The initial formation consisted of vocalist Aaron Stainthorpe, guitarists Andrew Craighan and Calvin Robertshaw plus drummer Rick Miah, who founded the band in 1990. The band released the "Towards the Sinister" demo, noted for its complete absence of bass, recorded over two days in late November at Revolver Studios with Tim Walker manning the production desk. They followed this with the "God Is Alone" 7" single, restricted to 1000 copies, on the French Listenable label, again utilising both Tim Walker and Revolver Studios in May 1991. The band signed to budding Yorkshire label Peaceville Records to release the "Symphonaire Infernus et Spera Empyrum" EP in 1992, debuting new bassist Ade Jackson in the process.
My Dying Bride's first full-length album, "As the Flower Withers" arriving in May 1992, established the band among press and fans alike. Jointly produced by label mentor Hammy and the band, the record stunned many critics, who struggled to find suitable descriptives to capture the radical nature of this work. In the midst of this confusion, few would disagree that My Dying Bride had, in one fell swoop, turned the Doom genre on its head.
The group had driven deep into the core essence of doom, drastically overhauling every aspect of its composition. The album opened somewhat coyly with an orchestral exercise in deceit before the Latin lyricised 'Sear Me' challenged immediately. Songs were drawn out into near unbearable dirges, capped by the twin violin imbued colossi of "The Bitterness and the Bereavement" and "The Return of the Beautiful", Stainthorpe's prose held closer to the great British poets than standard rock n' roll and their deliberately infantile daubed logo logo also challenged convention. "As the Flower Withers" was boldly offered up as a cornerstone of a new approach, undoubtedly spawning the successive drone movement.
"As the Flower Withers" provided the opportunity for their first tour of Europe. The progress gained by another EP, 1993's "The Thrash of Naked Limbs", was marred by drummer Rick badly damaging his hand, thus canceling a projected tour with G.G.F.H. Prior to the groundbreaking 1993 "Turn Loose the Swans" album, which came in three different sleeves, the band added violinist / keyboardist Martin Powell to the band and toured Europe once more. "Turn Loose the Swans", incepting with the piano and violin lament of 'Sear Me MCMXC III' and hinged on the utterly woeful "The Crown of Sympathy", slowed the pace even further and plunged ever deeper into slug like doom. Another set of EPs, "Sexuality of Bereavement" and "I Am the Bloody Earth", kept the momentum going during 1994.
"The Angel and the Dark River" was delivered during May 1995 and, in a rare high profile moment of mainstream activity, My Dying Bride gigged as support to Iron Maiden across Europe. "The Angel and the Dark River", six slabs of morose melancholy, marked a shift in the band's strategy, for the first time dropping the death growl of Stainthorpe in favor of a clean vocal delivery. Fans were quick to hail opener 'Cry Of Mankind' as a classic, even though the mind numbing repeat keyboard mantra of the outro dragged on for a full five minutes. Limited editions of this record included a second disc of live material recorded at the Dynamo in Holland.
My Dying Bride's fourth full-length endeavour, 'Like Gods Of The Sun', hit home in October 1996 in similar bleak fashion to its predecessor. Touring in Europe during March 1997 saw the band forming up a package billing alongside Therion, Sentenced, Orphanage and Dark for the 'Out Of The Dark III' festivals. However, drummer Rick departed and for their 1998 album sessions My Dying Bride pulled in the services of Year Zero and Valle Crusis drummer Mike Unsworth in order to fill the gap. Acquired to handle keyboards would be Yasmin Ahmid of Ebony Lake.
October 1998 saw My Dying Bride issuing the experimental '34.788%... Complete' album with yet another new drummer ex-Dominion man Bill Law. The record witnessed a deliberate break from the expected Gothic imagery associated with the band and provided a challenge for their existing fan base. A sharp division of opinion branded the album either as a somnambulistic, self indulgent failure or a richly rewarding diversion. Stainthorpe's vocals on '34.788%... Complete' took on a heavily distorted air, keyboards and samples usurped guitars and song structures ebbed and flowed without formal structure. Undoubtedly the most adventurous assay of the band's entire catalogue came with 'Heroin Chic', a mechanical, expletive infested industrial male / history telling duet with a guesting Michelle Richfield of Dominion.
