Illmatic was a critically acclaimed bestseller and is widely considered one of the greatest rap albums of all time. He married R&B singer Kelis in 2005, they have one son together, and she filed for divorce on the 29th of April 2009. Nas was also a part of hip hop supergroup The Firm, which released one album.
In the years following the release of Illmatic, Nas pursued a more commercial direction, which resulted in wider success but decreased artistic credibility among critics and hip-hop purists. Furthermore, Nas' increased commercial success was accompanied by stylistic changes that fostered accusations of "selling out". Nevertheless, the LP Stillmatic is often credited for restoring Nas' credibility among fans. Since the success of Stillmatic, Nas continues to maintain a high profile within the hip hop community, and has pursued a decidedly progressive and personal aesthetic. While Nas' current artistic direction differs greatly from his most successful work, it has ensured that he remains one of the most respected and acclaimed contemporary rappers.
1973–1992: Childhood and early career
Nas was born in Brooklyn, New York, as the elder of Olu Dara and Fannie Ann Jones's two children; his brother Jabari (nicknamed "Jungle" because he was born in the Congo) is the younger of the two. The family lived for a time in Brooklyn, before moving to Queensbridge, the largest public housing project in the United States. Olu Dara left the household in 1986, when Nas was 13, and Ann Jones raised her two boys on her own. Nas dropped out of school in the eighth grade and began selling drugs on the streets of New York. He educated himself, reading about African culture and civilization, the Qur'an, the Bible and the Five Percent Nation. He also studied the origin of hip hop music, taping records that played on his local radio station. As a child, Nas had wanted to be an instrumentalist (at the age of three, Nas played his father's trumpet on the step of their Brooklyn home) and also a comic book artist. Shortly after his parents separated, Nas began to write short stories as he immersed himself deeper into hip-hop culture.
By his preteen years, he had settled on pursuing a career as a rapper, and as a teenager enlisted his best friend and upstairs neighbor Willie "Ill Will" Graham as his DJ. Nas first went by the nickname Kid Wave before adopting his more commonly known alias of Nasty Nas. Nas and Graham soon met hip-hop producer and Flushing Queens resident Large Professor, who introduced Nas to his group, Main Source. In 1991, Nas made his on-record debut with a verse on "Live at the BBQ", from Main Source's LP Breaking Atoms. Despite the substantial buzz for Nas in the underground scene, the rapper was rejected by major labels and was not signed to a recording deal. Nas and Graham continued to work together, but their partnership was cut short when Graham was shot and killed by a gunman in Queensbridge on May 23, 1992.
1992–1995: The recording and release of Illmatic
In mid-1992, Nas was approached by MC Serch of 3rd Bass, who became his manager and secured Nas a record deal with Columbia Records the same year. Nas made his solo debut on the single "Halftime" from Serch's soundtrack for the film Zebrahead. The single increased the buzz surrounding Nas and when MC Serch’s solo album is released later in the year, Nas’ standout appearance on "Back To The Grill" only intensified interest in his upcoming album, amid immense anticipation. Hailed as the second coming of Rakim, his rhyming skills attracted a significant amount of attention within the hip-hop community. However, many were concerned that Columbia, being a major label, would try to dilute his New York based style.
In 1994, Nas' debut album, Illmatic was finally released. Critically acclaimed and widely regarded as one of the premier rap albums ever created, Illmatic featured lyrics that portrayed stunning visual imagery and production courtesy of several producers . The album featured production from Large Professor, Pete Rock, Q-Tip (of A Tribe Called Quest) and DJ Premier, as well as guest appearances from Nas' friend AZ and his father Olu Dara on the song "Life's a Bitch", Illmatic was immediately hailed as a masterpiece by critics, and is still highly regarded as one of the definitive hip-hop albums of all time. Notable songs on the album included "NY State of Mind" (produced by Premier), "The World Is Yours" (produced by Pete Rock), "One Love" (produced by Q-Tip) and "It Ain't Hard To Tell" (produced by Large Professor and featuring a sample of "Human Nature" by Michael Jackson). However, due in part to extensive bootlegging, the record sales fell below expectations.
