Nana Mouskouri (Greek: Νάνα Μούσχουρη, born Ioanna Mouskouri at October 13,… Read Full Bio ↴Nana Mouskouri (Greek: Νάνα Μούσχουρη, born Ioanna Mouskouri at October 13, 1934, in Chania, Crete, Greece) is a Greek singer and politician. She was known as Nana to her friends and family as a child. She is the world's highest-selling female recording artist, having sold over 300 million albums in fifteen languages, including Greek, French, English, Spanish, Italian, German, Latin, and Portuguese, over 450 albums. She is France's number one selling artist. She is noted for her trademark black-rimmed eyeglasses and her songs of melancholy, longing, and sentimental musings upon love, for which the emotion of her voice is exceptionally suited. Mouskouri has recorded from the 1960s into the new millennium. She has tailored releases to specific international markets with tremendous success, having acquired more than 230 gold and platinum albums worldwide.
Mouskouri's family lived in Canée, Crete, where her father, Constantin, worked as a film projectionist in a local cinema. Her mother, Alice also worked in the same local cinema as an usherette. When Mouskouri was three, Constantin moved the family to Athens. Mouskouri's family worked extremely hard in order to send Nana and her elder sister, Jenny, to the prestigious Athens Conservatoire. Mouskouri had displayed exceptional musical talent from the age of 6. However her sister, Jenny, appeared to be more the more gifted of the two. In fact Mouskouri only had one 'working' vocal chord (rather than the normal two). This a rare condition gives her voice its particularly original timbre.
Mouskouri's childhood was colored by the Nazi occupation of Greece. Her father became part of the Nazi resistance movement in Athens. Mouskouri began singing lessons at age 12. Despite the flaw in her vocal cords, Mouskouri took singing lessons regularly. During the Nazi German occupation, her family no longer had the financial means to pay for her singing lessons. But her teacher saw that she had a certain talent and continued to give her lessons free of charge. As a child, she listened to radio broadcasts of American jazz singers such as Frank Sinatra, Ella Fitzgerald, and Billie Holiday as well as French chanson stars like Edith Piaf.
In 1950, she was accepted at the Conservatoire. She studied classical music with an emphasis on singing opera. The young Mouskouri committed herself into classical music studies with a passion, perfecting her vocals with extraordinary self-discipline as well as taking piano and harmony classes. After 8 years at the Conservatoire, Mouskouri was encouraged by her friends to experiment with jazz music. She soon began singing with her friends' jazz group at night and they even managed to get a radio slot. However, when Mouskouri's Conservatory professor found out about Mouskouri's involvement with a genre of music that he considered to be absolutely worthless, he flew into a fury and prevented her from sitting her end of year exams. Consequently, the Conservatoire expelled her. Mouskouri's dreams of becoming an opera singer were dashed.
Mouskouri left the Conservatoire and began performing at the Zaki club in Athens. She began singing jazz in nightclubs with a bias on Ella Fitzgerald repertory. It was at the Zaki in 1958 that Mouskouri met the famous Greek composer Manos Hadjidakis. Hadjidakis was immensely impressed by Nana’s original voice and immediately offered to write songs for her. He became her mentor. In 1959 Mouskouri performed Hadjidakis' Kapou Iparchi Agapi Mou (co-written with poet Nikos Gatsos) at the inaugural Greek Song Festival. The song won first prize, and Mouskouri began to be noticed. At the 1960 Greek Song Festival, she performed two more Hadjidakis compositions, Timoria and Kiparissaki. Both these songs tied for first prize. Mouskouri soon ventured further and participated at the Mediterranean Song Festival, held in Barcelona where she performed Kostas Yannidis' composition Xypna Agapi Mou. The song won first prize. Her wins attracted interest from several international record companies. Mouskouri wound up signed a recording contract with the Paris-based Philips-Fontana axis.
