Illmatic was a critically acclaimed bestseller and is widely considered one of the greatest rap albums of all time. He married R&B singer Kelis in 2005, they have one son together, and she filed for divorce on the 29th of April 2009. Nas was also a part of hip hop supergroup The Firm, which released one album.
In the years following the release of Illmatic, Nas pursued a more commercial direction, which resulted in wider success but decreased artistic credibility among critics and hip-hop purists. Furthermore, Nas' increased commercial success was accompanied by stylistic changes that fostered accusations of "selling out". Nevertheless, the LP Stillmatic is often credited for restoring Nas' credibility among fans. Since the success of Stillmatic, Nas continues to maintain a high profile within the hip hop community, and has pursued a decidedly progressive and personal aesthetic. While Nas' current artistic direction differs greatly from his most successful work, it has ensured that he remains one of the most respected and acclaimed contemporary rappers.
1973–1992: Childhood and early career
Nas was born in Brooklyn, New York, as the elder of Olu Dara and Fannie Ann Jones's two children; his brother Jabari (nicknamed "Jungle" because he was born in the Congo) is the younger of the two. The family lived for a time in Brooklyn, before moving to Queensbridge, the largest public housing project in the United States. Olu Dara left the household in 1986, when Nas was 13, and Ann Jones raised her two boys on her own. Nas dropped out of school in the eighth grade and began selling drugs on the streets of New York. He educated himself, reading about African culture and civilization, the Qur'an, the Bible and the Five Percent Nation. He also studied the origin of hip hop music, taping records that played on his local radio station. As a child, Nas had wanted to be an instrumentalist (at the age of three, Nas played his father's trumpet on the step of their Brooklyn home) and also a comic book artist. Shortly after his parents separated, Nas began to write short stories as he immersed himself deeper into hip-hop culture.
By his preteen years, he had settled on pursuing a career as a rapper, and as a teenager enlisted his best friend and upstairs neighbor Willie "Ill Will" Graham as his DJ. Nas first went by the nickname Kid Wave before adopting his more commonly known alias of Nasty Nas. Nas and Graham soon met hip-hop producer and Flushing Queens resident Large Professor, who introduced Nas to his group, Main Source. In 1991, Nas made his on-record debut with a verse on "Live at the BBQ", from Main Source's LP Breaking Atoms. Despite the substantial buzz for Nas in the underground scene, the rapper was rejected by major labels and was not signed to a recording deal. Nas and Graham continued to work together, but their partnership was cut short when Graham was shot and killed by a gunman in Queensbridge on May 23, 1992.
1992–1995: The recording and release of Illmatic
In mid-1992, Nas was approached by MC Serch of 3rd Bass, who became his manager and secured Nas a record deal with Columbia Records the same year. Nas made his solo debut on the single "Halftime" from Serch's soundtrack for the film Zebrahead. The single increased the buzz surrounding Nas and when MC Serch’s solo album is released later in the year, Nas’ standout appearance on "Back To The Grill" only intensified interest in his upcoming album, amid immense anticipation. Hailed as the second coming of Rakim, his rhyming skills attracted a significant amount of attention within the hip-hop community. However, many were concerned that Columbia, being a major label, would try to dilute his New York based style.
In 1994, Nas' debut album, Illmatic was finally released. Critically acclaimed and widely regarded as one of the premier rap albums ever created, Illmatic featured lyrics that portrayed stunning visual imagery and production courtesy of several producers . The album featured production from Large Professor, Pete Rock, Q-Tip (of A Tribe Called Quest) and DJ Premier, as well as guest appearances from Nas' friend AZ and his father Olu Dara on the song "Life's a Bitch", Illmatic was immediately hailed as a masterpiece by critics, and is still highly regarded as one of the definitive hip-hop albums of all time. Notable songs on the album included "NY State of Mind" (produced by Premier), "The World Is Yours" (produced by Pete Rock), "One Love" (produced by Q-Tip) and "It Ain't Hard To Tell" (produced by Large Professor and featuring a sample of "Human Nature" by Michael Jackson). However, due in part to extensive bootlegging, the record sales fell below expectations.
