As a piano player, he formed a jazz trio in 1938 that played Los Angeles nightclubs, one of the first jazz trios featuring guitar and piano. Prior to this he had played music since he was a child and had worked with bands since he was sixteen. He was raised in Chicago and exposed to the abundant jazz scene there. He was heavily influenced by pianist Earl "Fatha" Hines.
Later he became more popularly known as a singer and crooner and his work became more orchestrated.
His first mainstream vocal hit was in 1944 with Straighten Up and Fly Right, based on a black folk tale that his father had used as a theme for a sermon. Although hardly a rocker, the song's success proved that an audience for folk-based material existed. It is considered a predecessor to the first rock and roll records. Indeed, Bo Diddley, who performed similar transformations of folk material, counted Cole as an influence.
Beginning in the late 1940s, Cole began recording and performing more pop-oriented material for mainstream audiences, often accompanied by a string orchestra. His stature as a popular icon was cemented during this period with such hits as The Christmas Song (1946), Nature Boy (1948), Mona Lisa (1950), and his signature tune Unforgettable (1951). While this shift to pop music led some jazz critics and fans to accuse Cole of selling out, he never totally abandoned his musical roots; as late as 1956, for instance, he recorded an all-jazz album, After Midnight. In 1991, Mosaic Records released the Complete Nat King Cole Trio Recordings on Capitol, which contained 349 songs on twenty-seven LPs or eighteen CDs.
Throughout the 1950s Cole continued to rack up hit after hit, including Smile, Pretend, A Blossom Fell, and If I May. Most of his pop hits were collaborations with famed arranger/conductor Nelson Riddle. It was with Riddle that Cole released his first ten-inch long-play album in 1953 entitled Sings for Two in Love. Several more albums followed, including the Gordon Jenkins arranged Love Is the Thing, which reached number one on the album charts in April 1957.
Inspired by a trip to Havana, Cuba in 1958, Nat went back there that same year and recorded Cole Espanol, an album sung entirely in Spanish and Portuguese. The album was a hit not only in the U.S., but in Latin America as well. The album was so popular, that two others followed: A mis amigos in 1959, and More Cole Espanol in 1962.
Musical tastes were changing in the late 1950s, and despite a successful stab at rock n' roll with Send for Me, Cole's ballad singing had grown old to younger listeners. Like contemporaries Dean Martin, Frank Sinatra and Tony Bennett, Nat found that the pop singles chart had been almost entirely taken over by youth oriented acts. In 1960, Nat's longtime collaborator Nelson Riddle, left Capitol Records for Frank Sinatra's newly formed Reprise Records label. The two parted ways with one final hit album Wild Is Love, based on lyrics by Ray Rasch and Dotty Wayne. Nat would later re-tool the concept album into an off-Broadway production called I'm With You.
As the 1960s progressed, Nat once again found success on the American singles chart, starting with the country/pop flavored hit Ramblin' Rose in August of 1962. Three more hit singles followed: Dear Lonely Hearts, Those Lazy, Hazy, Crazy Days of Summer, and That Sunday, That Summer. Nat's final album was entitled L.O.V.E, and was recorded in late 1964. It was released just prior to his death and reached number four on the Billboard Albums chart in the spring of 1965. A "Best Of" album went gold in 1968. His 1957 song When I Fall in Love was a chart topping hit for the U.K. in 1987.
Cole was the first African-American to have his own radio program. He repeated that success in the late-1950s with the first truly national television show starring an African-American. In both cases, the programs were ultimately canceled because sponsors shied away from a black artist. Cole fought racism all his life, refusing to perform in segregated venues. In 1956, he was attacked on stage in Birmingham, Alabama by members of the White Citizens' Council who apparently were attempting to kidnap him. Despite injuries, Cole completed the show but vowed never to perform in the South again.
On 23rd August 1956, Cole spoke at the Republican National Convention in the Cow Palace, San Francisco, California. He was also present at the Democratic National Convention in 1960, to throw his support behind President John F. Kennedy. Cole was also among the dozens of entertainers recruited by Frank Sinatra to perform at the Kennedy Inaugural gala in 1961. Nat King Cole frequently consulted with President Kennedy (and later President Johnson) on the issue of civil rights. Yet he was dogged by critics, who felt he shied away from controversy when it came to the civil rights issue. Among the most notable was Supreme Court Justice Thurgood Marshall, who was upset that Cole didn't take stronger action after the 1956 on-stage attack.
In 1948, Cole purchased a house in the all-white Hancock Park neighborhood in Los Angeles, California. The property owners association told Cole they didn't want any undesirables moving in, to which Cole retorted "Neither do I. And if I see anybody undesirable coming in here, I'll be the first to complain."
