Katsushiro & Shino
My Fair Lady Lyrics


We have lyrics for these tracks by My Fair Lady:


A Hymn To Him HIGGINS What in all of heaven could've promted her to…
Ascot Gavotte Every duke and earl and peer is here Everyone who should…
Get Me To The Church On Time A few more hours, that's all the time I got A…
I Could Have Danced All Night Bed, bed I couldn't go to bed My head's too light…
I'm an Ordinary Man Well after all, Pickering, I'm an ordinary man, Who desires…
I've Grown Accustomed To Her Face Grown accustomed to her looks Oh I, I've grown, grown accus…
just you wait Just you wait, 'enry 'iggins, just you wait! You'll be sorr…
On The Street Where You Live When she mentioned how her aunt Bit off the spoon, she…
Show Me Don't talk of stars, burning above If you're in love, show…
The Rain In Spain Poor Professor Higgins! Poor Professor Higgins! Night and …
Why Can't the English Henry Look at her, a prisoner of the gutter, Condemned…
Why Can't The English? Henry Look at her, a prisoner of the gutter, Condemned…
With a Little Bit of Luck Alfred The Lord above gave man an arm of iron…
Without You What a fool I was, what dominated fool To think that…
Wouldn't It Be Lovely It's rather dull in town, I think I'll take me…



You Did It Pickering Tonight, old man, you did it! You did it!…


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Most interesting comments from YouTube:

村田利仁

@Gerard Cote "Evil" Imperialism of Japan?

This is probably Roosevelt's view of history, which was cooperative with China. 😊

As you know, wartime propaganda is well known to have been done by every country in the world.

And when the war is over,

"only the propaganda of the victorious country remains"

and

"the promotion of the defeated country is temporarily erased from on the earth"

Therefore, it is said that it is extremely difficult for a defeated country to regain its history.

After the war, the memories of people's history were rewritten by the academia that ruled the world.

It is usual to have the defeated nation take all responsibility.

then

Evil" Imperialism of Japan

Either Imperialism was evil or Nationalism was evil can't be both at the same time and neither at the same time on the other side of the planet.

It becomes a common recognition of those who believe in propaganda on the American side.

Everyone knows that the army during the war cannot be evaluated by the "dual theory of good and evil".

But it can be said which was closer to justice from God's eyes?

We don't see it like "we are justice and our enemies are devils" like in America ...

However, we does not write a history of hypocrisy that claims American war crimes are justice.

Many people still misunderstand Japan,

and the American claim is just made for their convenience ...

For example…

Evil" Imperialism of Japan and Japanese army Invasion and Militarism and SHINTO too

It denies them with their own logic but…

Not from the Japanese perspective

So it's not a basis for denial

Because they don't understand Japan correctly

No matter how much disinformation is analyzed,

the conclusion is that the answer is only "fake".

However, the lie of the promotion of the Japanese devil in the United States

and the lie that many countries rewrote for their own benefit ...

When it was revealed, the new Japanese history

Rising sun again.



redcardinalist

I love your reactions ; always emotional and perspective.

I'd like to see you react to Kuroawa's "Redbeard"; an entirely different story to this one but really good.


OH and...I've just thought of this (completely unrelated to Kurosawa😄) but Clouzot's "Les Diaboliques" and also "The Wages of Fear" - both fabulous films. Oh, also John Boorman's "Hope and Glory" (I don't think there is a reation to that on Youtube and it's wonderful movie).

Re the Hays code, I'm a grat fan of 50s French and Italian movies and there's a lot in those you wouldn't see in the USA or the UK (where I live)

Oh and regarding the entire Katsushirō sex with the girl thing - if they did have sexual intercourse (and they may or may not - the film I think implies they did) - worth realising they don't have any means of preventing conception so...unless she's very lucky, that girl is now pregnant. It's so easy in our modern age of easy availability of conraception to remember than even pre-1950s it wasn't that easy to obtain and sexual intercourse probably = pregnancy. You reaction "weren't you young once" kinda gives that away



agenttheater5

I know you have a long list of movies to go through, but just in case you ever get three free spaces on that list (can't guarantee an epic score like in this movie though), there's:

