Naughty by Nature is a hip hop group that at the time of its formation in 1… Read Full Bio ↴Naughty by Nature is a hip hop group that at the time of its formation in 1991, consisted of Treach, Vinnie, and the DJ Kay Gee.
The group formed in East Orange, New Jersey, and first appeared on the music scene in the late 1980's releasing an album titled The Independent Leaders, under their then name The New Style. The album generated the minor hit "Scuffin' Those Knees". After the release of their first album, the group was subsequently mentored by fellow New Jersey native Queen Latifah and consequently changed their name.
Their first hit as Naughty By Nature was a track titled "O.P.P." ("Other People's Parts"), which sampled the The Jackson 5's hit "ABC" and was released in 1991 on their self-titled debut album. The album also generated another hit titled "Ghetto Bastard" (the track is often referred to as "Everything's Gonna Be Alright"). Fellow New Jersey native Tony D, accused Naughty by Nature of stealing a sample from his breakbeat album Music Makes You Move and using it on their track "O.P.P.". The matter was settled out of court. Later they had multiple hits from their third and fourth albums, titled 19 Naughty III and Poverty's Paradise respectively.
"Hip Hop Hooray" was a success from the album 19 Naughty III. Its video was directed by Spike Lee and featured other hip-hop artists popular in the early 1990's, including Queen Latifah, Eazy-E, and Kris Kross.
The group also scored a major hit with the track "Uptown Anthem", from the soundtrack to the 2Pac movie Juice.
In later years, Naughty by Nature started their own music imprint, Illtown Records, and released an album from their proteges the Rottin Razkals. The group (mainly Kaygee) worked closely with a number of rnb groups over the years particularly Zhané and Next.
An ongoing dispute between Kaygee and Treach saw Kaygee leave Naughty by Nature in late 2000 to concentrate on his Divine Mill label. The remainder of the group released an album in 2002 titled IIcons, using a variety of different producers including Da Beatminerz - the album however received a lukewarm reception from the public. Treach is rumoured to be releasing a solo album soon. Kaygee has been extremely successful building his Divine Mill imprint with 2 platinum plus albums on both (Divine Mill acts) Jaheim and Next as well as songs on albums from Syleena Johnson and Charlie Wilson among others. In May 2006 Kay Gee reunited with Treach and Naughty by Nature at a concert at B.B. King's nightclub. They will be working together on their next album.
The group formed in East Orange, New Jersey, and first appeared on the music scene in the late 1980's releasing an album titled The Independent Leaders, under their then name The New Style. The album generated the minor hit "Scuffin' Those Knees". After the release of their first album, the group was subsequently mentored by fellow New Jersey native Queen Latifah and consequently changed their name.
Their first hit as Naughty By Nature was a track titled "O.P.P." ("Other People's Parts"), which sampled the The Jackson 5's hit "ABC" and was released in 1991 on their self-titled debut album. The album also generated another hit titled "Ghetto Bastard" (the track is often referred to as "Everything's Gonna Be Alright"). Fellow New Jersey native Tony D, accused Naughty by Nature of stealing a sample from his breakbeat album Music Makes You Move and using it on their track "O.P.P.". The matter was settled out of court. Later they had multiple hits from their third and fourth albums, titled 19 Naughty III and Poverty's Paradise respectively.
"Hip Hop Hooray" was a success from the album 19 Naughty III. Its video was directed by Spike Lee and featured other hip-hop artists popular in the early 1990's, including Queen Latifah, Eazy-E, and Kris Kross.
The group also scored a major hit with the track "Uptown Anthem", from the soundtrack to the 2Pac movie Juice.
In later years, Naughty by Nature started their own music imprint, Illtown Records, and released an album from their proteges the Rottin Razkals. The group (mainly Kaygee) worked closely with a number of rnb groups over the years particularly Zhané and Next.
An ongoing dispute between Kaygee and Treach saw Kaygee leave Naughty by Nature in late 2000 to concentrate on his Divine Mill label. The remainder of the group released an album in 2002 titled IIcons, using a variety of different producers including Da Beatminerz - the album however received a lukewarm reception from the public. Treach is rumoured to be releasing a solo album soon. Kaygee has been extremely successful building his Divine Mill imprint with 2 platinum plus albums on both (Divine Mill acts) Jaheim and Next as well as songs on albums from Syleena Johnson and Charlie Wilson among others. In May 2006 Kay Gee reunited with Treach and Naughty by Nature at a concert at B.B. King's nightclub. They will be working together on their next album.