The band remained strangely inactive on the touring front though as guitarist Calvin Robertshaw departed. He would swiftly be replaced by erstwhile Solstice, Serenity and Khang member Lee Baines. The 'Light At The End Of The World' album would be viewed not just as a welcome return to form, including a reprise for Stainthorpe's early growling, after the side step braved by '34.788%... Complete' but even as being one of the finests outings of the genre. For touring commitments in 1999 the band pulled in Bal-Sagoth's Jonny Maudling for live keyboards. The band's more permanent line up was completed with the addition of erstwhile Anathema and Solstice drummer Shaun Taylor-Steels and former Solstice guitarist Hamish Glencross.
The 2002 offering 'The Dreadful Hours' included a re-make of 'The Return Of The Beautiful' from the debut record, re-billed as 'Return To The Beautiful'. My Dying Bride themselves witnessed a change of keyboard players in April 2002 when Sarah Stanton took over from Yasmin Ahmed. My Dying Bride also announced the release of their first live album, 'Voice Of The Wretched', the same month. Hamish Glencross and Andrew Craighan launched their BlackDoom Record label in 2003. My Dying Bride put in a short burst of European dates in October of 2003, supported by UK act The Prophecy, the first signing to the BlackDoom label.
The band returned in March of 2004 with the album 'Songs Of Darkness, Words Of Light', warning fans in advance that change was in the air and that the track 'My Wine In Silence' was their most commercial effort to date. In late December Shaun Steels injured his ankle in a canoeing accident. The band drafted John Bennett from The Prophecy as stand in whilst Steels recovered.
Releases announced in early 2005 included the retrospective box set 'Anti-Diluvian Chronicles', which included new remixes of 'The Wreckage Of My Flesh', 'My Wine In Silence' and 'The Raven And The Rose', plus the live DVD 'Sinamorata', recorded in Antwerp, Belgium during October 2003. This latter release also featured two video shorts made by My Dying Bride fans, 'My Hope, The Destroyer' and 'My Wine In Silence'.
In September 2005 it was learned that erstwhile keyboard player Martin Powell and his ex-Cradle Of Filth colleague guitarist James McIlroy had united with ex-Himsa guitarist Matt Wicklund in a brand new band project called Prey. Meantime, My Dying Bride returned to live action in the UK during November.
The album 'A Line Of Deathless Kings' was recorded during mid 2006 at Academy Studios in Dewsbury and mixed at Chapel Studios in Lincolnshire. The accompanying single, 'Deeper Down', hitting number 15 on the Finnish charts, was issued as an "Uberdoom" edit with exclusive studio track "The Child of Eternity".
5th January 2007 bassist Adrian Jackson left the band. Long term stand in drummer John Bennet was also reported to have parted ways. New bassist is called Lena Abé and the new drummer is Dan Mullins (formerly of Thine, Bal Sagoth and Sermon Of Hypocrisy).
In April 28th, 2008 My Dying Bride released the live album titled "An Ode to Woe", recorded live at the Paradiso, Amsterdam, Holland, in April 2007. In 2009 My Dying Bride released their tenth studio album, titled "For Lies I Sire".
In 2011 the band released "Evinta". To commemorate two decades of doom and gloom from My Dying Bride, the band embarked upon a special project to re-work familiar melodies and themes from their extensive catalogue into long, flowing symphonic compositions, incorporating new vocals and passages from Aaron Stainthorpe. Sharing vocals is professional opera singer Lucie Roche, a talented soprano from France. These arrangements have been brought to life in co-operation with keyboard maestro Johnny Maudling as well as a clutch of talented classical musicians.
The band's eleventh studio album, "A Map of All Our Failures", was released in October 2012.
