Illmatic was a critically acclaimed bestseller and is widely considered one of the greatest rap albums of all time. He married R&B singer Kelis in 2005, they have one son together, and she filed for divorce on the 29th of April 2009. Nas was also a part of hip hop supergroup The Firm, which released one album.
In the years following the release of Illmatic, Nas pursued a more commercial direction, which resulted in wider success but decreased artistic credibility among critics and hip-hop purists. Furthermore, Nas' increased commercial success was accompanied by stylistic changes that fostered accusations of "selling out". Nevertheless, the LP Stillmatic is often credited for restoring Nas' credibility among fans. Since the success of Stillmatic, Nas continues to maintain a high profile within the hip hop community, and has pursued a decidedly progressive and personal aesthetic. While Nas' current artistic direction differs greatly from his most successful work, it has ensured that he remains one of the most respected and acclaimed contemporary rappers.
1973–1992: Childhood and early career
Nas was born in Brooklyn, New York, as the elder of Olu Dara and Fannie Ann Jones's two children; his brother Jabari (nicknamed "Jungle" because he was born in the Congo) is the younger of the two. The family lived for a time in Brooklyn, before moving to Queensbridge, the largest public housing project in the United States. Olu Dara left the household in 1986, when Nas was 13, and Ann Jones raised her two boys on her own. Nas dropped out of school in the eighth grade and began selling drugs on the streets of New York. He educated himself, reading about African culture and civilization, the Qur'an, the Bible and the Five Percent Nation. He also studied the origin of hip hop music, taping records that played on his local radio station. As a child, Nas had wanted to be an instrumentalist (at the age of three, Nas played his father's trumpet on the step of their Brooklyn home) and also a comic book artist. Shortly after his parents separated, Nas began to write short stories as he immersed himself deeper into hip-hop culture.
By his preteen years, he had settled on pursuing a career as a rapper, and as a teenager enlisted his best friend and upstairs neighbor Willie "Ill Will" Graham as his DJ. Nas first went by the nickname Kid Wave before adopting his more commonly known alias of Nasty Nas. Nas and Graham soon met hip-hop producer and Flushing Queens resident Large Professor, who introduced Nas to his group, Main Source. In 1991, Nas made his on-record debut with a verse on "Live at the BBQ", from Main Source's LP Breaking Atoms. Despite the substantial buzz for Nas in the underground scene, the rapper was rejected by major labels and was not signed to a recording deal. Nas and Graham continued to work together, but their partnership was cut short when Graham was shot and killed by a gunman in Queensbridge on May 23, 1992.
1992–1995: The recording and release of Illmatic
In mid-1992, Nas was approached by MC Serch of 3rd Bass, who became his manager and secured Nas a record deal with Columbia Records the same year. Nas made his solo debut on the single "Halftime" from Serch's soundtrack for the film Zebrahead. The single increased the buzz surrounding Nas and when MC Serch’s solo album is released later in the year, Nas’ standout appearance on "Back To The Grill" only intensified interest in his upcoming album, amid immense anticipation. Hailed as the second coming of Rakim, his rhyming skills attracted a significant amount of attention within the hip-hop community. However, many were concerned that Columbia, being a major label, would try to dilute his New York based style.
In 1994, Nas' debut album, Illmatic was finally released. Critically acclaimed and widely regarded as one of the premier rap albums ever created, Illmatic featured lyrics that portrayed stunning visual imagery and production courtesy of several producers . The album featured production from Large Professor, Pete Rock, Q-Tip (of A Tribe Called Quest) and DJ Premier, as well as guest appearances from Nas' friend AZ and his father Olu Dara on the song "Life's a Bitch", Illmatic was immediately hailed as a masterpiece by critics, and is still highly regarded as one of the definitive hip-hop albums of all time. Notable songs on the album included "NY State of Mind" (produced by Premier), "The World Is Yours" (produced by Pete Rock), "One Love" (produced by Q-Tip) and "It Ain't Hard To Tell" (produced by Large Professor and featuring a sample of "Human Nature" by Michael Jackson). However, due in part to extensive bootlegging, the record sales fell below expectations.