Following Illmatic, Nas appeared on AZ's Doe Or Die album, and collaborated with his Queensbridge-associates, Mobb Deep, on their album, The Infamous. One notable achievement during this period was Nas' verse on "Verbal Intercourse" on Raekwon's Only Built 4 Cuban Linx. After this appearance, Nas received a Source Quotable as he had the distinction of being the only non-Wu-Tang Clan member to be featured on one of the group's solo albums.
1996–1998: From It Was Written to The Firm
Columbia began to press Nas to work towards more commercial topics like the rapper The Notorious B.I.G., who had become successful by releasing street singles that still retained pop-friendly appeal. Nas traded manager MC Serch for Steve Stoute, and began preparation for his second LP, It Was Written, consciously working towards a crossover-oriented sound. It Was Written, chiefly produced by Poke and Tone of Trackmasters Entertainment, was released during the summer of 1996. Two singles, "If I Ruled The World (Imagine That)" (featuring Lauryn Hill of The Fugees) and "Street Dreams" (a remix features R. Kelly) were instant hits. These songs were promoted by big-budget music videos directed by Hype Williams, making Nas a common name among mainstream hip-hop. Other notable tracks on the album included "The Message" and "I Gave You Power," which tells a story from the perspective of a gun. It Was Written also featured the debut of The Firm, a supergroup consisting of Nas, AZ, Foxy Brown, and Cormega. The album also introduced Nas's Mafioso-inspired character "Nas Escobar", who lived more of a Scarface/Casino-esque lifestyle. On the other hand, Illmatic, which, while having numerous references to Tony Montana and the theatrical hit featuring Al Pacino, was more about Nas' life as a teenager in the projects, hustling and smoking marijuana.
The Firm signed to Dr. Dre's Aftermath Entertainment label, and began working on their debut album. Halfway through the production of the album, Cormega was fired from the group by Steve Stoute, who had unsuccessfully attempted to force Cormega to sign a deal with his management company. Cormega therefore became one of Nas' most vocal opponents, releasing a number of underground hip-hop singles dissing Nas, Stoute, and Nature, who was Cormega's replacement in The Firm. The Firm's The Album was finally released in 1997 to mixed reviews and lackluster sales and the members of the supergroup went their separate ways.
At about this time, Nas became a spokesperson for the Willie Esco urban clothing line, but had no other connection with the clothing line. He stopped promoting Willie Esco in 2000, dissatisfied with the company's operations. During the same period, Nas co-wrote and starred in Hype Williams' 1998 feature film Belly, which also featured DMX, Taral Hicks, and T-Boz of TLC among its cast.
1998–2000: I Am... to Nastradamus
In 1998, Nas began work on a double album to be entitled I Am...The Autobiography, which he intended as the middle ground between the extremes of Illmatic and It Was Written. The album was completed in early 1999, and a music video was shot for its lead single, Nas Is Like, produced by DJ Premier and featuring vocal samples from "It Ain't Hard to Tell". However, much of the LP was leaked in MP3 format onto the Internet, and Nas and Stoute quickly recorded enough substitute material to constitute a single-disc release.
The second single for I Am was "Hate Me Now," featuring Sean "Puffy" Combs (now "Diddy"), was used as an example by Nas' critics for moving towards commercial themes. Hype Williams shot an allegorical video for the single, which featured Nas and Puffy being crucified in a manner similar to Jesus; After the video was completed, Combs, a Catholic, requested his crucifixion scene be edited out of the video. However, the unedited copy of the "Hate Me Now" video made its way to MTV, and was premiered on April 15, 1999 on TRL. A furious Combs and his bodyguards allegedly made their way into Steve Stoute's office and assaulted him, at one point apparently hitting Stoute over the head with a champagne bottle. Stoute pressed charges, but he and Combs settled out-of-court that June.
