As a piano player, he formed a jazz trio in 1938 that played Los Angeles nightclubs, one of the first jazz trios featuring guitar and piano. Prior to this he had played music since he was a child and had worked with bands since he was sixteen. He was raised in Chicago and exposed to the abundant jazz scene there. He was heavily influenced by pianist Earl "Fatha" Hines.
Later he became more popularly known as a singer and crooner and his work became more orchestrated.
His first mainstream vocal hit was in 1944 with Straighten Up and Fly Right, based on a black folk tale that his father had used as a theme for a sermon. Although hardly a rocker, the song's success proved that an audience for folk-based material existed. It is considered a predecessor to the first rock and roll records. Indeed, Bo Diddley, who performed similar transformations of folk material, counted Cole as an influence.
Beginning in the late 1940s, Cole began recording and performing more pop-oriented material for mainstream audiences, often accompanied by a string orchestra. His stature as a popular icon was cemented during this period with such hits as The Christmas Song (1946), Nature Boy (1948), Mona Lisa (1950), and his signature tune Unforgettable (1951). While this shift to pop music led some jazz critics and fans to accuse Cole of selling out, he never totally abandoned his musical roots; as late as 1956, for instance, he recorded an all-jazz album, After Midnight. In 1991, Mosaic Records released the Complete Nat King Cole Trio Recordings on Capitol, which contained 349 songs on twenty-seven LPs or eighteen CDs.
Throughout the 1950s Cole continued to rack up hit after hit, including Smile, Pretend, A Blossom Fell, and If I May. Most of his pop hits were collaborations with famed arranger/conductor Nelson Riddle. It was with Riddle that Cole released his first ten-inch long-play album in 1953 entitled Sings for Two in Love. Several more albums followed, including the Gordon Jenkins arranged Love Is the Thing, which reached number one on the album charts in April 1957.
Inspired by a trip to Havana, Cuba in 1958, Nat went back there that same year and recorded Cole Espanol, an album sung entirely in Spanish and Portuguese. The album was a hit not only in the U.S., but in Latin America as well. The album was so popular, that two others followed: A mis amigos in 1959, and More Cole Espanol in 1962.
Musical tastes were changing in the late 1950s, and despite a successful stab at rock n' roll with Send for Me, Cole's ballad singing had grown old to younger listeners. Like contemporaries Dean Martin, Frank Sinatra and Tony Bennett, Nat found that the pop singles chart had been almost entirely taken over by youth oriented acts. In 1960, Nat's longtime collaborator Nelson Riddle, left Capitol Records for Frank Sinatra's newly formed Reprise Records label. The two parted ways with one final hit album Wild Is Love, based on lyrics by Ray Rasch and Dotty Wayne. Nat would later re-tool the concept album into an off-Broadway production called I'm With You.
As the 1960s progressed, Nat once again found success on the American singles chart, starting with the country/pop flavored hit Ramblin' Rose in August of 1962. Three more hit singles followed: Dear Lonely Hearts, Those Lazy, Hazy, Crazy Days of Summer, and That Sunday, That Summer. Nat's final album was entitled L.O.V.E, and was recorded in late 1964. It was released just prior to his death and reached number four on the Billboard Albums chart in the spring of 1965. A "Best Of" album went gold in 1968. His 1957 song When I Fall in Love was a chart topping hit for the U.K. in 1987.
Cole was the first African-American to have his own radio program. He repeated that success in the late-1950s with the first truly national television show starring an African-American. In both cases, the programs were ultimately canceled because sponsors shied away from a black artist. Cole fought racism all his life, refusing to perform in segregated venues. In 1956, he was attacked on stage in Birmingham, Alabama by members of the White Citizens' Council who apparently were attempting to kidnap him. Despite injuries, Cole completed the show but vowed never to perform in the South again.
On 23rd August 1956, Cole spoke at the Republican National Convention in the Cow Palace, San Francisco, California. He was also present at the Democratic National Convention in 1960, to throw his support behind President John F. Kennedy. Cole was also among the dozens of entertainers recruited by Frank Sinatra to perform at the Kennedy Inaugural gala in 1961. Nat King Cole frequently consulted with President Kennedy (and later President Johnson) on the issue of civil rights. Yet he was dogged by critics, who felt he shied away from controversy when it came to the civil rights issue. Among the most notable was Supreme Court Justice Thurgood Marshall, who was upset that Cole didn't take stronger action after the 1956 on-stage attack.
In 1948, Cole purchased a house in the all-white Hancock Park neighborhood in Los Angeles, California. The property owners association told Cole they didn't want any undesirables moving in, to which Cole retorted "Neither do I. And if I see anybody undesirable coming in here, I'll be the first to complain."
He and his second wife, Maria Ellington, were married in Harlem's Abyssinian Baptist Church by Adam Clayton Powell, Jr. They had five children, including twin girls. Daughter Carol Cole, and son Kelly Cole were adopted. Kelly Cole died in 1995. Nat's daughter, Natalie Cole, and his younger brother, Freddie Cole are also singers.
