Illmatic was a critically acclaimed bestseller and is widely considered one of the greatest rap albums of all time. He married R&B singer Kelis in 2005, they have one son together, and she filed for divorce on the 29th of April 2009. Nas was also a part of hip hop supergroup The Firm, which released one album.
In the years following the release of Illmatic, Nas pursued a more commercial direction, which resulted in wider success but decreased artistic credibility among critics and hip-hop purists. Furthermore, Nas' increased commercial success was accompanied by stylistic changes that fostered accusations of "selling out". Nevertheless, the LP Stillmatic is often credited for restoring Nas' credibility among fans. Since the success of Stillmatic, Nas continues to maintain a high profile within the hip hop community, and has pursued a decidedly progressive and personal aesthetic. While Nas' current artistic direction differs greatly from his most successful work, it has ensured that he remains one of the most respected and acclaimed contemporary rappers.
1973–1992: Childhood and early career
Nas was born in Brooklyn, New York, as the elder of Olu Dara and Fannie Ann Jones's two children; his brother Jabari (nicknamed "Jungle" because he was born in the Congo) is the younger of the two. The family lived for a time in Brooklyn, before moving to Queensbridge, the largest public housing project in the United States. Olu Dara left the household in 1986, when Nas was 13, and Ann Jones raised her two boys on her own. Nas dropped out of school in the eighth grade and began selling drugs on the streets of New York. He educated himself, reading about African culture and civilization, the Qur'an, the Bible and the Five Percent Nation. He also studied the origin of hip hop music, taping records that played on his local radio station. As a child, Nas had wanted to be an instrumentalist (at the age of three, Nas played his father's trumpet on the step of their Brooklyn home) and also a comic book artist. Shortly after his parents separated, Nas began to write short stories as he immersed himself deeper into hip-hop culture.
By his preteen years, he had settled on pursuing a career as a rapper, and as a teenager enlisted his best friend and upstairs neighbor Willie "Ill Will" Graham as his DJ. Nas first went by the nickname Kid Wave before adopting his more commonly known alias of Nasty Nas. Nas and Graham soon met hip-hop producer and Flushing Queens resident Large Professor, who introduced Nas to his group, Main Source. In 1991, Nas made his on-record debut with a verse on "Live at the BBQ", from Main Source's LP Breaking Atoms. Despite the substantial buzz for Nas in the underground scene, the rapper was rejected by major labels and was not signed to a recording deal. Nas and Graham continued to work together, but their partnership was cut short when Graham was shot and killed by a gunman in Queensbridge on May 23, 1992.
1992–1995: The recording and release of Illmatic
In mid-1992, Nas was approached by MC Serch of 3rd Bass, who became his manager and secured Nas a record deal with Columbia Records the same year. Nas made his solo debut on the single "Halftime" from Serch's soundtrack for the film Zebrahead. The single increased the buzz surrounding Nas and when MC Serch’s solo album is released later in the year, Nas’ standout appearance on "Back To The Grill" only intensified interest in his upcoming album, amid immense anticipation. Hailed as the second coming of Rakim, his rhyming skills attracted a significant amount of attention within the hip-hop community. However, many were concerned that Columbia, being a major label, would try to dilute his New York based style.
In 1994, Nas' debut album, Illmatic was finally released. Critically acclaimed and widely regarded as one of the premier rap albums ever created, Illmatic featured lyrics that portrayed stunning visual imagery and production courtesy of several producers . The album featured production from Large Professor, Pete Rock, Q-Tip (of A Tribe Called Quest) and DJ Premier, as well as guest appearances from Nas' friend AZ and his father Olu Dara on the song "Life's a Bitch", Illmatic was immediately hailed as a masterpiece by critics, and is still highly regarded as one of the definitive hip-hop albums of all time. Notable songs on the album included "NY State of Mind" (produced by Premier), "The World Is Yours" (produced by Pete Rock), "One Love" (produced by Q-Tip) and "It Ain't Hard To Tell" (produced by Large Professor and featuring a sample of "Human Nature" by Michael Jackson). However, due in part to extensive bootlegging, the record sales fell below expectations.