Columbia had scheduled to release the pirated material from I Am under the title Nastradamus during the latter half of 1999, but, at the last minute, decided Nas should record an entirely new album for release. Nastradamus was therefore rushed to meet a November release date. Though critics were not kind to the album, it did result in a minor hit, the Timbaland-produced "You Owe Me," featuring R&B singer Ginuwine. The only pirated track from I Am... to make it onto Nastradamus was "Project Windows," featuring Ronald Isley. A number of the other bootlegged tracks later made their way onto The Lost Tapes, a collection of underground Nas songs that was released by Columbia in September 2002. The collection saw decent sales and received glowing reviews.
2000–2001: The Nas vs. Jay-Z rivalry and Stillmatic
The highly publicized rivalry between Nas and Jay-Z began as a rivalry between Nas and Jay-Z's protege, Memphis Bleek. On his debut album Coming of Age, Bleek made a song entitled "Memphis Bleek Is", which was similar in concept to Nas' single "Nas is Like". On the same album, Bleek recorded "What You Think Of That" featuring Bleek's mentor Jay-Z, which contains the refrain, "I'ma ball 'til I fall/what you think of that?". In retaliation, "Nastradamus", the title track from Nas' second 1999 album, featured a reference to "What You Think Of That". The lyrics state, "You wanna ball till you fall, I can help you with that/You want beef? I could let a slug melt in your hat." Memphis Bleek perceived the reference on "Nastradamus" as a diss, and therefore dissed Nas on the lead single for his The Understanding LP, My Mind Right".
QB's Finest was a compilation album that featured Nas and a number of other rappers from Queensbridge, including Mobb Deep, Nature, Littles, The Bravehearts (which included Nas' younger brother Jungle among its members), and Cormega, who had briefly reconciled with Nas. The album also featured guest appearances from Queensbridge hip-hop legends Roxanne Shante, MC Shan, and Marley Marl. Shan and Marley Marl both appeared on the lead single "Da Bridge 2001", which was based on Shan & Marl's 1986 recording "The Bridge". "Da Bridge 2001" also featured a response from Nas to Memphis Bleek, in which Nas called out most of the Roc-A-Fella Records roster, including Bleek, Damon Dash, Beanie Sigel, and Jay-Z.
Jay-Z responded to Nas' songs with an onstage swipe during the 2001 Hot 97 Summer Jam concert in New York City, when he premiered his song "Takeover." Initially, the song was to only be a Mobb Deep diss, only including one line about Nas near the end. Nevertheless, Nas recorded the "Stillmatic Freestyle," an underground single which sampled Rakim and Eric B.'s "Paid in Full" beat, and attacked Jay-Z and his Roc-A-Fella label. On his 2001 album, The Blueprint, Jay-Z rewrote "Takeover," dedicating half of the song to dissing Nas, claiming that he had a "...one hot album every ten year average" record (referring to Illmatic) that his flow was weak, and that he had fabricated his past as a hustler.
Nas responded with "Ether", the track begins with gunshots and a repeated, slowed-down sample of Tupac rapping "Fuck Jay-Z." (taken from Tupac's "Fuck Friends") In "Ether," Nas accuses Jay-Z of stealing ("biting") lyrics from The Notorious B.I.G. and brown-nosing Nas and other rappers for fame. Ether was included on Nas' fifth studio album, Stillmatic, released in December 2001. Stillmatic managed to be not only a critically-acclaimed comeback album, but a commercial success as well, albeit not on the level of It Was Written and I Am...; the album debutted at #7 on the Billboard album charts and featured the singles "Got Ur Self A..." and "One Mic." In terms of commercial success, Jay's The Blueprint was certified double-platinum, while Stillmatic went platinum.