Following Illmatic, Nas appeared on AZ's Doe Or Die album, and collaborated with his Queensbridge-associates, Mobb Deep, on their album, The Infamous. One notable achievement during this period was Nas' verse on "Verbal Intercourse" on Raekwon's Only Built 4 Cuban Linx. After this appearance, Nas received a Source Quotable as he had the distinction of being the only non-Wu-Tang Clan member to be featured on one of the group's solo albums.
1996–1998: From It Was Written to The Firm
Columbia began to press Nas to work towards more commercial topics like the rapper The Notorious B.I.G., who had become successful by releasing street singles that still retained pop-friendly appeal. Nas traded manager MC Serch for Steve Stoute, and began preparation for his second LP, It Was Written, consciously working towards a crossover-oriented sound. It Was Written, chiefly produced by Poke and Tone of Trackmasters Entertainment, was released during the summer of 1996. Two singles, "If I Ruled The World (Imagine That)" (featuring Lauryn Hill of The Fugees) and "Street Dreams" (a remix features R. Kelly) were instant hits. These songs were promoted by big-budget music videos directed by Hype Williams, making Nas a common name among mainstream hip-hop. Other notable tracks on the album included "The Message" and "I Gave You Power," which tells a story from the perspective of a gun. It Was Written also featured the debut of The Firm, a supergroup consisting of Nas, AZ, Foxy Brown, and Cormega. The album also introduced Nas's Mafioso-inspired character "Nas Escobar", who lived more of a Scarface/Casino-esque lifestyle. On the other hand, Illmatic, which, while having numerous references to Tony Montana and the theatrical hit featuring Al Pacino, was more about Nas' life as a teenager in the projects, hustling and smoking marijuana.
The Firm signed to Dr. Dre's Aftermath Entertainment label, and began working on their debut album. Halfway through the production of the album, Cormega was fired from the group by Steve Stoute, who had unsuccessfully attempted to force Cormega to sign a deal with his management company. Cormega therefore became one of Nas' most vocal opponents, releasing a number of underground hip-hop singles dissing Nas, Stoute, and Nature, who was Cormega's replacement in The Firm. The Firm's The Album was finally released in 1997 to mixed reviews and lackluster sales and the members of the supergroup went their separate ways.
At about this time, Nas became a spokesperson for the Willie Esco urban clothing line, but had no other connection with the clothing line. He stopped promoting Willie Esco in 2000, dissatisfied with the company's operations. During the same period, Nas co-wrote and starred in Hype Williams' 1998 feature film Belly, which also featured DMX, Taral Hicks, and T-Boz of TLC among its cast.
1998–2000: I Am... to Nastradamus
In 1998, Nas began work on a double album to be entitled I Am...The Autobiography, which he intended as the middle ground between the extremes of Illmatic and It Was Written. The album was completed in early 1999, and a music video was shot for its lead single, Nas Is Like, produced by DJ Premier and featuring vocal samples from "It Ain't Hard to Tell". However, much of the LP was leaked in MP3 format onto the Internet, and Nas and Stoute quickly recorded enough substitute material to constitute a single-disc release.
The second single for I Am was "Hate Me Now," featuring Sean "Puffy" Combs (now "Diddy"), was used as an example by Nas' critics for moving towards commercial themes. Hype Williams shot an allegorical video for the single, which featured Nas and Puffy being crucified in a manner similar to Jesus; After the video was completed, Combs, a Catholic, requested his crucifixion scene be edited out of the video. However, the unedited copy of the "Hate Me Now" video made its way to MTV, and was premiered on April 15, 1999 on TRL. A furious Combs and his bodyguards allegedly made their way into Steve Stoute's office and assaulted him, at one point apparently hitting Stoute over the head with a champagne bottle. Stoute pressed charges, but he and Combs settled out-of-court that June.
