As a piano player, he formed a jazz trio in 1938 that played Los Angeles nightclubs, one of the first jazz trios featuring guitar and piano. Prior to this he had played music since he was a child and had worked with bands since he was sixteen. He was raised in Chicago and exposed to the abundant jazz scene there. He was heavily influenced by pianist Earl "Fatha" Hines.
Later he became more popularly known as a singer and crooner and his work became more orchestrated.
His first mainstream vocal hit was in 1944 with Straighten Up and Fly Right, based on a black folk tale that his father had used as a theme for a sermon. Although hardly a rocker, the song's success proved that an audience for folk-based material existed. It is considered a predecessor to the first rock and roll records. Indeed, Bo Diddley, who performed similar transformations of folk material, counted Cole as an influence.
Beginning in the late 1940s, Cole began recording and performing more pop-oriented material for mainstream audiences, often accompanied by a string orchestra. His stature as a popular icon was cemented during this period with such hits as The Christmas Song (1946), Nature Boy (1948), Mona Lisa (1950), and his signature tune Unforgettable (1951). While this shift to pop music led some jazz critics and fans to accuse Cole of selling out, he never totally abandoned his musical roots; as late as 1956, for instance, he recorded an all-jazz album, After Midnight. In 1991, Mosaic Records released the Complete Nat King Cole Trio Recordings on Capitol, which contained 349 songs on twenty-seven LPs or eighteen CDs.
Throughout the 1950s Cole continued to rack up hit after hit, including Smile, Pretend, A Blossom Fell, and If I May. Most of his pop hits were collaborations with famed arranger/conductor Nelson Riddle. It was with Riddle that Cole released his first ten-inch long-play album in 1953 entitled Sings for Two in Love. Several more albums followed, including the Gordon Jenkins arranged Love Is the Thing, which reached number one on the album charts in April 1957.
Inspired by a trip to Havana, Cuba in 1958, Nat went back there that same year and recorded Cole Espanol, an album sung entirely in Spanish and Portuguese. The album was a hit not only in the U.S., but in Latin America as well. The album was so popular, that two others followed: A mis amigos in 1959, and More Cole Espanol in 1962.
Musical tastes were changing in the late 1950s, and despite a successful stab at rock n' roll with Send for Me, Cole's ballad singing had grown old to younger listeners. Like contemporaries Dean Martin, Frank Sinatra and Tony Bennett, Nat found that the pop singles chart had been almost entirely taken over by youth oriented acts. In 1960, Nat's longtime collaborator Nelson Riddle, left Capitol Records for Frank Sinatra's newly formed Reprise Records label. The two parted ways with one final hit album Wild Is Love, based on lyrics by Ray Rasch and Dotty Wayne. Nat would later re-tool the concept album into an off-Broadway production called I'm With You.
As the 1960s progressed, Nat once again found success on the American singles chart, starting with the country/pop flavored hit Ramblin' Rose in August of 1962. Three more hit singles followed: Dear Lonely Hearts, Those Lazy, Hazy, Crazy Days of Summer, and That Sunday, That Summer. Nat's final album was entitled L.O.V.E, and was recorded in late 1964. It was released just prior to his death and reached number four on the Billboard Albums chart in the spring of 1965. A "Best Of" album went gold in 1968. His 1957 song When I Fall in Love was a chart topping hit for the U.K. in 1987.
Cole was the first African-American to have his own radio program. He repeated that success in the late-1950s with the first truly national television show starring an African-American. In both cases, the programs were ultimately canceled because sponsors shied away from a black artist. Cole fought racism all his life, refusing to perform in segregated venues. In 1956, he was attacked on stage in Birmingham, Alabama by members of the White Citizens' Council who apparently were attempting to kidnap him. Despite injuries, Cole completed the show but vowed never to perform in the South again.
On 23rd August 1956, Cole spoke at the Republican National Convention in the Cow Palace, San Francisco, California. He was also present at the Democratic National Convention in 1960, to throw his support behind President John F. Kennedy. Cole was also among the dozens of entertainers recruited by Frank Sinatra to perform at the Kennedy Inaugural gala in 1961. Nat King Cole frequently consulted with President Kennedy (and later President Johnson) on the issue of civil rights. Yet he was dogged by critics, who felt he shied away from controversy when it came to the civil rights issue. Among the most notable was Supreme Court Justice Thurgood Marshall, who was upset that Cole didn't take stronger action after the 1956 on-stage attack.
In 1948, Cole purchased a house in the all-white Hancock Park neighborhood in Los Angeles, California. The property owners association told Cole they didn't want any undesirables moving in, to which Cole retorted "Neither do I. And if I see anybody undesirable coming in here, I'll be the first to complain."