Jay-Z responded to "Ether" with a freestyle entitled "Supa Ugly." going into detail about how he had sex with Carmen Bryan, the mother of Nas' daughter Destiny. Nas dismissed the track by claiming that he was no longer with Bryan during the time the affair took place. In a recent interview, however, New York radio station Hot 97 settled the battle taking votes comparing "Ether" and "Supa Ugly," and Nas won with 58% while Jay-Z got 42% of the votes. By 2005, the two rappers had eventually ended their feud without violence or animosity. During Jay-Z's I Declare War - Power House concert, Jay-Z announced to the crowd, "It's bigger than 'I Declare War'. Let's go, Esco!" Nas then joined Jay-Z onstage, and the two then performed "Dead Presidents" together, which Jay-Z had sampled from Nas' song "The World is Yours."
2002–Present: From God's Son to Street's Disciple and beyond
In December 2002, Nas released the God's Son album. and its lead single, "Made You Look". The album debuted at #18 on the Billboard charts despite widespread internet bootlegging. Time Magazine named his album best hip-hop album of the year. Vibe Magazine gave it 4 stars and The Source gave it 4 mics. The second single, the inspirational "I Can", which reworked elements from Beethoven's "Fur Elise", became Nas' biggest hit to date during the spring and summer of 2003, garnering substantial radio airplay on urban, rhythmic, and top 40 radio stations, as well as on the MTV and VH1 music video networks. God's Son also includes several songs dedicated to memory of Nas' mother, who died of cancer in 2002. In 2003, Nas was featured on the Korn song "Play Me", from KoЯn's Take a Look in the Mirror LP.
Nas released his seventh studio album, the critically acclaimed double-disc Street's Disciple, on November 30, 2004. The album's first singles were "Thief's Theme" and "Bridging the Gap", which features his father Olu Dara on vocals. The album also includes "These are Our Heroes", which accuses prominent sports stars and actors such as Kobe Bryant, Lenny Henry, Tiger Woods, and Cuba Gooding, Jr. of neglecting their heritage and background in favour of white values. The videos for "Bridging the Gap" and "Just A Moment" received moderate airplay on MTV and BET. Although the album went platinum, its commercial profile was relatively low compared to the rapper's previous releases.
Nas was featured on Kanye West's album Late Registration on a song titled "We Major". West said the song was Jay-Z's favorite on the album, but West was unable to get Jay-Z to record a vocal for the final mix of the song. He also appeared on Damian Marley's song "Road to Zion" (which also featured newcomer The Game in the video, widening Nas' still growing universally appreciated raps) and several other songs such as "Death Anniversary" and "It Wasn't You" (featuring Lauryn Hill). In addition, Nas was most recently married to the R&B singer Kelis, who is mostly known for her work internationally, but nonetheless released great hits in the U.S. The couple wed on Jan. 8, 2005 in Atlanta, GA, after a two-year engagement.
During this time, Nas announced that his next album would be entirely self-produced and feature no other rappers, and would be titled Nasir, and later that the project would feature other producers after all and would be called Nasdaq: Dow Jones. Neither of these albums ever materialized.
At a free concert in Central Park, New York, Nas made a statement regarding the quality of 50 Cent's music. "this is the real shit, not that 50 Cent shit!" In response, 50 Cent included a stab at Nas by speaking negatively of his wife Kelis on his single "Piggy Bank," implying that Kelis was promiscuous and calling Nas a "sucker for love." Nas was quoted as saying that he feels no obligation to retaliate, remarking "[50 has] got a good five to six more albums before I can really respond to him." Nas eventually decided to retaliate, and in July 2005 released "Don't Body Ya Self (MC Burial)", a song which taunts 50 Cent and his G-Unit crew, stating that 50 was "a sucka for death if I'm a sucka for love." However, despite all of this, Nas still claims to "have a lot of love towards 50," claiming 50 didn't understand his moves when they both were together at Columbia Records.