He and his second wife, Maria Ellington, were married in Harlem's Abyssinian Baptist Church by Adam Clayton Powell, Jr. They had five children, including twin girls. Daughter Carol Cole, and son Kelly Cole were adopted. Kelly Cole died in 1995. Nat's daughter, Natalie Cole, and his younger brother, Freddie Cole are also singers.
Natalie and her father had an unexpected hit in the summer of 1991. The younger Cole mixed a 1961 recording of her father's rendition of Unforgettable with her own voice, creating an electronic duet. Both the song and the album of the same name won several Grammy awards the following year.
Cole performed in many short films, and played W. C. Handy in the film Saint Louis Blues. He also appeared in The Nat King Cole Story, China Gate, and The Blue Gardenia.
Nat King Cole was a heavy smoker of Kool menthol cigarettes, believing that smoking up to three packs a day gave his voice the rich sound it had (Cole would smoke several cigarettes in rapid succession before a recording for this very purpose). Cole died of lung cancer at St. John's Hospital in Santa Monica, California, on 15th February 1965. His funeral was held at St. Victor's Catholic Church in West Hollywood, and he was buried in Forest Lawn Memorial Park in Glendale, California. Cat Ballou, his final film, was released several months later.
Too Young
Nat King Cole Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
Too young to really be in love
They say that love's a word
A word we've only heard
But can't begin to know the meaning of
And yet we're not too young to know
This love will last though years may goAnd then some day they may recall
We were not too young at all
And yet we're not too young to know
This love will last though years may go
And then some day they may recall
We were not too young at all
The lyrics to Nat King Cole's song Too Young talk about the idea that the singer is too young to be in love. Others tell them that they have only heard the word love and can't know its meaning yet. But the singer believes that they are not too young to feel love, and it will last despite the passing years. The last verse about how someday they will remember that they weren't too young at all conveys that the singer is confident in their feelings and the longevity of their relationship.
The lyrics seem to reflect the experience of many young couples in love. Despite skepticism from older generations, the youthful passion and connection the couple feels is real and can withstand the test of time. The song suggests that the idea of being "too young" is subjective and perhaps arbitrary. The singer is self-assured and trusts their own emotions.
Line by Line Meaning
They try to tell us we're too young
People are attempting to inform us that we are too young
Too young to really be in love
We are supposedly not old enough to truly experience love
They say that love's a word
Others believe that love is merely a vocabulary term
A word we've only heard
We have only been introduced to the term of love
But can't begin to know the meaning of
However, we cannot comprehend the true meaning of love
And yet we're not too young to know
Despite this, we understand
This love will last though years may go
That our love will remain and endure the test of time
And then some day they may recall
Then, potentially in the future
We were not too young at all
They will come to realize that we were not actually too young to love each other
Lyrics © MUSIC SALES CORPORATION, Warner Chappell Music, Inc.
Written by: Sidney Lippman, Sylvia Dee
Lyrics Licensed & Provided by LyricFind
@cherylloftis
I fell in love at 14 with a crazy, funny guy named Jimmy.
He was transferred to a different school and I had no idea how to reach him.
I had no idea he had sent a message to me through a friend.
I say that tongue in check, because he never gave it to me.
Flash forward 26 years. I relocated to my old hometown and got together with old friends and we saw each other again!
Of course, having waited that long, sex was inevitable!
We had a beautiful baby girl named Chelsea!
Sadly my friend, my love died from non-Hodgkins Lymphoma.
We had 15 years together, which I am so grateful for.
@brileygabriel4949
This was the theme song for my wife's and my wedding. We met when I was 15 and she was only 12. I was taken immediately. My mom laughed at me. She told me in a week I wouldn't even remember her name. :-) We dated when I was 18 and she was 15, then broke up. We got back together when I was 25 and we were together for the next 23 years until her passing 3 years ago. I was her first and last love. We were not too young at all!!
@vergilmontiero2558
That's an amazing story, I'm glad you had such a wonderful life with her.
@Somethingandtheotherthing
Oh this is such a beautiful and tender tale of your love story.
@felipediaz9997
Beautiful story man
@thebassman5820
Nat was arguably one of the greatest vocalist of all time
@gmd517
Without a doubt...he's number 1. Bing Crosby is number 2.
@dwightdodd3734
no argument here...........
@markbutler4178
Don’t think there’s much of an argument
@BrookeAppleton
Diction was 2nd to none...💯
@joro2000
@@BrookeAppleton he was what they call a true natural. Didn't need any vocal lessons that's for sure. Yes, number one