Nana Mouskouri (Greek: Νάνα Μούσχουρη, born Ioanna Mouskouri at October 13,… Read Full Bio ↴Nana Mouskouri (Greek: Νάνα Μούσχουρη, born Ioanna Mouskouri at October 13, 1934, in Chania, Crete, Greece) is a Greek singer and politician. She was known as Nana to her friends and family as a child. She is the world's highest-selling female recording artist, having sold over 300 million albums in fifteen languages, including Greek, French, English, Spanish, Italian, German, Latin, and Portuguese, over 450 albums. She is France's number one selling artist. She is noted for her trademark black-rimmed eyeglasses and her songs of melancholy, longing, and sentimental musings upon love, for which the emotion of her voice is exceptionally suited. Mouskouri has recorded from the 1960s into the new millennium. She has tailored releases to specific international markets with tremendous success, having acquired more than 230 gold and platinum albums worldwide.
Mouskouri's family lived in Canée, Crete, where her father, Constantin, worked as a film projectionist in a local cinema. Her mother, Alice also worked in the same local cinema as an usherette. When Mouskouri was three, Constantin moved the family to Athens. Mouskouri's family worked extremely hard in order to send Nana and her elder sister, Jenny, to the prestigious Athens Conservatoire. Mouskouri had displayed exceptional musical talent from the age of 6. However her sister, Jenny, appeared to be more the more gifted of the two. In fact Mouskouri only had one 'working' vocal chord (rather than the normal two). This a rare condition gives her voice its particularly original timbre.
Mouskouri's childhood was colored by the Nazi occupation of Greece. Her father became part of the Nazi resistance movement in Athens. Mouskouri began singing lessons at age 12. Despite the flaw in her vocal cords, Mouskouri took singing lessons regularly. During the Nazi German occupation, her family no longer had the financial means to pay for her singing lessons. But her teacher saw that she had a certain talent and continued to give her lessons free of charge. As a child, she listened to radio broadcasts of American jazz singers such as Frank Sinatra, Ella Fitzgerald, and Billie Holiday as well as French chanson stars like Edith Piaf.
In 1950, she was accepted at the Conservatoire. She studied classical music with an emphasis on singing opera. The young Mouskouri committed herself into classical music studies with a passion, perfecting her vocals with extraordinary self-discipline as well as taking piano and harmony classes. After 8 years at the Conservatoire, Mouskouri was encouraged by her friends to experiment with jazz music. She soon began singing with her friends' jazz group at night and they even managed to get a radio slot. However, when Mouskouri's Conservatory professor found out about Mouskouri's involvement with a genre of music that he considered to be absolutely worthless, he flew into a fury and prevented her from sitting her end of year exams. Consequently, the Conservatoire expelled her. Mouskouri's dreams of becoming an opera singer were dashed.
Mouskouri left the Conservatoire and began performing at the Zaki club in Athens. She began singing jazz in nightclubs with a bias on Ella Fitzgerald repertory. It was at the Zaki in 1958 that Mouskouri met the famous Greek composer Manos Hadjidakis. Hadjidakis was immensely impressed by Nana’s original voice and immediately offered to write songs for her. He became her mentor. In 1959 Mouskouri performed Hadjidakis' Kapou Iparchi Agapi Mou (co-written with poet Nikos Gatsos) at the inaugural Greek Song Festival. The song won first prize, and Mouskouri began to be noticed. At the 1960 Greek Song Festival, she performed two more Hadjidakis compositions, Timoria and Kiparissaki. Both these songs tied for first prize. Mouskouri soon ventured further and participated at the Mediterranean Song Festival, held in Barcelona where she performed Kostas Yannidis' composition Xypna Agapi Mou. The song won first prize. Her wins attracted interest from several international record companies. Mouskouri wound up signed a recording contract with the Paris-based Philips-Fontana axis.