Following Illmatic, Nas appeared on AZ's Doe Or Die album, and collaborated with his Queensbridge-associates, Mobb Deep, on their album, The Infamous. One notable achievement during this period was Nas' verse on "Verbal Intercourse" on Raekwon's Only Built 4 Cuban Linx. After this appearance, Nas received a Source Quotable as he had the distinction of being the only non-Wu-Tang Clan member to be featured on one of the group's solo albums.
1996–1998: From It Was Written to The Firm
Columbia began to press Nas to work towards more commercial topics like the rapper The Notorious B.I.G., who had become successful by releasing street singles that still retained pop-friendly appeal. Nas traded manager MC Serch for Steve Stoute, and began preparation for his second LP, It Was Written, consciously working towards a crossover-oriented sound. It Was Written, chiefly produced by Poke and Tone of Trackmasters Entertainment, was released during the summer of 1996. Two singles, "If I Ruled The World (Imagine That)" (featuring Lauryn Hill of The Fugees) and "Street Dreams" (a remix features R. Kelly) were instant hits. These songs were promoted by big-budget music videos directed by Hype Williams, making Nas a common name among mainstream hip-hop. Other notable tracks on the album included "The Message" and "I Gave You Power," which tells a story from the perspective of a gun. It Was Written also featured the debut of The Firm, a supergroup consisting of Nas, AZ, Foxy Brown, and Cormega. The album also introduced Nas's Mafioso-inspired character "Nas Escobar", who lived more of a Scarface/Casino-esque lifestyle. On the other hand, Illmatic, which, while having numerous references to Tony Montana and the theatrical hit featuring Al Pacino, was more about Nas' life as a teenager in the projects, hustling and smoking marijuana.
The Firm signed to Dr. Dre's Aftermath Entertainment label, and began working on their debut album. Halfway through the production of the album, Cormega was fired from the group by Steve Stoute, who had unsuccessfully attempted to force Cormega to sign a deal with his management company. Cormega therefore became one of Nas' most vocal opponents, releasing a number of underground hip-hop singles dissing Nas, Stoute, and Nature, who was Cormega's replacement in The Firm. The Firm's The Album was finally released in 1997 to mixed reviews and lackluster sales and the members of the supergroup went their separate ways.
At about this time, Nas became a spokesperson for the Willie Esco urban clothing line, but had no other connection with the clothing line. He stopped promoting Willie Esco in 2000, dissatisfied with the company's operations. During the same period, Nas co-wrote and starred in Hype Williams' 1998 feature film Belly, which also featured DMX, Taral Hicks, and T-Boz of TLC among its cast.
1998–2000: I Am... to Nastradamus
In 1998, Nas began work on a double album to be entitled I Am...The Autobiography, which he intended as the middle ground between the extremes of Illmatic and It Was Written. The album was completed in early 1999, and a music video was shot for its lead single, Nas Is Like, produced by DJ Premier and featuring vocal samples from "It Ain't Hard to Tell". However, much of the LP was leaked in MP3 format onto the Internet, and Nas and Stoute quickly recorded enough substitute material to constitute a single-disc release.
The second single for I Am was "Hate Me Now," featuring Sean "Puffy" Combs (now "Diddy"), was used as an example by Nas' critics for moving towards commercial themes. Hype Williams shot an allegorical video for the single, which featured Nas and Puffy being crucified in a manner similar to Jesus; After the video was completed, Combs, a Catholic, requested his crucifixion scene be edited out of the video. However, the unedited copy of the "Hate Me Now" video made its way to MTV, and was premiered on April 15, 1999 on TRL. A furious Combs and his bodyguards allegedly made their way into Steve Stoute's office and assaulted him, at one point apparently hitting Stoute over the head with a champagne bottle. Stoute pressed charges, but he and Combs settled out-of-court that June.
Columbia had scheduled to release the pirated material from I Am under the title Nastradamus during the latter half of 1999, but, at the last minute, decided Nas should record an entirely new album for release. Nastradamus was therefore rushed to meet a November release date. Though critics were not kind to the album, it did result in a minor hit, the Timbaland-produced "You Owe Me," featuring R&B singer Ginuwine. The only pirated track from I Am... to make it onto Nastradamus was "Project Windows," featuring Ronald Isley. A number of the other bootlegged tracks later made their way onto The Lost Tapes, a collection of underground Nas songs that was released by Columbia in September 2002. The collection saw decent sales and received glowing reviews.