In 1961, Mouskouri performed the soundtrack of a German documentary about Greece. This resulted in the German-language single Weisse Rosen aus Athen ("The White Rose of Athens"). The song was originally adapted from a folk melody by Hadjidakis. It became an enormous hit, selling over a million copies in Germany. The song was later translated into several different languages and it went on to become one of Mouskouri's signature tunes. Mouskouri married Yorgos Petsilas in 1961. Mouskouri and Petsilas have two children, son, Nicolas born in February 1968 and daughter, Hélène born in 1970. In 1974, Mouskouri and Petsilas separated and she moved to Geneva, Switzerland. In 1975, Mouskouri and Petsilas were officially divorced.
In 1962, she met renowned American song producer Quincy Jones. Jones got her to go to New York to record an album of American jazz titled, The Girl From Greece Sings. Following that she scored another hit in the United Kingdom with My Colouring Book.
In 1963, she left Greece to live permanently in Paris, France. Mouskouri performed Luxembourg's entry in the Eurovision Song Contest that year, À Force de Prier. The song became an international hit, and helped win her the prestigious Grand Prix du Disque in France. Mouskouri soon attracted the attention of French composer Michel Legrand, who composed her two major French hits Les Parapluies de Cherbourg (1964) and L'Enfant au Tambour (1965).
In 1965, she recorded her second English-language album that was released in the United States entitled, Nana Sings. Jamaican-American Calypso musician Harry Belafonte heard and liked the album. Belafonte brought Mouskouri on tour with him through 1966. They teamed for a live duo album entitled, An Evening With Belafonte/Mouskouri. During this tour, Belafonte told Mouskouri to remove her signature black-rimmed glasses when on stage. She was so unhappy with the request that she wanted to quit the show after only two days. Finally, Belafonte relented and respected her wishes to perform with her glasses.
Mouskouri's 1967 French album Le Jour Où la Colombe ascended her to superstardom in France. This album featured many of her French songs, Au Coeur de Septembre, Adieu Angélina, Robe Bleue, Robe Blanche and the French pop classic Le Temps des Cerises. Her rendition of Guantanamera was very well received. Mouskouri made her first appearance at Paris' legendary Olympia concert theater in 1967, with a repertoire blending French pop, Greek folk, and Hadjidakis numbers.
In 1968, Mouskouri turned her attention to the British market and hosted a variety show called Nana and Guests. In 1969, she released her first full-length British LP, Over and Over. It became a smash hit that spent almost two years on the U.K. charts. Mouskouri spent much of the 1970s on the road which helped to broaden her worldwide popularity to levels. In France, she released a series of top-selling albums that included Comme un Soleil, Une Voix Qui Vient du Coeur, Vielles Chansons de France, and Quand Tu Chantes. She also recorded a successful version of Habanera, from Bizet's opera Carmen. She continued to release highly received albums in Europe, including her 1975 album Sieben Schwarze Rosen which was a significant success in Germany, and her English-language album Book of Songs that sold millions of copies worldwide.
In 1979, Mouskouri had another English-language album named Roses and Sunshine. This album was very well received in Canada. She scored a worldwide hit in 1981 with Je Chante Avec Toi, Liberté, which was translated into several languages after its widespread success in France. The momentum from this album also helped boost her following German album, Meine Lieder Sind Meine Liebe. In 1984, Mouskouri returned to Greece for her first live performance in her homeland since 1962.
In 1986, Mouskouri recorded Only Love, the theme song to a BBC TV series that went on to top the U.K. charts. The song was also a hit with its French version, L'Amour en Héritage. That same year, Mouskouri made a play for the Spanish-language market with the hit single Con Todo el Alma. The song was a major success in Spain, Argentina and Chile. She released five albums in different languages in 1987, and the following year returned to her classical conservatory roots with the double LP The Classical Nana (aka Nana Classique), which featured some of her favorite opera excerpts.
