As a piano player, he formed a jazz trio in 1938 that played Los Angeles nightclubs, one of the first jazz trios featuring guitar and piano. Prior to this he had played music since he was a child and had worked with bands since he was sixteen. He was raised in Chicago and exposed to the abundant jazz scene there. He was heavily influenced by pianist Earl "Fatha" Hines.
Later he became more popularly known as a singer and crooner and his work became more orchestrated.
His first mainstream vocal hit was in 1944 with Straighten Up and Fly Right, based on a black folk tale that his father had used as a theme for a sermon. Although hardly a rocker, the song's success proved that an audience for folk-based material existed. It is considered a predecessor to the first rock and roll records. Indeed, Bo Diddley, who performed similar transformations of folk material, counted Cole as an influence.
Beginning in the late 1940s, Cole began recording and performing more pop-oriented material for mainstream audiences, often accompanied by a string orchestra. His stature as a popular icon was cemented during this period with such hits as The Christmas Song (1946), Nature Boy (1948), Mona Lisa (1950), and his signature tune Unforgettable (1951). While this shift to pop music led some jazz critics and fans to accuse Cole of selling out, he never totally abandoned his musical roots; as late as 1956, for instance, he recorded an all-jazz album, After Midnight. In 1991, Mosaic Records released the Complete Nat King Cole Trio Recordings on Capitol, which contained 349 songs on twenty-seven LPs or eighteen CDs.
Throughout the 1950s Cole continued to rack up hit after hit, including Smile, Pretend, A Blossom Fell, and If I May. Most of his pop hits were collaborations with famed arranger/conductor Nelson Riddle. It was with Riddle that Cole released his first ten-inch long-play album in 1953 entitled Sings for Two in Love. Several more albums followed, including the Gordon Jenkins arranged Love Is the Thing, which reached number one on the album charts in April 1957.
Inspired by a trip to Havana, Cuba in 1958, Nat went back there that same year and recorded Cole Espanol, an album sung entirely in Spanish and Portuguese. The album was a hit not only in the U.S., but in Latin America as well. The album was so popular, that two others followed: A mis amigos in 1959, and More Cole Espanol in 1962.
Musical tastes were changing in the late 1950s, and despite a successful stab at rock n' roll with Send for Me, Cole's ballad singing had grown old to younger listeners. Like contemporaries Dean Martin, Frank Sinatra and Tony Bennett, Nat found that the pop singles chart had been almost entirely taken over by youth oriented acts. In 1960, Nat's longtime collaborator Nelson Riddle, left Capitol Records for Frank Sinatra's newly formed Reprise Records label. The two parted ways with one final hit album Wild Is Love, based on lyrics by Ray Rasch and Dotty Wayne. Nat would later re-tool the concept album into an off-Broadway production called I'm With You.
As the 1960s progressed, Nat once again found success on the American singles chart, starting with the country/pop flavored hit Ramblin' Rose in August of 1962. Three more hit singles followed: Dear Lonely Hearts, Those Lazy, Hazy, Crazy Days of Summer, and That Sunday, That Summer. Nat's final album was entitled L.O.V.E, and was recorded in late 1964. It was released just prior to his death and reached number four on the Billboard Albums chart in the spring of 1965. A "Best Of" album went gold in 1968. His 1957 song When I Fall in Love was a chart topping hit for the U.K. in 1987.
Cole was the first African-American to have his own radio program. He repeated that success in the late-1950s with the first truly national television show starring an African-American. In both cases, the programs were ultimately canceled because sponsors shied away from a black artist. Cole fought racism all his life, refusing to perform in segregated venues. In 1956, he was attacked on stage in Birmingham, Alabama by members of the White Citizens' Council who apparently were attempting to kidnap him. Despite injuries, Cole completed the show but vowed never to perform in the South again.
On 23rd August 1956, Cole spoke at the Republican National Convention in the Cow Palace, San Francisco, California. He was also present at the Democratic National Convention in 1960, to throw his support behind President John F. Kennedy. Cole was also among the dozens of entertainers recruited by Frank Sinatra to perform at the Kennedy Inaugural gala in 1961. Nat King Cole frequently consulted with President Kennedy (and later President Johnson) on the issue of civil rights. Yet he was dogged by critics, who felt he shied away from controversy when it came to the civil rights issue. Among the most notable was Supreme Court Justice Thurgood Marshall, who was upset that Cole didn't take stronger action after the 1956 on-stage attack.