Natalie and her father had an unexpected hit in the summer of 1991. The younger Cole mixed a 1961 recording of her father's rendition of Unforgettable with her own voice, creating an electronic duet. Both the song and the album of the same name won several Grammy awards the following year.
Cole performed in many short films, and played W. C. Handy in the film Saint Louis Blues. He also appeared in The Nat King Cole Story, China Gate, and The Blue Gardenia.
Nat King Cole was a heavy smoker of Kool menthol cigarettes, believing that smoking up to three packs a day gave his voice the rich sound it had (Cole would smoke several cigarettes in rapid succession before a recording for this very purpose). Cole died of lung cancer at St. John's Hospital in Santa Monica, California, on 15th February 1965. His funeral was held at St. Victor's Catholic Church in West Hollywood, and he was buried in Forest Lawn Memorial Park in Glendale, California. Cat Ballou, his final film, was released several months later.
Cherchez La Femme
Nat King Cole Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
He lost his lady two months ago
Maybe he'll find her, maybe he won't,
Oh, oh, never, no
He sleeps in the back of his gray Cadillac, oh my honey
Blowing his mind on cheap grass and wine
Oh ain't it crazy baby, hey
This man has learned his lesson, oh hey
Now he's alone
He's got no woman and no home
For misery, oh, oh
Cherchez la femme
Miggie, Miggie Bonija's very upset
She's sick and tired of living in debt
Tired of roaches, tired of rats, I know she is ooh
So her noble man says,
"Baby I understand, oh my honey"
Now he's working two jobs at Eighth Avenue bars
Oh ain't crazy baby
Now she complains
That her man is never present, no
She goes next door, I know that she's just playing the whore
Hey for misery (my friend)
Cheechez la femme
They tell you a lie with a colgate smile, hey baby
Love you one second and hate the next one
Oh ain't it crazy, yeah
All I can say , ay, hey, og one thing I am certain, oh, oh
They're all the same, all the sluts and the saints
For misery (my friend), "Cherchez la femme"
The lyrics of "Cherchez La Femme" by Nat King Cole depict the lives of two people - Tommy Mottola and Miggie Bonija, who are in distress and misery in their relationships. Tommy, who is always on the road, has lost his lady two months ago and is still searching for her. He sleeps in the back of his gray Cadillac, gets intoxicated with cheap grass and wine and wonders if he will ever find her. The lyrics describe him as a man who has learned his lesson, but is now alone with no woman and home.
On the other hand, Miggie Bonija is tired of living in debt and being surrounded by roaches and rats. Her nobleman understands her and works two jobs to support them. However, Miggie complains that her man is never present and goes next door to play the whore. The chorus conveys the message that one should always look for the woman when there's misery or trouble in a relationship. They tell you lies with a Colgate smile, love you one second and hate you the next. Nonetheless, they're all the same - sluts and saints.
The song's message is that regardless of how genuine a relationship may feel or how strong the bond between two people must be, it can always come to an end. The lyrics may also suggest that while relationships are often worth the trouble and risk, there is no steadfast promise that they will ultimately work out.
Line by Line Meaning
Tommy Mottola lives on the road
Tommy Mottola is a traveling man
He lost his lady two months ago
His lady left him two months ago
Maybe he'll find her, maybe he won't, Oh, oh, never, no
He's unsure if he'll ever find his lady again
He sleeps in the back of his gray Cadillac, oh my honey Blowing his mind on cheap grass and wine
He sleeps in the back of his car while getting high
Now he's alone He's got no woman and no home
He's now single and homeless
For misery, oh, oh Cherchez la femme
This situation is due to a woman, so he says to look for the woman responsible
Miggie, Miggie Bonija's very upset
Miggie Bonija is very upset
She's sick and tired of living in debt Tired of roaches, tired of rats, I know she is ooh
She's tired of being in debt and living in poor conditions
Now he's working two jobs at Eighth Avenue bars Oh ain't crazy baby Now she complains That her man is never present, no
He's now working two jobs while his woman complains that he's not around
She goes next door, I know that she's just playing the whore Hey for misery (my friend) Cheechez la femme
She's cheating with the neighbor, causing him misery, and he says to look for the woman responsible
They tell you a lie with a colgate smile, hey baby Love you one second and hate the next one Oh ain't it crazy, yeah
People can be deceitful and flip-flop between emotions
All I can say , ay, hey, og one thing I am certain, oh, oh They're all the same, all the sluts and the saints For misery (my friend), "Cherchez la femme"
He's certain that all people, good or bad, are capable of causing misery and says to look for the woman responsible
Lyrics © Sony/ATV Music Publishing LLC
Written by: MARCUS, PACK
Lyrics Licensed & Provided by LyricFind
john
on A Blossom Fell
i want the song" I'll never settle for less" lyrics,would somebody be so kind to give it to me?