Columbia had scheduled to release the pirated material from I Am under the title Nastradamus during the latter half of 1999, but, at the last minute, decided Nas should record an entirely new album for release. Nastradamus was therefore rushed to meet a November release date. Though critics were not kind to the album, it did result in a minor hit, the Timbaland-produced "You Owe Me," featuring R&B singer Ginuwine. The only pirated track from I Am... to make it onto Nastradamus was "Project Windows," featuring Ronald Isley. A number of the other bootlegged tracks later made their way onto The Lost Tapes, a collection of underground Nas songs that was released by Columbia in September 2002. The collection saw decent sales and received glowing reviews.
2000–2001: The Nas vs. Jay-Z rivalry and Stillmatic
The highly publicized rivalry between Nas and Jay-Z began as a rivalry between Nas and Jay-Z's protege, Memphis Bleek. On his debut album Coming of Age, Bleek made a song entitled "Memphis Bleek Is", which was similar in concept to Nas' single "Nas is Like". On the same album, Bleek recorded "What You Think Of That" featuring Bleek's mentor Jay-Z, which contains the refrain, "I'ma ball 'til I fall/what you think of that?". In retaliation, "Nastradamus", the title track from Nas' second 1999 album, featured a reference to "What You Think Of That". The lyrics state, "You wanna ball till you fall, I can help you with that/You want beef? I could let a slug melt in your hat." Memphis Bleek perceived the reference on "Nastradamus" as a diss, and therefore dissed Nas on the lead single for his The Understanding LP, My Mind Right".
QB's Finest was a compilation album that featured Nas and a number of other rappers from Queensbridge, including Mobb Deep, Nature, Littles, The Bravehearts (which included Nas' younger brother Jungle among its members), and Cormega, who had briefly reconciled with Nas. The album also featured guest appearances from Queensbridge hip-hop legends Roxanne Shante, MC Shan, and Marley Marl. Shan and Marley Marl both appeared on the lead single "Da Bridge 2001", which was based on Shan & Marl's 1986 recording "The Bridge". "Da Bridge 2001" also featured a response from Nas to Memphis Bleek, in which Nas called out most of the Roc-A-Fella Records roster, including Bleek, Damon Dash, Beanie Sigel, and Jay-Z.
Jay-Z responded to Nas' songs with an onstage swipe during the 2001 Hot 97 Summer Jam concert in New York City, when he premiered his song "Takeover." Initially, the song was to only be a Mobb Deep diss, only including one line about Nas near the end. Nevertheless, Nas recorded the "Stillmatic Freestyle," an underground single which sampled Rakim and Eric B.'s "Paid in Full" beat, and attacked Jay-Z and his Roc-A-Fella label. On his 2001 album, The Blueprint, Jay-Z rewrote "Takeover," dedicating half of the song to dissing Nas, claiming that he had a "...one hot album every ten year average" record (referring to Illmatic) that his flow was weak, and that he had fabricated his past as a hustler.
Nas responded with "Ether", the track begins with gunshots and a repeated, slowed-down sample of Tupac rapping "Fuck Jay-Z." (taken from Tupac's "Fuck Friends") In "Ether," Nas accuses Jay-Z of stealing ("biting") lyrics from The Notorious B.I.G. and brown-nosing Nas and other rappers for fame. Ether was included on Nas' fifth studio album, Stillmatic, released in December 2001. Stillmatic managed to be not only a critically-acclaimed comeback album, but a commercial success as well, albeit not on the level of It Was Written and I Am...; the album debutted at #7 on the Billboard album charts and featured the singles "Got Ur Self A..." and "One Mic." In terms of commercial success, Jay's The Blueprint was certified double-platinum, while Stillmatic went platinum.
