Mouskouri's family lived in Canée, Crete, where her father, Constantin, worked as a film projectionist in a local cinema. Her mother, Alice also worked in the same local cinema as an usherette. When Mouskouri was three, Constantin moved the family to Athens. Mouskouri's family worked extremely hard in order to send Nana and her elder sister, Jenny, to the prestigious Athens Conservatoire. Mouskouri had displayed exceptional musical talent from the age of 6. However her sister, Jenny, appeared to be more the more gifted of the two. In fact Mouskouri only had one 'working' vocal chord (rather than the normal two). This a rare condition gives her voice its particularly original timbre.
Mouskouri's childhood was colored by the Nazi occupation of Greece. Her father became part of the Nazi resistance movement in Athens. Mouskouri began singing lessons at age 12. Despite the flaw in her vocal cords, Mouskouri took singing lessons regularly. During the Nazi German occupation, her family no longer had the financial means to pay for her singing lessons. But her teacher saw that she had a certain talent and continued to give her lessons free of charge. As a child, she listened to radio broadcasts of American jazz singers such as Frank Sinatra, Ella Fitzgerald, and Billie Holiday as well as French chanson stars like Edith Piaf.
In 1950, she was accepted at the Conservatoire. She studied classical music with an emphasis on singing opera. The young Mouskouri committed herself into classical music studies with a passion, perfecting her vocals with extraordinary self-discipline as well as taking piano and harmony classes. After 8 years at the Conservatoire, Mouskouri was encouraged by her friends to experiment with jazz music. She soon began singing with her friends' jazz group at night and they even managed to get a radio slot. However, when Mouskouri's Conservatory professor found out about Mouskouri's involvement with a genre of music that he considered to be absolutely worthless, he flew into a fury and prevented her from sitting her end of year exams. Consequently, the Conservatoire expelled her. Mouskouri's dreams of becoming an opera singer were dashed.
Mouskouri left the Conservatoire and began performing at the Zaki club in Athens. She began singing jazz in nightclubs with a bias on Ella Fitzgerald repertory. It was at the Zaki in 1958 that Mouskouri met the famous Greek composer Manos Hadjidakis. Hadjidakis was immensely impressed by Nana’s original voice and immediately offered to write songs for her. He became her mentor. In 1959 Mouskouri performed Hadjidakis' Kapou Iparchi Agapi Mou (co-written with poet Nikos Gatsos) at the inaugural Greek Song Festival. The song won first prize, and Mouskouri began to be noticed. At the 1960 Greek Song Festival, she performed two more Hadjidakis compositions, Timoria and Kiparissaki. Both these songs tied for first prize. Mouskouri soon ventured further and participated at the Mediterranean Song Festival, held in Barcelona where she performed Kostas Yannidis' composition Xypna Agapi Mou. The song won first prize. Her wins attracted interest from several international record companies. Mouskouri wound up signed a recording contract with the Paris-based Philips-Fontana axis.
In 1961, Mouskouri performed the soundtrack of a German documentary about Greece. This resulted in the German-language single Weisse Rosen aus Athen ("The White Rose of Athens"). The song was originally adapted from a folk melody by Hadjidakis. It became an enormous hit, selling over a million copies in Germany. The song was later translated into several different languages and it went on to become one of Mouskouri's signature tunes. Mouskouri married Yorgos Petsilas in 1961. Mouskouri and Petsilas have two children, son, Nicolas born in February 1968 and daughter, Hélène born in 1970. In 1974, Mouskouri and Petsilas separated and she moved to Geneva, Switzerland. In 1975, Mouskouri and Petsilas were officially divorced.
In 1962, she met renowned American song producer Quincy Jones. Jones got her to go to New York to record an album of American jazz titled, The Girl From Greece Sings. Following that she scored another hit in the United Kingdom with My Colouring Book.
In 1963, she left Greece to live permanently in Paris, France. Mouskouri performed Luxembourg's entry in the Eurovision Song Contest that year, À Force de Prier. The song became an international hit, and helped win her the prestigious Grand Prix du Disque in France. Mouskouri soon attracted the attention of French composer Michel Legrand, who composed her two major French hits Les Parapluies de Cherbourg (1964) and L'Enfant au Tambour (1965).
In 1965, she recorded her second English-language album that was released in the United States entitled, Nana Sings. Jamaican-American Calypso musician Harry Belafonte heard and liked the album. Belafonte brought Mouskouri on tour with him through 1966. They teamed for a live duo album entitled, An Evening With Belafonte/Mouskouri. During this tour, Belafonte told Mouskouri to remove her signature black-rimmed glasses when on stage. She was so unhappy with the request that she wanted to quit the show after only two days. Finally, Belafonte relented and respected her wishes to perform with her glasses.
Mouskouri's 1967 French album Le Jour Où la Colombe ascended her to superstardom in France. This album featured many of her French songs, Au Coeur de Septembre, Adieu Angélina, Robe Bleue, Robe Blanche and the French pop classic Le Temps des Cerises. Her rendition of Guantanamera was very well received. Mouskouri made her first appearance at Paris' legendary Olympia concert theater in 1967, with a repertoire blending French pop, Greek folk, and Hadjidakis numbers.
