Ghetto Reporter
Nas & Hit-Boy Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
Listen, listen, listen
They give niggas time like it's lunch down there
You go down there looking for justice that's what you find, just us
It's comedy, it's hilarious
Look yourself in the mirror, tell me times ain't the scariest
For me droppin' album after album, like it's a various artist compilationBut it's just me and HB and this shit take concentration
Niggas know I don't drop this often, so cherish it (so cherish it)
Like your daughter's graduation, kid's marriages
When the culture vultures swooped down, they start exploitin' the sound
They drew up contracts for our niggas, Dru Hill to drew down
And I'm prayin' they set
Instead, most artists don't live as good as the execs
And they end up depressed
Scarred by A&Rs, the music be changin'
And the culture be shiftin', so you gotta move with it
Call me the party crasher, that plan spoiler
That Malcolm C and Maya Angelou and God are holdin' a camcorder
Ghetto reporter, live from 40-Side, you know my storyline
First project rapper, triple platinum with New Yorker pride
King's Disease
Most of us catch it at one point or another
But evolve
Find a new formula
One that takes everything in you to make
The audacity, masterfully crafted these classics, so naturally
Had to be nasty back at it
They argue KD1, KD2, and Magic, what's harder when?
KD3 go harder than all of them
Back in the 9-0's, barely rubbed elbows with CEOsI was dolo, I bet it shocked y'all to see me grow
And the 0-0's, I still ain't attend much industry dinners
Had to tend to my business, go past the sky's limit
The hate gon' rise quicker, so how could I manage this disadvantage?
Niggas Planet Hollywood, I came from a different planet
Leave it up to me to break the news you won't see on the screen
Chuckle at you motherfuckers, we the last of the kings
Shout to the real ones like us, it's a shortage, it seems
I'm underground and overground and it's never been seen
Real council my streams
Got real people tappin' in, so that's what that means, indeed
It means I got nothin' but the real checkin' in
We locked in, all the way
Just applaud this, yeah
Trappin' about, you know what I'm sayin'?
Like, I couldn't get out if I wanted to
All us rappers are trapped in it
We can't get out, you know what I'm sayin'?
'Til we over, 'til it's dead, 'til we in the dirt
When I'm fifty years old, I wanna have fifty-year-old fans
Sixty-year old fans and sixteen-year old fans
In the song "Ghetto Reporter" by Nas and Hit-Boy, the lyrics paint a vivid picture of the harsh realities of life in the ghetto. The opening lines urge the listener to close their eyes and truly listen, emphasizing the injustices faced by Black individuals who are disproportionately targeted by the criminal justice system. The reference to giving "niggas time like it's lunch down there" speaks to the systemic issues of mass incarceration and the lack of true justice in marginalized communities.
Nas delves deeper into the struggles he faces in the music industry, comparing himself to a various artist compilation due to the multitude of albums he has released. Despite his prolific output, he acknowledges the challenging nature of the industry and the constant pressure to evolve and adapt to changing trends. Nas reflects on the exploitation faced by artists at the hands of record labels and the toll it takes on their mental health, contrasting the lavish lifestyles of executives with the hardships many artists endure.
The lyrics also touch on Nas's legacy and growth as an artist, referencing his early success with triple-platinum albums and his journey to maintain relevance in a shifting musical landscape. He highlights his refusal to conform to industry norms and his independent mindset, choosing to focus on his own business ventures rather than industry events. Despite the challenges he faces, Nas remains determined to create timeless music that resonates with real listeners and stays true to his roots as a storyteller and cultural commentator.
As the song progresses, Nas asserts his status as a revered figure in the hip-hop community, embracing his role as a "Ghetto Reporter" who sheds light on the overlooked struggles of his community. He celebrates the authenticity of his music and the genuine connection he shares with his fans, emphasizing the importance of staying true to oneself in an industry that often prioritizes commercial success over artistic integrity. The closing lines express Nas's desire to have a diverse fan base that spans generations, underscoring his commitment to creating music that withstands the test of time and resonates with listeners of all ages.
Line by Line Meaning
Close your eyes
Prepare yourself mentally to absorb the truth about the environment around you.
Listen, listen, listen
Pay careful attention to the underlying messages and realities being communicated.
They give niggas time like it's lunch down there
In the justice system, marginalized individuals are treated dismissively, as if their time isn't valuable.
You go down there looking for justice that's what you find, just us
When seeking fairness, the reality is often that you encounter only those similarly oppressed, reinforcing a sense of isolation.
It's comedy, it's hilarious
The absurdity of the situation surrounding societal issues can sometimes feel laughable despite its seriousness.
Look yourself in the mirror, tell me times ain't the scariest
Reflect on your own life and acknowledge that current times are filled with anxiety and uncertainty.
For me droppin' album after album, like it's a various artist compilation
My consistent releases can seem varied and diverse, akin to a collection from multiple artists.
But it's just me and HB and this shit take concentration
Despite appearances, it's a focused effort by just a few individuals who work hard to produce this art.
Niggas know I don't drop this often, so cherish it (so cherish it)
Listeners understand that my releases are rare and should be valued for their significance.
Like your daughter's graduation, kid's marriages
These moments of release should be celebrated like important life events that hold great meaning.
When the culture vultures swooped down, they start exploitin' the sound
When outsiders take interest, they often exploit the music for profit, disregarding the original creators.
They drew up contracts for our niggas, Dru Hill to drew down
Record labels create contracts that often lead to the exploitation of artists, impacting their careers negatively.