In 1961, Mouskouri performed the soundtrack of a German documentary about Greece. This resulted in the German-language single Weisse Rosen aus Athen ("The White Rose of Athens"). The song was originally adapted from a folk melody by Hadjidakis. It became an enormous hit, selling over a million copies in Germany. The song was later translated into several different languages and it went on to become one of Mouskouri's signature tunes. Mouskouri married Yorgos Petsilas in 1961. Mouskouri and Petsilas have two children, son, Nicolas born in February 1968 and daughter, Hélène born in 1970. In 1974, Mouskouri and Petsilas separated and she moved to Geneva, Switzerland. In 1975, Mouskouri and Petsilas were officially divorced.
In 1962, she met renowned American song producer Quincy Jones. Jones got her to go to New York to record an album of American jazz titled, The Girl From Greece Sings. Following that she scored another hit in the United Kingdom with My Colouring Book.
In 1963, she left Greece to live permanently in Paris, France. Mouskouri performed Luxembourg's entry in the Eurovision Song Contest that year, À Force de Prier. The song became an international hit, and helped win her the prestigious Grand Prix du Disque in France. Mouskouri soon attracted the attention of French composer Michel Legrand, who composed her two major French hits Les Parapluies de Cherbourg (1964) and L'Enfant au Tambour (1965).
In 1965, she recorded her second English-language album that was released in the United States entitled, Nana Sings. Jamaican-American Calypso musician Harry Belafonte heard and liked the album. Belafonte brought Mouskouri on tour with him through 1966. They teamed for a live duo album entitled, An Evening With Belafonte/Mouskouri. During this tour, Belafonte told Mouskouri to remove her signature black-rimmed glasses when on stage. She was so unhappy with the request that she wanted to quit the show after only two days. Finally, Belafonte relented and respected her wishes to perform with her glasses.
Mouskouri's 1967 French album Le Jour Où la Colombe ascended her to superstardom in France. This album featured many of her French songs, Au Coeur de Septembre, Adieu Angélina, Robe Bleue, Robe Blanche and the French pop classic Le Temps des Cerises. Her rendition of Guantanamera was very well received. Mouskouri made her first appearance at Paris' legendary Olympia concert theater in 1967, with a repertoire blending French pop, Greek folk, and Hadjidakis numbers.
In 1968, Mouskouri turned her attention to the British market and hosted a variety show called Nana and Guests. In 1969, she released her first full-length British LP, Over and Over. It became a smash hit that spent almost two years on the U.K. charts. Mouskouri spent much of the 1970s on the road which helped to broaden her worldwide popularity to levels. In France, she released a series of top-selling albums that included Comme un Soleil, Une Voix Qui Vient du Coeur, Vielles Chansons de France, and Quand Tu Chantes. She also recorded a successful version of Habanera, from Bizet's opera Carmen. She continued to release highly received albums in Europe, including her 1975 album Sieben Schwarze Rosen which was a significant success in Germany, and her English-language album Book of Songs that sold millions of copies worldwide.
In 1979, Mouskouri had another English-language album named Roses and Sunshine. This album was very well received in Canada. She scored a worldwide hit in 1981 with Je Chante Avec Toi, Liberté, which was translated into several languages after its widespread success in France. The momentum from this album also helped boost her following German album, Meine Lieder Sind Meine Liebe. In 1984, Mouskouri returned to Greece for her first live performance in her homeland since 1962.
In 1986, Mouskouri recorded Only Love, the theme song to a BBC TV series that went on to top the U.K. charts. The song was also a hit with its French version, L'Amour en Héritage. That same year, Mouskouri made a play for the Spanish-language market with the hit single Con Todo el Alma. The song was a major success in Spain, Argentina and Chile. She released five albums in different languages in 1987, and the following year returned to her classical conservatory roots with the double LP The Classical Nana (aka Nana Classique), which featured some of her favorite opera excerpts.
