Black Holes and Revelations (2006) incorporated electronic and pop elements, displayed in singles such as "Supermassive Black Hole", and brought Muse wider international success. The Resistance (2009) and The 2nd Law (2012) explored themes of government oppression and civil uprising and cemented Muse as one of the world's major stadium acts. Rolling Stone stated the band possessed "stadium-crushing songs". Topping the US Billboard 200, their seventh album, Drones (2015), was a concept album about drone warfare and returned to a harder rock sound. Their eighth album, Simulation Theory (2018), prominently featured synthesisers and was influenced by science fiction and the simulation hypothesis. Their ninth album, Will of the People (2022), which combined many genres and themes from their previous albums, was released in August 2022.
Muse have won numerous awards, including two Grammy Awards, two Brit Awards, five MTV Europe Music Awards and eight NME Awards. In 2012 they received the Ivor Novello Award for International Achievement from the British Academy of Songwriters, Composers and Authors. As of June 2016, they have sold over 30 million albums worldwide.
Full Wikipedia article: https://en.wikipedia.org/wiki/Muse_(band)
Studio albums
Showbiz (1999)
Origin of Symmetry (2001)
Absolution (2003)
Black Holes and Revelations (2006)
The Resistance (2009)
The 2nd Law (2012)
Drones (2015)
Simulation Theory (2018)
Will of the People (2022)
Exogenesis: Symphony Pt. 1: Overture
Muse Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
You stole my overture
Trapped in Gods program
Oh I can't escape
Who are we?
Where are we?
When are we?
Who are we?
Where are we?
Why, why, why?
I can't forgive you
And I can't forget
Who are we?
Where are we?
When are we?
Why are we?
Who are we?
Where are we?
When are we?
Why are we in here?
The lyrics to Muse's song Exogenesis: Symphony Pt. 1: Overture are cryptic and poetic. The song is written in a classical music style, with orchestral arrangements that convey a sense of grandeur and mystery. The opening lines, "Aping my soul, you stole my overture," suggest a sense of violation or intrusion. The idea of one's soul being "aped" implies a mimicry or imitation, while the use of the word "overture" suggests that something important or significant has been taken away.
The following lines, "Trapped in God's program, oh I can't escape," add to the sense of entrapment or powerlessness. The idea of being stuck in some kind of divine or fate-driven program suggests a lack of agency or control. The repeated chorus of "Who are we? Where are we? When are we? Why are we?" reinforces this sense of confusion and disorientation. The words seem to be asking fundamental questions about the nature of existence, while the repeated "whys" convey a sense of frustration or despair.
Line by Line Meaning
Aping my soul
You imitated the very essence of who I am
You stole my overture
You took away my grand introduction, my chance to make a statement
Trapped in Gods program
Feeling confined to a predetermined destiny or fate
Oh I can't escape
No matter how hard I try, I can't break free from this situation
Who are we?
Questioning the very nature of our existence, seeking our true identity
Where are we?
Wondering about our location and surroundings
When are we?
Pondering the passage of time and our place within it
Why are we?
Seeking the purpose behind our existence
Why, why, why?
Persisting in the search for meaning and understanding
I can't forgive you
I cannot bring myself to pardon your actions
And I can't forget
Your actions have left a deep, lasting impression that I cannot shake
Why are we in here?
Questioning why we find ourselves in this specific place or circumstance
Lyrics © O/B/O APRA AMCOS
Written by: Matthew Bellamy
Lyrics Licensed & Provided by LyricFind
Shanehookxasting@fmail.com
on Knights of Cydonia
Makeshift innocence
Ma Ram
on Dead Inside
super *-*