2000–2001: The Nas vs. Jay-Z rivalry and Stillmatic
The highly publicized rivalry between Nas and Jay-Z began as a rivalry between Nas and Jay-Z's protege, Memphis Bleek. On his debut album Coming of Age, Bleek made a song entitled "Memphis Bleek Is", which was similar in concept to Nas' single "Nas is Like". On the same album, Bleek recorded "What You Think Of That" featuring Bleek's mentor Jay-Z, which contains the refrain, "I'ma ball 'til I fall/what you think of that?". In retaliation, "Nastradamus", the title track from Nas' second 1999 album, featured a reference to "What You Think Of That". The lyrics state, "You wanna ball till you fall, I can help you with that/You want beef? I could let a slug melt in your hat." Memphis Bleek perceived the reference on "Nastradamus" as a diss, and therefore dissed Nas on the lead single for his The Understanding LP, My Mind Right".
QB's Finest was a compilation album that featured Nas and a number of other rappers from Queensbridge, including Mobb Deep, Nature, Littles, The Bravehearts (which included Nas' younger brother Jungle among its members), and Cormega, who had briefly reconciled with Nas. The album also featured guest appearances from Queensbridge hip-hop legends Roxanne Shante, MC Shan, and Marley Marl. Shan and Marley Marl both appeared on the lead single "Da Bridge 2001", which was based on Shan & Marl's 1986 recording "The Bridge". "Da Bridge 2001" also featured a response from Nas to Memphis Bleek, in which Nas called out most of the Roc-A-Fella Records roster, including Bleek, Damon Dash, Beanie Sigel, and Jay-Z.
Jay-Z responded to Nas' songs with an onstage swipe during the 2001 Hot 97 Summer Jam concert in New York City, when he premiered his song "Takeover." Initially, the song was to only be a Mobb Deep diss, only including one line about Nas near the end. Nevertheless, Nas recorded the "Stillmatic Freestyle," an underground single which sampled Rakim and Eric B.'s "Paid in Full" beat, and attacked Jay-Z and his Roc-A-Fella label. On his 2001 album, The Blueprint, Jay-Z rewrote "Takeover," dedicating half of the song to dissing Nas, claiming that he had a "...one hot album every ten year average" record (referring to Illmatic) that his flow was weak, and that he had fabricated his past as a hustler.
Nas responded with "Ether", the track begins with gunshots and a repeated, slowed-down sample of Tupac rapping "Fuck Jay-Z." (taken from Tupac's "Fuck Friends") In "Ether," Nas accuses Jay-Z of stealing ("biting") lyrics from The Notorious B.I.G. and brown-nosing Nas and other rappers for fame. Ether was included on Nas' fifth studio album, Stillmatic, released in December 2001. Stillmatic managed to be not only a critically-acclaimed comeback album, but a commercial success as well, albeit not on the level of It Was Written and I Am...; the album debutted at #7 on the Billboard album charts and featured the singles "Got Ur Self A..." and "One Mic." In terms of commercial success, Jay's The Blueprint was certified double-platinum, while Stillmatic went platinum.
Jay-Z responded to "Ether" with a freestyle entitled "Supa Ugly." going into detail about how he had sex with Carmen Bryan, the mother of Nas' daughter Destiny. Nas dismissed the track by claiming that he was no longer with Bryan during the time the affair took place. In a recent interview, however, New York radio station Hot 97 settled the battle taking votes comparing "Ether" and "Supa Ugly," and Nas won with 58% while Jay-Z got 42% of the votes. By 2005, the two rappers had eventually ended their feud without violence or animosity. During Jay-Z's I Declare War - Power House concert, Jay-Z announced to the crowd, "It's bigger than 'I Declare War'. Let's go, Esco!" Nas then joined Jay-Z onstage, and the two then performed "Dead Presidents" together, which Jay-Z had sampled from Nas' song "The World is Yours."
2002–Present: From God's Son to Street's Disciple and beyond
In December 2002, Nas released the God's Son album. and its lead single, "Made You Look". The album debuted at #18 on the Billboard charts despite widespread internet bootlegging. Time Magazine named his album best hip-hop album of the year. Vibe Magazine gave it 4 stars and The Source gave it 4 mics. The second single, the inspirational "I Can", which reworked elements from Beethoven's "Fur Elise", became Nas' biggest hit to date during the spring and summer of 2003, garnering substantial radio airplay on urban, rhythmic, and top 40 radio stations, as well as on the MTV and VH1 music video networks. God's Son also includes several songs dedicated to memory of Nas' mother, who died of cancer in 2002. In 2003, Nas was featured on the Korn song "Play Me", from KoЯn's Take a Look in the Mirror LP.