Jay-Z responded to "Ether" with a freestyle entitled "Supa Ugly." going into detail about how he had sex with Carmen Bryan, the mother of Nas' daughter Destiny. Nas dismissed the track by claiming that he was no longer with Bryan during the time the affair took place. In a recent interview, however, New York radio station Hot 97 settled the battle taking votes comparing "Ether" and "Supa Ugly," and Nas won with 58% while Jay-Z got 42% of the votes. By 2005, the two rappers had eventually ended their feud without violence or animosity. During Jay-Z's I Declare War - Power House concert, Jay-Z announced to the crowd, "It's bigger than 'I Declare War'. Let's go, Esco!" Nas then joined Jay-Z onstage, and the two then performed "Dead Presidents" together, which Jay-Z had sampled from Nas' song "The World is Yours."
2002–Present: From God's Son to Street's Disciple and beyond
In December 2002, Nas released the God's Son album. and its lead single, "Made You Look". The album debuted at #18 on the Billboard charts despite widespread internet bootlegging. Time Magazine named his album best hip-hop album of the year. Vibe Magazine gave it 4 stars and The Source gave it 4 mics. The second single, the inspirational "I Can", which reworked elements from Beethoven's "Fur Elise", became Nas' biggest hit to date during the spring and summer of 2003, garnering substantial radio airplay on urban, rhythmic, and top 40 radio stations, as well as on the MTV and VH1 music video networks. God's Son also includes several songs dedicated to memory of Nas' mother, who died of cancer in 2002. In 2003, Nas was featured on the Korn song "Play Me", from KoЯn's Take a Look in the Mirror LP.
Nas released his seventh studio album, the critically acclaimed double-disc Street's Disciple, on November 30, 2004. The album's first singles were "Thief's Theme" and "Bridging the Gap", which features his father Olu Dara on vocals. The album also includes "These are Our Heroes", which accuses prominent sports stars and actors such as Kobe Bryant, Lenny Henry, Tiger Woods, and Cuba Gooding, Jr. of neglecting their heritage and background in favour of white values. The videos for "Bridging the Gap" and "Just A Moment" received moderate airplay on MTV and BET. Although the album went platinum, its commercial profile was relatively low compared to the rapper's previous releases.
Nas was featured on Kanye West's album Late Registration on a song titled "We Major". West said the song was Jay-Z's favorite on the album, but West was unable to get Jay-Z to record a vocal for the final mix of the song. He also appeared on Damian Marley's song "Road to Zion" (which also featured newcomer The Game in the video, widening Nas' still growing universally appreciated raps) and several other songs such as "Death Anniversary" and "It Wasn't You" (featuring Lauryn Hill). In addition, Nas was most recently married to the R&B singer Kelis, who is mostly known for her work internationally, but nonetheless released great hits in the U.S. The couple wed on Jan. 8, 2005 in Atlanta, GA, after a two-year engagement.
During this time, Nas announced that his next album would be entirely self-produced and feature no other rappers, and would be titled Nasir, and later that the project would feature other producers after all and would be called Nasdaq: Dow Jones. Neither of these albums ever materialized.
At a free concert in Central Park, New York, Nas made a statement regarding the quality of 50 Cent's music. "this is the real shit, not that 50 Cent shit!" In response, 50 Cent included a stab at Nas by speaking negatively of his wife Kelis on his single "Piggy Bank," implying that Kelis was promiscuous and calling Nas a "sucker for love." Nas was quoted as saying that he feels no obligation to retaliate, remarking "[50 has] got a good five to six more albums before I can really respond to him." Nas eventually decided to retaliate, and in July 2005 released "Don't Body Ya Self (MC Burial)", a song which taunts 50 Cent and his G-Unit crew, stating that 50 was "a sucka for death if I'm a sucka for love." However, despite all of this, Nas still claims to "have a lot of love towards 50," claiming 50 didn't understand his moves when they both were together at Columbia Records.
