Their music can be described as electronic club music with heavy beats, reminiscent of both disco and funk, yet amplified to a sometimes abrasive level. Thrill Kill Kult reflected a shift where dance records could be ominous and aggressive, and they laced their music with riffs and references that would seem more at home in a heavy metal group. One of their most distinctive characteristics is their use of spoken-word samples lifted from B-movies and other sources.
Frankie Nardiello and Marston Daley met in the spring of 1987 while touring together with the band Ministry. Soon after, Nardiello and Daley began to conceive an art film to be called My Life With The Thrill Kill Kult - a headline taken from a British tabloid Nardiello had noted a few years prior when he lived in London. The film was never completed, but the music they had recorded for its soundtrack appealed to Wax Trax! Records, who released the completed songs as a three-track EP entitled My Life with the Thrill Kill Kult (1987).
Dubbing themselves Groovie Mann (Nardiello) and Buzz McCoy (Daley), they launched My Life With the Thrill Kill Kult. When the first EP sold well, a full length album, I See Good Spirits and I See Bad Spirits, followed in 1988. Both attracted attention from college radio stations and dancefloors, as well as religious groups who balked at the overtly occult imagery in both the music and the artwork of the releases.
The group continued to stoke controversy with each subsequent release, which included a 12-inch single entitled Some Have to Dance... Some Have to Kill (1988), and they became even more popular with release of the 12-inch single Kooler Than Jesus (1989). Wax Trax! Records combined the first EP and these two singles and released it as a compilation entitled Kooler Than Jesus in 1989.
Nardiello and Daley recruited Thomas Thorn (aka Buck Ryder) to play keyboards and administer samples on the band's first tour. Brian Gillespie (aka Skip Town) from The Five and later Concussion Ensemble played a classic Slingerland Silver Sparkle drum set with sample triggers. The live act also featured female backup singers referred to as "The Bomb Gang Girlz", among the first of whom were Jackie Blaque, Rhonda Bond and Kitty Killdare.
Thrill Kill Kult's second album, Confessions of a Knife... (1990), became one of the best-selling releases on Wax Trax!, and continued to goad parental groups with song titles like A Daisy Chain 4 Satan and Rivers of Blood, Years of Darkness. The band released a cassette entitled El Infierno (1990) that showcased live disco versions of darker TKK songs from the 1989 Inferno Xpress tour.
The Thrill Kill Kult kept adding a revolving cast of characters to their stage show that, over the years, has included no wave chanteuse Lydia Lunch, bassist Charles Levi, guitarist William Tucker, Chris "Curse" Mackey from the bands Evil Mothers and Grim Faeries, Lady Galore from Lords of Acid (who appeared in TKK as Cherrie Blue), and a great number of artists, sound technicians, musicians, and filmmakers. Creatively, however, the core of the band has always been Nardiello and Daley, both on record and in the live act.
The "Sexplosion!" tour in 1991 achieved a particularly notorious reputation. In addition to being interestingly staged, featuring an actual bar and bartender onstage with the band, the show also featured a male/female duo known as Ten and Avaluscious White, who appeared onstage dressed in a number of different guises. At one point, Ten was dressed as Jesus strapped to a cross and featuring a large black dildo or alternately a large sausage between his legs, while Avaluscious White dress as a demon girl simulated oral sex on him. This created controversy and protest in a number of American locations, adding to the band's notoriety.
Thomas Thorn departed in 1991 from the live act to form his own band, The Electric Hellfire Club, which embraced the overtly Satanic themes My Life With the Thrill Kill Kult had only flirted with.
Thrill Kill Kult left Wax Trax! Records after their third album, Sexplosion! (1991), surpassed Confessions of a Knife... to become the biggest seller on the imprint, and major label Interscope Records took notice. TKK signed to Interscope, which re-released Sexplosion! and garnered the band their most familiar alternative radio hit, Sex On Wheelz. Their following two albums, 13 Above the Night (1993) and Hit & Run Holiday (1995), were recorded for Interscope until they parted with the label in 1996. The band's subsequent album A Crime For All Seasons (1997) was released on Red Ant Records.