Mouskouri's 1991 English album, Only Love: The Best of Nana Mouskouri became her best-selling release in the United States. She spent much of the 1990s with her rigorous global touring schedule. Among her early 1990s albums were spiritual music, Gospel (1990), the Spanish-language Nuestras Canciones, the multilingual, Mediterranean-themed Côté Sud, Côté Coeur (1992), Dix Mille Ans Encore, Falling in Love Again: Great Songs From the Movies. Falling in Love reunited her with Harry Belafonte on two songs.
She recorded several more albums over 1996-1997, including the Spanish Nana Latina (which featured duets with Julio Iglesias and Mercedes Sosa), the English-language Return to Love, and the French pop classics, Hommages. In 1997, she staged a high-profile Concert for Peace at the Cathedral of St. John the Divine in New York. This concert was later released as an album, and aired as a TV special on PBS in the U.S.
Mouskouri was appointed a UNICEF Goodwill Ambassador in October 1993 [1]. She took over from the previous ambassador, American actress Audrey Hepburn. Mouskouri's first U.N. mission took her to Bosnia to draw attention to the plight of children affected by Bosnian war. She was deeply moved by her experience in Bosnia and went on to give a series of fund-raising concerts in Sweden and Belgium.
Mouskouri represented Greece in the European Parliament from 1994 until 1999 as a member of the largely conservative New Democracy party.
In 1993, Nana recorded a new album, Hollywood. It was produced by Michel Legrand. Hollywood was a collection of famous film songs. It served was not only a tribute to the world of cinema, but also as a personal reference to childhood memories of sitting with her father in his projection room in Crete.
Between December 11-14, 1997, Mouskouri gave four triumphant performances at the Olympia in Paris to celebrate the 40th anniversary of her singing career. Also in 1997, Mouskouri resigned from her position as a European MP. She explained that a fervent pacifist, she refused to back wars.
Mouskouri currently lives in Switzerland with her second husband, André Chapelle whom she married on January 13, 2003. She still performs about 100 concerts each year. In 2004, her French record company released an unprecedented 34-CD box set of more than 600 of Mouskouri's mostly French songs.
For 2005 and 2007, she plans a farewell concert tour of Europe, Australia, Asia, South America, the United States, and Canada. During an interview with The Australian newspaper, when asked why this would be her final concert series, Mouskouri said she wanted to retire on a high note. "I never thought that I would grow that old. It is better really to stop while you are standing well on your feet. I just want to be proud and in very good form and thank the audience for all this love," she said.
Mouskouri's family lived in Canée, Crete, where her father, Constantin, worked as a film projectionist in a local cinema. Her mother, Alice also worked in the same local cinema as an usherette. When Mouskouri was three, Constantin moved the family to Athens. Mouskouri's family worked extremely hard in order to send Nana and her elder sister, Jenny, to the prestigious Athens Conservatoire. Mouskouri had displayed exceptional musical talent from the age of 6. However her sister, Jenny, appeared to be more the more gifted of the two. In fact Mouskouri only had one 'working' vocal chord (rather than the normal two). This a rare condition gives her voice its particularly original timbre.
Mouskouri's childhood was colored by the Nazi occupation of Greece. Her father became part of the Nazi resistance movement in Athens. Mouskouri began singing lessons at age 12. Despite the flaw in her vocal cords, Mouskouri took singing lessons regularly. During the Nazi German occupation, her family no longer had the financial means to pay for her singing lessons. But her teacher saw that she had a certain talent and continued to give her lessons free of charge. As a child, she listened to radio broadcasts of American jazz singers such as Frank Sinatra, Ella Fitzgerald, and Billie Holiday as well as French chanson stars like Edith Piaf.
In 1950, she was accepted at the Conservatoire. She studied classical music with an emphasis on singing opera. The young Mouskouri committed herself into classical music studies with a passion, perfecting her vocals with extraordinary self-discipline as well as taking piano and harmony classes. After 8 years at the Conservatoire, Mouskouri was encouraged by her friends to experiment with jazz music. She soon began singing with her friends' jazz group at night and they even managed to get a radio slot. However, when Mouskouri's Conservatory professor found out about Mouskouri's involvement with a genre of music that he considered to be absolutely worthless, he flew into a fury and prevented her from sitting her end of year exams. Consequently, the Conservatoire expelled her. Mouskouri's dreams of becoming an opera singer were dashed.
