N'To was born in Marseille in 1985. His love story with music started in hi… Read Full Bio ↴N'To was born in Marseille in 1985. His love story with music started in his early childhood with his parents icons. He started learning guitar when he was ten years old and could never give up making music since then.
After beeing a 70's rock lover for years, one day, he discovered something he never heard before, that was Underworld (everything everything). This masterpiece of techno music opened him to techno and electronic musics. Since 2004 N'To produces his own electro music, while he never stopped making all other kinds of music.
Influenced by minimal and techno artists such as James Holden, Extrawelt and Stephan Bodzin, his electronic working is recognizable by his using of smoothy melodies surrounded by efficient minimal rhythms.
He also composes more hip/trip hop and accoustic music.
French: N’To est né à Marseille en 1985, il fait partie de la nouvelle vague d’artistes de la musique électronique qui ne passe pas par la case DJ, mais qui se lance directement dans la production. Âgé de 22 ans, il a déjà été traversé, perturbé, par plusieurs courants musicaux, le rock des années 70 laisse chez lui une trace indélébile. Mais c’est avec « Everything everything » d’Underworld qu'il s'ouvre à la musique électronique ; N’to va en faire son moyen d’expression privilégié, sans pour autant négliger d’autres formes telles que le hip/trip hop et la musique acoustique. On peut reconnaître dans son travail des influences sonores qui viennent de la planète « Border », ou encore du créateur de génie qu’est Stephan Bodzin. Mais N’To émet un son qui lui est propre, des sonorités pointillistes, rapides, une rythmique tapageuse, travaillée à l’extrême. Il déstructure les sons, trahit nos habitudes, et livre au final quelque chose d’absolument cohérent, au-delà de nos attentes.
Influences: Underworld
Pink Floyd
Extrawelt
James Holden
Modeselektor
Thomas Schumacher
Stephan Bodzin
Paul K
Hug
Trentemoller
Claude Von Stroke
Audion
Chardronnet
Jona
Booka Shade
Guy Gerber
Dusty Kid
Kollektiv Turmstrasse.
After beeing a 70's rock lover for years, one day, he discovered something he never heard before, that was Underworld (everything everything). This masterpiece of techno music opened him to techno and electronic musics. Since 2004 N'To produces his own electro music, while he never stopped making all other kinds of music.
Influenced by minimal and techno artists such as James Holden, Extrawelt and Stephan Bodzin, his electronic working is recognizable by his using of smoothy melodies surrounded by efficient minimal rhythms.
He also composes more hip/trip hop and accoustic music.
French: N’To est né à Marseille en 1985, il fait partie de la nouvelle vague d’artistes de la musique électronique qui ne passe pas par la case DJ, mais qui se lance directement dans la production. Âgé de 22 ans, il a déjà été traversé, perturbé, par plusieurs courants musicaux, le rock des années 70 laisse chez lui une trace indélébile. Mais c’est avec « Everything everything » d’Underworld qu'il s'ouvre à la musique électronique ; N’to va en faire son moyen d’expression privilégié, sans pour autant négliger d’autres formes telles que le hip/trip hop et la musique acoustique. On peut reconnaître dans son travail des influences sonores qui viennent de la planète « Border », ou encore du créateur de génie qu’est Stephan Bodzin. Mais N’To émet un son qui lui est propre, des sonorités pointillistes, rapides, une rythmique tapageuse, travaillée à l’extrême. Il déstructure les sons, trahit nos habitudes, et livre au final quelque chose d’absolument cohérent, au-delà de nos attentes.
Influences: Underworld
Pink Floyd
Extrawelt
James Holden
Modeselektor
Thomas Schumacher
Stephan Bodzin
Paul K
Hug
Trentemoller
Claude Von Stroke
Audion
Chardronnet
Jona
Booka Shade
Guy Gerber
Dusty Kid
Kollektiv Turmstrasse.
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@blackyraypatrick9041
'Beatchanges' at:
drum sound and beginning
1:00 (+ clicksound)
1:30 (+ bass)
2:00 (Full Bass)
2:30 (+ hi hat)
3:00 (restart)
3:30 (+ hi hat)
4:00 (- bass)
4:15 (+xylophone sound)
5:00 (+ Bass)
(some short sounds in between)
6 (+ xylophone sound)
6:30 (+ siren)
7:00 (- bass)
7:30 (+ harmony sound? ;D)
8:00 (+new bass)
8:25 (+ siren)
8:55 (just Background)
9:00 (just Bass with light background)
9:35 (just bass)
10:00 End
0:01 hear again!
@zingrock
Auto-playlist from the gods...:
#1 Trauma - N'to (Worakls remix)
#2 Bleu - Worakls
#3 Reykjavik - Joachim Pastor
#4 Salzburg - Worakls
#5 The Old Gods - Paji
#6 Toi - Worakls
#7 Kenia - Joachim Pastor
#8 Syria - Unders
#9 Mind - Blown.
@blackyraypatrick9041
'Beatchanges' at:
drum sound and beginning
1:00 (+ clicksound)
1:30 (+ bass)
2:00 (Full Bass)
2:30 (+ hi hat)
3:00 (restart)
3:30 (+ hi hat)
4:00 (- bass)
4:15 (+xylophone sound)
5:00 (+ Bass)
(some short sounds in between)
6 (+ xylophone sound)
6:30 (+ siren)
7:00 (- bass)
7:30 (+ harmony sound? ;D)
8:00 (+new bass)
8:25 (+ siren)
8:55 (just Background)
9:00 (just Bass with light background)
9:35 (just bass)
10:00 End
0:01 hear again!
@arceras
You're a genius man !!
@blackyraypatrick9041
What why? ^^
I was just drinking a beer and hearing the song while writing this^^
@tlrgaming2131
I would clap but it's not possible through youtube
@SkawaHD
TLR GAMING ill help you Clapclap
@BiMiHi
Patrick Seitz I was drinking beer while reading it :P toast
@1000mantinis
Biggest drops comes at every minute- 1:00 2:00 3:00 6:00 ......
Smaller 0:30 1:30 2:30 3:30 6:30 ............
Smallest 0:15 0:45 1:15 2:45 6:45 ..........
really interesting
@killthewall101
+4 Sans Team / Dr Benga (Enzo Chaillou) actually because its 128 bpm which means 16 bars are 15 seconds long, standard dance tempo and also easy to mix
@rettweissenfels184
+Kill The Wall what? 128 bpm is like 1.75 or something seconds per bar.... 120 bpm is 2 seconds per bar. which makes 16 bars 32 seconds.
@killthewall101
+Rett Weissenfels I meant to write 15, for some reason i wrote 16 ps. 16 bars in 120 is 16 seconds not 32