In 1968, Mouskouri turned her attention to the British market and hosted a variety show called Nana and Guests. In 1969, she released her first full-length British LP, Over and Over. It became a smash hit that spent almost two years on the U.K. charts. Mouskouri spent much of the 1970s on the road which helped to broaden her worldwide popularity to levels. In France, she released a series of top-selling albums that included Comme un Soleil, Une Voix Qui Vient du Coeur, Vielles Chansons de France, and Quand Tu Chantes. She also recorded a successful version of Habanera, from Bizet's opera Carmen. She continued to release highly received albums in Europe, including her 1975 album Sieben Schwarze Rosen which was a significant success in Germany, and her English-language album Book of Songs that sold millions of copies worldwide.
In 1979, Mouskouri had another English-language album named Roses and Sunshine. This album was very well received in Canada. She scored a worldwide hit in 1981 with Je Chante Avec Toi, Liberté, which was translated into several languages after its widespread success in France. The momentum from this album also helped boost her following German album, Meine Lieder Sind Meine Liebe. In 1984, Mouskouri returned to Greece for her first live performance in her homeland since 1962.
In 1986, Mouskouri recorded Only Love, the theme song to a BBC TV series that went on to top the U.K. charts. The song was also a hit with its French version, L'Amour en Héritage. That same year, Mouskouri made a play for the Spanish-language market with the hit single Con Todo el Alma. The song was a major success in Spain, Argentina and Chile. She released five albums in different languages in 1987, and the following year returned to her classical conservatory roots with the double LP The Classical Nana (aka Nana Classique), which featured some of her favorite opera excerpts.
Mouskouri's 1991 English album, Only Love: The Best of Nana Mouskouri became her best-selling release in the United States. She spent much of the 1990s with her rigorous global touring schedule. Among her early 1990s albums were spiritual music, Gospel (1990), the Spanish-language Nuestras Canciones, the multilingual, Mediterranean-themed Côté Sud, Côté Coeur (1992), Dix Mille Ans Encore, Falling in Love Again: Great Songs From the Movies. Falling in Love reunited her with Harry Belafonte on two songs.
She recorded several more albums over 1996-1997, including the Spanish Nana Latina (which featured duets with Julio Iglesias and Mercedes Sosa), the English-language Return to Love, and the French pop classics, Hommages. In 1997, she staged a high-profile Concert for Peace at the Cathedral of St. John the Divine in New York. This concert was later released as an album, and aired as a TV special on PBS in the U.S.
Mouskouri was appointed a UNICEF Goodwill Ambassador in October 1993 [1]. She took over from the previous ambassador, American actress Audrey Hepburn. Mouskouri's first U.N. mission took her to Bosnia to draw attention to the plight of children affected by Bosnian war. She was deeply moved by her experience in Bosnia and went on to give a series of fund-raising concerts in Sweden and Belgium.
Mouskouri represented Greece in the European Parliament from 1994 until 1999 as a member of the largely conservative New Democracy party.
In 1993, Nana recorded a new album, Hollywood. It was produced by Michel Legrand. Hollywood was a collection of famous film songs. It served was not only a tribute to the world of cinema, but also as a personal reference to childhood memories of sitting with her father in his projection room in Crete.
Between December 11-14, 1997, Mouskouri gave four triumphant performances at the Olympia in Paris to celebrate the 40th anniversary of her singing career. Also in 1997, Mouskouri resigned from her position as a European MP. She explained that a fervent pacifist, she refused to back wars.
Mouskouri currently lives in Switzerland with her second husband, André Chapelle whom she married on January 13, 2003. She still performs about 100 concerts each year. In 2004, her French record company released an unprecedented 34-CD box set of more than 600 of Mouskouri's mostly French songs.
For 2005 and 2007, she plans a farewell concert tour of Europe, Australia, Asia, South America, the United States, and Canada. During an interview with The Australian newspaper, when asked why this would be her final concert series, Mouskouri said she wanted to retire on a high note. "I never thought that I would grow that old. It is better really to stop while you are standing well on your feet. I just want to be proud and in very good form and thank the audience for all this love," she said.
Early One Morning
Nana Mouskouri Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
I heard a maid sing in the valley below
"Oh don't deceive me, Oh never leave me,
How could you use, a poor maiden so?"
Remember the vows that you made to me truly
Remember how tenderly you nestled close to me
Gay is the garland, fresh are the roses
I've culled from the garden to bind over thee.
Here I now wander alone as I wonder
Why did you leave me to sigh and complain
I ask of the roses, why should I be forsaken,
Why must I here in sorrow remain?
Through yonder grove, by the spring that is running
There you and I have so merrily played,
Kissing and courting and gently sporting
Oh, my innocent heart you've betrayed
How could you slight so a pretty girl who loves you
A pretty girl who loves you so dearly and warm?
Though love's folly is surely but a fancy,
Still it should prove to me sweeter than your scorn.