In January 2006, Nas signed a label deal with Jay-Z's Def Jam, further emphasizing the Jay-Z/Nas truce and raising expectations for a collaboration even higher. His album due in fall of 2006 will come out in a joint deal with this imprint and Columbia Records. He recently announced to MTV News that his album is to be named, "Hip Hop is Dead...the N," the N being a play on the word the "end." The title is supposed to reflect what some would term the current low quality of rap music. The highly anticipated album is due out in December 19th, 2006.
Musical style and Technique
Nas has long been famed for his creativity and storytelling prowess, which has earned him acclaim from both the hip-hop community and critics. In his early stages, from his first appearance on the Main Source's Breaking Atoms and throughout the recording of Illmatic, he was perhaps best known for his street-oriented topics, complex lyrical schemes (which often incorporated multi-syllabic internal rhymes), and witty phrasing and imagery. As he progressed and matured, Nas began to branch out into different subjects and developed a richer voice and slower rapping technique.
Following Illmatic's release, Nas developed a penchant for hyper-visual storytelling and topical creativity. For instance, "Undying Love" (featured on I Am...) is a tale of his wife's betrayal told in first person, "Rewind" (featured on Stillmatic) is a narrative in which a story is recited backwards, while on "I Gave You Power" (featured on It Was Written), Nas assumes the role of a gun who recounts brutal tales of murder and violence. Over the years Nas' style has changed significantly. In contrast to his previous work, Nas’ most recent material is distinctively socially aware and often politically inflammatory. Songs such as "I Can" (featured on God's Son) convey moral messages of black youth empowerment, while "These Are Our Heroes (Coon Picnic)" accuses several African-American celebrities of being Uncle Toms. Furthermore, controversial songs such as "My Country" and "A Message to the Feds (Fuck The Police II)" (which are featured on Stillmatic and Street's Disciple, respectively) question the conduct of the American government. Nas' views in his lyrics throughout his career have made references to Islam and the Five Percent Nation..
Oochie Wally
Nas Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
Oh come on
Ladies make it hot
Thugs make it hot make it pop
Oo-chie wally wally, oo-chie bang bang
Oo-chie wally wally, oo-chie bang bang
Oo-chie wally wally
He really really really work my body
He really really really turned me out
He really really really got to gut me
He really really made me scream and shout
He really taught really me how to work my body
He really taught me how to go down south
He really really tried to hurt me hurt me
I really love his thug and gangsta style
Yo we got chicks in the living room
Getting it on and they ain't leaving till 6 in the morning
"O" is for oochie
Oh you ain't know
How many O's in the bankroll
Sort of like like the game show
"Who Wants to Be a Millionaire?"
But my name ain't Regis
Nas the one they call
When they want there thing beat up
Honeys' with bodies
With Bravehearts guns in the party
Waves, braids, baldies
Trademarks to army
Is that Horse it must be
I heard he husky
Yeah, there go Jungle eyes red
Looking for trouble
And that's Nas dancing with dimes
But who's his manage
The imperial thug
Is cold deep grand wiz
We taking honeys' to the crib tonight
Guarantee we gon' get up in they rib tonight
Check the new slang
It's changed the braveheart gang bang
When you see me pass
Holla oochie bang bang
Oo-chie wally wally, oo-chie bang bang
Oo-chie wally wally, oo-chie bang bang
Oo-chie wally wally, oo-chie bang bang
Oo-chie wally wally
He really really really work my body
He really really really turned me out
He really really really got to gut me
He really really made me scream and shout
Yeah what up ma
Take a look, you hypnotized
On how my long dick stretch your insides
For real ma, with your thick lips and thick thighs
Stoke both holes, pass it to Nas
Or pass it to Naish, or pass it to Jung
Or pass it to Horse, then that ass gettin tossed
Fuck a hustler book, penthouse or blacktale