Following Illmatic, Nas appeared on AZ's Doe Or Die album, and collaborated with his Queensbridge-associates, Mobb Deep, on their album, The Infamous. One notable achievement during this period was Nas' verse on "Verbal Intercourse" on Raekwon's Only Built 4 Cuban Linx. After this appearance, Nas received a Source Quotable as he had the distinction of being the only non-Wu-Tang Clan member to be featured on one of the group's solo albums.
1996–1998: From It Was Written to The Firm
Columbia began to press Nas to work towards more commercial topics like the rapper The Notorious B.I.G., who had become successful by releasing street singles that still retained pop-friendly appeal. Nas traded manager MC Serch for Steve Stoute, and began preparation for his second LP, It Was Written, consciously working towards a crossover-oriented sound. It Was Written, chiefly produced by Poke and Tone of Trackmasters Entertainment, was released during the summer of 1996. Two singles, "If I Ruled The World (Imagine That)" (featuring Lauryn Hill of The Fugees) and "Street Dreams" (a remix features R. Kelly) were instant hits. These songs were promoted by big-budget music videos directed by Hype Williams, making Nas a common name among mainstream hip-hop. Other notable tracks on the album included "The Message" and "I Gave You Power," which tells a story from the perspective of a gun. It Was Written also featured the debut of The Firm, a supergroup consisting of Nas, AZ, Foxy Brown, and Cormega. The album also introduced Nas's Mafioso-inspired character "Nas Escobar", who lived more of a Scarface/Casino-esque lifestyle. On the other hand, Illmatic, which, while having numerous references to Tony Montana and the theatrical hit featuring Al Pacino, was more about Nas' life as a teenager in the projects, hustling and smoking marijuana.
The Firm signed to Dr. Dre's Aftermath Entertainment label, and began working on their debut album. Halfway through the production of the album, Cormega was fired from the group by Steve Stoute, who had unsuccessfully attempted to force Cormega to sign a deal with his management company. Cormega therefore became one of Nas' most vocal opponents, releasing a number of underground hip-hop singles dissing Nas, Stoute, and Nature, who was Cormega's replacement in The Firm. The Firm's The Album was finally released in 1997 to mixed reviews and lackluster sales and the members of the supergroup went their separate ways.
At about this time, Nas became a spokesperson for the Willie Esco urban clothing line, but had no other connection with the clothing line. He stopped promoting Willie Esco in 2000, dissatisfied with the company's operations. During the same period, Nas co-wrote and starred in Hype Williams' 1998 feature film Belly, which also featured DMX, Taral Hicks, and T-Boz of TLC among its cast.
1998–2000: I Am... to Nastradamus
In 1998, Nas began work on a double album to be entitled I Am...The Autobiography, which he intended as the middle ground between the extremes of Illmatic and It Was Written. The album was completed in early 1999, and a music video was shot for its lead single, Nas Is Like, produced by DJ Premier and featuring vocal samples from "It Ain't Hard to Tell". However, much of the LP was leaked in MP3 format onto the Internet, and Nas and Stoute quickly recorded enough substitute material to constitute a single-disc release.
The second single for I Am was "Hate Me Now," featuring Sean "Puffy" Combs (now "Diddy"), was used as an example by Nas' critics for moving towards commercial themes. Hype Williams shot an allegorical video for the single, which featured Nas and Puffy being crucified in a manner similar to Jesus; After the video was completed, Combs, a Catholic, requested his crucifixion scene be edited out of the video. However, the unedited copy of the "Hate Me Now" video made its way to MTV, and was premiered on April 15, 1999 on TRL. A furious Combs and his bodyguards allegedly made their way into Steve Stoute's office and assaulted him, at one point apparently hitting Stoute over the head with a champagne bottle. Stoute pressed charges, but he and Combs settled out-of-court that June.