In January 2006, Nas signed a label deal with Jay-Z's Def Jam, further emphasizing the Jay-Z/Nas truce and raising expectations for a collaboration even higher. His album due in fall of 2006 will come out in a joint deal with this imprint and Columbia Records. He recently announced to MTV News that his album is to be named, "Hip Hop is Dead...the N," the N being a play on the word the "end." The title is supposed to reflect what some would term the current low quality of rap music. The highly anticipated album is due out in December 19th, 2006.
Musical style and Technique
Nas has long been famed for his creativity and storytelling prowess, which has earned him acclaim from both the hip-hop community and critics. In his early stages, from his first appearance on the Main Source's Breaking Atoms and throughout the recording of Illmatic, he was perhaps best known for his street-oriented topics, complex lyrical schemes (which often incorporated multi-syllabic internal rhymes), and witty phrasing and imagery. As he progressed and matured, Nas began to branch out into different subjects and developed a richer voice and slower rapping technique.
Following Illmatic's release, Nas developed a penchant for hyper-visual storytelling and topical creativity. For instance, "Undying Love" (featured on I Am...) is a tale of his wife's betrayal told in first person, "Rewind" (featured on Stillmatic) is a narrative in which a story is recited backwards, while on "I Gave You Power" (featured on It Was Written), Nas assumes the role of a gun who recounts brutal tales of murder and violence. Over the years Nas' style has changed significantly. In contrast to his previous work, Nas’ most recent material is distinctively socially aware and often politically inflammatory. Songs such as "I Can" (featured on God's Son) convey moral messages of black youth empowerment, while "These Are Our Heroes (Coon Picnic)" accuses several African-American celebrities of being Uncle Toms. Furthermore, controversial songs such as "My Country" and "A Message to the Feds (Fuck The Police II)" (which are featured on Stillmatic and Street's Disciple, respectively) question the conduct of the American government. Nas' views in his lyrics throughout his career have made references to Islam and the Five Percent Nation..
Shine On
Nas Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
Everybody wants diamonds without the bloodshed
Everybody wants heaven but nobody wants dead
Everybody wants diamonds without the bloodshed
They wanna shine on 'em, shine on 'em, shine on 'em, shine on 'em
Shine on 'em, shine on 'em, shine on 'em, shine on 'em, yeah
Now I'm misplaced, one hand to another hand
Illegal smugglin', people strugglin'
Wish they could just throw me back in the mud again
Yeah, guess that's how we got here
Slave trade then the diamond trade
Every child's afraid when
His mother and father get sprayed
Forced in the army, young killer brigade
Gets a new name then he give his nose glue
Til' his mind can't take what he's gon' through
Lookin' in that dirt for that ice so blue
Then the Royal Family, the ice goes to
And this thing has to change, feelin' half-ashamed
As I rap with my platinum chain when you shop for a gift for me
You think about the misery, the same way we made apartheid history
We can do the same thing to the conflict ice
But everybody wanna shine, right?
