Cole was exposed to the greats of jazz, soul and blues at an early age and began performing at the age of 11. Her debut album in 1975, Inseparable, won her immediate praise, with the smash single This Will Be (An Everlasting Love) (#1 R&B, #6 Pop) winning her a Grammy for Best R&B Vocal Performance, Female, a category that had been monopolized by Aretha Franklin, since its inception in 1967. She also was named the Grammys' Best New Artist of 1975. She attended the Northfield Mount Hermon School in Northfield, MA.
More hits followed through 1980, including her biggest Pop hit, 1977's I've Got Love On My Mind, as well as Sophisticated Lady (She's A Different Lady) (1976), Our Love (1978), and Someone That I Used To Love (1980). "I've Got Love On My Mind" and "Our Love" both earned certifications as Gold singles. But then her career hit a snag in the early 1980s due to a severe drug problem. By 1985, Natalie was clean, sober, and in fine voice, and ready to begin her comeback in earnest with the album Dangerous, released on the Modern label.
In 1987, she released Everlasting (on EMI Manhattan) which sold over 2 million copies in the U.S., and won Cole a Soul Train Award for Female Single of the Year for the #1 R&B ballad I Live for Your Love. This album was the one that put Natalie Cole firmly back in the spotlight, yielding three major hit singles: Jump Start, "I Live For Your Love" (#2 AC and #13 Pop as well as #1 R&B), and a successful remake of Bruce Springsteen's Pink Cadillac (#5 Pop, #16 AC, and #1 Dance). The album also included a taste of things to come in her career with a remake of one of her father's signature hits, "When I Fall In Love," which did moderately well on the AC chart. In 1989, the aptly-titled Good To Be Back gave her another across-the-board smash with "Miss You Like Crazy" (#1 both R&B and AC, and #7 Pop).
However, it was her 1991 album, Unforgettable... with Love, featuring her own arrangements of her father's greatest hits, that gave her the most success. Ironically, when Natalie began her career, she was determined not to capitalize on her father's name and wanted to forge her own identity by going after the soul market in earnest. For many years, she also found the prospect of recording her late father's songs too painful on a personal level. But Unforgettable... With Love certainly paid off. The set sold over 5 million copies in the United States alone, and won Cole several Grammy Awards, including Album of the Year, Record of the Year, and Best Traditional Pop Vocal Performance. The album featured a duet, the title track, with her father, created by splicing a recording of his vocals into the track. As a single, it reached #14 on Billboard Magazine's Hot 100 chart, and went gold. The one sour spot in the album's success was that it strained Natalie's already-tumultuous relationship with her mother, Maria, who said in interviews at the time that she couldn't listen to the album or attend any of her daughter's concerts because she felt that the music really belonged to her late husband.
Natalie has released several more albums of pop standards in the years since; as a result of appealing to the "adult standards" audience, she has made only occasional forays onto the pop singles charts in that time (for example, "A Smile Like Yours," #8 AC and #84 Pop in 1997), although her albums still sell well. Her 1999 album Snowfall On The Sahara marked a return to the easy adult-contemporary soul that categorized her late-1980s hits, but for 2002's critically-praised Ask A Woman Who Knows, she turned more to the jazz side of the spectrum, covering songs made famous by Dinah Washington, Nina Simone, and Sarah Vaughan.
Battle With Drugs
In 2000, Cole released an autobiography, Angel on my Shoulder, which described her battle with drugs during much of her life. In the book, Cole admitted to using LSD, heroin and crack cocaine. Cole said she began experimenting with drugs while attending the University of Massachusetts at Amherst and was arrested in Toronto, Canada for possession of heroin in 1975. Cole continued to spiral out of control - including an incident in which her young son Robert nearly drowned in the family swimming pool while she and her first husband, the late Reverend Marvin Yancy were on a drug binge - until she entered rehab in 1983.
In concert with the release of the book, her autobiography was turned into a made-for-TV movie, The Natalie Cole Story, which aired December 10, 2000 on NBC.
