Nova is the granddaughter of an epiphone-playing traveling evangelist; her father was a National Accordion Champion and her mother a classical organist. Having a family of wanderers who migrated across the U.S. every few years, the landscape and the musical influences were constantly changing: Spanish tangos, Sunday morning gospel, classical and jazz were the accompaniment to her home life. Her first song was recorded when she was three years old, and by the age of eight she was studying piano and performing in community musical productions.
As a teenager in Michigan, Shara honed her musical prowess singing along to Whitney Houston music videos and Mariah Carey albums. When pop music wasn't enough, she enrolled in the music program at the University of North Texas, immersing herself in the songs of Henry Purcell and Claude Debussy. After college, she moved to New York City and fell in love with its cold winters and busy streets. She continued to study opera on the Upper West Side during the day, but at night she frequented downtown clubs such as Tonic, Knitting Factory, and The Living Room, catching performances by Antony and the Johnsons, Nina Nastasia, and Rebecca Moore. She began to spend less time sight-reading Mozart and more time de-tuning her Gibson electric guitar to play her own newly-written songs. Coaxed out of recital halls and onto the small stages of bars and clubs, Shara assembled a coterie of musicians to accompany her with bass and drums, music boxes, wine glasses, and wind chimes. She released two full albums in 2001 (AwRY and Quiet B Sides) as well as a remix album with her band entitled AwRY.
In performance she showed unusual versatility, channeling the vocal theatrics of Kate Bush, the soulful seductiveness of Nina Simone and the gothic pop of Portishead. Her infatuation with theater and costumes inspired her to wear superhero capes, ball gowns, or Tudor corsets on stage, depending on her mood. Her deeply personal songs transcended the histrionics of opera; Shara was at last singing about what was closest to her heart. She began to see her own music as the most precious gift she could give to the world - as reflected in her namesake, "My Brightest Diamond".
Of course, opera never really left her, and Shara's performance blurred the lines between rock show and recital, setting baroque love songs alongside French carols and Prince covers. Her vocal lines reached for Puccini, but her guitar was pure PJ Harvey. The center of gravity here was the workmanship of a woman whose imagination had no limits. To sharpen her skills, Shara studied composition with Australian composer Padma Newsome (of Clogs) and began to incorporate a string quartet in her live show. The influences of Nat King Cole and Henry Mancini rounded out the edges. A few years later, she met Sufjan Stevens at The Medicine Show, a variety show hosted by New York City's incendiary poet, Sage, at Arlene's Grocery. This, in turn, led to a yearlong sabbatical from her work, doing splits and round-offs (not to mention the human pyramid) as one of the notorious Illinoisemakers. Shara was quickly promoted as cheerleading captain.
All of this led to an impressive resume, but My Brightest Diamond still had no album to show for it. So in 2004, she began work on two records: one featuring songs accompanied by a string quartet titled "A Thousand Shark's Teeth", and a more standard rock album featuring a full band (featuring Earl Harvin on drums, Chris Bruce on bass, and, on one song, her father Keith on accordion) titled "Bring Me The Workhorse", released to critical acclaim in August 2006 on Asthmatic Kitty Records.
Her songs distil stories to their most distressing points of contact: a phone call, an injured horse, a dragonfly caught in a spider's web. She doesn't share all the information - just the stuff that matters. The effect is a sensational compression of time, in which an entire event is summarized in a single note. This, of course, is the essence of opera. But My Brightest Diamond is much more than that. There is also the humor one might find in an old TV episode of Wonder Woman or Lewis Carroll's Alice in Wonderland. Shara's songs reconcile all the complex emotions found in each of us: she can grieve as comfortably as she can laugh, sometimes in the same breath.
Sites: BandCamp
Disappear
My Brightest Diamond Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
Don't be too surprised
'Cause I get tired of
Noisy alarms
And phone bills
And I don't think we're meant to stay here very long
I don't dream of bringing heaven down not like this
One day I may go for the longest walk
Don't be too shocked
'Cause I get tired of
Sneaky societies
And combat boots
And I don't think we're meant to stay here very long
I don't dream of bringing heaven down not like this
I'd rather move on
The lyrics of My Brightest Diamond's "Disappear" convey the singer's desire to escape the mundanity of modern life. She expresses her weariness of the noise of alarms and the stress of keeping up with phone bills, which can be interpreted as a metaphor for the overwhelming demands of daily life. The line "I don't think we're meant to stay here very long" suggests that the singer is experiencing an existential crisis and believes that life should be lived with a greater sense of purpose.
The other striking line in the lyrics is "I don't dream of bringing heaven down, not like this, I'd rather move on." This line is significant because it highlights the singer's dissatisfaction with the world as it is and her yearning for something more transcendent. She is not content with merely living in the world as it is and longs for an ideal version of reality.
Overall, "Disappear" is a reflection on the challenges of modern living and the desire to escape it. It speaks to the human need for purpose and meaning in a world that can often feel empty and meaningless.
Line by Line Meaning
One day I may disappear
I might vanish unexpectedly
Don't be too surprised
Do not get shocked
'Cause I get tired of
As I become fed up with
Noisy alarms
Loud alarms that disturb peace
And phone bills
And the burden of having to pay bills
And I don't think we're meant to stay here very long
I don't believe that we are supposed to be alive for an extended period on earth
I don't dream of bringing heaven down not like this
My aspirations do not involve bringing paradise to the world in the present situation
I'd rather move on
I would prefer to leave
One day I may go for the longest walk
I might take the most extended walk one day
Don't be too shocked
Don't be amazed
'Cause I get tired of
As I become exhausted by
Sneaky societies
Dishonest and secretive communities
And combat boots
And warlike circumstances
And I don't think we're meant to stay here very long
I don't believe that we are destined to live on earth for an extended period
I don't dream of bringing heaven down not like this
I don't aspire to make this world heaven in the current state
I'd rather move on
I would instead prefer to go away
Lyrics © DOMINO PUBLISHING COMPANY
Written by: Shara Worden
Lyrics Licensed & Provided by LyricFind