Everyday All Day
Naughty By Nature Lyrics
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This is something that I call the flow
Not many if any, 'cept for Vinnie, can say they know
In fact, detracting that is something that I rarely show
Because my tongue is actually fast but then again it's slow
See yo (Throw it bro) you say cheeka-boo
A name pertained for niggas who WHO
Who hear that name and place a trigger to the figure who
It blew through and if ya try ta rip, I throw a bigger blue shoe to you
And if you take the shoe, a nigga actor will do, ooh
Dressed to the best to impress but after they try take us in
Crook as a nigga, take a pistol, see who wants to be Naughty or nicest
Like ice is I'm priceless, plug the mic to it
Come with the D with the I with the S to the S's, see whose hype is
Test the test the Treach to Treach address, the address,
How I'll bless and blow any conflicts
Why to try to chrome, my style is just nonsense
M-my ni-ni-nigga m-m-macking so you get out of it
Any and all should fall, many are small should call
Naughty By Nature the creator of all y'all
Show hope, show no hope and can't cope, so no way
This is how we play everyday all day
Yo yo hey yo
Having a round of cadavva, gather matters is drastically
Never say never whenever whether we come on after thee
Hand to Gee the producer, me is loose off the claps ya see
That keeps you boogie'n happily
Voice ya opinion, it's the rhythm I'm lending
The message I'm sending from London to Linley
Girls are given a chance to get ya all pampered
Leave them ol' cramps in your pants then I belly dance her
God is good and if ya would, you should just
Play to the way I see em, play all day is what He'll bless
I'm leaving em evil and seeing em being a torture with dull props
I won't give up til you had 'nough of these call shots
Now let the hard floor break your fall darling
'cause on the shrift and Naughty ain't waltzing
When we dance we come full-thrust, the bum rush
Knocking and popping 'em up inside, they rocking dawn til dusk
I ain't the type to get suit-to-sike
I feel I'm better than ever before but as a rapper I'm just alright
Showing time is for clocks, knocking poppas
Pop pop ya try to shine I make your heart work proper
And that's comin from the drifter and if ya
Are-you-IN YA L-I-P, you will B-E-G-O-N-E
So let the guests getting pass-ons, be by-gones
Nevertheless is definitely hit and hits are what we strive on
We feel this way every single day all day
So make way
Was up to all you MC cub scouts
Grub scouts getting rubbed out
I'll bet'cha kept ya album froze til this came out
Hitting ideas to use, a half of us snit or two
Snatching and maxing a rap that I'm casting, how dare you!
How the hell can you yell what someone else said?
I must get on what I loan, what I own on my forehead, huh
But I doubt that, and now ya want to back out
Your career had more ins and outs than a crack house
I'm macking 'n rackin 'n capping the acts and I wax em wit-wit a smack
This scam he owes must judge me rough with a whiffle bat
And that's simply elementary Walton
So pack ya track and do 5 flat in your Dodge son
Now let my canine backtrack the copy-cat
Your night life is up, so what you had, you gotta sound track
What's all with seven thousand other rappers, groupie
The cut ya made for that movie ain't soothed me
Who said that Treach can't work when he don't curse?
Some nasty ass me, Naughty and that keep it happy
I'm all that and never go out the small way
You need a lift, we go this way everyday all day
Your little tape got more blank spots than a tank-top, think, stop
You ought to store it all, fast-forward 'fore I ring props
You sorry sight, you're a immature rhyme ho
Come rock a lil something, no we're all outta time so
From Chilltown JC to Brooklyn with A-D
I'm ripping things daily, ni if, and or maybes
At the ? and the A-V, the O-U-R-B-A-BE
Kris, the Jungle Brothers, Tribe Called Quest, yeah they be
Down with Sha-ka-ottin, pimp or, man, they swifting
Then the ruler (?all reigns?), he comes handy on the roll again
Marked the 45, kids kneels feels the reals
With the real chill, not the run-of-the-mill deals
Get poopoo dooie, producer Louie Louie
Throwing best tracks to me to me
So that sometimes they do me
I can't forget the day live, the solo need a tongue
Patrol the song, what up to the brothers from the (?Natcheo?)
We got the gatch to ya batch to rock and lock him
But now it's ??? don't even try to outrun them
The stable now cocky, Lord Ali Raski and (?trueogy?)