Mouskouri left the Conservatoire and began performing at the Zaki club in Athens. She began singing jazz in nightclubs with a bias on Ella Fitzgerald repertory. It was at the Zaki in 1958 that Mouskouri met the famous Greek composer Manos Hadjidakis. Hadjidakis was immensely impressed by Nana’s original voice and immediately offered to write songs for her. He became her mentor. In 1959 Mouskouri performed Hadjidakis' Kapou Iparchi Agapi Mou (co-written with poet Nikos Gatsos) at the inaugural Greek Song Festival. The song won first prize, and Mouskouri began to be noticed. At the 1960 Greek Song Festival, she performed two more Hadjidakis compositions, Timoria and Kiparissaki. Both these songs tied for first prize. Mouskouri soon ventured further and participated at the Mediterranean Song Festival, held in Barcelona where she performed Kostas Yannidis' composition Xypna Agapi Mou. The song won first prize. Her wins attracted interest from several international record companies. Mouskouri wound up signed a recording contract with the Paris-based Philips-Fontana axis.
In 1961, Mouskouri performed the soundtrack of a German documentary about Greece. This resulted in the German-language single Weisse Rosen aus Athen ("The White Rose of Athens"). The song was originally adapted from a folk melody by Hadjidakis. It became an enormous hit, selling over a million copies in Germany. The song was later translated into several different languages and it went on to become one of Mouskouri's signature tunes. Mouskouri married Yorgos Petsilas in 1961. Mouskouri and Petsilas have two children, son, Nicolas born in February 1968 and daughter, Hélène born in 1970. In 1974, Mouskouri and Petsilas separated and she moved to Geneva, Switzerland. In 1975, Mouskouri and Petsilas were officially divorced.
In 1962, she met renowned American song producer Quincy Jones. Jones got her to go to New York to record an album of American jazz titled, The Girl From Greece Sings. Following that she scored another hit in the United Kingdom with My Colouring Book.
In 1963, she left Greece to live permanently in Paris, France. Mouskouri performed Luxembourg's entry in the Eurovision Song Contest that year, À Force de Prier. The song became an international hit, and helped win her the prestigious Grand Prix du Disque in France. Mouskouri soon attracted the attention of French composer Michel Legrand, who composed her two major French hits Les Parapluies de Cherbourg (1964) and L'Enfant au Tambour (1965).
In 1965, she recorded her second English-language album that was released in the United States entitled, Nana Sings. Jamaican-American Calypso musician Harry Belafonte heard and liked the album. Belafonte brought Mouskouri on tour with him through 1966. They teamed for a live duo album entitled, An Evening With Belafonte/Mouskouri. During this tour, Belafonte told Mouskouri to remove her signature black-rimmed glasses when on stage. She was so unhappy with the request that she wanted to quit the show after only two days. Finally, Belafonte relented and respected her wishes to perform with her glasses.
Mouskouri's 1967 French album Le Jour Où la Colombe ascended her to superstardom in France. This album featured many of her French songs, Au Coeur de Septembre, Adieu Angélina, Robe Bleue, Robe Blanche and the French pop classic Le Temps des Cerises. Her rendition of Guantanamera was very well received. Mouskouri made her first appearance at Paris' legendary Olympia concert theater in 1967, with a repertoire blending French pop, Greek folk, and Hadjidakis numbers.
In 1968, Mouskouri turned her attention to the British market and hosted a variety show called Nana and Guests. In 1969, she released her first full-length British LP, Over and Over. It became a smash hit that spent almost two years on the U.K. charts. Mouskouri spent much of the 1970s on the road which helped to broaden her worldwide popularity to levels. In France, she released a series of top-selling albums that included Comme un Soleil, Une Voix Qui Vient du Coeur, Vielles Chansons de France, and Quand Tu Chantes. She also recorded a successful version of Habanera, from Bizet's opera Carmen. She continued to release highly received albums in Europe, including her 1975 album Sieben Schwarze Rosen which was a significant success in Germany, and her English-language album Book of Songs that sold millions of copies worldwide.