Official website: http://www.mydyingbride.net
The Lies I Sire
My Dying Bride Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
The story of invoking joy
Endless love
Given to me through a dream
A following from above
I couldn't help myself
God walks by my side
Believe me how I cry
The tremble of my hands
Blinded by my tears
But I stand heroic
The holy words I heed
With glory and blazing eyes
I rise into bloody skies
Myself a storm, ravaging
The wrath of God, down I bring
With mercenary's smile
I rise up from the shade
As the king of all souls
The pounding of my wings
Tearing through the night
Death's taking his toll
The searing heat
Burning eyes
Fury and fire
A forest gone
Torn victims
The lies I sire
My work is done and I leave none
The passion in my dying worth
The grief I leave is meaningless
The lies within these ancient words
In "The Lies I Sire" by My Dying Bride, the lyrics explore the conflicts between love and hate, and the singer's struggle with their faith. The opening stanza seems to describe a dream or a vision where the singer is given "endless love" by a higher power, which leads them to question their own morality when faced with the "burning hate" within themselves. The lines "God walks by my side" and "The holy words I heed" suggest a religious background or spirituality that the singer is trying to reconcile with their own feelings of anger and despair.
As the song progresses, the singer becomes more and more consumed by their own hatred and self-doubt. The lines "With glory and blazing eyes / I rise into bloody skies / Myself a storm, ravaging / The wrath of God, down I bring" suggest a sort of rebellion against their faith, where they are no longer seeking solace but rather actively trying to tear down the world around them. This is further emphasized in the final stanza, where the singer's actions have caused "a forest gone / Torn victims / The lies I sire". The last lines, "The grief I leave is meaningless / The lies within these ancient words", suggest a nihilistic worldview where nothing ultimately matters and all human beliefs are based on "ancient words" that may or may not be true.
Overall, the lyrics of "The Lies I Sire" paint a picture of a character struggling with their own internal demons while trying to find meaning in spirituality, only to ultimately succumb to a destructive and nihilistic worldview.
Line by Line Meaning
Before it lies
Here is the beginning of the story
The story of invoking joy
This is a tale of finding happiness
Endless love
A love without limitations
Given to me through a dream
It came to me in a vision
A following from above
Something divine was involved
I couldn't help myself
I was overcome by an urge I couldn't fight
God walks by my side
I believe that a higher power guides me
Within my limbs burns hate
I possess an intense anger inside me
Believe me how I cry
I express my emotions through tears
The tremble of my hands
My body quakes with emotion
Blinded by my tears
I cannot see clearly through my crying
But I stand heroic
I try to be brave in spite of my feelings
The holy words I heed
I take guidance from religious scriptures
With glory and blazing eyes
My gaze is intense and filled with pride
I rise into bloody skies
I ascend to a violent and chaotic place
Myself a storm, ravaging
I am like a tempest, causing destruction
The wrath of God, down I bring
I feel like I am carrying out divine punishment
With mercenary's smile
I am smiling like a soldier of fortune
I rise up from the shade
I am stepping into the light
As the king of all souls
I feel like I am in control of everyone's destiny
The pounding of my wings
I am metaphorically flying upward
Tearing through the night
I am moving quickly and forcefully
Death's taking his toll
My actions are adding to the death toll
The searing heat
There is intense and painful heat
Burning eyes
I am filled with fiery emotion
Fury and fire
I am filled with wrath and energy
A forest gone
I am leaving a trail of destruction behind me
Torn victims
I am leaving many people hurt and damaged
The lies I sire
I am responsible for spreading falsehoods
My work is done and I leave none
I have completed my mission and left no trace
The passion in my dying worth
I feel a strong attachment to what I have done, even in death
The grief I leave is meaningless
The sadness I have caused is insignificant
The lies within these ancient words
This story contains untruths that have been passed down through time
Contributed by Mateo H. Suggest a correction in the comments below.
KL Rdia
on The Dreadful Hours
muy bueno....