In 1948, Cole purchased a house in the all-white Hancock Park neighborhood in Los Angeles, California. The property owners association told Cole they didn't want any undesirables moving in, to which Cole retorted "Neither do I. And if I see anybody undesirable coming in here, I'll be the first to complain."
He and his second wife, Maria Ellington, were married in Harlem's Abyssinian Baptist Church by Adam Clayton Powell, Jr. They had five children, including twin girls. Daughter Carol Cole, and son Kelly Cole were adopted. Kelly Cole died in 1995. Nat's daughter, Natalie Cole, and his younger brother, Freddie Cole are also singers.
Natalie and her father had an unexpected hit in the summer of 1991. The younger Cole mixed a 1961 recording of her father's rendition of Unforgettable with her own voice, creating an electronic duet. Both the song and the album of the same name won several Grammy awards the following year.
Cole performed in many short films, and played W. C. Handy in the film Saint Louis Blues. He also appeared in The Nat King Cole Story, China Gate, and The Blue Gardenia.
Nat King Cole was a heavy smoker of Kool menthol cigarettes, believing that smoking up to three packs a day gave his voice the rich sound it had (Cole would smoke several cigarettes in rapid succession before a recording for this very purpose). Cole died of lung cancer at St. John's Hospital in Santa Monica, California, on 15th February 1965. His funeral was held at St. Victor's Catholic Church in West Hollywood, and he was buried in Forest Lawn Memorial Park in Glendale, California. Cat Ballou, his final film, was released several months later.
Calypso Blues
Nat King Cole Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
Wa oh wa oh wa oh way
Wa oh oh, wa oh oh
Wa oh wa oh wa oh way
Sittin' by de ocean
Me heart, she feel so sad,
Sittin' by de ocean,
Don't got de money
To take me back to Trinidad.
Fine calypso woman,
She cook me shrimp and rice,
Fine calypso woman,
She cook me shrimp and rice
These Yankee hot dogs
Don't treat me stomach very nice.
In Trinidad, one dollar buy
Papaya juice, banana pie,
Six coconut, one female goat,
An' plenty fish to fill de boat.
One bushel bread, one barrel wine,
An' all de town, she come to dine.
But here is bad, one dollar buy
Cup of coffee, ham on rye.
Me throat she sick from necktie,
Me feet hurt from shoes.
Me pocket full of empty,
I got Calypso blues.
She need to, bubble like perculatah'
She come from Trinidad so winin' in her nature
Never can't I assess a reps until failure
Tell her if she stops she needs fe fly Air Jamaica
Anytime she land she nah go feel like no stranger
Carry us beyond we similar in behavior
Them no understand our customs and we flavor
Need a natty dred to be the new care taker, lord!
These Yankee girl give me big scare,
Is black de root, is blond de hair.
Her eyelash false, her face is paint,
And pads are where de girl she ain't!
She jitterbugs when she should waltz,
I even think her name is false.
But calypso girl is good a lot,
Is what you see, is what she got.
Sittin' by de ocean
Me heart, she feel so sad,
Don't got de money
To take me back to Trinidad.
Wa oh oh, wa oh oh
Wa oh wa oh wa oh way
Wa oh oh, wa oh oh
Wa oh wa oh wa oh way
She need to, she need to, she need to, bubble like perculatah'
She come from Trinidad so winin' in her nature
Never can't I assess a reps until failure
Tell her if she stops she needs fe fly Air Jamaica
Anytime she land she nah go feel like no stranger
Carry us beyond we similar in behavior
Them no understand our customs and we flavor
Need a natty dred to be the new care taker, lord!
Wa oh oh, wa oh oh
Wa oh wa oh wa oh way
Wa oh oh, wa oh oh
Wa oh wa oh wa oh way
The lyrics to Nat King Cole's song "Calypso Blues" describe the singer's longing to return to Trinidad and the comforts of his home after running out of money while in the United States. The contrast between the lifestyle and diets in the two places is highlighted through the singer's description of the fine calypso woman who cooks him shrimp and rice and the unfavorable comparison to Yankee hot dogs. He reminisces about the affordability and abundance of food and drink in his hometown, where one dollar will buy papaya juice, banana pie, six coconuts, one female goat, and plenty of fish to fill a boat, unlike in the U.S, where a dollar only buys a cup of coffee and some ham on rye.
