In My Tribe. Merchant joined 10,000 Maniacs at the age of 17 and became the band's driving artistic force. After a pair of successful independent releases, they signed to Elektra in 1985 and briefly became one of the most popular acts in alternative rock, shooting into the Top 40 with 1987's In My Tribe and charting even higher with their follow-up effort, Blind Man's Zoo. Merchant's desire to launch a solo career increased alongside the band's growing reputation, however, and by the time the group sat down to record 1992's Our Time in Eden, she gave her bandmates two years' notice. Following the release of MTV Unplugged in 1994, she publicly announced she was leaving the group's ranks.
OpheliaMerchant made her solo debut with 1995's Tigerlily, a self-produced album that debuted at number 13 and scored a Top Ten single with "Carnival." Two additional singles, "Wonder" and "Jealousy," also cracked the Top 40, prompting Tigerlily to sell over five million copies in the U.S. alone. It was followed in 1998 by Ophelia, another platinum-selling effort that was supported by Merchant's inclusion in the second Lilith Fair tour. Live in Concert, recorded at New York's Neil Simon Theatre, appeared a year later. A prominent social activist, Merchant also drew notice by campaigning in the name of such hot-button issues as animal rights, domestic violence, and homelessness.
MotherlandMerchant launched a folk tour in 2000, with members of progressive folk band the Horse Flies joining her on the road. She then returned to her solo career with Motherland. Two years later, Merchant left Elektra's roster and formed her own independent label, Myth America, in order to issue House Carpenter's Daughter, a collection of traditional and contemporary folk music inspired by the 2000 tour. A long period of silence followed, during which a pair of greatest-hits releases -- the 10,000 Maniacs collection Campfire Songs and Merchant's own Retrospective: 1995-2005 -- kept fans relatively sated. As the decade drew to a close, though, Merchant signed with Nonesuch Records and began making plans for a new album, which eventually arrived in the form of the ambitious, double-disc neo-children's album, 2010's Leave Your Sleep. Merchant returned to straight-ahead pop music with a self-titled album in May 2014.
Owensboro
Natalie Merchant Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
Way down south
By the name of Owensboro
And I worked in a mill
With the rest of the â??trashâ??
As we're often called
As you know
In the morning
And we work all day real hard
To buy our little meat and bread
Buy sugar, tea, and lard
Well, our children they
Grow, grow up unlearned
With no time to go to school
Almost before they learn to walk
They learn to spin and to spool
Well, the folks in town
They dress so fine
And spend their money free
But they would hardly look
At a factory hand
That dresses like you or me
Would you let them wear
Their watches fine
Let them wear their gems
And pearly strings
But when that day
Of judgement comes
They'll have to share
Their pretty things
The lyrics to Natalie Merchant's song Owensboro tell the story of a hardworking mill worker in Owensboro, a town located in the southern part of the United States. The singer describes their life, waking up early in the morning to work all day at the mill, earning just enough money to buy basic necessities like meat, bread, sugar, tea, and lard. However, their children do not have the privilege of attending school, as they are forced to work alongside their parents in the mill, learning to spin and spool before they even learn to walk.
The singer observes that the townspeople, despite their affluence and ostentatious display of wealth, would never give a factory hand like them a second glance. They are marginalized, referred to as "trash," left to toil without recognition, and unable to afford even the basics of life. However, the singer is steadfast in the belief that their hard work and integrity will one day count for something, and that those who look down on them will have to face judgment for their unfair treatment.
Line by Line Meaning
Well, I lived in a town
I resided in a town
Way down south
Very far in the southern region
By the name of Owensboro
The name of this town is Owensboro
And I worked in a mill
I was employed in a factory
With the rest of the â??trashâ??
Alongside the other factory workers who are belittled
As we're often called
How these factory workers are frequently referred to
As you know
You are familiar with this situation
Well, we rise up early
We wake up at the crack of dawn
In the morning
At the start of the day
And we work all day real hard
We put in a long, hard day's work
To buy our little meat and bread
To purchase a small amount of food
Buy sugar, tea, and lard
Purchase commonly used grocery items
Well, our children they
Our offspring
Grow, grow up unlearned
Are not provided with education
With no time to go to school
Do not have the opportunity to attend school
Almost before they learn to walk
Before they can even walk proficiently
They learn to spin and to spool
Are taught to spin and spool textile materials
Well, the folks in town
The residents of the town proper
They dress so fine
Dress elegantly
And spend their money free
Easily spend their money
But they would hardly look
Choose not to focus on
At a factory hand
A laborer in the factory
That dresses like you or me
Dressed like we are
Would you let them wear
Permit them to don
Their watches fine
Their expensive watches
Let them wear their gems
Allow them to wear their jewels
And pearly strings
Their string of pearls
But when that day
On the day
Of judgement comes
When they will be judged
They'll have to share
They will be obligated to share
Their pretty things
Their valued possessions
Lyrics © HOUSE OF SPROUSE MUSIC, Downtown Music Publishing
Written by: BLAINE SPROUSE, KENNY BAKER
Lyrics Licensed & Provided by LyricFind