Columbia had scheduled to release the pirated material from I Am under the title Nastradamus during the latter half of 1999, but, at the last minute, decided Nas should record an entirely new album for release. Nastradamus was therefore rushed to meet a November release date. Though critics were not kind to the album, it did result in a minor hit, the Timbaland-produced "You Owe Me," featuring R&B singer Ginuwine. The only pirated track from I Am... to make it onto Nastradamus was "Project Windows," featuring Ronald Isley. A number of the other bootlegged tracks later made their way onto The Lost Tapes, a collection of underground Nas songs that was released by Columbia in September 2002. The collection saw decent sales and received glowing reviews.
2000–2001: The Nas vs. Jay-Z rivalry and Stillmatic
The highly publicized rivalry between Nas and Jay-Z began as a rivalry between Nas and Jay-Z's protege, Memphis Bleek. On his debut album Coming of Age, Bleek made a song entitled "Memphis Bleek Is", which was similar in concept to Nas' single "Nas is Like". On the same album, Bleek recorded "What You Think Of That" featuring Bleek's mentor Jay-Z, which contains the refrain, "I'ma ball 'til I fall/what you think of that?". In retaliation, "Nastradamus", the title track from Nas' second 1999 album, featured a reference to "What You Think Of That". The lyrics state, "You wanna ball till you fall, I can help you with that/You want beef? I could let a slug melt in your hat." Memphis Bleek perceived the reference on "Nastradamus" as a diss, and therefore dissed Nas on the lead single for his The Understanding LP, My Mind Right".
QB's Finest was a compilation album that featured Nas and a number of other rappers from Queensbridge, including Mobb Deep, Nature, Littles, The Bravehearts (which included Nas' younger brother Jungle among its members), and Cormega, who had briefly reconciled with Nas. The album also featured guest appearances from Queensbridge hip-hop legends Roxanne Shante, MC Shan, and Marley Marl. Shan and Marley Marl both appeared on the lead single "Da Bridge 2001", which was based on Shan & Marl's 1986 recording "The Bridge". "Da Bridge 2001" also featured a response from Nas to Memphis Bleek, in which Nas called out most of the Roc-A-Fella Records roster, including Bleek, Damon Dash, Beanie Sigel, and Jay-Z.
Jay-Z responded to Nas' songs with an onstage swipe during the 2001 Hot 97 Summer Jam concert in New York City, when he premiered his song "Takeover." Initially, the song was to only be a Mobb Deep diss, only including one line about Nas near the end. Nevertheless, Nas recorded the "Stillmatic Freestyle," an underground single which sampled Rakim and Eric B.'s "Paid in Full" beat, and attacked Jay-Z and his Roc-A-Fella label. On his 2001 album, The Blueprint, Jay-Z rewrote "Takeover," dedicating half of the song to dissing Nas, claiming that he had a "...one hot album every ten year average" record (referring to Illmatic) that his flow was weak, and that he had fabricated his past as a hustler.
Nas responded with "Ether", the track begins with gunshots and a repeated, slowed-down sample of Tupac rapping "Fuck Jay-Z." (taken from Tupac's "Fuck Friends") In "Ether," Nas accuses Jay-Z of stealing ("biting") lyrics from The Notorious B.I.G. and brown-nosing Nas and other rappers for fame. Ether was included on Nas' fifth studio album, Stillmatic, released in December 2001. Stillmatic managed to be not only a critically-acclaimed comeback album, but a commercial success as well, albeit not on the level of It Was Written and I Am...; the album debutted at #7 on the Billboard album charts and featured the singles "Got Ur Self A..." and "One Mic." In terms of commercial success, Jay's The Blueprint was certified double-platinum, while Stillmatic went platinum.
