The initial formation consisted of vocalist Aaron Stainthorpe, guitarists Andrew Craighan and Calvin Robertshaw plus drummer Rick Miah, who founded the band in 1990. The band released the "Towards the Sinister" demo, noted for its complete absence of bass, recorded over two days in late November at Revolver Studios with Tim Walker manning the production desk. They followed this with the "God Is Alone" 7" single, restricted to 1000 copies, on the French Listenable label, again utilising both Tim Walker and Revolver Studios in May 1991. The band signed to budding Yorkshire label Peaceville Records to release the "Symphonaire Infernus et Spera Empyrum" EP in 1992, debuting new bassist Ade Jackson in the process.
My Dying Bride's first full-length album, "As the Flower Withers" arriving in May 1992, established the band among press and fans alike. Jointly produced by label mentor Hammy and the band, the record stunned many critics, who struggled to find suitable descriptives to capture the radical nature of this work. In the midst of this confusion, few would disagree that My Dying Bride had, in one fell swoop, turned the Doom genre on its head.
The group had driven deep into the core essence of doom, drastically overhauling every aspect of its composition. The album opened somewhat coyly with an orchestral exercise in deceit before the Latin lyricised 'Sear Me' challenged immediately. Songs were drawn out into near unbearable dirges, capped by the twin violin imbued colossi of "The Bitterness and the Bereavement" and "The Return of the Beautiful", Stainthorpe's prose held closer to the great British poets than standard rock n' roll and their deliberately infantile daubed logo logo also challenged convention. "As the Flower Withers" was boldly offered up as a cornerstone of a new approach, undoubtedly spawning the successive drone movement.
"As the Flower Withers" provided the opportunity for their first tour of Europe. The progress gained by another EP, 1993's "The Thrash of Naked Limbs", was marred by drummer Rick badly damaging his hand, thus canceling a projected tour with G.G.F.H. Prior to the groundbreaking 1993 "Turn Loose the Swans" album, which came in three different sleeves, the band added violinist / keyboardist Martin Powell to the band and toured Europe once more. "Turn Loose the Swans", incepting with the piano and violin lament of 'Sear Me MCMXC III' and hinged on the utterly woeful "The Crown of Sympathy", slowed the pace even further and plunged ever deeper into slug like doom. Another set of EPs, "Sexuality of Bereavement" and "I Am the Bloody Earth", kept the momentum going during 1994.
"The Angel and the Dark River" was delivered during May 1995 and, in a rare high profile moment of mainstream activity, My Dying Bride gigged as support to Iron Maiden across Europe. "The Angel and the Dark River", six slabs of morose melancholy, marked a shift in the band's strategy, for the first time dropping the death growl of Stainthorpe in favor of a clean vocal delivery. Fans were quick to hail opener 'Cry Of Mankind' as a classic, even though the mind numbing repeat keyboard mantra of the outro dragged on for a full five minutes. Limited editions of this record included a second disc of live material recorded at the Dynamo in Holland.
My Dying Bride's fourth full-length endeavour, 'Like Gods Of The Sun', hit home in October 1996 in similar bleak fashion to its predecessor. Touring in Europe during March 1997 saw the band forming up a package billing alongside Therion, Sentenced, Orphanage and Dark for the 'Out Of The Dark III' festivals. However, drummer Rick departed and for their 1998 album sessions My Dying Bride pulled in the services of Year Zero and Valle Crusis drummer Mike Unsworth in order to fill the gap. Acquired to handle keyboards would be Yasmin Ahmid of Ebony Lake.
October 1998 saw My Dying Bride issuing the experimental '34.788%... Complete' album with yet another new drummer ex-Dominion man Bill Law. The record witnessed a deliberate break from the expected Gothic imagery associated with the band and provided a challenge for their existing fan base. A sharp division of opinion branded the album either as a somnambulistic, self indulgent failure or a richly rewarding diversion. Stainthorpe's vocals on '34.788%... Complete' took on a heavily distorted air, keyboards and samples usurped guitars and song structures ebbed and flowed without formal structure. Undoubtedly the most adventurous assay of the band's entire catalogue came with 'Heroin Chic', a mechanical, expletive infested industrial male / history telling duet with a guesting Michelle Richfield of Dominion.
The band remained strangely inactive on the touring front though as guitarist Calvin Robertshaw departed. He would swiftly be replaced by erstwhile Solstice, Serenity and Khang member Lee Baines. The 'Light At The End Of The World' album would be viewed not just as a welcome return to form, including a reprise for Stainthorpe's early growling, after the side step braved by '34.788%... Complete' but even as being one of the finests outings of the genre. For touring commitments in 1999 the band pulled in Bal-Sagoth's Jonny Maudling for live keyboards. The band's more permanent line up was completed with the addition of erstwhile Anathema and Solstice drummer Shaun Taylor-Steels and former Solstice guitarist Hamish Glencross.