In 1979, Mouskouri had another English-language album named Roses and Sunshine. This album was very well received in Canada. She scored a worldwide hit in 1981 with Je Chante Avec Toi, Liberté, which was translated into several languages after its widespread success in France. The momentum from this album also helped boost her following German album, Meine Lieder Sind Meine Liebe. In 1984, Mouskouri returned to Greece for her first live performance in her homeland since 1962.
In 1986, Mouskouri recorded Only Love, the theme song to a BBC TV series that went on to top the U.K. charts. The song was also a hit with its French version, L'Amour en Héritage. That same year, Mouskouri made a play for the Spanish-language market with the hit single Con Todo el Alma. The song was a major success in Spain, Argentina and Chile. She released five albums in different languages in 1987, and the following year returned to her classical conservatory roots with the double LP The Classical Nana (aka Nana Classique), which featured some of her favorite opera excerpts.
Mouskouri's 1991 English album, Only Love: The Best of Nana Mouskouri became her best-selling release in the United States. She spent much of the 1990s with her rigorous global touring schedule. Among her early 1990s albums were spiritual music, Gospel (1990), the Spanish-language Nuestras Canciones, the multilingual, Mediterranean-themed Côté Sud, Côté Coeur (1992), Dix Mille Ans Encore, Falling in Love Again: Great Songs From the Movies. Falling in Love reunited her with Harry Belafonte on two songs.
She recorded several more albums over 1996-1997, including the Spanish Nana Latina (which featured duets with Julio Iglesias and Mercedes Sosa), the English-language Return to Love, and the French pop classics, Hommages. In 1997, she staged a high-profile Concert for Peace at the Cathedral of St. John the Divine in New York. This concert was later released as an album, and aired as a TV special on PBS in the U.S.
Mouskouri was appointed a UNICEF Goodwill Ambassador in October 1993 [1]. She took over from the previous ambassador, American actress Audrey Hepburn. Mouskouri's first U.N. mission took her to Bosnia to draw attention to the plight of children affected by Bosnian war. She was deeply moved by her experience in Bosnia and went on to give a series of fund-raising concerts in Sweden and Belgium.
Mouskouri represented Greece in the European Parliament from 1994 until 1999 as a member of the largely conservative New Democracy party.
In 1993, Nana recorded a new album, Hollywood. It was produced by Michel Legrand. Hollywood was a collection of famous film songs. It served was not only a tribute to the world of cinema, but also as a personal reference to childhood memories of sitting with her father in his projection room in Crete.
Between December 11-14, 1997, Mouskouri gave four triumphant performances at the Olympia in Paris to celebrate the 40th anniversary of her singing career. Also in 1997, Mouskouri resigned from her position as a European MP. She explained that a fervent pacifist, she refused to back wars.
Mouskouri currently lives in Switzerland with her second husband, André Chapelle whom she married on January 13, 2003. She still performs about 100 concerts each year. In 2004, her French record company released an unprecedented 34-CD box set of more than 600 of Mouskouri's mostly French songs.
For 2005 and 2007, she plans a farewell concert tour of Europe, Australia, Asia, South America, the United States, and Canada. During an interview with The Australian newspaper, when asked why this would be her final concert series, Mouskouri said she wanted to retire on a high note. "I never thought that I would grow that old. It is better really to stop while you are standing well on your feet. I just want to be proud and in very good form and thank the audience for all this love," she said.