The sharper day with double jade is the props see
We also got the speaker Latifah, the Queen of the flavor
And nothing weaker behind is watching, kick her
The Digital Under-the-Underground, rocks with Shock and 2PAC
With Money be , Humpty and Jimmy, the master of the charts
And on the tipple several brothers, we muskets
It's Tahid, Akeem, Cracker see and Cee Justice
Plus is the voice behind the flavor unit, all time, all early
It's that girlie, head of the head called her Shirley
And what poop last but not least, Camille
I feel you learned the way we come this deep everyday all day
Ya know what I'm saying? We got the newest member of the flavor unit
Def Jef in effect. We got the producer of this trach Kay-Gee
We got my girl Nikki-D in the house
My man internal All-Star Dave
My man on the sax Andy
We got another engineer Andy and assistant Todd
We got Anj-do, G-Quick
We got the whole entire 18th Street Posse-Rachim,Mook Daddy, Skee Steve
Hammer, Howie Cru-are you, M-Dee, Tak Diesel, Na-Na
We got my girl Aphrodite and her posse in the house-Cherokee, Chaka and
Lisa
And we outta here like last year
'cause we come this deep everyday all day
Peace
Not many if any, 'cept for Vinnie, can say they know
In fact, detracting that is something that I rarely show
Because my tongue is actually fast but then again it's slow
See yo (Throw it bro) you say cheeka-boo
A name pertained for niggas who WHO
Who hear that name and place a trigger to the figure who
It blew through and if ya try ta rip, I throw a bigger blue shoe to you
Dressed to the best to impress but after they try take us in
Crook as a nigga, take a pistol, see who wants to be Naughty or nicest
Like ice is I'm priceless, plug the mic to it
Come with the D with the I with the S to the S's, see whose hype is
Test the test the Treach to Treach address, the address,
How I'll bless and blow any conflicts
Why to try to chrome, my style is just nonsense
M-my ni-ni-nigga m-m-macking so you get out of it
Any and all should fall, many are small should call
Naughty By Nature the creator of all y'all
Show hope, show no hope and can't cope, so no way
This is how we play everyday all day
Yo yo hey yo
Having a round of cadavva, gather matters is drastically
Never say never whenever whether we come on after thee
Hand to Gee the producer, me is loose off the claps ya see
That keeps you boogie'n happily
Voice ya opinion, it's the rhythm I'm lending
The message I'm sending from London to Linley
Girls are given a chance to get ya all pampered
Leave them ol' cramps in your pants then I belly dance her
God is good and if ya would, you should just
Play to the way I see em, play all day is what He'll bless
I'm leaving em evil and seeing em being a torture with dull props
I won't give up til you had 'nough of these call shots
Now let the hard floor break your fall darling
'cause on the shrift and Naughty ain't waltzing
When we dance we come full-thrust, the bum rush
Knocking and popping 'em up inside, they rocking dawn til dusk
I ain't the type to get suit-to-sike
I feel I'm better than ever before but as a rapper I'm just alright
Showing time is for clocks, knocking poppas
Pop pop ya try to shine I make your heart work proper
And that's comin from the drifter and if ya
Are-you-IN YA L-I-P, you will B-E-G-O-N-E
So let the guests getting pass-ons, be by-gones
Nevertheless is definitely hit and hits are what we strive on
We feel this way every single day all day
So make way
Was up to all you MC cub scouts
Grub scouts getting rubbed out
I'll bet'cha kept ya album froze til this came out
Hitting ideas to use, a half of us snit or two
Snatching and maxing a rap that I'm casting, how dare you!
How the hell can you yell what someone else said?
I must get on what I loan, what I own on my forehead, huh
But I doubt that, and now ya want to back out
Your career had more ins and outs than a crack house
I'm macking 'n rackin 'n capping the acts and I wax em wit-wit a smack
This scam he owes must judge me rough with a whiffle bat
And that's simply elementary Walton
So pack ya track and do 5 flat in your Dodge son
Now let my canine backtrack the copy-cat
Your night life is up, so what you had, you gotta sound track
What's all with seven thousand other rappers, groupie
The cut ya made for that movie ain't soothed me
Who said that Treach can't work when he don't curse?