Nas released his seventh studio album, the critically acclaimed double-disc Street's Disciple, on November 30, 2004. The album's first singles were "Thief's Theme" and "Bridging the Gap", which features his father Olu Dara on vocals. The album also includes "These are Our Heroes", which accuses prominent sports stars and actors such as Kobe Bryant, Lenny Henry, Tiger Woods, and Cuba Gooding, Jr. of neglecting their heritage and background in favour of white values. The videos for "Bridging the Gap" and "Just A Moment" received moderate airplay on MTV and BET. Although the album went platinum, its commercial profile was relatively low compared to the rapper's previous releases.
Nas was featured on Kanye West's album Late Registration on a song titled "We Major". West said the song was Jay-Z's favorite on the album, but West was unable to get Jay-Z to record a vocal for the final mix of the song. He also appeared on Damian Marley's song "Road to Zion" (which also featured newcomer The Game in the video, widening Nas' still growing universally appreciated raps) and several other songs such as "Death Anniversary" and "It Wasn't You" (featuring Lauryn Hill). In addition, Nas was most recently married to the R&B singer Kelis, who is mostly known for her work internationally, but nonetheless released great hits in the U.S. The couple wed on Jan. 8, 2005 in Atlanta, GA, after a two-year engagement.
During this time, Nas announced that his next album would be entirely self-produced and feature no other rappers, and would be titled Nasir, and later that the project would feature other producers after all and would be called Nasdaq: Dow Jones. Neither of these albums ever materialized.
At a free concert in Central Park, New York, Nas made a statement regarding the quality of 50 Cent's music. "this is the real shit, not that 50 Cent shit!" In response, 50 Cent included a stab at Nas by speaking negatively of his wife Kelis on his single "Piggy Bank," implying that Kelis was promiscuous and calling Nas a "sucker for love." Nas was quoted as saying that he feels no obligation to retaliate, remarking "[50 has] got a good five to six more albums before I can really respond to him." Nas eventually decided to retaliate, and in July 2005 released "Don't Body Ya Self (MC Burial)", a song which taunts 50 Cent and his G-Unit crew, stating that 50 was "a sucka for death if I'm a sucka for love." However, despite all of this, Nas still claims to "have a lot of love towards 50," claiming 50 didn't understand his moves when they both were together at Columbia Records.
In January 2006, Nas signed a label deal with Jay-Z's Def Jam, further emphasizing the Jay-Z/Nas truce and raising expectations for a collaboration even higher. His album due in fall of 2006 will come out in a joint deal with this imprint and Columbia Records. He recently announced to MTV News that his album is to be named, "Hip Hop is Dead...the N," the N being a play on the word the "end." The title is supposed to reflect what some would term the current low quality of rap music. The highly anticipated album is due out in December 19th, 2006.
Musical style and Technique
Nas has long been famed for his creativity and storytelling prowess, which has earned him acclaim from both the hip-hop community and critics. In his early stages, from his first appearance on the Main Source's Breaking Atoms and throughout the recording of Illmatic, he was perhaps best known for his street-oriented topics, complex lyrical schemes (which often incorporated multi-syllabic internal rhymes), and witty phrasing and imagery. As he progressed and matured, Nas began to branch out into different subjects and developed a richer voice and slower rapping technique.
Following Illmatic's release, Nas developed a penchant for hyper-visual storytelling and topical creativity. For instance, "Undying Love" (featured on I Am...) is a tale of his wife's betrayal told in first person, "Rewind" (featured on Stillmatic) is a narrative in which a story is recited backwards, while on "I Gave You Power" (featured on It Was Written), Nas assumes the role of a gun who recounts brutal tales of murder and violence. Over the years Nas' style has changed significantly. In contrast to his previous work, Nas’ most recent material is distinctively socially aware and often politically inflammatory. Songs such as "I Can" (featured on God's Son) convey moral messages of black youth empowerment, while "These Are Our Heroes (Coon Picnic)" accuses several African-American celebrities of being Uncle Toms. Furthermore, controversial songs such as "My Country" and "A Message to the Feds (Fuck The Police II)" (which are featured on Stillmatic and Street's Disciple, respectively) question the conduct of the American government. Nas' views in his lyrics throughout his career have made references to Islam and the Five Percent Nation..