Jay-Z responded to "Ether" with a freestyle entitled "Supa Ugly." going into detail about how he had sex with Carmen Bryan, the mother of Nas' daughter Destiny. Nas dismissed the track by claiming that he was no longer with Bryan during the time the affair took place. In a recent interview, however, New York radio station Hot 97 settled the battle taking votes comparing "Ether" and "Supa Ugly," and Nas won with 58% while Jay-Z got 42% of the votes. By 2005, the two rappers had eventually ended their feud without violence or animosity. During Jay-Z's I Declare War - Power House concert, Jay-Z announced to the crowd, "It's bigger than 'I Declare War'. Let's go, Esco!" Nas then joined Jay-Z onstage, and the two then performed "Dead Presidents" together, which Jay-Z had sampled from Nas' song "The World is Yours."
2002–Present: From God's Son to Street's Disciple and beyond
In December 2002, Nas released the God's Son album. and its lead single, "Made You Look". The album debuted at #18 on the Billboard charts despite widespread internet bootlegging. Time Magazine named his album best hip-hop album of the year. Vibe Magazine gave it 4 stars and The Source gave it 4 mics. The second single, the inspirational "I Can", which reworked elements from Beethoven's "Fur Elise", became Nas' biggest hit to date during the spring and summer of 2003, garnering substantial radio airplay on urban, rhythmic, and top 40 radio stations, as well as on the MTV and VH1 music video networks. God's Son also includes several songs dedicated to memory of Nas' mother, who died of cancer in 2002. In 2003, Nas was featured on the Korn song "Play Me", from KoЯn's Take a Look in the Mirror LP.
Nas released his seventh studio album, the critically acclaimed double-disc Street's Disciple, on November 30, 2004. The album's first singles were "Thief's Theme" and "Bridging the Gap", which features his father Olu Dara on vocals. The album also includes "These are Our Heroes", which accuses prominent sports stars and actors such as Kobe Bryant, Lenny Henry, Tiger Woods, and Cuba Gooding, Jr. of neglecting their heritage and background in favour of white values. The videos for "Bridging the Gap" and "Just A Moment" received moderate airplay on MTV and BET. Although the album went platinum, its commercial profile was relatively low compared to the rapper's previous releases.
Nas was featured on Kanye West's album Late Registration on a song titled "We Major". West said the song was Jay-Z's favorite on the album, but West was unable to get Jay-Z to record a vocal for the final mix of the song. He also appeared on Damian Marley's song "Road to Zion" (which also featured newcomer The Game in the video, widening Nas' still growing universally appreciated raps) and several other songs such as "Death Anniversary" and "It Wasn't You" (featuring Lauryn Hill). In addition, Nas was most recently married to the R&B singer Kelis, who is mostly known for her work internationally, but nonetheless released great hits in the U.S. The couple wed on Jan. 8, 2005 in Atlanta, GA, after a two-year engagement.
During this time, Nas announced that his next album would be entirely self-produced and feature no other rappers, and would be titled Nasir, and later that the project would feature other producers after all and would be called Nasdaq: Dow Jones. Neither of these albums ever materialized.
At a free concert in Central Park, New York, Nas made a statement regarding the quality of 50 Cent's music. "this is the real shit, not that 50 Cent shit!" In response, 50 Cent included a stab at Nas by speaking negatively of his wife Kelis on his single "Piggy Bank," implying that Kelis was promiscuous and calling Nas a "sucker for love." Nas was quoted as saying that he feels no obligation to retaliate, remarking "[50 has] got a good five to six more albums before I can really respond to him." Nas eventually decided to retaliate, and in July 2005 released "Don't Body Ya Self (MC Burial)", a song which taunts 50 Cent and his G-Unit crew, stating that 50 was "a sucka for death if I'm a sucka for love." However, despite all of this, Nas still claims to "have a lot of love towards 50," claiming 50 didn't understand his moves when they both were together at Columbia Records.