Some nasty ass me, Naughty and that keep it happy
I'm all that and never go out the small way
You need a lift, we go this way everyday all day
Your little tape got more blank spots than a tank-top, think, stop
You ought to store it all, fast-forward 'fore I ring props
You sorry sight, you're a immature rhyme ho
Come rock a lil something, no we're all outta time so
From Chilltown JC to Brooklyn with A-D
I'm ripping things daily, ni if, and or maybes
At the ? and the A-V, the O-U-R-B-A-BE
Kris, the Jungle Brothers, Tribe Called Quest, yeah they be
Down with Sha-ka-ottin, pimp or, man, they swifting
Then the ruler (?all reigns?), he comes handy on the roll again
Marked the 45, kids kneels feels the reals
With the real chill, not the run-of-the-mill deals
Get poopoo dooie, producer Louie Louie
Throwing best tracks to me to me
So that sometimes they do me
I can't forget the day live, the solo need a tongue
Patrol the song, what up to the brothers from the (?Natcheo?)
We got the gatch to ya batch to rock and lock him
But now it's ??? don't even try to outrun them
The stable now cocky, Lord Ali Raski and (?trueogy?)
The sharper day with double jade is the props see
We also got the speaker Latifah, the Queen of the flavor
And nothing weaker behind is watching, kick her
The Digital Under-the-Underground, rocks with Shock and 2PAC
With Money be , Humpty and Jimmy, the master of the charts
And on the tipple several brothers, we muskets
It's Tahid, Akeem, Cracker see and Cee Justice
Plus is the voice behind the flavor unit, all time, all early
It's that girlie, head of the head called her Shirley
And what poop last but not least, Camille
I feel you learned the way we come this deep everyday all day
Ya know what I'm saying? We got the newest member of the flavor unit
Def Jef in effect. We got the producer of this trach Kay-Gee
We got my girl Nikki-D in the house
My man internal All-Star Dave
My man on the sax Andy
We got another engineer Andy and assistant Todd
We got Anj-do, G-Quick
We got the whole entire 18th Street Posse-Rachim,Mook Daddy, Skee Steve
Hammer, Howie Cru-are you, M-Dee, Tak Diesel, Na-Na
We got my girl Aphrodite and her posse in the house-Cherokee, Chaka and
Lisa
And we outta here like last year
'cause we come this deep everyday all day
Peace
The lyrics to Naughty By Nature's song "Everyday All Day" are packed with complex rhymes, internal rhymes, and a variety of wordplay. The song opens with Treach announcing, "This is something that I call the flow," and he then proceeds to demonstrate his unique rap style, which involves a combination of fast and slow rhythm patterns. He boasts of his ability to deliver complex flows that few others can match, and he warns his detractors not to underestimate him. The second verse addresses a variety of topics, including God, girls, and hip-hop beefs, and it features a range of clever wordplay and internal rhymes. The final verse is a lengthy and epic list of acknowledgements and shoutouts to various people in the hip-hop community.
Overall, "Everyday All Day" is a showcase for Treach's impressive rapping skills and his bold, brash personality. He demonstrates his mastery of the art of flow, using intricate rhymes and rhythms to create a unique and powerful style that sets him apart from other MCs. The song is also notable for its use of internal rhymes, where words within a line or phrase are made to rhyme with each other, and for its clever wordplay and allusions to various aspects of hip-hop culture.
Lyrics © Kobalt Music Publishing Ltd., Warner Chappell Music, Inc.
Written by: ALLEN WEBSTER GREGORY, ANDREW NOLAND, ANTHONY CRISS, ANTHONY SHAWN CRISS, GREGORY ALLEN WEBSTER, KEIR GIST, KEIR LAMONT GIST, LEROY BONNER, MARSHALL JONES, RALPH MIDDLEBROOKS, VINCENT E. BROWN, VINCENT VINNIE BROWN, WALTER MORRISON
Lyrics Licensed & Provided by LyricFind
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@robertdawson9569
Treach at his best!. Always loved his flow and this album’s a straight classic!!.
@Gatorsdad
KayGee is a beast for this beat. Treach is amazing but..... KayGee is the true underrated artist here.
@liam-man7265
By far the best song on the album!
🔥🔥🔥
@qristofao1437
💯 the production is insane...whoaaa
@christiancharles2866
This is tight but guard your grill is the best
@LastLivingPaula
Treach's the MAN!
@yearbyfay
I been bumping this shit since day one.
@ElwinZepar
Still bumping this in 2020, and believe me this song got more flows and rhymes nd words than whole careers of today's most famous rapper
@b0n3s
2023 still bumping
@RoninAli1
One of my favorites.