Natalie has been married three times and has a son Robert Yancy (by Marvin Yancy), born in 1977. She later married former Rufus drummer Andre Fischer, who co-produced the Grammy Award-winning Unforgettable... With Love, Natalie's love offering featuring songs made famous by her father, including a faux-duet between her and her father.
The marriage to Fischer ended in divorce a few years later, amidst rumors of domestic verbal and physical abuse.
It has also been reported that Natalie has recovered from a life-threatening hepatitis illness (most likely the cause of her years of drug abuse) by having a liver transplant.
Miss Cole went on to release more albums after Unforgettable...With Love, with most of them featuring jazz-oriented standard songs or pop-song remakes. None of the albums were nearly as successful as Unforgettable...With Love.
As of 2013, Natalie Cole spent most of her professional time covering the concert circuit entertaining audiences around the world with her hits.
On December 31, 2015, Natalie Cole died from congestive heart failure at Cedars-Sinai Medical Center in Los Angeles. She was aged 65.
That Sunday That Summer
Natalie Cole Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
If I had to choose just one day
To last my whole life through
It would surely be that Sunday
The day that I met you
Newborn whippoorwills were calling from the hills
Summer was a-coming in but fast
Nodding all together, I can almost hear them whisper
Go on kiss him, go on and kiss him
If I had to choose one moment
To live within my heart
It would be that tender moment
Recalling how we started
Darling, it would be when you smiled at me
That way, that Sunday, that summer
Go on kiss him, go on and kiss him
And if I had to choose just one moment
To live within my heart
It would surely be that moment
Recalling how we started
Darling it would be when you smiled at me
That way, that Sunday, that summer
(If I had to choose just one day)
The song "That Sunday That Summer" by Natalie Cole describes a moment in time that the singer wishes could have lasted forever. She reminisces about a Sunday in the summer where she met someone special, and finds herself transported back in time to that moment. The lyrics emphasize the beauty of nature and the tender romance that the singer and her love interest shared that day.
The first verse describes the setting of that special Sunday, where the newborn whippoorwills were calling out, indicating the beginning of summer. The daffodils are in bloom, and seem to whisper to the singer to go ahead and kiss her love interest. The second verse then emphasizes the importance of that moment in the singer's life, and how it is forever imprinted in her heart. She remembers the way her love interest smiled at her that day, and wishes to relive that moment over and over again.
Overall, the song exudes a sense of longing and nostalgia for a moment in time that seemed perfect in every way. It captures the idea of a perfect day that you wish could never end, and the beauty of falling in love during the summer when everything is in full bloom.
Line by Line Meaning
If I had to choose just one day
If I had to select a single day
To last my whole life through
To exist for the entirety of my existence
It would surely be that Sunday
It would undoubtedly be that particular Sunday
The day that I met you
The day when I first encountered you
Newborn whippoorwills were calling from the hills
Recently hatched whippoorwills were singing from the nearby hills
Summer was a-coming in but fast
Summer was rapidly approaching
Lots of daffodils were showing off their skills
Numerous daffodils were demonstrating their abilities
Nodding all together, I can almost hear them whisper
Bobbing in unison, I can almost hear them speak softly
Go on kiss him, go on and kiss him
Proceed to kiss him, go ahead and kiss him
If I had to choose one moment
If I had to select a single instance
To live within my heart
To keep permanently in my heart
It would be that tender moment
It would be that affectionate moment
Recalling how we started
Remembering how we began
Darling, it would be when you smiled at me
Honey, it would be when you smiled at me
That way, that Sunday, that summer
That manner, on that Sunday, during that summer
And if I had to choose just one moment
And if I had to pick only one instance
To live within my heart
To permanently preserve in my heart
It would surely be that moment
It would undoubtedly be that particular moment
Recalling how we started
Remembering how we began
Darling it would be when you smiled at me
Sweetheart it would be when you smiled at me
That way, that Sunday, that summer
That manner, on that Sunday, during that summer
(If I had to choose just one day)
(If I had to pick only one day)
Lyrics © Sony/ATV Music Publishing LLC
Written by: George David Weiss, Joe Sherman
Lyrics Licensed & Provided by LyricFind