In January 2006, Nas signed a label deal with Jay-Z's Def Jam, further emphasizing the Jay-Z/Nas truce and raising expectations for a collaboration even higher. His album due in fall of 2006 will come out in a joint deal with this imprint and Columbia Records. He recently announced to MTV News that his album is to be named, "Hip Hop is Dead...the N," the N being a play on the word the "end." The title is supposed to reflect what some would term the current low quality of rap music. The highly anticipated album is due out in December 19th, 2006.
Musical style and Technique
Nas has long been famed for his creativity and storytelling prowess, which has earned him acclaim from both the hip-hop community and critics. In his early stages, from his first appearance on the Main Source's Breaking Atoms and throughout the recording of Illmatic, he was perhaps best known for his street-oriented topics, complex lyrical schemes (which often incorporated multi-syllabic internal rhymes), and witty phrasing and imagery. As he progressed and matured, Nas began to branch out into different subjects and developed a richer voice and slower rapping technique.
Following Illmatic's release, Nas developed a penchant for hyper-visual storytelling and topical creativity. For instance, "Undying Love" (featured on I Am...) is a tale of his wife's betrayal told in first person, "Rewind" (featured on Stillmatic) is a narrative in which a story is recited backwards, while on "I Gave You Power" (featured on It Was Written), Nas assumes the role of a gun who recounts brutal tales of murder and violence. Over the years Nas' style has changed significantly. In contrast to his previous work, Nas’ most recent material is distinctively socially aware and often politically inflammatory. Songs such as "I Can" (featured on God's Son) convey moral messages of black youth empowerment, while "These Are Our Heroes (Coon Picnic)" accuses several African-American celebrities of being Uncle Toms. Furthermore, controversial songs such as "My Country" and "A Message to the Feds (Fuck The Police II)" (which are featured on Stillmatic and Street's Disciple, respectively) question the conduct of the American government. Nas' views in his lyrics throughout his career have made references to Islam and the Five Percent Nation..
Black Republican
Nas Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
Turn the motherfuckin' lights down
Esco, what up?
What up, homie?
I mean
This is what you expected ain't it?
Turn the music up in the headphones
Yeah, that's perfect
You gotta take your time make a nigga wait on this motherfucker
Make a nigga mad and shit like
Niggas usually start rapping after four bars nigga go in
I could start dancin' in this motherfucker
Yeah
Yeah
We just come out of nowhere
I feel like a black republican, money I got comin' in
Can't turn my back on the hood, I got love for them
Can't clean my act up for good, too much thug in 'em
Probably end up back in the hood, like fuck it then
Huddlin' over the oven, we were like brothers then
Though you were nothin' other then the son of my mother's friend
We had governin' who would have thought the love would end
Like ice cold albums, all good things
Never thought we'd sing the same song that all hoods sing
Thought it was all wood grain, all good brain
We wouldn't bicker like the other fools, talk good game
Never imagine all the disaster that one could reign
Could bring, should blame the game and I could
It's kill or be killed, how could I refrain
Forever be in debt and that's never a good thing
So the pressure for success can put a good strain
On the friend you call best, and yes it could bring
Out of the worst in every person, even the good saint'
And though we rehearsed it, it just ain't the same
When you put in the game at age sixteen
Then you mix things like cars, jewelry, and Miss Thing
Jealously, ego and pride and this brings
It all to a head like a coin, cha-ching
The route of evil strike again, this could sting
Now the team got beef between the post and the point
This puts the ring in jeopardy
Indefinitely
I feel like a black republican, money I got comin' in
Can't turn my back on the hood, I got love for them
Can't clean my act up for good, too much thug in 'em
Probably end up back in the hood, like fuck it then
I feel like a black militant takin' over the government
Can't turn my back on the hood, too much love for them
Can't clean my act up for good, too much thug in 'em
Probably end up back in the hood, I'm like fuck it then
I'm back in the hood, they like 'Hey Nas'
Blowin' on purp, reflecting on they lives
Couple of fat cats, couple of AI's
Dreamin' of fly shit, instead of them grey skies
Gray 5's, hate eyes, wishin' our reign dies
Pitch sling pies and niggas they sing 'Why?'