Everybody wants heaven but nobody wants dead
Everybody wants diamonds without the bloodshed
Everybody wants heaven but nobody wants dead
Everybody wants diamonds without the bloodshed
They wanna shine on 'em, shine on 'em, shine on 'em, shine on 'em
Shine on 'em, shine on 'em, shine on 'em, shine on 'em
My VVS glimmers on my chest
200 thou' encrusted watch on my wrist
I wonder how people starve to death
When God bless the land that lacks the harvest
The stone's equality, but they homes are poverty
And the whole world ignores the robbery
Bought my girl pretty rocks when she's mad at me
Tear-drop shaped, uh, perfect clarity
It shocks, so many are killed annually
'Cause of greed, lust, and pure vanity
Stop talkin' and do somethin' about it
Every holiday season, jewelry stores crowded
Kids snatched from their homes, mutilated alive
Husbands separated from wives, keep the Jesus piece to be fly
But back in the day there was a time when they called us shine
Everybody wants heaven but nobody wants dead
Everybody wants diamonds without the bloodshed
Everybody wants heaven but nobody wants dead
Everybody wants diamonds without the bloodshed
They wanna shine on 'em, shine on 'em, shine on 'em, shine on 'em
Shine on 'em, shine on 'em, shine on 'em, shine on 'em, yeah
Nas's song "Shine On" speaks to the issue of conflict diamonds, those diamonds that are mined in areas of armed conflict and sold to finance those conflicts, often leading to human rights violations, violence, and environmental damage. The song opens with the lyrics, "Everybody wants heaven but nobody wants dead/Everybody wants diamonds without the bloodshed," which reveals the paradox that society desires the luxury of diamonds without acknowledging the human suffering caused by the diamond trade. Nas references the historical roots of the diamond trade that began with the slave trade, highlighting that the diamond trade has a long history of exploiting individuals for profit. He exposes the tragedy of conflict diamonds, which are often produced through force and violence, human suffering, and environmental damage.
As the song continues, Nas implores people to take action and do something about the atrocities perpetuated by the diamond trade. He acknowledges his own part in the diamond trade by admitting that he wears a platinum chain and receives diamond gifts from others, but he urges listeners to think about the misery behind the luxury they enjoy. He emphasizes that consumers have to play a crucial role in making change by not buying conflict diamonds, but they also have to actively promote solutions. He calls on people to stop talking and do something, which points to the power individuals hold in stopping the conflict diamond trade.
Overall, "Shine On" is a powerful song that highlights the exploitation and suffering associated with the diamond trade. It encourages listeners to take action and work toward a fair and just diamond industry that doesn't neglect the rights and dignity of those who mine and produce the diamonds.
Line by Line Meaning
Everybody wants heaven but nobody wants dead
People desire success and rewards, but do not want to put in the work, commitment or sacrifice it requires to attain it.
Everybody wants diamonds without the bloodshed
People desire to have the luxury and beauty of diamonds, but they neglect or are ignorant of the immoral and unethical practices that are used to extract them.
They wanna shine on 'em, shine on 'em, shine on 'em, shine on 'em
People desire to be noticed, recognized and celebrated by others for their success, wealth or beauty.
They dug me out the soil in the mines of the motherland
The artist is a diamond that was forcefully and unjustly extracted from the soil and mines of Africa by colonizers and exploiters for their own profit.
Now I'm misplaced, one hand to another hand
The diamond is treated as a commodity that is traded across different hands, countries and markets, without regard for its origin, value or human impact.
Illegal smugglin', people strugglin'
The illicit and unregulated trade of diamonds fuels corruption, violence and poverty among the people who are involved in the mining, transportation or sale of them.
Wish they could just throw me back in the mud again
The diamond and the people who have been affected by its extraction and trade wish that they could reverse history and prevent it from happening, as it has led to pain, suffering and exploitation.
Yeah, guess that's how we got here
The artist acknowledges the historical and social context that has led to the current status quo regarding the extraction and trade of diamonds, and the role of colonialism, slavery and oppression in this process.
Slave trade then the diamond trade
The artist highlights the connection between the transatlantic slave trade, which enabled European countries to exploit Africa and its resources, and the diamond trade, which perpetuates inequalities and injustices in the continent.
Every child's afraid when
His mother and father get sprayed
The artist alludes to the violence and conflict that are prevalent in countries where diamonds are extracted or smuggled, and the devastating impact it has on families and children who are caught in the crossfire.
Forced in the army, young killer brigade
The singer refers to the conscription and recruitment of young people, often against their will, into armed groups that fight over control of diamond mines, which perpetuates cycles of violence, trauma and exploitation.
Gets a new name then he give his nose glue
The artist describes the process of child soldiers being given new identities and drugs to numb their pain, so that they become more obedient, fearless and addicted to violence.
