Piano Sonata No. 30 in E major Op. 109: Variation 6 Tempo I del tema (Cantabile)
Navah Perlman is a concert pianist. Her parents are violinists Toby and Itz… Read Full Bio ↴Navah Perlman is a concert pianist. Her parents are violinists Toby and Itzhak Perlman.
Perlman performed as a soloist with the Greater Miami Youth Symphony Orchestra in 1984, and made her professional debut at age 15 with the Charleston Symphony Orchestra in 1986.
Perlman graduated from Brown University in 1992, having switched her major from music to art. She also studied at Juilliard.
In addition to her solo piano career she performs in the Perlman/Quint/Bailey Trio with cellist Zuill Bailey and violinist Philippe Quint.
Perlman performed as a soloist with the Greater Miami Youth Symphony Orchestra in 1984, and made her professional debut at age 15 with the Charleston Symphony Orchestra in 1986.
Perlman graduated from Brown University in 1992, having switched her major from music to art. She also studied at Juilliard.
In addition to her solo piano career she performs in the Perlman/Quint/Bailey Trio with cellist Zuill Bailey and violinist Philippe Quint.
More Genres
No Artists Found
More Artists
Load All
No Albums Found
More Albums
Load All
No Tracks Found
Genre not found
Artist not found
Album not found
Search results not found
Song not found
Piano Sonata No. 30 in E major Op. 109: Variation 6 Tempo I del tema
Navah Perlman Lyrics
No lyrics text found for this track.
The lyrics are frequently found in the comments by searching or by filtering for lyric videos
The lyrics are frequently found in the comments by searching or by filtering for lyric videos
@AshishXiangyiKumar
Both Goode and Levit put in excellent performances here: Goode is warm, with a particularly well-delineated Mvt 2. Levit has a way of bringing attention to harmonic detail that’s pretty remarkable (see Mvt 1), and Mvt 3 is especially well-served by his sense of colour and fine contrapuntal playing.
Goode:
00:00 – Mvt 1, Vivace ma non troppo / Adagio espressivo
03:42 – Mvt 2, Prestissimo
06:02 – Mvt 3, Gesangvoll, mit innigster Empfindung. Andante molto cantabile ed espressivo
Levit:
19:13 – Mvt 1, Vivace ma non troppo / Adagio espressivo
22:58 – Mvt 2, Prestissimo
25:15 – Mvt 3, Gesangvoll, mit innigster Empfindung. Andante molto cantabile ed espressivo
@AshishXiangyiKumar
And if anyone wants the timestamps for the individual variations of the last movement in Levit's performance:
25:15 – THEME
27:23 – VAR.1
29:16 – VAR.2
30:52 – VAR.3
31:18 – VAR.4
33:32 – VAR.5
34:24 – VAR.6
@AshishXiangyiKumar
Both Goode and Levit put in excellent performances here: Goode is warm, with a particularly well-delineated Mvt 2. Levit has a way of bringing attention to harmonic detail that’s pretty remarkable (see Mvt 1), and Mvt 3 is especially well-served by his sense of colour and fine contrapuntal playing.
Goode:
00:00 – Mvt 1, Vivace ma non troppo / Adagio espressivo
03:42 – Mvt 2, Prestissimo
06:02 – Mvt 3, Gesangvoll, mit innigster Empfindung. Andante molto cantabile ed espressivo
Levit:
19:13 – Mvt 1, Vivace ma non troppo / Adagio espressivo
22:58 – Mvt 2, Prestissimo
25:15 – Mvt 3, Gesangvoll, mit innigster Empfindung. Andante molto cantabile ed espressivo
@AshishXiangyiKumar
And if anyone wants the timestamps for the individual variations of the last movement in Levit's performance:
25:15 – THEME
27:23 – VAR.1
29:16 – VAR.2
30:52 – VAR.3
31:18 – VAR.4
33:32 – VAR.5
34:24 – VAR.6
@1anya7d
Thanks as always :)
@shalinigogate225
Ashish Xiangyi Kumar Thanks so much for uploading all these beautiful gems of work....I notice you're having a bit of an uploading spree 😊
@fastfingers110
so is this Goode or Levit?
@canman5060
Indeed. Thanks for sharing. Much appreciated.
@christophermartsolf1092
When discussing Beethoven, Neuhaus said: “I always tell my students about the end of this sonata, a sunset somewhere in the mountains when we first see a golden shining, then scarlet, and then a change to a violet shade – and then the night falls… The Sonata is so clear and expressive that it should command such images.”
@juv7026
completely disagree
@andrewsnow1933
Of the Beethoven piano sonata of which I’m familiar this is my favorite. I’ll familiarize myself with all 32 but I doubt the others will move me like this one. The variation movement is beyond great
@herrbrahms
I remember a trip I once took to Wengen, Switzerland, in the shadow of the Eiger. This description is absolutely perfect. The last golden rays of the Sun give way; another day is ended; belly is full; heart is broken; yet the soul remains powerful and strives to find contentment whereve it can.
Searing pain, breathtaking beauty --- the greatest of all Masters holds us rapt with the voice of God.