Guess they ain't strong enough to handle their jail time
Weak minds keep tryin' follow the street signs
I'm standing on the roof of my building, I'm feelin'
The whirlwind of beef I inhale it just like an acrobat
Ready to hurl myself through the hoops of fire
Sippin' eighty proof, bulletproof under my attire
Could be the forces of darkness
Against hood angels of good that form street politics
Makes a sweet honest kid turn illegal for commerce
To get his feet out of them Converse
That's my word!
I feel like a black republican, money keep comin' in
Can't turn my back on the hood, I got love for them
Can't clean my act up for good, too much thug in 'em
Probably in the back in the hood, I fuck it then
I feel like a black militant takin' over the government
Can't turn my back on the hood, too much love for them
Can't clean my act up for good, too much thug in 'em
Probably end up back in the hood, I'm like fuck it then
In Nas's song "Black Republican," the rapper reflects on his life and experiences as a successful African American musician who still feels connected to his roots in the hood. He starts by acknowledging his success and how it has helped him financially, but he cannot turn his back on his community. Nas knows that he cannot change his thug past and struggles to clean up his act. He recognizes that sometimes he feels like he will end up back in the hood, but sometimes it is inevitable. Nas talks about how he and his friends used to be like brothers, and he never thought they would end up in the same situation as others in the hood, singing the same songs or talking about the same things.
As the song progresses, Nas starts to feel like a black militant taking over the government, as he struggles with the desire to help his community and the reality of being a successful rapper. He sees the corruption in politics and the power that money can have, and he struggles with how to reconcile his wealth with his desire to help his community. Despite all of these challenges, he ultimately says that he feels like he is still a product of his hood, and he cannot forget where he comes from. The song provides a deep insight into the struggles that successful African American entertainers face in today's society at large, and how they balance their past and present circumstances.
Line by Line Meaning
I know you could feel the magic baby
I am confident that you can feel the enchantment that I bring to this performance.
Turn the motherfuckin' lights down
Please dim the lights for added ambiance.
Esco, what up?
Hello, Esco. How are you doing?
What up, homie?
How is everything going, my friend?
I mean
What I am saying is
This is what you expected ain't it?
Expectedly, this is the type of performance you wanted to see, right?
Let's go
Let us begin the show.
Turn the music up in the headphones
Please increase the volume in my headphones.
Yeah, that's perfect
The sound levels are now optimal.
You gotta take your time make a nigga wait on this motherfucker
It is necessary to take our time to make the audience eager for this performance.
Make a nigga mad and shit like
Cause the audience to be upset and impatient like
Niggas usually start rapping after four bars nigga go in
Most rappers start rapping after four measures. I'm different, I come in immediately.
I could start dancin' in this motherfucker
This music makes me want to dance.
We just come out of nowhere
Our performance seemingly appeared out of nowhere.
I feel like a black republican, money I got comin' in
I feel powerful like a black politician with money flowing to me.
Can't turn my back on the hood, I got love for them
Despite their faults, I cannot abandon my community, as I still have love for them.
Can't clean my act up for good, too much thug in 'em
It is impossible for me to completely change my nature, as too much of my personality is that of a street thug.
Probably end up back in the hood, like fuck it then
It is likely that I will return to my community, even though it is flawed, because I have accepted that reality.
Huddlin' over the oven, we were like brothers then
We shared a familial bond while we huddled around the oven trying to stay warm.
Though you were nothin' other then the son of my mother's friend
You were just the son of my mother's friend, and nothing more than that.
We had governin' who would have thought the love would end
We had a special bond, and it's unfortunate that our relationship had to come to an end.
Like ice cold albums, all good things
Like popular albums that eventually lose their charm, all good things must come to an end.
Never thought we'd sing the same song that all hoods sing
I never imagined we would share the same struggles as everyone else in the hood.
Thought it was all wood grain, all good brain
I believed that everything looked good on the surface, and that our minds were sharp.