The 2002 offering 'The Dreadful Hours' included a re-make of 'The Return Of The Beautiful' from the debut record, re-billed as 'Return To The Beautiful'. My Dying Bride themselves witnessed a change of keyboard players in April 2002 when Sarah Stanton took over from Yasmin Ahmed. My Dying Bride also announced the release of their first live album, 'Voice Of The Wretched', the same month. Hamish Glencross and Andrew Craighan launched their BlackDoom Record label in 2003. My Dying Bride put in a short burst of European dates in October of 2003, supported by UK act The Prophecy, the first signing to the BlackDoom label.
The band returned in March of 2004 with the album 'Songs Of Darkness, Words Of Light', warning fans in advance that change was in the air and that the track 'My Wine In Silence' was their most commercial effort to date. In late December Shaun Steels injured his ankle in a canoeing accident. The band drafted John Bennett from The Prophecy as stand in whilst Steels recovered.
Releases announced in early 2005 included the retrospective box set 'Anti-Diluvian Chronicles', which included new remixes of 'The Wreckage Of My Flesh', 'My Wine In Silence' and 'The Raven And The Rose', plus the live DVD 'Sinamorata', recorded in Antwerp, Belgium during October 2003. This latter release also featured two video shorts made by My Dying Bride fans, 'My Hope, The Destroyer' and 'My Wine In Silence'.
In September 2005 it was learned that erstwhile keyboard player Martin Powell and his ex-Cradle Of Filth colleague guitarist James McIlroy had united with ex-Himsa guitarist Matt Wicklund in a brand new band project called Prey. Meantime, My Dying Bride returned to live action in the UK during November.
The album 'A Line Of Deathless Kings' was recorded during mid 2006 at Academy Studios in Dewsbury and mixed at Chapel Studios in Lincolnshire. The accompanying single, 'Deeper Down', hitting number 15 on the Finnish charts, was issued as an "Uberdoom" edit with exclusive studio track "The Child of Eternity".
5th January 2007 bassist Adrian Jackson left the band. Long term stand in drummer John Bennet was also reported to have parted ways. New bassist is called Lena Abé and the new drummer is Dan Mullins (formerly of Thine, Bal Sagoth and Sermon Of Hypocrisy).
In April 28th, 2008 My Dying Bride released the live album titled "An Ode to Woe", recorded live at the Paradiso, Amsterdam, Holland, in April 2007. In 2009 My Dying Bride released their tenth studio album, titled "For Lies I Sire".
In 2011 the band released "Evinta". To commemorate two decades of doom and gloom from My Dying Bride, the band embarked upon a special project to re-work familiar melodies and themes from their extensive catalogue into long, flowing symphonic compositions, incorporating new vocals and passages from Aaron Stainthorpe. Sharing vocals is professional opera singer Lucie Roche, a talented soprano from France. These arrangements have been brought to life in co-operation with keyboard maestro Johnny Maudling as well as a clutch of talented classical musicians.
The band's eleventh studio album, "A Map of All Our Failures", was released in October 2012.
Official website: http://www.mydyingbride.net
The Wreckage of My Flesh
My Dying Bride Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
A creature so undone
Wretched and Broken
Cannot find my faith
Any God will do
Nothing said is new
Nothing said is true
Fly away my hope
The embrace of shade holds me dear
Eats me away
Loose the dogs of disgrace upon me
I have no faith
Raise the poor outcast I have become
I am undone
Calm is the air,
Still is the sea
The Valley of death keeps calling me
Rest my eyes from the world
This dying place, it's so absurd
Oh Christ above, whom I love
Lost to me.
My snow white dove
Make this day like the night
Songs of darkness, and Words of light
Pulling down my heart
I won't forget my lovers heart
With utter loathing and scorn
I was somehow born
Strewn in black decay
None shall I obey
The Wreckage of My Flesh
The nakedness of my death
In the song "The Wreckage of My Flesh" by My Dying Bride, the lyrics convey feelings of abandonment and brokenness. The singer describes himself as a loathsome creature that is wretched and broken, unable to find faith in any god. He feels discarded and alone, desperate for hope to fly away. The valley of death keeps calling him, as he is consumed by the embrace of shade that eats him away. He is surrounded by dogs of disgrace, with no one to help raise the poor outcast that he has become.
The singer turns to Christ, whom he loves, but feels lost to him, like his snow white dove. He wants to rest his eyes from the world, as he finds this dying place to be absurd. He is torn between songs of darkness and words of light, pulling down his heart. However, he refuses to forget his lover's heart.
The lyrics paint a picture of a person who is broken, alone, and searching for hope. The valley of death seems to be a constant presence that is calling to him yet he is unable to leave his demise behind. His feelings of hopelessness and repeated failure is a testament to the emotional turmoil within.