Gentleman's Agreement from 1947 starring Gregory Peck,Dorothy McGuire, John Garfield, Celetste Holm, June Havoc, Anne Revere, and Dean Stockwell, directed by Eliia Kazan, produced by Darryl F. Zanuck, based on a book by the same name by Laura Z. Hobson about a reporter who decides to pretend to be Jewish for a few weeks to write about anti-semitism in New York - Laura Z Hobson herself was Jewish, got the idea when a Senator referred to a reporter through an anti-semitic slur and no one else in the Senate called him out or demanded that he take that comment back. John Garfield was also Jewish

Home of the Brave from 1949 directed by Mark Robson, starring Douglas Dick, Jeff Corey, Llyd Bridges, Frank Lovejoy,Steve Brodie and James Edwards as the lead role (one of Hollywood's first African-American heartthrobs), based on a play by Arthur Laurents (who wrote the book for the original Broadway production of 'West Side Story' and directed it's 2009 Broadway revival at age 91 before he died), except that instead it being about the one jewish man in an army unit it's about the one African-American man in an army unit. Basically nothing in common with the 2006 movie 'Home of the Brave' apart from the title and the fact that it focuses on the US army.


No Way Out from 1950 directed by Joseph L. Mankiewicz, produced by Darryl F. Zanuck, starring Richard Widmark, Linda Darnell, Stephen McNally, Mildren Joanne Smith, Harry Bellaver, Stanely Ridges, Dots Johnson, and Sidney Poitier in the lead role though for some reason he was put on the 'with' title page of the opening credits, and also starring Ossie Davis and his wife Ruby Dee in some of their first roles though they got no credit for it even though they had speaking liens in all of their scenes. It was one of Poitier's first big roles. IT's about a young African-American doctor who has to treat two racist white small-time crook brothers and is accused of killing one out of revenge for the slurs the other was shouting at him when he was giving him a spinal tap.

Great movies and performances



Dreamfox 1701

Why were they so scared of the samurai? This was still the time when samurai could kill a peasant for the slightest provocation, real or imagined. Though it depended how the local lord reacted to that in terms of (if) a stranger samurai or ronin getting punished for it, the peasant would still be dead. And most of the time the punishment was minimal.

Why did the wife run back into the burning house? Shame of what had been done to her. She could exist with it, but not in face of her husband. Of course neither was at fault, this was all the bandits doing. Still, facing her husband was too much for her.

Fighting on horseback. Watch a video from the Spanish Riding School in Vienna, Austria. Watch their trick riding and then think on what happens if they do that on the battlefield.

The original 'Magnificent Seven' was a good adaption as adaptions go. Another was 'For a fistful of dollars' which was adapted from Akira Kurosawa's 'Yojimbo', which had been adapted again as 'Last Man standing' I've seen all three, but I can barely remember having seen 'Last Man standing'. It captured nothing of the original and is forgettable. While 'For a fistful of dollars' kept what it could, changed what was necessary and the main character was memorable. Nothing against Bruce Willis, but he had nothing to work with in 'Last Man standing'.
As for the latest remake of the 'Magnificent Seven'... I might have watched it despite the changes I heard about, but if the movie has to tell me in the outtro that they were magnificent? That sounds to me that they weren't that magnificent in the movie.
With 'Seven Samurai' and 'Yojimbo' we have two cases on how to adapt a movie and how not.
Mind that Akira Kurosawa is no stranger to adapting stories from the west. His movie 'Ran' is an samurai adaption of William Shakespeare's 'King Lear'.

I consider 'Seven Samurai' on of the essential Akira Kurosawa movies. The others are 'Rashomon', 'Yojimbo' and 'Hidden Fortress'.



Drew Dederer

Kurosawa knew just how good he was by the time this was made. The last time he had gotten in real trouble with a studio was back around 51' when he turned in a 4 hour version of Dostoevsky's "The Idiot", the studio wanted him to cut it in half, he suggested lengthwise and went fishing (figuring he's be on the shelf for several months). His pole broke almost immediately and he stumbled home where his wife met him at the door with "congratulations" (ok "Omedetto" but you get the idea), Rashomon had just won the golden Lion at the Venice film festival, he was not unemployed for long.