Soon you will meet with another pretty maiden
Some pretty maiden, you'll court her for a while,
Thus ever ranging, turning and changing
Always seeking for a girl that is new.
Thus sang the maiden, her sorrows bewailing
Thus sang the poor maid in the valley below
"Oh don't deceive me, Oh never leave me,
How could you use, a poor maiden so?"
The song Early One Morning by Nana Mouskouri tells the story of a sad and betrayed young maiden who is left alone after her lover abandons her. As she wanders through the valley in the early morning, she hears the birds singing and the roses blooming, but all she can think of is the pain she feels in her heart. She remembers the promises made by her lover when they were together and wonders how he could break them so easily. She questions why she has been forsaken and left to suffer in sorrow.
The lyrics also explore the themes of youth, innocence, foolishness, and the transience of love. The maiden laments her betrayed innocence and her foolishness for believing in her lover's promises. She knows that love is fleeting, and people have a tendency to seek out new partners, just like her lover did. However, she still clings to the hope that love can be sweeter than the pain of rejection and scorn.
Overall, the song is a melancholic ballad that captures the essence of lost love, the sadness of betrayal, and the yearning for love's return.
Line by Line Meaning
Early one morning, just as the sun was rising
At dawn, I heard a maiden singing in the valley below.
"Oh don't deceive me, Oh never leave me,
Never betray my love, and never abandon me.
How could you use, a poor maiden so?"
Why would you take advantage of a poor girl like me?
Remember the vows that you made to me truly
Remember the promises you made to me.
Remember how tenderly you nestled close to me
Remember how deeply we cared for each other.
Gay is the garland, fresh are the roses
I picked fresh flowers to adorn you with.
I've culled from the garden to bind over thee.
I gathered them to show you my affection.
Here I now wander alone as I wonder
I wander alone and wonder why you left me.
Why did you leave me to sigh and complain
Why did you abandon me to suffer and complain?
I ask of the roses, why should I be forsaken,
I ask the roses why I should be left alone and abandoned.
Why must I here in sorrow remain?
Why do I have to stay here and grieve all alone?
Through yonder grove, by the spring that is running
We used to play in that grove by the running spring.
There you and I have so merrily played,
We used to enjoy ourselves there.
Kissing and courting and gently sporting
We kissed and flirted in the sweetest way.
Oh, my innocent heart you've betrayed
You've broken my heart, which loved you so purely.
How could you slight so a pretty girl who loves you
How could you mistreat and disrespect a girl who loves you?
A pretty girl who loves you so dearly and warm?
A girl who loves you so deeply and affectionately?
Though love's folly is surely but a fancy,
Even though love can be foolish and unreliable,
Still it should prove to me sweeter than your scorn.
It's still better than being treated with your contempt.
Soon you will meet with another pretty maiden
You will soon find another girl to pursue.
Some pretty maiden, you'll court her for a while,
You will court her for a time and then move on.
Thus ever ranging, turning and changing
You will always be seeking something new, changing and wandering.
Always seeking for a girl that is new.
You will always be looking for someone different.
Thus sang the maiden, her sorrows bewailing
Thus the sad girl sang, expressing her heartache.
Thus sang the poor maid in the valley below
Thus the girl sang in the low-lying valley.
"Oh don't deceive me, Oh never leave me,
Never betray or abandon me, I beg of you.
How could you use, a poor maiden so?"
Why would you take advantage of a poor girl like me?
Lyrics © RAOUL BRETON EDITIONS, Sony/ATV Music Publishing LLC, Peermusic Publishing, Warner Chappell Music, Inc.
Written by: . TRADITIONAL, JIM MORAY
Lyrics Licensed & Provided by LyricFind
@user-mn4kg3jb4j
The beautiful singer and person Nana Mouskouri sings this classic and beautiful song perfectly! Thank you for posting and sharing this!
@lillianwaheto4883
Would sing in the early 70s in primary school. Am now 60 years old. Many beautiful memories. ❤ am a 🇰🇪 Kenyan.
@davidpiggott624
Sang in secondary school in mid 1970s...learnt this from an English music teacher God rest her soul....I am from Barbados.
@spoffspoffington6576
Lovely words: not heard most before
@SubsFree4
I remember my dad singing this while playing his guitar when I was a kid back in South Africa ..brings back so many good memories :)
@lyndaoneill7813
This does bring back memories of childhood in Scotland singing this beautiful song with my friends.Nana does it lovely with her wonderful voice.🏴🏴🏴👍👍👍♥️♥️
@nomcebomsibi1004
We used to sing this song with my grandpa 👴🏾
@glynisgaston6602
Blessed Memories 🙏🏽🙏🏽🙏🏽🙏🏽 I am glad you have them to remember for all times.
@rossshin184
Here for William Pratt, Williamthenloodyawfulpoet, Spike. Spike and Buffy being the best couple ever.
@morrigankasa570
Great song and singer, anyway how many are here from Buffy and how many recognize it from Pollyanna and how many know it for other reasons?