And I'm prayin' they set
I hope that industry decisions favor the artistic integrity and well-being of the artists involved.
Instead, most artists don't live as good as the execs
In many cases, the executives in the industry benefit more financially than the artists themselves.
And they end up depressed
Many artists face emotional struggles due to the pressures and challenges of the industry.
Scarred by A&Rs, the music be changin'
Artists are often impacted negatively by the decisions of A&R representatives, leading to shifts in their music.
And the culture be shiftin', so you gotta move with it
The evolving music industry demands that artists adapt to survive and maintain relevance.
Call me the party crasher, that plan spoiler
I disrupt the status quo, challenging prevalent ideas and practices within the industry.
That Malcolm C and Maya Angelou and God are holdin' a camcorder
I feel a connection to powerful historical figures and divine guidance during my creative process.
Ghetto reporter, live from 40-Side, you know my storyline
I represent my community authentically and narrate the stories that arise from my background.
First project rapper, triple platinum with New Yorker pride
I have achieved notable success in my career as a hip-hop artist, representing my city with pride.
King's Disease
The struggles and challenges faced by artists, often metaphorically referred to as a widespread affliction.
Most of us catch it at one point or another
Many artists experience these struggles at various stages in their careers.
But evolve
Despite the challenges, we must grow and adapt to overcome obstacles.
Find a new formula
We should seek innovative approaches to navigate the complexities of the industry.
One that takes everything in you to make
Creating impactful art requires complete dedication and effort.
The audacity, masterfully crafted these classics, so naturally
It takes boldness and skill to create timeless music that resonates deeply.
Had to be nasty back at it
I needed to return to making impactful, hard-hitting music with intensity.
They argue KD1, KD2, and Magic, what's harder when?
There are debates over which of my albums is the most impactful, showcasing the evolution of my art.
KD3 go harder than all of them
My latest project surpasses my previous works in quality and significance.
Back in the 9-0's, barely rubbed elbows with CEOs
In my early career during the 1990s, I was distant from industry leaders and executives.
I was dolo, I bet it shocked y'all to see me grow
I was independent, and my evolution as an artist surprised many observers.
And the 0-0's, I still ain't attend much industry dinners
During the 2000s, I remained out of mainstream industry events, choosing to focus on my craft.
Had to tend to my business, go past the sky's limit
I prioritized my personal and artistic goals, aiming for extraordinary achievements.
The hate gon' rise quicker, so how could I manage this disadvantage?
As success grows, so too does resentment, and I must strategize to navigate these challenges.
Niggas Planet Hollywood, I came from a different planet
While others thrive in mainstream industries, I hail from a different, more authentic background.
Leave it up to me to break the news you won't see on the screen
It is my responsibility to share truths that mainstream media tends to overlook.
Chuckle at you motherfuckers, we the last of the kings
Iβm amused by those who donβt understand my position; I represent a dying breed of true artistry.
Shout to the real ones like us, it's a shortage, it seems
I acknowledge fellow genuine artists, noting that they are becoming increasingly rare.
I'm underground and overground and it's never been seen
I embody elements of both underground and mainstream music scenes, offering a unique perspective.
Real council my streams
I have authentic supporters engaging with my music, enhancing its significance.
Got real people tappin' in, so that's what that means, indeed
The genuine connections I have with my audience affirm the value of my work.
It means I got nothin' but the real checkin' in
I am surrounded by authentic individuals who relate to and support my message.
We locked in, all the way
Our connection and commitment to one another is strong and unwavering.
Just applaud this, yeah
Letβs recognize and celebrate the importance of this moment together.
Trappin' about, you know what I'm sayin'?
Discussing my experiences navigating the challenges of the street life.
Like, I couldn't get out if I wanted to
I feel trapped within the circumstances of my environment and profession.
All us rappers are trapped in it
Many hip-hop artists find themselves ensnared by the culture and expectations of the industry.
We can't get out, you know what I'm sayin'?
Itβs a struggle for artists to break free from the cycles and pressures inherent in the music world.
βTil we over, 'til it's dead, 'til we in the dirt
This cycle continues until our careers end or we pass away.
When I'm fifty years old, I wanna have fifty-year-old fans
I aspire to maintain a loyal fan base that evolves alongside me as I age.
Sixty-year old fans and sixteen-year old fans
I hope to attract a diverse audience across different generations, ensuring my music transcends time.
Lyrics Β© EMPIRE PUBLISHING
Written by: Chauncey Hollis Jr., Jesse Blum, Nasir Jones
Lyrics Licensed & Provided by LyricFind
@GoodxJ
This deserved the Grammy, although Killer Mike made a good project with βMichaelβ , KD3 is on another level! π
@adamfunches4423
For real, I'm not the biggest fan of nas. But as far as hip hop sound,rhythm and storytelling. First time in a while I never skipped a song on the album. Killer Mike respectfully, I skipped at least 3 to 4 songs due to bad beat selection.
@wanderingwobb6300
He probably would've won it if he didn't win one with KD1 so recently.
@inigoirisarri3349
Even so, Utopia was just... Utopia.
@lj4tf
Nas dropped the best rap album of all time 28 years ago, and heβs still killing it in rap. Longevity at its finest
@XXXTentaclez
Carti Gay lil uzi gay Polo Gay Lil baby what bitches is called. Tap tf in
@danielgray65
KD3 gonna be up there with Album of The Century so far... this some Madvillain type legendary shit... NAS forever
@Loczer
Arguably
@the3goodlemons
He was 18-19 when he dropped that 28 years ago
@jasonallen3678
He's a natural..