Line by Line Meaning
Loathsome I've become
I have become despicable
A creature so undone
I am so broken that I cannot be made whole again
Wretched and Broken
I am in a state of extreme misery and ruin
Cannot find my faith
I have lost my belief and trust in anything
Any God will do
I am desperate and willing to believe in any deity
Nothing said is new
I have heard everything before and nothing is surprising
Nothing said is true
I cannot trust anything that is said
Fly away my hope
I have lost all hope and wish to escape
The embrace of shade holds me dear
I am comforted by darkness
Eats me away
Darkness consumes me
Loose the dogs of disgrace upon me
I am willing to accept any punishment for my flaws and shortcomings
I have no faith
I am devoid of any belief or trust
Raise the poor outcast I have become
I am regarded as a social outcast and undesirable
I am undone
I am destroyed and beyond repair
Calm is the air
The atmosphere is peaceful
Still is the sea
The ocean is motionless
The Valley of death keeps calling me
I am drawn towards death and the afterlife
Rest my eyes from the world
I want to close my eyes and shut out the world
This dying place, it's so absurd
The world is a ridiculous and unbearable place to exist in
Oh Christ above, whom I love
I have affection for Christ who is above me
Lost to me.
I have lost my connection to Christ
My snow white dove
A symbol of my lost innocence
Make this day like the night
I wish for the day to be over and for darkness to come
Songs of darkness, and Words of light
I find beauty in sadness and sorrow
Pulling down my heart
I am being emotionally drained and hurt
I won't forget my lovers heart
I still hold on to the memory of my past love
With utter loathing and scorn
I feel hatred and contempt towards everything and everyone
I was somehow born
I was brought into this world
Strewn in black decay
I exist in a state of corroding darkness
None shall I obey
I refuse to follow anyone's rules or orders
The Wreckage of My Flesh
My body is in a state of ruin
The nakedness of my death
The vulnerability of my impending demise
Lyrics © O/B/O APRA AMCOS
Lyrics Licensed & Provided by LyricFind
@maximilianolizarraga252
Loathsome I've become
A creature so undone
Wretched and broken
Cannot find my faith
Any God will do
Nothing said is new
Nothing said is true
Fly away my hope
The embrace of shade holds me dear
Eats me away
Loose the dogs of disgrace upon me
I have no faith
Raise the poor outcast I have become
I am undone
Calm is the air. Still is the sea
The valley of death keeps calling me
Rest my eyes from the world
This dying place, it's so absurd
Oh, Christ above, whom I love
Lost to me. My snow white dove
Make this day like the night
Song of darkness. Words of light
Pulling down my heart
I won't forget my lovers heart
With utter loathing and scorn
I was somehow born
Strewn in black decay
None shall I obey
The wreckage of my flesh
The nakedness of my death
@comradefreedom8275
For some reason, when I listen to this song, I see images of someone being put on trial.
The death vocal intro is the jury examining him, looking at him in disgust.
The first verse is the defendant giving their testimony.
The part where the organ comes in is their soliloquy while the jurors deliberate on whether or not the person is found guilty. In this moment, I always imagine the lights of the set being turned off, while the spotlight shines on the defendant.
The outro is the defendant being found guilty, and receiving punishment.
@andersonrs1990
It's so dark, meaningful and dense that you can almost touch it. My favourite MDB album.
@maximilianolizarraga252
Loathsome I've become
A creature so undone
Wretched and broken
Cannot find my faith
Any God will do
Nothing said is new
Nothing said is true
Fly away my hope
The embrace of shade holds me dear
Eats me away
Loose the dogs of disgrace upon me
I have no faith
Raise the poor outcast I have become
I am undone
Calm is the air. Still is the sea
The valley of death keeps calling me
Rest my eyes from the world
This dying place, it's so absurd
Oh, Christ above, whom I love
Lost to me. My snow white dove
Make this day like the night
Song of darkness. Words of light
Pulling down my heart
I won't forget my lovers heart
With utter loathing and scorn
I was somehow born
Strewn in black decay
None shall I obey
The wreckage of my flesh
The nakedness of my death
@johannesd4902
what is he sining about a demon?
@MyLefthandpath666
I am sitting here and I can't pass the fact this is the best doom-metal band ever. This song makes me cry.
@CorTec
One of my favourite songs. I LOVE the ending. I always thought it would be such a great theme for spawn... With utter loathing and scorn.. I was somehow born... strewn in black decay.. none shall I obey... the wreckage of my flesh... the nakedness of my death... . man it's so perfect for spawn...
@leerandal2169
At 60 yrs old I like this song (and "Crown of Sympathy") my peers think I'm weird. They might be right - and I'm ok with that.
@DivineInferno
by Lucifer
@chrisb6484
You're definitely weird but so am I,it's a good thing!
@stijnverstraete7833
They gave you a compliment 😉
@slapandtickle4531
Better to be weird than a boring old prude. You give me hope that I will be a badass grandma one day too if I make it that long. 🤘🏻