Mouskouri's 1991 English album, Only Love: The Best of Nana Mouskouri became her best-selling release in the United States. She spent much of the 1990s with her rigorous global touring schedule. Among her early 1990s albums were spiritual music, Gospel (1990), the Spanish-language Nuestras Canciones, the multilingual, Mediterranean-themed Côté Sud, Côté Coeur (1992), Dix Mille Ans Encore, Falling in Love Again: Great Songs From the Movies. Falling in Love reunited her with Harry Belafonte on two songs.
She recorded several more albums over 1996-1997, including the Spanish Nana Latina (which featured duets with Julio Iglesias and Mercedes Sosa), the English-language Return to Love, and the French pop classics, Hommages. In 1997, she staged a high-profile Concert for Peace at the Cathedral of St. John the Divine in New York. This concert was later released as an album, and aired as a TV special on PBS in the U.S.
Mouskouri was appointed a UNICEF Goodwill Ambassador in October 1993 [1]. She took over from the previous ambassador, American actress Audrey Hepburn. Mouskouri's first U.N. mission took her to Bosnia to draw attention to the plight of children affected by Bosnian war. She was deeply moved by her experience in Bosnia and went on to give a series of fund-raising concerts in Sweden and Belgium.
Mouskouri represented Greece in the European Parliament from 1994 until 1999 as a member of the largely conservative New Democracy party.
In 1993, Nana recorded a new album, Hollywood. It was produced by Michel Legrand. Hollywood was a collection of famous film songs. It served was not only a tribute to the world of cinema, but also as a personal reference to childhood memories of sitting with her father in his projection room in Crete.
Between December 11-14, 1997, Mouskouri gave four triumphant performances at the Olympia in Paris to celebrate the 40th anniversary of her singing career. Also in 1997, Mouskouri resigned from her position as a European MP. She explained that a fervent pacifist, she refused to back wars.
Mouskouri currently lives in Switzerland with her second husband, André Chapelle whom she married on January 13, 2003. She still performs about 100 concerts each year. In 2004, her French record company released an unprecedented 34-CD box set of more than 600 of Mouskouri's mostly French songs.
For 2005 and 2007, she plans a farewell concert tour of Europe, Australia, Asia, South America, the United States, and Canada. During an interview with The Australian newspaper, when asked why this would be her final concert series, Mouskouri said she wanted to retire on a high note. "I never thought that I would grow that old. It is better really to stop while you are standing well on your feet. I just want to be proud and in very good form and thank the audience for all this love," she said.
Mouskouri's family lived in Canée, Crete, where her father, Constantin, worked as a film projectionist in a local cinema. Her mother, Alice also worked in the same local cinema as an usherette. When Mouskouri was three, Constantin moved the family to Athens. Mouskouri's family worked extremely hard in order to send Nana and her elder sister, Jenny, to the prestigious Athens Conservatoire. Mouskouri had displayed exceptional musical talent from the age of 6. However her sister, Jenny, appeared to be more the more gifted of the two. In fact Mouskouri only had one 'working' vocal chord (rather than the normal two). This a rare condition gives her voice its particularly original timbre.
Mouskouri's childhood was colored by the Nazi occupation of Greece. Her father became part of the Nazi resistance movement in Athens. Mouskouri began singing lessons at age 12. Despite the flaw in her vocal cords, Mouskouri took singing lessons regularly. During the Nazi German occupation, her family no longer had the financial means to pay for her singing lessons. But her teacher saw that she had a certain talent and continued to give her lessons free of charge. As a child, she listened to radio broadcasts of American jazz singers such as Frank Sinatra, Ella Fitzgerald, and Billie Holiday as well as French chanson stars like Edith Piaf.