I got bitches sendin my niggas flicks in jail
I fuck a bitch face more than her waist for real
And ain't no pussy like new pussy thats how a nigga feel
Bust three times throw her the peace sign
She sleep then my dick sleek and I ain't gotta call her for weeks
Long leg hoes, mo'head hoes, married bitches
Me and my dog, fuckin them both they got us switchin
Is the nigga gangsta? Yeah, that's how I'm livin
That's how I'm playin, I got these freak fuckin hoes singin
Oo-chie wally wally, oo-chie bang bang
Oo-chie wally wally, oo-chie bang bang
Oo-chie wally wally, oo-chie bang bang
Oo-chie wally wally
He really really really work my body
He really really really turned me out
He really really really got to gut me
He really really made me scream and shout
Little young thing go around my dick with your tongue ring
Deep throat my nine inch, gut from the front and
Grind from the side and, fuck from behind and
Grab her hair slap her ass, she screamin' like she dyin'
Make her come four times without even tryin
I'll beat that pussy up there's no denyin
Hit her where she doodie at, make that booty fat
Little cutie rat, walking by with the doobie wrap
Tight blue jeans, air max
Small gucci bag
No loot and no job
Stay home giving blow jobs
Like no prob, it's simple
Holla out the window it's the project nympho
Fuck my whole crew, you know how we do
You got that good pussy I can share with my peoples
Be a brave girl, do your thang
Let them tities hang, I'll have all the bitches sayin
Oo-chie wally wally, oo-chie bang bang
Oo-chie wally wally, oo-chie bang bang
Oo-chie wally wally, oo-chie bang bang
Oo-chie wally wally
He really really really work my body
He really really really turned me out
He really really really got to gut me
He really really made me scream and shout
When it comes to sex I'm similar to the thriller in manilla
Bitches call me Horse the pussy filler
I'll fuck a big boned or slim chick
Beat that pussy up real quick then send home the bitch
Ain't no sleepin in my bedroom
When henny's in my dick
When Flex drop the bomb I bust a nut on this bitch
Deep throat, Caesar gold or pun wicked hoes
Who like the way I thug and the way I flow
I like head in the Benz, the four door or the Coupe
Head in the staircase, the cellar or the roof
Head in the studio, the bathroom or the booth
Head from a project chick or one with crazy loot
Like Nia Long in a cherry thong with the lights on
Sippin Perignon with Kelly Price on
I pull out my python, I hit it while my wife's gone
Long dick the bitch all night, I'll make her pussy sing the song
Oo-chie wally wally, oo-chie bang bang
Oo-chie wally wally, oo-chie bang bang
Oo-chie wally wally, oo-chie bang bang
Oo-chie wally wally, oo-chie bang bang
Oo-chie wally wally, oo-chie bang bang
Oo-chie wally wally, oo-chie bang bang
Oo-chie wally wally, oo-chie bang bang
Oo-chie wally wally
The lyrics to "Oochie Wally" by Nas and Bravehearts are explicit and controversial. The song describes sexual encounters with multiple women, with explicit language and graphic descriptions throughout. However, beneath the explicit content lies a deeper commentary on masculinity, power, and reputation in the rap world.
The lyrics depict hyper-masculinity and sexual prowess as a measure of a rapper's worth and reputation. The use of vulgar language and descriptions of sexual acts reinforces the idea that a man's worth is tied to his sexual conquests. Furthermore, the lyrics suggest that women are objects to be used for sexual gratification and that promiscuity is a source of power and control over women. This perpetuates harmful gender stereotypes and contributes to a toxic culture of toxic masculinity.
In addition to the lyrics, the music video for "Oochie Wally" also garnered controversy for its explicit content and portrayal of women. The video features scantily clad women dancing provocatively while the rappers perform, further objectifying and sexualizing women.
While "Oochie Wally" has been criticized for its explicit content, it is also seen as a classic of the early 2000s hip-hop era, a time when provocative and controversial lyrics were prevalent. The song continues to be played in clubs and at parties, connecting a new generation to the sexualized and hyper-masculine culture of early 2000s rap.