Beauty and the Beast
Nana Mouskouri Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
Tale as old as time
True as it can be
Barely even friends
Then somebody bent unexpectedly
Just a little change
Small to say the least
Both a little scared
Neither one prepared
Beauty and the beast
Ever just the same
Ever as surprised
Ever as before
And ever just assure
As the sun will rise
Ever just the same
Ever as surprised
Ever as before
And ever just assure
As the sun will rise
Tale as old as time
Tune as old as song
Bitter, sweet and strange
Finding you can change
Learning you were wrong
Certain as the sun
(Certain as the sun)
Rising in the east
(Tale as old as time)
Song as old as rhyme
Beauty and the beast
Tale as old as time
Song as old as rhyme
Beauty and the beast
Beauty and the beast
True as it can be
Barely even friends
Then somebody bent unexpectedly
Just a little change
Small to say the least
Both a little scared
Beauty and the beast
Ever just the same
Ever as surprised
Ever as before
And ever just assure
As the sun will rise
Ever just the same
Ever as surprised
Ever as before
And ever just assure
As the sun will rise
Tale as old as time
Tune as old as song
Bitter, sweet and strange
Finding you can change
Learning you were wrong
Certain as the sun
(Certain as the sun)
Rising in the east
(Tale as old as time)
Song as old as rhyme
Beauty and the beast
Tale as old as time
Song as old as rhyme
Beauty and the beast
Beauty and the beast
The song Beauty and the Beast is one of the most beloved Disney movie songs of all time. The lyrics narrate a tale as old as time, with the iconic lines "Tale as old as time, tune as old as song." It seems to be a predictable love story, but Nana Mouskouri's soulful voice adds a sense of depth and vulnerability to the lyrics, making them even more poignant. The song speaks to the idea that love can come from the most unexpected and unlikely of places, with Beauty and the Beast being vastly different, yet they find love in each other.
The verse "Ever just the same, ever as surprised, ever as before, and ever just assure, as the sun will rise" is a poetic way of emphasising the timeless nature of love. Love can be unpredictable, yet it remains constant through the ages, like the rising sun. The chorus repeats the idea of how Beauty and the Beast's love story is a tale as old as time and a song as old as rhyme.
In summary, Nana Mouskouri's rendition of Beauty and the Beast reiterates the idea that love transcends boundaries and can come from the most unexpected of places; it is a timeless, ageless and universal emotion.
Line by Line Meaning
Tale as old as time
The story of love and transformation is as old as human existence.
True as it can be
This love is genuine and honest.
Barely even friends
They hardly know each other.
Then somebody bent unexpectedly
But something unexpected happened to change their relationship.
Just a little change
It was a small and subtle shift that caused this transformation.
Small to say the least
Even though it was small, it was significant.
Both a little scared
They were both afraid of what this change might mean.
Neither one prepared
Neither of them was ready for this change.
Ever just the same
Despite this change, their love and commitment remains constant.
Ever as surprised
They are both still amazed by what has happened between them.
Ever as before
Their love is still as pure as when it began.
And ever just assure
They are both confident in their love and devotion to one another.
As the sun will rise
Their love is as certain and dependable as the coming of the sun.
Tune as old as song
This story is as timeless and classic as any old song.
Bitter, sweet, and strange
Their love is a mix of joy and sadness, as well as uncertainty and mystery.
Finding you can change
They have discovered that true love has the power to change everything.
Learning you were wrong
They have both realized that their preconceived notions about love and relationships were incorrect.
Certain as the sun
Their love is just as certain and dependable as the sunrise each morning.
Rising in the east
The rising sun is a metaphor for their love, which is beginning a new chapter in their lives.
Beauty and the beast
This is a story about two people who have fundamentally different backgrounds and outlooks on life, yet have found love with each other.
Song as old as rhyme
Their tale is so timeless and classic, it could be told in any language or culture.
Beauty and the beast
Their love is the beauty that has tamed the beast within each of them.
Lyrics © Sony/ATV Music Publishing LLC
Written by: DAVID BOWIE
Lyrics Licensed & Provided by LyricFind
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@jean-jacquessimon6703
Très belle adaptation, voix et orchestration de Michel Legrand.