In 1950, she was accepted at the Conservatoire. She studied classical music with an emphasis on singing opera. The young Mouskouri committed herself into classical music studies with a passion, perfecting her vocals with extraordinary self-discipline as well as taking piano and harmony classes. After 8 years at the Conservatoire, Mouskouri was encouraged by her friends to experiment with jazz music. She soon began singing with her friends' jazz group at night and they even managed to get a radio slot. However, when Mouskouri's Conservatory professor found out about Mouskouri's involvement with a genre of music that he considered to be absolutely worthless, he flew into a fury and prevented her from sitting her end of year exams. Consequently, the Conservatoire expelled her. Mouskouri's dreams of becoming an opera singer were dashed.
Mouskouri left the Conservatoire and began performing at the Zaki club in Athens. She began singing jazz in nightclubs with a bias on Ella Fitzgerald repertory. It was at the Zaki in 1958 that Mouskouri met the famous Greek composer Manos Hadjidakis. Hadjidakis was immensely impressed by Nana’s original voice and immediately offered to write songs for her. He became her mentor. In 1959 Mouskouri performed Hadjidakis' Kapou Iparchi Agapi Mou (co-written with poet Nikos Gatsos) at the inaugural Greek Song Festival. The song won first prize, and Mouskouri began to be noticed. At the 1960 Greek Song Festival, she performed two more Hadjidakis compositions, Timoria and Kiparissaki. Both these songs tied for first prize. Mouskouri soon ventured further and participated at the Mediterranean Song Festival, held in Barcelona where she performed Kostas Yannidis' composition Xypna Agapi Mou. The song won first prize. Her wins attracted interest from several international record companies. Mouskouri wound up signed a recording contract with the Paris-based Philips-Fontana axis.
In 1961, Mouskouri performed the soundtrack of a German documentary about Greece. This resulted in the German-language single Weisse Rosen aus Athen ("The White Rose of Athens"). The song was originally adapted from a folk melody by Hadjidakis. It became an enormous hit, selling over a million copies in Germany. The song was later translated into several different languages and it went on to become one of Mouskouri's signature tunes. Mouskouri married Yorgos Petsilas in 1961. Mouskouri and Petsilas have two children, son, Nicolas born in February 1968 and daughter, Hélène born in 1970. In 1974, Mouskouri and Petsilas separated and she moved to Geneva, Switzerland. In 1975, Mouskouri and Petsilas were officially divorced.
In 1962, she met renowned American song producer Quincy Jones. Jones got her to go to New York to record an album of American jazz titled, The Girl From Greece Sings. Following that she scored another hit in the United Kingdom with My Colouring Book.
In 1963, she left Greece to live permanently in Paris, France. Mouskouri performed Luxembourg's entry in the Eurovision Song Contest that year, À Force de Prier. The song became an international hit, and helped win her the prestigious Grand Prix du Disque in France. Mouskouri soon attracted the attention of French composer Michel Legrand, who composed her two major French hits Les Parapluies de Cherbourg (1964) and L'Enfant au Tambour (1965).
In 1965, she recorded her second English-language album that was released in the United States entitled, Nana Sings. Jamaican-American Calypso musician Harry Belafonte heard and liked the album. Belafonte brought Mouskouri on tour with him through 1966. They teamed for a live duo album entitled, An Evening With Belafonte/Mouskouri. During this tour, Belafonte told Mouskouri to remove her signature black-rimmed glasses when on stage. She was so unhappy with the request that she wanted to quit the show after only two days. Finally, Belafonte relented and respected her wishes to perform with her glasses.
Mouskouri's 1967 French album Le Jour Où la Colombe ascended her to superstardom in France. This album featured many of her French songs, Au Coeur de Septembre, Adieu Angélina, Robe Bleue, Robe Blanche and the French pop classic Le Temps des Cerises. Her rendition of Guantanamera was very well received. Mouskouri made her first appearance at Paris' legendary Olympia concert theater in 1967, with a repertoire blending French pop, Greek folk, and Hadjidakis numbers.