Rykodisc became the band's next and most current home after putting out the remix compilation Dirty Little Secrets: Music to STRIP by... (1999). In 2001, the album The Reincarnation of Luna appeared on their own Sleazebox Records imprint, distributed by Invisible Records. The band released a companion piece to the album called Golden Pillz: The Luna Remixes (2002), as well as a live album called Elektrik Inferno Live (2002).
Rykodisc eventually released My Life With the Thrill Kill Kult's entire back catalog, as well as a new "best-of" compilation, a non-stop mega mix/remix album featuring mash-ups of tracks from different eras called Diamonds & Daggerz (2004), and a long-unreleased project entitled Gay, Black and Married (2005). TTK released another studio album entitled The Filthiest Show In Town in 2007.
In 2008, the band's own SleazeBox Records joined forces with Italy's Rustblade label and released more TKK albums: the remix album Blood + Dope + Sin + Gold (2008), studio album Death Threat (2009), and the compilation album Sinister Whisperz: Wax Trax Years (1987-1991) (2010).
In the summer of 2010, the band once again hit the road with Lords of Acid, with whom they toured on the Sextacy Ball Tour in 1995. The 2010 tour was originally titled Sextacy Ball 2, but was changed to the Sextreme Ball for legal reasons.
In 2012, My Life with the Thrill Kill Kult announced their 25 year anniversary tour covering over 30 dates in the USA tour featuring direct support by Left Spine Down.
In 2014, they released Spooky Tricks on SleazeBox Records. The band toured the United States for the album from May to July of 2014- playing a total of 29 dates. The band later played five shows in California from September to November in support of their older Wax Trax! material (1987-1991) and some tracks from Spooky Tricks.
On the first day of 2015, TTK released a new single entitled La Mere Vipere on their official label site Sleazebox.com. A new album is being prepared for a release in 2016.
Current Members:
Groovie Mann
Buzz McCoy
Charles Levi
Justin Thyme (aka Justin Bennett)
Westin Halvorson
Previous Members:
Jacky Blacque
Shawn Christopher
Davey Dasher
Sekret Dame DeZyre
Brett Frana
Dick Fury
Kitty Killdare
Linda LeSabre
Lydia Lunch
Otto Matix
Ruth McArdle
Sinderella Pussy
Arena Rock
Pepper Somerset
Brian St. Clair
Skip Towne
Thomas Thorn
William Tucker
Discography:
1987 - My Life with the Thrill Kill Kult (EP)
1988 - I See Good Spirits and I See Bad Spirits (LP)
1988 - Some Have to Dance... Some Have to Kill (EP)
1989 - Kooler Than Jesus (EP)
1989 - Kooler Than Jesus (single)
1990 - A Girl Doesn't Get Killed by a Make-Believe Lover... 'Cuz It's Hot (single)
1990 - Confessions of a Knife... (LP)
1990 - El Infierno (live)
1991 - Naïve / The Days of Swine + Roses (split with KMFDM)
1991 - Sexplosion! (LP)
1991 - Sexplosion! (single)
1992 - Sex on Wheelz (single)
1993 - 13 Above the Night (LP)
1993 - Blue Buddha (single)
1993 - Final Blindness (single)
1994 - Hit & Run Holiday (single)
1995 - Hit & Run Holiday (LP)
1997 - A Crime for All Seasons (LP)
1997 - Sexy Sucker (single)
1998 - Some Have to Dance... Some Have to Kill (promo)
1999 - Dirty Little Secrets: Music to STRIP by... (remix)
2001 - The Reincarnation of Luna (LP)
2002 - Golden Pillz: The Luna Remixes (remix)
2002 - Elektrik Inferno Live (live)
2004 - My Life with the Thrill Kill Kult (compilation)
2004 - The Beast of TKK (compilation)
2004 - Diamonds & Daggerz (LP)
2005 - Gay, Black, and Married (LP)
2005 - My Life Remixed: A Remix Tribute to My Life With the Thrill Kill Kult (remix)
2007 - The Filthiest Show In Town (LP)
2007 - Blood + Dope + Sin + Gold (remix)
2007 - The Resurrection of Luna (LP)
2009 - Death Threat (LP)
2010 - Sinister Whisperz: Wax Trax Years (1987-1991) (compilation)
2014 - Spooky Tricks (LP)
2015 - La Mere Vipere (single)
The International Sin Set
My Life with the Thrill Kill Kult Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
I don't hurt anybody by working in the garden
I don't hurt anybody by just running around at night
I don't hurt anybody!