Toho was especially testy about overruns on this film because they were making "Godzilla" at the same time (Takeshi Shimura had staring roles in both), and that was also VERY expensive.

Spielberg (and Lucas and several others) were big fans of Kurosawa. Notice how the scene where the master swordsman is shot is very close to the sniper scene in "Saving Private Ryan", and the panning shot of the Samurai running through the barley, is duplicated by the hunters in the grass in "The Lost World".

Mifune was originally cast as the master swordsman, his bad riding is very much "acting" he was amazing on a horse, see his scene in "The Hidden Fortress". The actual master swordsman was built out of editing tricks, he had no fencing training at all.

For Samurai movies from Kurosawa.
Hidden Fortress: (straight action and a lot of things Lucas stole for Star Wars)
Yojimbo: (Beget "Fistful of Dollars" which beget the Spaghetti western).
Sanjuro: (a slightly comic sequel to Yojimbo)

Ran: (his last really great film, King Lear with Samurai)

From earlier.
Stray Dog: (Shimura and Mifune are Cops in Occupied Japan hunting down the man who stole Mifune's gun)
Ikiru: (Shimura alone this time, as a man determined to make up for wasting his life.)



All comments from YouTube:

Leonard Rehm

I attended the University of Illinois at the same time as Roger Ebert. He wrote reviews for the Daily Illini newspaper and I enjoyed reading them. One summer I had to stay in school so I decided to see every movie that came to town that summer. I would often see Roger at the same movies. Near the end of the summer I was walking on campus and Roger came up to me. He said something about knowing I liked movies and suggested there was a really good movie showing at one of the halls on campus. I thanked him and went to see "The Seven Samurai" and it is still my all time favorite movie.

Bleep Bloop

The reason why Shino and Katsushiro did not end up together and why Rikichi's wife did what she did are embodied by the mentality of Shino's father. He believes that women "must keep their purity and integrity intact"; but this standard of purity is established by men, and not by the women themselves. His actions of trying to maintain this "purity culture" (i.e. cutting off Shino's hair and sl*t-shaming her) are never glorified in the film. It is his type of mindset that has ruined completely healthy relationships and Akira Kurosawa does a masterful job of criticizing this type of culture that still affects Japan today.

Movies With Mia

Yes! So well put! I think that was one of my favorite parts of this film!

Feel the Bern

I also love Hidden Fortress which was inspiration for Star Wars. Toshiro Mifune is truly the wise master swordsman that inspired Obi Wan Kenobi. You view the story through the eyes of two peasants Tahei and Matashichi who are the inspiration for C3PO and R2D2. You have the princess leading the rebellion. The duel between the master and his nemesis. It opens with a battle raging which all Star Wars movies adopted. Love it.

Bjhex

You're being very kind with the term "inspiration".😉 A lot of centenary celebrations of Mifune's birth had to be cancelled or postponed in 2020 due to the pandemic. But there is a great documentary about his life, and sadly tragic last years.

Steve D

wow. Rare to see anyone react to a Kurosawa film, let alone someone of a younger generation. Bravo to you. I own all his films. Pure genius storytelling.

Feliks Gailitis

The Seven Samurai is one of the greatest movies of all time. I have seen it over 30 times, never get bored, and I always spot something I missed because Kurosawa filled his screen with little details easy to miss if you are not paying attention. Kurosawa treated each scene like an artist painting a canvas.

George Morley

The film is all the more extraordinary when you consider that Akira Kurosawa’s father was from a Samurai background. To make a warts and all, non-romanticised historical drama about samurai, some of whom have nothing but their honour to their name, against the backdrop of a culture where filial piety and obedience are of paramount importance, is comparable to a revolutionary act. No wonder Kurosawa was admired outside Japan but never truly considered a great artist by his own country. This film has it all.

George Morley

@Blue3 Well, one may take that approach. However, I wanted to leave no doubt as to my meaning.

Blue3

@George Morley You should ignore old Japanese people with extreme right-wing ideology. It's a waste of time.

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