Line by Line Meaning
Oh yeah muthafucka that's that shit
This is the kind of music that people really enjoy
Oh come on
Let's get into it and have a good time
Ladies make it hot
The women are making the atmosphere lively
Thugs make it hot make it pop
The tough guys are intensifying the energy and making it lively
Oo-chie wally wally, oo-chie bang bang
Engaging in sexual activities with enthusiasm
He really really really work my body
He pleases me physically in an intense way
He really really really turned me out
He's completely changed my perception and desires
He really really really got to gut me
He deeply affects me emotionally and spiritually
He really really made me scream and shout
He elicits powerful and vocal reactions from me
He really taught really me how to work my body
He has taught me how to fully enjoy and explore my physicality
He really taught me how to go down south
He has taught me how to pleasure him orally
He really really tried to hurt me hurt me
He tests my limits and tries to challenge me
I really love his thug and gangsta style
I am attracted to his tough and streetwise demeanor
Yo we got chicks in the living room
We have women in the house
Getting it on and they ain't leaving till 6 in the morning
They are engaging in sexual activities and won't leave until early morning
"O" is for oochie
We are all about sexual pleasure
Oh you ain't know
In case you weren't aware
How many O's in the bankroll
We have a lot of money
Sort of like like the game show
Similar to how it works on a game show
"Who Wants to Be a Millionaire?"
Like the popular TV show
But my name ain't Regis
Although my name is not Regis
Nas the one they call
People refer to me as Nas
When they want there thing beat up
When they want someone to satisfy them physically
Honeys' with bodies
Women with attractive physiques
With Bravehearts guns in the party
Accompanied by my group with guns at the party
Waves, braids, baldies
Different hairstyles
Trademarks to army
Distinctive features of our group
Is that Horse it must be
If it's a strong and sexually skilled person, it must be Horse
I heard he husky
I heard he is strong and muscular
Yeah, there go Jungle eyes red
Jungle, with his red eyes, is causing trouble
Looking for trouble
Actively seeking conflict
And that's Nas dancing with dimes
That's me, Nas, dancing with beautiful women
But who's his manage
Who is managing me
The imperial thug
The powerful and tough guy
Is cold deep grand wiz
Is highly skilled and impressive
We taking honeys' to the crib tonight
We're bringing women back to our place tonight
Guarantee we gon' get up in they rib tonight
We're certain that we'll have sexual encounters
Check the new slang
Pay attention to the new language we're using
It's changed the braveheart gang bang
It has influenced our distinctive group and our sexual activities
When you see me pass
When you see me go by
Holla oochie bang bang
Shout out our catchphrase for sexual pleasure
Yeah what up ma
Hey, what's up, girl
Take a look, you hypnotized
Look, you're captivated
On how my long dick stretch your insides
On how my large penis satisfies you
For real ma, with your thick lips and thick thighs
Seriously, with your attractive features
Stoke both holes, pass it to Nas
Simultaneously penetrate both of your orifices, then pass you over to Nas
Or pass it to Naish, or pass it to Jung
Or let my fellow performers also have a turn
Or pass it to Horse, then that ass gettin tossed
Or let Horse have you, then your ass will be treated roughly
Fuck a hustler book, penthouse or blacktale
I disregard literature about successful people and erotic magazines
I got bitches sendin my niggas flicks in jail
I have women sending explicit photos to my incarcerated friends
I fuck a bitch face more than her waist for real
I prioritize oral sex over vaginal intercourse
And ain't no pussy like new pussy
There's nothing like fresh sexual encounters
That's how a nigga feel
That's how I feel about it
Bust three times throw her the peace sign
Orgasm three times and then give her a sign of farewell
She sleep then my dick sleek and I ain't gotta call her for weeks
She will be satisfied and won't bother me for a long time