In 1968, Mouskouri turned her attention to the British market and hosted a variety show called Nana and Guests. In 1969, she released her first full-length British LP, Over and Over. It became a smash hit that spent almost two years on the U.K. charts. Mouskouri spent much of the 1970s on the road which helped to broaden her worldwide popularity to levels. In France, she released a series of top-selling albums that included Comme un Soleil, Une Voix Qui Vient du Coeur, Vielles Chansons de France, and Quand Tu Chantes. She also recorded a successful version of Habanera, from Bizet's opera Carmen. She continued to release highly received albums in Europe, including her 1975 album Sieben Schwarze Rosen which was a significant success in Germany, and her English-language album Book of Songs that sold millions of copies worldwide.
In 1979, Mouskouri had another English-language album named Roses and Sunshine. This album was very well received in Canada. She scored a worldwide hit in 1981 with Je Chante Avec Toi, Liberté, which was translated into several languages after its widespread success in France. The momentum from this album also helped boost her following German album, Meine Lieder Sind Meine Liebe. In 1984, Mouskouri returned to Greece for her first live performance in her homeland since 1962.
In 1986, Mouskouri recorded Only Love, the theme song to a BBC TV series that went on to top the U.K. charts. The song was also a hit with its French version, L'Amour en Héritage. That same year, Mouskouri made a play for the Spanish-language market with the hit single Con Todo el Alma. The song was a major success in Spain, Argentina and Chile. She released five albums in different languages in 1987, and the following year returned to her classical conservatory roots with the double LP The Classical Nana (aka Nana Classique), which featured some of her favorite opera excerpts.
Mouskouri's 1991 English album, Only Love: The Best of Nana Mouskouri became her best-selling release in the United States. She spent much of the 1990s with her rigorous global touring schedule. Among her early 1990s albums were spiritual music, Gospel (1990), the Spanish-language Nuestras Canciones, the multilingual, Mediterranean-themed Côté Sud, Côté Coeur (1992), Dix Mille Ans Encore, Falling in Love Again: Great Songs From the Movies. Falling in Love reunited her with Harry Belafonte on two songs.
She recorded several more albums over 1996-1997, including the Spanish Nana Latina (which featured duets with Julio Iglesias and Mercedes Sosa), the English-language Return to Love, and the French pop classics, Hommages. In 1997, she staged a high-profile Concert for Peace at the Cathedral of St. John the Divine in New York. This concert was later released as an album, and aired as a TV special on PBS in the U.S.
Mouskouri was appointed a UNICEF Goodwill Ambassador in October 1993 [1]. She took over from the previous ambassador, American actress Audrey Hepburn. Mouskouri's first U.N. mission took her to Bosnia to draw attention to the plight of children affected by Bosnian war. She was deeply moved by her experience in Bosnia and went on to give a series of fund-raising concerts in Sweden and Belgium.
Mouskouri represented Greece in the European Parliament from 1994 until 1999 as a member of the largely conservative New Democracy party.
In 1993, Nana recorded a new album, Hollywood. It was produced by Michel Legrand. Hollywood was a collection of famous film songs. It served was not only a tribute to the world of cinema, but also as a personal reference to childhood memories of sitting with her father in his projection room in Crete.
Between December 11-14, 1997, Mouskouri gave four triumphant performances at the Olympia in Paris to celebrate the 40th anniversary of her singing career. Also in 1997, Mouskouri resigned from her position as a European MP. She explained that a fervent pacifist, she refused to back wars.
Mouskouri currently lives in Switzerland with her second husband, André Chapelle whom she married on January 13, 2003. She still performs about 100 concerts each year. In 2004, her French record company released an unprecedented 34-CD box set of more than 600 of Mouskouri's mostly French songs.
For 2005 and 2007, she plans a farewell concert tour of Europe, Australia, Asia, South America, the United States, and Canada. During an interview with The Australian newspaper, when asked why this would be her final concert series, Mouskouri said she wanted to retire on a high note. "I never thought that I would grow that old. It is better really to stop while you are standing well on your feet. I just want to be proud and in very good form and thank the audience for all this love," she said.