Til' his mind can't take what he's gon' through
The singer underscores the long-term psychological effects that child soldiers and other people affected by conflict diamonds may experience, such as PTSD, depression, anxiety and addiction.
Lookin' in that dirt for that ice so blue
The singer paints a vivid image of the harsh and dangerous conditions that diamond miners have to work in, often risking their lives and health in order to find small and valuable diamonds in the soil and rocks.
Then the Royal Family, the ice goes to
The singer points at the complicity of powerful and wealthy actors, such as the British Royal Family, in promoting the diamond industry and profiting from it, while ignoring or downplaying its human cost and environmental impact.
And this thing has to change, feelin' half-ashamed
The artist expresses a sense of urgency and responsibility to change the way diamonds are extracted, traded and valued, and to prevent further harm and injustice caused by the industry.
As I rap with my platinum chain when you shop for a gift for me
The artist acknowledges the irony and hypocrisy of being a successful rapper who wears expensive jewelry, such as a platinum chain, which, like diamonds, may have been extracted or traded through unethical means.
You think about the misery, the same way we made apartheid history
The singer invites the listener to reflect on the impact and legacy of apartheid in South Africa, and how it was eventually abolished through collective action, awareness and advocacy.
We can do the same thing to the conflict ice
The singer encourages the listener to recognize that the issue of conflict diamonds is not inevitable or impossible to solve, and that it requires collective effort, education and activism to change the status quo.
But everybody wanna shine, right?
The artist asks a rhetorical question that implies that the desire to be noticed, appreciated and validated by others may outweigh the desire to do what is right, fair and ethical, especially when it comes to the diamond industry.
My VVS glimmers on my chest
The artist describes the high-quality and expensive diamonds that are embedded on their chest, which may be seen as a symbol of status, wealth and beauty.
200 thou' encrusted watch on my wrist
The artist describes the luxurious and expensive watch that they wear, which is adorned with diamonds and may be used as a display of wealth, success and taste.
I wonder how people starve to death
The singer expresses a sense of curiosity and disbelief that there are people in the world who suffer from hunger and poverty, despite the abundance of resources and wealth that some individuals possess.
When God bless the land that lacks the harvest
The artist questions the way in which divine providence or natural resources are used or misused to create inequality and suffering in the world, and how the distribution of wealth and resources is often unfair and arbitrary.
The stone's equality, but they homes are poverty
The singer draws attention to the paradoxical fact that diamonds, which are seen as precious and rare stones, do not actually bring equality, justice or prosperity to the people who are most affected by their extraction and trade.
And the whole world ignores the robbery
The singer criticizes the lack of attention, action or accountability that the diamond industry and its human rights violations receive from the media, governments and society at large, despite the scale and severity of the issue.
Bought my girl pretty rocks when she's mad at me
The singer confesses that they have bought diamonds for their partner as a way of apologizing or showing affection, even though they are aware of the negative implications and impact of the diamond industry.
Tear-drop shaped, uh, perfect clarity
The artist describes the type of diamond that they have bought, which has a tear-drop shape and is of high quality and clarity, and which may be seen as a romantic or sentimental gesture, as well as a display of wealth and taste.
It shocks, so many are killed annually
The artist expresses shock and disbelief that so many people are killed or harmed every year as a result of the diamond industry, and that there is still so much apathy, ignorance or denial about the issue.
'Cause of greed, lust, and pure vanity
The singer attributes the root causes of the issue of conflict diamonds to the human qualities of greed, lust and vanity, which drive people to exploit, oppress and harm others in order to satisfy their desires or interests.
Stop talkin' and do somethin' about it
The singer calls for action and urges the listener to take concrete steps to address the issue of conflict diamonds, rather than just talking or complaining about it, as it requires collective effort, education and advocacy to make a change.
Lyrics © Warner Chappell Music, Inc.
Written by: James Howard, Nasir Jones, Salaam Remi
Lyrics Licensed & Provided by LyricFind