Long leg hoes, mo'head hoes, married bitches
Promiscuous women with long legs, skilled at giving oral sex, and even married women
Me and my dog, fuckin them both they got us switchin
My friend and I are having intercourse with these women, constantly changing partners
Is the nigga gangsta? Yeah, that's how I'm livin
Am I a tough guy? Yes, this is how I live
That's how I'm playin, I got these freak fuckin hoes singin
That's how I'm having fun, making these sexually liberated women sing
Little young thing go around my dick with your tongue ring
You, young woman, pleasure my penis with your tongue piercing
Deep throat my nine inch, gut from the front and
Take my nine-inch penis deeply into your throat and pleasure me from the front
Grind from the side and, fuck from behind and
Rub against me from the side and have sex with me from behind
Grab her hair slap her ass, she screamin' like she dyin'
Pull her hair and slap her buttocks, she is moaning loudly
Make her come four times without even tryin
Bring her to orgasm four times without much effort
I'll beat that pussy up there's no denyin
I will have rough sex with her, it's undeniable
Hit her where she doodie at, make that booty fat
Penetrate her anally and make her buttocks look even more attractive
Little cutie rat, walking by with the doobie wrap
Attractive young woman, passing by with her hair wrapped up
Tight blue jeans, air max
Wearing tight denim pants and Air Max shoes
Small gucci bag
Carrying a small Gucci handbag
No loot and no job
No money and no job
Stay home giving blow jobs
Staying home and performing oral sex
Like no prob, it's simple
Without hesitation, it's easy
Holla out the window it's the project nympho
Shout out the window, inviting the sexually promiscuous woman from the projects
Fuck my whole crew
Have sex with everyone in my group
You know how we do
You know how we behave
You got that good pussy I can share with my peoples
You have excellent sexual skills that I can share with my friends
Be a brave girl, do your thang
Be courageous, express yourself sexually
Let them tities hang
Let your breasts be exposed
I'll have all the bitches sayin
I'll have all the women talking
When it comes to sex I'm similar to the thriller in manilla
When it comes to sex, I'm as exciting as a boxing match in Manila
Bitches call me Horse the pussy filler
Women refer to me as Horse, the guy who satisfies them sexually
I'll fuck a big boned or slim chick
I'll have sex with women of any body type
Beat that pussy up real quick then send home the bitch
Have sex with her roughly and then send her home
Ain't no sleepin in my bedroom
There's no time for rest in my bedroom
When henny's in my dick
When I'm intoxicated with Hennessy
When Flex drop the bomb I bust a nut on this bitch
When the DJ Flex plays a powerful song, I ejaculate on the woman
Deep throat, Caesar gold or pun wicked hoes
Performing deep throat oral sex on women with different attributes
Who like the way I thug and the way I flow
Who are attracted to my tough persona and my rapping skills
I like head in the Benz, the four door or the Coupe
I enjoy receiving oral sex in my luxury car or sports car
Head in the staircase, the cellar or the roof
Oral sex in various locations, including the staircase, cellar, and roof
Head in the studio, the bathroom or the booth
Oral sex in the recording studio, bathroom, or soundproof booth
Head from a project chick or one with crazy loot
Receiving oral sex from a woman from the projects or a wealthy woman
Like Nia Long in a cherry thong with the lights on
Similar to Nia Long wearing a red thong in a well-lit room
Sippin Perignon with Kelly Price on
Drinking Dom Perignon champagne while listening to Kelly Price's music
I pull out my python, I hit it while my wife's gone
I bring out my large penis and have sex when my wife is not around
Long dick the bitch all night, I'll make her pussy sing the song
Penetrate her deeply all night, making her experience intense pleasure
Lyrics © Universal Music Publishing Group, Royalty Network
Written by: EUGENE O. GRAY, JABARI JONES, LAMONT J. PORTER, MICHAEL EPPS, NASIR JONES, LAMONT PORTER
Lyrics Licensed & Provided by LyricFind