Bougeotte Boogie
Nana Mouskouri Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
Il a dans la tte
Des ides temptes
Des bateaux et des ballons
Il ne tient en place
Que dans un espace
De douze heures vol d'avion
Crois-tu qu'il m'emmne
Quand il se promne
Non
Le monde est immense
Et quand on y pense
Il est beaucoup trop petit
Il voudrait connatre
Toutes les plantes
Les bornes de l'infini
Si je ne l'arrte
Quand il se promne
Oui
Il a la bougeotte, le boogie
Il aime bouger, le boogie
Victime de la danse de Saint Guy
C'est tout le contraire d'un yogi
Il vient et il va
Tu le crois l
Il est dj beaucoup plus loin
Il a la bougeotte, le boogie
Il aime bouger, le boogie
Victime de la danse de Saint Guy
C'est tout le contraire d'un yogi
Il vient et il va
Tu le crois l
Il est dj beaucoup plus loin
Parmi le dsordre
Il prend le Concorde
Dans un rve, ou dans un train
Coup de tlphone
Depuis Barcelone
L'Amazone ou le Kremlin
Crois-tu qu'il me dise
Viens, fais ta valise
Viens
Et quand on l'y mne
Ce voyou bohme
Cet habitant de partout
Qui se dit fidle
Mais qu'une hirondelle
Peut rencontrer n'importe tout
Qu'est-ce qu'il faut attendre
De son regard tendre
Tout
Il a la bougeotte, le boogie
Il aime bouger, le boogie
Victime de la danse de Saint Guy
C'est tout le contraire d'un yogi
Il vient et il va
Tu le crois l
Il est dj beaucoup plus loin
Il a la bougeotte, le boogie
Il aime bouger, le boogie
Victime de la danse de Saint Guy
C'est tout le contraire d'un yogi
Il vient et il va
Tu le crois l
Il est dj beaucoup plus loin
Dou li lou la
Dou li lou la
Dou li lou la
Da
Dou li lou la
Dou li lou la
Dou li lou la
Da
Dou
Dou li lou la
Dou li lou la
Dou li lou la
Da
Dou li lou la
Dou li lou la
Dou li lou la
Da
Dou
Tu l'as, tu l'as, le boogie
Tu l'as, tu l'as, le boogie
Tu l'as, tu l'as, le boogie
Tu l'as, tu l'as, le boogie
Des ides temptes
Des bateaux et des ballons
Il ne tient en place
Que dans un espace
De douze heures vol d'avion
Crois-tu qu'il m'emmne
Quand il se promne
Le monde est immense
Et quand on y pense
Il est beaucoup trop petit
Il voudrait connatre
Toutes les plantes
Les bornes de l'infini
Si je ne l'arrte
Quand il se promne
Oui
Il a la bougeotte, le boogie
Il aime bouger, le boogie
Victime de la danse de Saint Guy
C'est tout le contraire d'un yogi
Il vient et il va
Tu le crois l
Il est dj beaucoup plus loin
Il a la bougeotte, le boogie
Il aime bouger, le boogie
Victime de la danse de Saint Guy
C'est tout le contraire d'un yogi
Il vient et il va
Tu le crois l
Il est dj beaucoup plus loin
Parmi le dsordre
Il prend le Concorde
Dans un rve, ou dans un train
Coup de tlphone
Depuis Barcelone
L'Amazone ou le Kremlin
Crois-tu qu'il me dise
Viens, fais ta valise
Viens
Et quand on l'y mne
Ce voyou bohme
Cet habitant de partout
Qui se dit fidle
Mais qu'une hirondelle
Peut rencontrer n'importe tout
Qu'est-ce qu'il faut attendre
De son regard tendre
Tout
Il a la bougeotte, le boogie
Il aime bouger, le boogie
Victime de la danse de Saint Guy
C'est tout le contraire d'un yogi
Il vient et il va
Tu le crois l
Il est dj beaucoup plus loin
Il a la bougeotte, le boogie
Il aime bouger, le boogie
Victime de la danse de Saint Guy
C'est tout le contraire d'un yogi
Il vient et il va
Tu le crois l
Il est dj beaucoup plus loin
Dou li lou la
Dou li lou la
Dou li lou la
Da
Dou li lou la
Dou li lou la
Dou li lou la
Da
Dou
Dou li lou la
Dou li lou la
Dou li lou la
Da
Dou li lou la
Dou li lou la
Dou li lou la
Da
Dou
Tu l'as, tu l'as, le boogie
Tu l'as, tu l'as, le boogie
Tu l'as, tu l'as, le boogie
Tu l'as, tu l'as, le boogie
The song Bougeotte Boogie by Nana Mouskouri is about a man who is always on the move and has many restless ideas. He is fascinated by ships and balloons and cannot stay still in one place for more than twelve hours of flight time. He dreams of exploring all the planets and discovering the boundaries of infinity. This man is depicted as a free spirit, a wandering bohemian who takes the Concorde and travels to far-off places like the Amazon and the Kremlin.
