Nocturne in B, Op.32 No.1
Navah Perlman is a concert pianist. Her parents are violinists Toby and Itz… Read Full Bio ↴Navah Perlman is a concert pianist. Her parents are violinists Toby and Itzhak Perlman.
Perlman performed as a soloist with the Greater Miami Youth Symphony Orchestra in 1984, and made her professional debut at age 15 with the Charleston Symphony Orchestra in 1986.
Perlman graduated from Brown University in 1992, having switched her major from music to art. She also studied at Juilliard.
In addition to her solo piano career she performs in the Perlman/Quint/Bailey Trio with cellist Zuill Bailey and violinist Philippe Quint.
Perlman performed as a soloist with the Greater Miami Youth Symphony Orchestra in 1984, and made her professional debut at age 15 with the Charleston Symphony Orchestra in 1986.
Perlman graduated from Brown University in 1992, having switched her major from music to art. She also studied at Juilliard.
In addition to her solo piano career she performs in the Perlman/Quint/Bailey Trio with cellist Zuill Bailey and violinist Philippe Quint.
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Nocturne in B Op.32 No.1
Navah Perlman Lyrics
No lyrics text found for this track.
The lyrics are frequently found in the comments by searching or by filtering for lyric videos
The lyrics are frequently found in the comments by searching or by filtering for lyric videos
@mielevandeven9844
Some years ago i was in a hospital. There was a patient listening to this music and i ased him, what music is that? So he told me, he was a terminal patient and as his time was running out fast he only listened to the music worthwhile listining to. As this masterpiece surely is. Now, some years later, it is nearly my turn. Only heaven can hold more beautiful music then this. Dirk
@damjanabracic1268
19:11
@margaretwindross7695
Wonderful music full of energy and delicacy, sympathetic. Uplifting.
@denise3973
Just thinking of you tonight, Dirk. My goodness that first movement takes you places, surpassed only by the third (imo), which makes me laugh and cry. It's just so beautiful, I don't know where to channel the emotions. Hope things are hanging in for you. Sending lots of light. Be well. ~ D
@SnKnAPlotnick
A great story. Thanks for sharing it.
@spuds1002
This violin concerto introduced me to classical music when I was 12. I found Perlman's rendition in the local library on tape cassette, 43 years later and it is still my favourite concerto. I learned to play the violin as a result. I would pretend to be the conductor, waving my chopsticks in the air, tears running down my face, such was the beauty of this concerto. The first movement alone is a masterpiece (almost a symphony in itself). Perlman is on another level, and I have yet to find another violinist come near his interpretation of Beethoven's one and only violin concerto, thank you thank you thank you...
@user-jf4mx9qz9o
Я тоже расплакалась,когда зазвучала скрипка,не знаю какими словами описать чувства в душе…
@alistairchew7510
True
@bigalexg
Some of my first memories are of my Daddy upstairs in his den playing the first movement over and over again, he must have been obsessed with it. I was too shy to go upstairs and listen alongside him so I sat entranced at the bottom of the stairs - the same flight of stairs I am looking at now, 65 years later, alone with my cats in the house I inherited from my dear parents.
This was late 50's or early 60's. The performer, I learned much later, was Suzanne Lautenbacher. I was barely more than a baby and this was probably the first piece of classical music I ever heard. It made a big impression! At the time I didn't realize the impression made was one of a kind - that only as an innocent child could a piece of great music so magically entrance you - at the time it was just beautiful music I loved.
Daddy eventually stopped playing it and the years passed and I forgot all about it until one day, when I was maybe 23, I was digging through his old LP collection and I found it. I put it on and with those first few drum beats tears started streaming . . .it was overwhelmingly beautiful and nostalgic. By the time I got to the cadenza (the solo portion, the one by Fritz Kreisler, also played by Pearlman here) I was back there again and in a Proustian epiphany I had remembered not just that time and how it felt but I remembered and regained "child", or some faint echo of it at least.
Ever since then I have been obsessed. The effect on me is something more than music. This movement is, for me, an object of special power, unique in the universe, a portal back to that time and back to the heart and mind of that tiny child who sat in awe at the bottom of these stairs.
@maryshelton9674
Thank you so much for your wonderful story. All good wishes.