Nellie Lutcher (October 15, 1912 – June 8, 2007) was an African-American rh… Read Full Bio ↴Nellie Lutcher (October 15, 1912 – June 8, 2007) was an African-American rhythm & blues and jazz singer and pianist, who gained prominence in the late 1940s and early 1950s. She was most recognizable for her diction and exaggerated pronunciation, and was credited as an influence by Nina Simone among others.

She was born in Lake Charles, Louisiana, the eldest daughter of the 15 children of Isaac and Suzie Lutcher. Her father was a bass player, and her mother a church organist. She received piano lessons, and her father formed a family band with Nellie playing piano. At age 12, she played with Ma Rainey, when Rainey's regular pianist fell ill and had to be left behind in the previous town. Searching for a temporary replacement in Lake Charles, one of the neighbors told her there was a little girl who played in church who might be able to do it.
Aged 14, Lutcher joined her father in Clarence Hart's Imperial Jazz Band, and in her mid-teens also briefly married the band's trumpet player. In 1933, she joined the Southern Rhythm Boys, writing their arrangements and touring widely. In 1935, she moved to Los Angeles, where she married Leonel Lewis and had a son. She began to play swing piano, and also to sing, in small combos throughout the area, and began developing her own style, influenced by Earl Hines, Duke Ellington and her friend Nat "King" Cole.
She was not widely known until 1947 when she learned of the March of Dimes talent show at Hollywood High School, and performed. The show was broadcast on the radio and her performance caught the ear of Dave Dexter, a scout for Capitol Records. She was signed by Capitol and made several records, including "The One I Love Belongs To Someone Else" and her first hit single, the risqué "Hurry On Down", which went to # 2 on the rhythm and blues chart. This was followed by her equally successful composition "He's A Real Gone Guy", which also made # 2 on the R&B chart and crossed over to the pop charts where it reached # 15.
In 1948 she had a string of further R&B chart hits, the most successful being "Fine Brown Frame", her third # 2 R&B hit. Her songs charted on the pop, jazz, and R&B charts, she toured widely and became widely known. She wrote many of her own songs and, unlike many other African-American artists of the period, retained the valuable publishing rights to them.
In 1950, Lutcher duetted with Nat "King" Cole on "For You My Love" and "Can I Come in for a Second". The same year, her records began to be released in the UK and were actively promoted by radio DJ Jack Jackson. She headlined a UK variety tour, compered by Jackson, with great success, later returning there to tour on her own.
With an orchestra for the first time, Lutcher recorded "The Birth of the Blues" and "I Want to Be Near You" in 1951, but she was losing her appeal with the record-buying public and Capitol dropped her the following year. She went on to record, much less successfully, for other labels including Okeh, Decca and Liberty, and gradually wound down her performance schedule.
By 1957, she had joined the board of the Los Angeles Musicians Union, but continued to perform occasionally until the 1990s under the management of Alan Eichler, with many successful engagements including the Cookery and Michael's Pub in New York, the Hollywood Roosevelt Hotel's Cinegrill in Los Angeles and the New Orleans Jazz and Heritage Festival. She also starred in her own TV special "Nellie" on PBS and recorded a one-hour concert with Marian McPartland for the NPR series Piano Jazz. She invested successfully in property and managed her own apartment building in the Crenshaw area of Los Angeles.
She was the sister of saxophonist Joe "Woodman" Lutcher and aunt of Latin jazz percussionist Daryl "Munyungo" Jackson and singer Jacqueline Levy.

It Had to Be You
Nellie Lutcher Lyrics

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It had to be you, it had to be you.
I wandered around and finally found the somebody who
Could make me be true, could make me feel blue,
And even be glad just to be sad thinkin' of you.

Some others I've seen might never be mean
Might never be cross or try to be boss,
But they wouldn't do.

For nobody else gave me a thrill.
With all your faults, I love you still,
It had to be you, wonderful you,
It had to be you.

It had to be you, it had to be you.
I wandered around and finally found somebody who
Could make me be true, could make me be blue,
And even be glad just to be sad thinkin' of you.

Some others I've seen might never be mean
Might never be cross or try to be boss,
But they wouldn't do.

For nobody else gave me a thrill.
With all your faults, I love you still.

It had to be you, wonderful you

It had to be you.

Overall Meaning

Nellie Lutcher's song "It Had To Be You" is a beautiful love song that speaks to the idea of fate and the belief that there is one person in the world who is meant to be with us. The song begins by expressing the idea that the singer had been searching for someone to make her complete, and finally found that person in the one she loves. The lyrics suggest that this person has the power to make her happy or sad, and that even when she is feeling down, she still thinks of them with joy.

The second verse talks about how some people may be nice and pleasant, but they will never be able to give the singer the same thrill that her beloved does. There is a sense that this person is flawed, but the singer loves them despite their imperfections. The refrain repeats the idea that it had to be this person, that they are wonderful, and that she loves them.

It Had to Be YouNellie Lutcher Lyrics

It Had to Be You
Nellie Lutcher Lyrics