The singer talks about her relationship with this restless man who has "la bougeotte," which means he can't sit still. She wonders if he will ever take her with him when he goes travelling but realizes that he is always on the move and she will never be able to keep up with him. Despite his wild nature, the singer is drawn to him and his dreamy, adventurous spirit. She knows that she cannot tame him but is willing to be with him for as long as he will have her.
The song is a celebration of freedom and the desire for adventure. It encourages listeners to embrace their restless ideas and search for new experiences. The boogie in the title refers to the lively and upbeat rhythm of the song, which adds to its message of movement and excitement.
Line by Line Meaning
Il a dans la tte
He has in his head
Des ides temptes
Tangled ideas
Des bateaux et des ballons
Of boats and balloons
Il ne tient en place
He can't stand still
Que dans un espace
Only in a space
De douze heures vol d'avion
12 hours of airplane flight
Crois-tu qu'il m'emmne
Do you think he takes me
Quand il se promne
When he goes for a walk
Non
No
Le monde est immense
The world is immense
Et quand on y pense
And when you think about it
Il est beaucoup trop petit
It is much too small
Il voudrait connatre
He would like to know
Toutes les plantes
All the plants
Les bornes de l'infini
The limits of infinity
Si je ne l'arrte
If I don't stop him
Quand il se promne
When he goes for a walk
Oui
Yes
Il a la bougeotte, le boogie
He has the jitters, the boogie
Il aime bouger, le boogie
He likes to move, the boogie
Victime de la danse de Saint Guy
Victim of Saint Vitus' Dance
C'est tout le contraire d'un yogi
It's the complete opposite of a yogi
Il vient et il va
He comes and he goes
Tu le crois l
Do you believe him
Il est dj beaucoup plus loin
He's already much further
Parmi le dsordre
Amongst the disorder
Il prend le Concorde
He takes the Concorde
Dans un rve, ou dans un train
In a dream, or on a train
Coup de tlphone
Phone call
Depuis Barcelone
From Barcelona
L'Amazone ou le Kremlin
The Amazon or the Kremlin
Crois-tu qu'il me dise
Do you think he tells me
Viens, fais ta valise
Come, pack your bags
Viens
Come
Et quand on l'y mne
And when we take him there
Ce voyou bohme
This bohemian rascal
Cet habitant de partout
This inhabitant of everywhere
Qui se dit fidle
Who claims to be faithful
Mais qu'une hirondelle
But that a swallow
Peut rencontrer n'importe tout
Can meet anyone anywhere
Qu'est-ce qu'il faut attendre
What can we expect
De son regard tendre
From his tender gaze
Tout
Everything
Dou li lou la
Dou li lou la
Da
Da
Tu l'as, tu l'as, le boogie
You have it, you have the boogie
Lyrics © O/B/O APRA/AMCOS
Lyrics Licensed & Provided by LyricFind
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