Heaven
Nas Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
But you make me feel like I'm there sometimes
Sometimes, I'm in Heaven with you Heaven with you
They say Heaven is a place in the sky
But you make me feel like I'm there sometimes
Sometimes
I'm in Heaven with you Heaven with you
When I'm with you the vibe be feeling right
I know you tellin me yo n**** don't be in it right
But when you with me get to bussin like a dynamite
You know I'm wavy what it do
It's hard to duplicate the kid & you know that's the truth
Already said it you a baddie with an attitude
I'm diggin deep so deep to the point that I'm one with you
You bite on me I'm biting right back
Spit in yo mouth, gripping your neck you know I'm like that
Focused on you it's like I'm never getting side tracked
I'm swimming in your ocean feeling like a pirate
Gimmie all the loot, everyday feeling like it's payday
Take a trip to heaven & bring her back on the same day
Make her sign a NDA cause certain things you don't say
I'm fucking you all different kinda ways you know I won't play
With you
I'm in heaven with you
It's rare that I'm barely in the mood
Can't nobody do it like we do
When you fucking all on me gotta bend the rules
When I'm wit you girl we in heaven let me feel yo vibe
& you know I ain't trying to wait girl I need you tonight
Ain't trying to rush into them things but if the feelin' right
You know we grown so we ain't gone waste time cuz I know what you like
So ima meet you in that bedroom
You know what it lead to
Fuckin' you so good that it ain't shit that you compare it to
She kno how I'm comin' I got her up on that edge soon
Fuckin you from the back & I finish off wit that head too
I'm in heaven with you
It's rare that I'm barely in the mood
Can't nobody do it like we do
When you fucking all on me gotta bend the rules
The song "Heaven" by Nassiri explores the idea of one's place in the world and what it would take to leave it behind. The chorus poses the question, "If Heaven was a mile away," would one leave this world behind and head for the gates of heaven or stay put in the hell that they may be currently experiencing. The verse follows a similar vein of reflection, questioning one's faith and beliefs, and pondering the decisions they make in their life.
Nas poses a series of difficult questions about one's own beliefs and convictions. He questions whether one's faith is strong enough to pursue heaven or would they still hold doubts in their heart. Additionally, Nas provides a critique of today's society, specifically concerning race relations, the criminal justice system, and the clergy. Nas utilizes his lyrics to discuss the brutal reality of racism in America and the systematic oppression faced by minorities. He also sheds light on the troubling issue of sexual abuse within religious institutions, advocating for justice and making the difficult decision to leave the world behind if justice is not served.
Overall, "Heaven" is a thought-provoking song that encourages introspection and self-reflection, urging listeners to consider what it truly takes to pursue a better life and a better world.
Line by Line Meaning
(If Heaven was a mile away)
Nassiri wonders what he would do if Heaven was just a mile away
Would I pack up my bags and leave this world behind?
He asks himself if he would leave this world and go to Heaven
(If Heaven was a mile away)
Reiterating his curiosity about Heaven's proximity
Or save it all for you?
Nassiri ponders if he would save his spot in Heaven for someone special
(If Heaven was a mile away)
Once again, Nassiri imagines a world where he can travel to Heaven easily
Would I, fill the tank up with gas and be out the front door in a FLASH
He wonders if he would quickly grab his keys, fill up his car with gas, and leave for Heaven without hesitation
Before reconsidering, this Hell with you
Nassiri acknowledges that he is contemplating leaving this world behind to go to Heaven instead of enduring the pain and suffering of life with someone he cares for
It ain't you it's the things you do (do)
He specifies that it's not the person he cares about, but rather their actions that cause him pain
It's tearing my heart in two
Nassiri expresses the emotional turmoil he's going through because of this person's hurtful actions
I would of fell with you
He acknowledges that he would have chosen this person over anyone else, even if it meant facing hardships
To Hell with you
Finally, Nassiri resigns to the fact that he no longer wants to be with the person causing him pain
If Heaven was a mile away
Nas, in his verse, contemplates what people would do if Heaven was easily accessible
And you could ride by the gates
He imagines a scenario where you could simply drive by and see the gates of Heaven
Would you try to run inside when it opens would you try to die today?