We wouldn't bicker like the other fools, talk good game
We thought we were better than others who argue and fight, as we spoke intelligently about our goals.
Never imagine all the disaster that one could reign
I never could have predicted the chaos and destruction that one person could cause.
Could bring, should blame the game and I could
The game is at fault, but I also must take some responsibility.
It's kill or be killed, how could I refrain
In this harsh environment, you must either attack or be attacked. There is no room for restraint.
Forever be in debt and that's never a good thing
Being in debt is never favorable or beneficial.
So the pressure for success can put a good strain
The pressure to succeed can be beneficial in some ways, but it can also be overwhelming.
On the friend you call best, and yes it could bring
That pressure can also harm even your closest friend, and that harm is possible.
Out of the worst in every person, even the good saint'
Pressure can bring out the nastiest qualities in anyone, even those who are considered saints.
And though we rehearsed it, it just ain't the same
No matter how much we practice, performing under pressure won't be the same as it is during practice.
When you put in the game at age sixteen
When you start playing the game at the age of sixteen.
Then you mix things like cars, jewelry, and Miss Thing
Once you start making money, possessions like cars, jewelry, and significant others quickly become a part of your life.
Jealously, ego and pride and this brings
All the trappings of wealth, including envy, arrogance, and pride.
It all to a head like a coin, cha-ching
All of those things come to a head, leading to wealth that is audible, like a coin being dropped.
The route of evil strike again, this could sting
Unfortunately, the power that comes with wealth can lead to disastrous consequences.
Now the team got beef between the post and the point
The team is now fractured, with tension between the defense and the offense.
This puts the ring in jeopardy
This makes the championship uncertain.
Indefinitely
For an unspecified amount of time.
I feel like a black militant takin' over the government
I feel like a black revolutionary taking charge of the government.
Can't turn my back on the hood, too much love for them
I cannot abandon my community because I love them too much.
I'm back in the hood, they like 'Hey Nas'
I'm back in the hood and people recognize me by my name, Nas.
Blowin' on purp, reflecting on they lives
Smoking purple marijuana and considering their lives.
Couple of fat cats, couple of AI's
Some people are wealthy, while others struggle.
Dreamin' of fly shit, instead of them grey skies
People are dreaming of luxurious things, rather than focusing on their problems.
Gray 5's, hate guy, wishin' our reign dies
Through their jealousy and anger, some people want to see our success come to an end.
Pitch sling pies and niggas they sing 'Why?'
Drug dealers sell their wares, and people begin to question why they are in the hood.
Guess they ain't strong enough to handle their jail time
People who bought drugs from us lack the strength to handle the consequences of their actions.
Weak minds keep tryin' follow the street signs
People with weak minds continue to follow the criminal path laid out in front of them.
I'm standing on the roof of my building, I'm feelin'
Standing atop my building, I'm experiencing a feeling.
The whirlwind of beef I inhale it just like an acrobat
The chaos surrounding me is overwhelming, but I'm used to it and maintain my balance.
Ready to hurl myself through the hoops of fire
I'm ready to charge ahead, even if it is dangerous.
Sippin' eighty proof, bulletproof under my attire
Drinking 80 proof liquor and feeling invincible beneath my clothing.
Could be the forces of darkness
It could be as if the devil's work is being done.
Against hood angels of good that form street politics
The hood's morally just people are going up against those who use politics to exploit their community.
Makes a sweet honest kid turn illegal for commerce
The extreme poverty and desperation that many people face cause them to engage in illegal activities for survival.
To get his feet out of them Converse
These people engage in illegal activities to move up and out of their current situation.
That's my word!
I swear to the truth of what I'm saying!
Lyrics © Universal Music Publishing Group, Sony/ATV Music Publishing LLC, Kobalt Music Publishing Ltd.
Written by: Carmine Coppola, Leshan Lewis, Nasir Jones, Shawn Carter, Wyatt Coleman
Lyrics Licensed & Provided by LyricFind