The second portion of the song is a modern interpretation or a rap added to the original, which celebrates the beauty of a Trinidadian woman and the culture of the singer's home country. He sings about her ability to "bubble like perculatah'" and her dancing skills, which are inherent in her nature as a Trinidadian. He also notes that only a dreadlocked person would understand and care for and serve as the new caretaker of their culture.
Line by Line Meaning
Wa oh oh, wa oh oh
Wa oh wa oh wa oh way
Wa oh oh, wa oh oh
Wa oh wa oh wa oh way
The song begins with a repetitive and upbeat melody, setting the tone for the calypso genre.
Sittin' by de ocean
Me heart, she feel so sad,
Sittin' by de ocean,
Me heart, she feel so sad
Don't got de money
To take me back to Trinidad.
The singer feels down while sitting by the ocean because they cannot afford to return to their hometown of Trinidad.
Fine calypso woman,
She cook me shrimp and rice,
Fine calypso woman,
She cook me shrimp and rice
These Yankee hot dogs
Don't treat me stomach very nice.
The singer reminisces about a fine calypso woman who cooked them delicious shrimp and rice, in contrast to the unappetizing hot dogs in their current location.
In Trinidad, one dollar buy
Papaya juice, banana pie,
Six coconut, one female goat,
An' plenty fish to fill de boat.
One bushel bread, one barrel wine,
An' all de town, she come to dine.
But here is bad, one dollar buy
Cup of coffee, ham on rye.
The artist compares the prices and abundance of food in Trinidad compared to their current location, where the same amount of money buys a much simpler meal.
Me throat she sick from necktie,
Me feet hurt from shoes.
Me pocket full of empty,
I got Calypso blues.
The artist's physical discomfort and financial struggles lead them to feel the 'Calypso blues', a general sense of sadness and longing for their home.
She need to, bubble like perculatah'
She come from Trinidad so winin' in her nature
Never can't I assess a reps until failure
Tell her if she stops she needs fe fly Air Jamaica
Anytime she land she nah go feel like no stranger
Carry us beyond we similar in behavior
Them no understand our customs and we flavor
Need a natty dred to be the new care taker, lord!
The singer idealizes a woman from Trinidad, praising her dancing skills and subtly critiquing the lack of understanding of their culture in the current location.
These Yankee girl give me big scare,
Is black de root, is blond de hair.
Her eyelash false, her face is paint,
And pads are where de girl she ain't!
She jitterbugs when she should waltz,
I even think her name is false.
But calypso girl is good a lot,
Is what you see, is what she got.
The singer finds the Yankee girls unfamiliar and even intimidating, contrasting them with the authenticity and reliability of a calypso girl from Trinidad.
Sittin' by de ocean
Me heart, she feel so sad,
Don't got de money
To take me back to Trinidad.
The song ends with a repetition of the opening verses, underscoring the artist's longing to return home to Trinidad.
Wa oh oh, wa oh oh
Wa oh wa oh wa oh way
Wa oh oh, wa oh oh
Wa oh wa oh wa oh way
The song's energetic and memorable chorus serves to reinforce the overall calypso rhythm and theme of the song.
Lyrics © Kanjian Music, Universal Music Publishing Group, Sony/ATV Music Publishing LLC, Warner Chappell Music, Inc.
Written by: Nat King Cole, Don George
Lyrics Licensed & Provided by LyricFind
PATRICIA MONTIQUE
I am a Trinidadian and this is the first time I have heard it. I love it.
Will S
This is definitely a great song. So rich in sound with almost no accompaniment.
bdrax2002
This is my favorite Cole song BECAUSE of the lack of accompaniment. I never much cared for the violins and backup singers they put with him.
C Flow
LOVE THIS!! Since I heard it at 12 years old at my aunts house....which was the house of ALL music.
Bruce Scott
"Calypso Blues" was written by Nat "King" Cole and Don George in 1949.
Zena Herbert
Love this. Thanks for uploading.
mariposamichelleable
Beautiful voice
ALLSTARDECOURO2
why do i want to go back to trinidad ? even tho i never been there before
George Kaplan
Great!!!
Alain Sadun
My god that voice