He raises the question of whether people would want to enter Heaven as soon as the gates open, even if it meant their death
Would you pray louder finally believing His power?
Nas poses the question of whether people who doubt God's existence would start believing in His power if they could feel its impact
Even if you couldn't see, but you could feel would you still doubt him?
He further emphasizes the point that even if people could feel the impact of God's power, they might still doubt
How would you start acting?
Nas wonders how people would change their behavior if they believed they were entering Heaven
Would you try to put the ki's down?
He asks if people would stop engaging in illegal activities like drug dealing
Thinking every drug sell that you make in the streets He can see now
Nas speculates whether people would change their actions because they believed God was watching over them
Would a fiend even want to get high, would he stop smoking?
He wonders if even drug addicts would want to get high knowing that Heaven is finally within reach
If he knew on his own two feet he could just stroll in
Nas imagines a world where people can simply walk into Heaven without any obstacles
To get away and escape from the craziness
He recognizes that life on Earth can be overwhelming and people might want to escape to Heaven to get away from it all
And I bet you there's a Heaven for an atheist
Nas suggests that even non-believers might find a place in Heaven
It's hard taking this
Nas acknowledges how difficult life can be
Racist planet where they take another brother in a handcuff
He recognizes the systemic racism present in society
Even if he innocent nigga get on the car put your motherfucking hands up
Nas refers to the unjust targeting of black people by the police
Thinking I'm a lose it
He admits struggling to maintain his composure in the face of these injustices
My mom's in chemo
He reveals that his mother is battling cancer
Three times a week, yo keep trying but people
Nas highlights the difficulty his family is going through and how hard it is to keep trying in the face of such struggles
Is hard and God your young soldier's not so bold
He reveals his vulnerability and his need for God's support during these difficult times
But needs you
Nas admits that he needs God now more than ever
This world's my home but world I would leave
He concludes his verse by saying that this world, while it is his home, is one he would like to leave behind in search of something better
Nigga what you think I'ma stop building
In the second verse, Nas affirms that he will not stop building his career and his wealth
I'ma stop feeling like I'm Amistad's great great grandchildren
He refuses to feel like a slave and inferior to others
How I'm not gonna want to make millions
Nas recognizes his desire to be successful and make money
Since the quarter water days in the hallways making fake coke
He reminisces on his days selling fake drugs in the hallways
Pass with the Reeses Pieces wrapper in my mouth all day
He remembers the tricks he used to employ as a drug dealer to go unnoticed
But then my style has quite a while that same type as Ill and Al Skratch
He acknowledges his growth and success as a musician
Game time to them cats never looked back Cristal blowing dub sacks
He revels in his success and the fact that he can now afford to drink expensive champagne and smoke large amounts of weed
That's when it all just hit me
He reflects on a moment where everything came together
You see the broads and Bentleys is nothing less my nigga spend it all with me
He recognizes the trappings of fame and the company it attracts
I'd give it all away quickly
He admits that fame and fortune are not as important to him as they used to be
Just to hear them all I'd buy some new kicks free of any autographs so
Nas reveals that he would rather hear words of appreciation and admiration than have people ask for his autograph
Not to be recognized forgive me
He asks for forgiveness for not wanting to be recognized
It's becoming unbearable
Nas acknowledges that the current state of affairs is unbearable
Making hits is easy
He admits that making music is not difficult for him
Put a famous bitch on the hook there you go with a platinum CD
He recognizes that it doesn't take much effort to make a hit song
I know you heard the noise
Nas is aware that people are paying attention to him
Preachers touching on altar boys
He highlights the issue of sexual abuse by religious figures
Sodomizing not realizing God is watching before the Lord
He criticizes the hypocrisy of religious figures who commit such heinous acts while claiming to be religious
How can they do the devil's work?
Nas questions how these religious figures can commit such sins and call themselves religious
A man giving another man head in church
He calls out this specific act of sexual abuse committed by religious figures
Hell it hurts just to fathom the thought wishing that I fled the Earth.
Nas concludes his verse with a statement on how disturbing and traumatizing such acts are, and how he wishes he could escape them
Lyrics © O/B/O DistroKid
Written by: Kenny Burns, Ubong Akpan
Lyrics Licensed & Provided by LyricFind