Neil Percival Young (born November 12, 1945) is a Canadian singer, guitaris… Read Full Bio ↴Neil Percival Young (born November 12, 1945) is a Canadian singer, guitarist, songwriter, and social activist who is widely regarded as one of the most influential musicians of his generation, particularly as Neil Young & Crazy Horse. Young was born in Toronto, but he moved to the family home of Winnipeg as a child, which is where his music career began. Young began performing as a solo artist in Canada in 1960, before moving to California in 1966, where he co-founded the band Buffalo Springfield along with Stephen Stills and Richie Furay.

Having success on his own for a bit, he later joined the folk rock supergroup Crosby, Stills & Nash as a fourth member in 1969, thus forming Crosby, Stills, Nash & Young. He forged a successful and acclaimed solo career, releasing his first album in 1968. His career has since spanned over 40 years and 34 studio albums, with a continual and uncompromising exploration of musical styles; his musical vision is notably referred to by his autobiographical tune"The Loner". Music critics have often called him one of the best single artists of all time, and several tunes such as "Heart of Gold" and "Rockin' in the Free World" remain popular on rock radio.

According to the Don't Be Denied Songfacts, the 16-year-old Neil was raising chickens and selling the eggs, with plans to go to Ontario Agricultural College and be a farmer. Only his leisure activities foretold his future, when he would hide from his family problems in his room with his transistor radio playing local station CHUM. From this, Young experienced a growing admiration for rock n roll originators such as Chuck Berry, Little Richard, Jerry Lee Lewis, and, of course, Elvis Presley. In 1958, his father bought Neil his first music instrument, a plastic ukulele. His father would later recall, "He would close the door of his room... and we would hear plunk, pause while he moved his fingers to the next chord, plunk, pause while he moved again, plunk."

In Winnipeg, Manitoba, Canada, Neil started his professional music career in the mid-60s with a number of bands in Canada, including the Squires and later the Mynah Birds, which also included fellow future Buffalo Springfield bassist Bruce Palmer and future funk star Rick James. When the Mynah Birds broke up, Young and Palmer headed to California to meet Stephen Stills, whom he had met in Thunder Bay, and the result was Buffalo Springfield. That band split up after releasing three critically acclaimed albums, particularly achieving international fame for their tune "For What It's Worth".

Showing his strengths as a cynical yet experimental songwriter in the group, he also sung prominently in some of the band's songs such as the biting satire of 'rock star' life "Mr. Soul". Neil soon started his solo career with the release of 'Neil Young' on November 12, 1968. The album did not do very well commercially, but it included several strong tracks, including "The Loner", said to be a portrait of Stephen Stills but also being deeply auto-biographical.

On May 14, 1969, he recruited members of Crazy Horse and made the critically acclaimed 'Everybody Knows This Is Nowhere'. This was a much more consistent album, being the first to introduce longstanding collaborators Crazy Horse and beingbuilt around the balanced interplay between the guitar playing of Young and the talented Danny Whitten. The album also featured two lengthy classics, "Down by the River" and "Cowgirl in the Sand". The critically acclaimed solo album "After the Gold Rush" came out in 1971, featuring such classic songs as "Southern Man'", "Only Love Can Break Your Heart" and "Don't Let it Bring You Down". Harvest followed in 1972 with the hit"Heart of Gold".

During this time he also enjoyed considerable success as a quarter of Crosby, Stills, Nash & Young.

Neil's subsequent work has zig-zagged across genres - dabbling in country rock on "Old Ways"; electronics on "Trans"; hooking up with the Shocking Pinks in a homage to old-time Rock 'n' Roll on "Everybody's Rockin'"; creating a wall of feedback on the live Arc-Weld; and cementing his status as Godfather of Grunge when collaborating with Pearl Jam on Mirror Ball.

His idiosyncratic approach to genre even led to him being sued by his record company (Geffen) in the 80s for making "uncharacteristic" music.

Young has also dabbled in film, most recently on the album/concert series/dvd Greendale.

Young is often known by the nickname "Shakey." According to his biographer Jimmy McDonough, the name was given by his friends after noticing very unsteady results holding a camera for home movies.

Young founded Pono Music, whose mission was to bring a digital player, download store, and streaming service devoted to hi-res music. It was a commercial flop and was shut down in 2016. Young has stated that the labels would not agree that "All songs should cost the same, regardless of digital resolution."

The film Canadian Bacon includes the line "Canadians are always trying to figure out a lot of ways to ruin our lives. The metric system, for the love of God! Celsius! Neil Young!"

For recent news see: http://www.neilyoung.com/

When You Dance I Can Really Love
Neil Young Lyrics

Jump to: Overall Meaning ↴ Line by Line Meaning ↴

When you dance
Do your senses tingle?
Then take a chance?
In a trance
While the lonely mingle
With circumstance?

I've got something to tell you

You made it show
Let me come over
I know you know
When you dance, ooh
I can really love

I can love
I can really love
I can really love
I can love
I can really love
I can really love

Like a mountain that's growing
A river that rolls
Let me come over
I know you know
When you dance, ooh
I can really love

When you dance
Do your senses tingle?
Then take a chance?
In a trance
While the lonely mingle
With circumstance?

I've got something to tell you
You made it show
Let me come over
I know you know

When you dance, ooh
I can really love

Overall Meaning

In this classic Neil Young song, "When You Dance You Can Really Love", the lyrics capture the magic and power of dance in a relationship. The first verse asks the listener if their senses tingle when they dance, essentially asking if they feel a deep connection to the songs they dance to. The next few lines encourage the listener to take a chance and get lost in the music. The second verse expresses the singer's desire to be with the person they are addressing - they say, "let me come over, I know you know." This desire is intensified by the realization that their connection to the listener is stronger when they dance together. The chorus repeats the message that the singer can love deeply when they dance with the person they address.

The bridge of the song emphasizes the strength and intensity of the relationship through natural imagery. Young compares the love he feels when he dances with the person he desires to a growing mountain and a flowing river. The song concludes by repeating the same chorus and verses, with the final message that the singer's ability to truly love is amplified by the joy of dancing with their loved one.

Overall, "When You Dance You Can Really Love" is a timeless exploration of how dance can deepen romantic relationships, providing a powerful way to communicate feelings that cannot be expressed through words alone.

Line by Line Meaning

When you dance
Do you feel alive and excited when you dance?

Do your senses tingle?
Do your senses come to life when you dance?

Then take a chance?
If dancing makes you feel alive, take a chance and let loose.

In a trance
When you dance, do you get lost in the moment?

While the lonely mingle
As you dance, the lonely people around you are mingling.

With circumstance?
Are the lonely people around you also dealing with difficult situations?

I've got something to tell you
I have something important to say to you.

You made it show
Your dancing revealed something important about yourself.

Let me come over
Let me join you and share in your joy.

I know you know
You are aware of the connection we share as dancers.

When you dance, ooh
When you dance, oh boy!