album, Drones (2015), was a concept album about drone warfare and returned to a harder rock sound. Their eighth album, Simulation Theory (2018), prominently featured synthesisers and was influenced by science fiction and the simulation hypothesis. Their ninth album, Will of the People (2022), which combined many genres and themes from their previous albums, was released in August 2022.
Muse have won numerous awards, including two Grammy Awards, two Brit Awards, five MTV Europe Music Awards and eight NME Awards. In 2012 they received the Ivor Novello Award for International Achievement from the British Academy of Songwriters, Composers and Authors. As of June 2016, they have sold over 30 million albums worldwide.
Full Wikipedia article: https://en.wikipedia.org/wiki/Muse_(band)
Studio albums
Showbiz (1999)
Origin of Symmetry (2001)
Absolution (2003)
Black Holes and Revelations (2006)
The Resistance (2009)
The 2nd Law (2012)
Drones (2015)
Simulation Theory (2018)
Will of the People (2022)
Exogenesis: Symphony Part 1
Muse Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
You stole my overture
Trapped in God's program
Oh I can't escape
who are we?
where are we?
when are we?
who are we?
where are we?
why, why, why?
I can't forgive you
and I can't forget
who are we?
where are we?
when are we?
why are we in here?
who are we?
where are we?
when are we?
why are we in here?
The lyrics of Muse's song Exogenesis: Symphony Part 1 are haunting and enigmatic, with questions that are universal and universalizing. The opening lines, "Aping my soul, You stole my overture" suggest an intrusion, a copycat or a mimic. This could refer to a person or a system that has appropriated someone's spirit or creativity. The notion of being "trapped in God's program" further reinforces the idea of being caught in a larger system that is beyond one's control. This could be read in religious or existential terms, invoking the concept of predestination or fatalism.
The repeated questions of "who are we? where are we? when are we? why are we?" emphasize the fundamental uncertainties and mysteries of existence. These questions could be interpreted in many ways, depending on the context and the interpretation of the listener. They could refer to philosophical, scientific, or personal inquiries about identity, location, time, and purpose. The repetition of the questions also creates a sense of urgency and confusion, as if the singer (and the listener) are desperately seeking answers but cannot find any.
Overall, the lyrics of Exogenesis: Symphony Part 1 are poetic and evocative, touching on themes of identity, agency, destiny, and the human condition in a way that is both universal and deeply personal.
Line by Line Meaning
Aping my soul
You're mimicking my innermost being
You stole my overture
You took away the beginning of my creation
Trapped in God's program
We're stuck in a world that was predetermined by a higher power
Oh I can't escape
I can't break free from this world we're in
who are we?
What is our true identity?
where are we?
What is the actual place we exist in?
when are we?
What is the timing of everything we experience?
why are we?
What is the purpose or reason for our existence?
who are we?
What is our true identity?
where are we?
What is the actual place we exist in?
why, why, why?
Repeated questioning of our purpose and existence
I can't forgive you
I can't let go of the pain you've caused me
and I can't forget
I can't erase the memories of how you've hurt me
why are we in here?
Questioning the reason for being in this world again
Lyrics © BMG Rights Management
Written by: Matthew Bellamy
Lyrics Licensed & Provided by LyricFind
Ennovative
Aping my soul
You stole my overture
Trapped in God's program
Oh I can't escape
Who are we?
Where are we?
When are we?
Why are we?
Who are we?
Where are we?
Why, why, why?
Woah
I can't forgive you
And I can't forget
Who are we?
Where are we?
When are we?
Why are we?
Who are we?
Where are we?
When are we?
Why are we in here?
Roiy Benkel
Aping my soul
You stole my overture
Trapped in God's program
Oh I can't escape
Who are we
Where are we
When are we
Why are we
Who are we
Where are we
Why, why, why
I can't forgive you
And I can't forget
Who are we
Where are we
When are we
Why are we in here
Who are we
Where are we
When are we
Why are we in here
Koren’s 1:1 Journey
If you haven’t listened to this song with headphones on in a dark room with your eyes closed, you haven’t lived.
Ashley Roldan
Especially while you’re stoned! Holy shit you go in another dimension 🤩
Elizabeth B.
On DMT
rikki
FOLLOWED ADVICE, ACCIDENTLY LOST GRIP OF REALITY FOR A FEW MINUTES
Azar Aliyev
@Ashley Roldan exactly
Yuki
@Ashley Roldan I’ve smoked so much since I was 12 I don’t even feel anything anymore but I can’t cut down :’)
Icewindrain
This piece of music is one of those that is crafted so brilliantly that you can keep coming back to it again and again at different points in your life and still have an incredible experience. Depending on your mood, sometimes it's blissful, sometimes ecstatic, other times it's a twisted knife of anguish, but always transporting to that transcendental state of heightened emotion. Truly amazing that soundwaves can evoke such incredible experiences - hats off to Mr Bellamy ❤
K P
And this is a great example of why I love Muse through and through. I can listen to each album start to finish and not feel like I'm missing anything on the scale of emotions.
Javi G Damas
I feel like i dont have enough emotions to appreciate this. Is the first time I listen to this album, actually.
Saetyros
U fuckin right