I just want to be myself
The heat is on
Watch out baby
Watch out baby, here we come
The heat is on
Watch out baby
The heat is on
Yeah we're wild and on the run
The International Sin Set
A scene of crime
It's hot when you're in
The International Sin Set
For international sin
Didn't somebody tie you up the other day?
Yeah
Why did they tie you up?
â??Cause I said i was leaving
Didn't somebody tie you up the other day?
Yeah, I was forced to stay some place like a slave
Sounds real groovy and the house is smooth
There's a devil on the floor and he wants to groove
To the cool rude rhythm of a dangerous beat
He's shakin' up your body to confuse your feet
We'll it's time to move it
So let's get to it
Trippin' to the bass ya know it makes me want to do it
With the ladies of lust that you'll never forget
Keep on pumpin' to the rhythm of the jammin' sin set
The lyrics to My Life with the Thrill Kill Kult's song The International Sin Set, express the singer's intention to be true to themselves and not hurt anyone whilst doing so. The lyrics state that they don't hurt anyone by walking barefoot, working in the garden or running around at night - these are all things that could be considered 'outside of the norm'. The singer is saying that they just want to be themselves and not hurt anyone in the process. The chorus, "The heat is on, watch out baby, here we come, yeah, we're wild and on the run, The International Sin Set", adds to the theme of being true to oneself by promoting a carefree and adventurous lifestyle. The line "a scene of crime, it's hot when you're in, the International Sin Set, for international sin" implies that those who live outside of the norm are seen as criminals, but that they are also admired for their adventurous lifestyle.
The following lines "didn't somebody tie you up the other day? Yeah, why did they tie you up? 'Cause I said I was leaving" suggest that those who live outside of the norm are sometimes faced with resistance, and possibly even danger from those who do not understand or accept them. The lyrics, "There's a devil on the floor and he wants to groove, to the cool rude rhythm of a dangerous beat, he's shakin' up your body to confuse your feet" imply that those who live outside of the norm are often considered dangerous or even devilish. However, the following lines "We'll it's time to move it, so let's get to it, trippin' to the bass ya know it makes me want to do it, with the ladies of lust that you'll never forget" suggest that the singer is not willing to conform to societal norms and will continue to live their life with excitement and adventure.
Line by Line Meaning
I don't hurt anybody by walking barefoot
My choice to be barefoot does not harm anyone
I don't hurt anybody by working in the garden
My gardening does not harm anyone
I don't hurt anybody by just running around at night
My nighttime activities do not harm anyone
I don't hurt anybody!
I just want to be myself
I mean no harm to anyone, I just want to be true to myself
The heat is on
Watch out baby
The heat is on
Watch out baby, here we come
The heat is on
Watch out baby
The heat is on
Yeah we're wild and on the run
The International Sin Set
We are a wild and adventurous group, alert and ready to explore the world full of temptation and sin.
A scene of crime
It's hot when you're in
The International Sin Set
For international sin
Being in the world of sinful activities is exciting and thrilling, and we are here for it.
Didn't somebody tie you up the other day?
Yeah
Why did they tie you up?
'Cause I said I was leaving
Didn't somebody tie you up the other day?
Yeah, I was forced to stay someplace like a slave
I was once trapped in a situation where I wanted to leave but was made physically captive for expressing my desire to leave
Sounds real groovy and the house is smooth
There's a devil on the floor and he wants to groove
To the cool rude rhythm of a dangerous beat
He's shakin' up your body to confuse your feet
We'll it's time to move it
So let's get to it
The environment is alluring, with the presence of the devil himself, leading one to let loose and dance to the dangerous rhythm
Trippin' to the bass ya know it makes me want to do it
With the ladies of lust that you'll never forget
Keep on pumpin' to the rhythm of the jammin' sin set
The enticing sound of the bass, combined with the allure of lustful women, compels me to keep dancing and indulging in sinful activities
Lyrics © BMG Rights Management
Written by: FRANK NARDIELLO, MARSTON DALEY
Lyrics Licensed & Provided by LyricFind
Viva Nova
on Waiting For Mommie
I always thought it was "HOT ASS over here" It Works for ME XOXV