He and his second wife, Maria Ellington, were married in Harlem's Abyssinian Baptist Church by Adam Clayton Powell, Jr. They had five children, including twin girls. Daughter Carol Cole, and son Kelly Cole were adopted. Kelly Cole died in 1995. Nat's daughter, Natalie Cole, and his younger brother, Freddie Cole are also singers.
Natalie and her father had an unexpected hit in the summer of 1991. The younger Cole mixed a 1961 recording of her father's rendition of Unforgettable with her own voice, creating an electronic duet. Both the song and the album of the same name won several Grammy awards the following year.
Cole performed in many short films, and played W. C. Handy in the film Saint Louis Blues. He also appeared in The Nat King Cole Story, China Gate, and The Blue Gardenia.
Nat King Cole was a heavy smoker of Kool menthol cigarettes, believing that smoking up to three packs a day gave his voice the rich sound it had (Cole would smoke several cigarettes in rapid succession before a recording for this very purpose). Cole died of lung cancer at St. John's Hospital in Santa Monica, California, on 15th February 1965. His funeral was held at St. Victor's Catholic Church in West Hollywood, and he was buried in Forest Lawn Memorial Park in Glendale, California. Cat Ballou, his final film, was released several months later.
He'll Have To Go
Nat King Cole Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
Let's pretend that we're together, all alone.
I'll tell the man to turn the jukebox way down low,
And you can tell your friend there with you he'll have to go.
Whisper to me, tell me do you love me true,
Or is he holding you the way I do?
Tho' love is blind, make up your mind, I've got to know,
You can't say the words I want to hear
While you're with another man,
If you want me, answer "yes" or "no,"
Darling, I will understand.
Put your sweet lips a little closer to the phone.
Let's pretend that we're together, all alone.
I'll tell the man to turn the jukebox way down low,
And you can tell your friend there with you he'll have to go.
The lyrics to Nat King Cole's "He'll Have To Go" tell a story of a man desperately trying to reconnect with the woman he loves. In the first verse, he requests that she speaks a little closer to the phone so that they can pretend to be together. He asks her friend to leave the room and turns down the jukebox as he tries to rekindle their love. In the second verse, he begs her to tell him whether or not she loves him because he needs to know if he should hang up or stay on the line. The chorus serves as a plea to the woman to make a decision and choose him instead of her current lover.
One possible interpretation of the song is that the man and woman had a previous relationship that didn't work out, and now the man is trying to win her back. However, the woman is still seeing someone else, and the man is trying to convince her to choose him instead. The line "Tho' love is blind, make up your mind" suggests that the man is willing to overlook any flaws or mistakes she may have made and is asking her to choose him instead of her current lover.
The lyrics also convey a sense of loneliness, as the man is pretending to be with the woman even though she is not physically there. The line "Let's pretend that we're together, all alone" emphasizes the longing and yearning that the man feels, and the repetition of the phrase "Put your sweet lips a little closer to the phone" underscores his desire to feel close to her.
Line by Line Meaning
Put your sweet lips a little closer to the phone.
Come closer to the phone and make me feel like we're together.
Let's pretend that we're together, all alone.
Create an imaginary moment where we both feel like we're alone with each other.
I'll tell the man to turn the jukebox way down low,
Ask the man to lower the volume of the music so we can talk without being disturbed.
And you can tell your friend there with you he'll have to go.
Let your friend know that I need to talk to you in private and he has to leave.
Whisper to me, tell me do you love me true,
Talk softly to me and let me know if your feelings for me are real.
Or is he holding you the way I do?
Is he touching you the way I do and making you feel loved?
Tho' love is blind, make up your mind, I've got to know,
Although love can be confusing, you need to decide and tell me how you feel so I can understand.
Should I hang up, or will you tell him he'll have to go?
Should I end this conversation or will you be able to ask your friend to leave so we can talk?
You can't say the words I want to hear
You can't tell me that you love me while you're with someone else.
While you're with another man,
Being with someone else makes it difficult for you to express your true feelings for me.
If you want me, answer "yes" or "no,"
If you truly want me, give me a clear answer of either yes or no.
Darling, I will understand.
No matter what your answer is, I will accept and understand it.
Put your sweet lips a little closer to the phone.
Come even closer to the phone so I can feel like you're right beside me.
Let's pretend that we're together, all alone.
Let's continue pretending like we're the only two people in this world.
I'll tell the man to turn the jukebox way down low,
I'll ask the man again to make the music even quieter.
And you can tell your friend there with you he'll have to go.
And I hope you can finally convince your friend to leave so we can have a private moment.
Lyrics © Kanjian Music, Sony/ATV Music Publishing LLC
Written by: Joe Allison, Audrey Allison
Lyrics Licensed & Provided by LyricFind
john
on A Blossom Fell
i want the song" I'll never settle for less" lyrics,would somebody be so kind to give it to me?