Philip Kressin was born in Frankfurt a.M., Germany and is a classically trained composer and multi-instrumentalist.
Neon Legion is a New Wave/Indie Rock band formed in 2009 in Buenos Aires, Toronto and New York, initially in the context of the recording of the new album of singer-songwriter Philip Kurt Kressin, who performed under the name Kirt.
Neon Legion
Philip Kressin's incredible musical journey has taken him from a WWII bunker in Frankfurt to an isolated farm in Argentina. He's been a massive Michael Jackson obsessive and a teenage metalhead; a classical guitar student and a film composer.
Now the German-born songwriter and multi-instrumentalist who records under the name Neon Legion is releasing the self titled debut, an ambitious album that explores his appreciation for rock, electronic, and classical music and expresses his unique cultural curiosity.
Kressin studied at the Frensham Heights School near London, where rock & roll is an accepted part of the curriculum. He learned about Bach's harmonies and Handel's melodies, toured Europe as a member of the choir and orchestra, and rubbed elbows with the children of rock legends like Roger Waters and Brian May, often visiting the house where Led Zeppelin famously recorded "Stairway to Heaven." "I was also exposed to more electronic music, like Chemical Brothers and Leftfield," he recalls. Freshly inspired, he spent seven months totally alone on a farm in Argentina recording an electro album that never saw official release, though bits and pieces of songs made their way onto the album 15 years later.
He returned to England to study music at Brunel University, where he wrote a prize-winning piece about the Crusades and three-movement composition based on "2001: A Space Odyssey." Kressin then hunkered down at Black Solaris Studios, an old (and possibly haunted) WWII bunker back in Germany, where he produced hip-hop and electronic artists, and had his first foray into film composing with his classical score for the award-winning short Geigensolo.
Kressin somehow found time to record his first album, Cyan (under the name Kirt), and decamped for the sunnier climes of Buenos Aires to release the disc ("I just needed some light again," he says). During his two-year stay in Argentina he racked up considerable critical praise, spent time touring with an early incarnation of Neon Legion, and co-founded Multicorriente, a collective that functioned as his record label, and as publisher of a monthly cultural magazine.
When restlessness struck again, Kressin set out for what are now his twin bases in North America: New York City and Toronto. "I like to put together a different band in each city," he says. "Everyone brings their own sound and cultural perspective to the global group that is Neon Legion."
It took more than a dozen musicians in four countries on three continents to make "Neon Legion". After working out arrangements with his Argentinian group, Kressin enlisted Priestbird cellist Daniel Bensi in New York, as well as a large cast of Toronto musicians, referred to him by a mutual friend of Broken Social Scene's Jason Collett, including members of the experimental electronic group Holy Fu*k, The Hidden Cameras and Bahamas. Despite having so many hands on deck, the album maintains an organic feel uncommon in most synth-rock music. This is a result of having recorded primarily live, with Kressin putting aside his admitted "control freak" tendencies and trusting the instincts of his fellow musicians.
Mixed (and partially recorded) at Electric Lady Studios in New York, the album bears the unmistakable sonic stamp of that legendary building's 40-year history. At the fore is Kressin's vulnerable tenor, a counterpoint to the often moody, driving rock underneath. He credits Blonde Redhead's classical harmonies, with "an almost childlike male voice" as a particular inspiration for his vocal style on the record : "Sometimes singing quietly is stronger."
The album's 10 songs delve into existential and sometimes political topics—the nature of man, intellect vs. instinct, man vs. the environment—from an omniscient perspective, in an effort to examine the essence of humanity. "Hunt" tackles the Christian denial of the evolution of man ("The day that Christ christened his lies/The humans fell into the trap"), and in "Time to Feed," Kressin laments the destruction of planet Earth ("It leaves in me a fear so deep, I can't breathe") before offering atonement ("Mother, I'll take care of you like no other son would"). It's no wonder that when he sings "Maybe we're all the same" in "Twin," it seems to be meant with a sense of resignation.
The heavy themes never get in the way of hooks. "Eyes" finely incorporates electronic elements into a pulsing, guitar-driven groove; the insistent synth-pop of "Wicked Men" harkens back to the masters of the craft, Depeche Mode. Like most great records, "Neon Legion" gets plenty weird: "Pornoratorio" explodes with a cascade of tricky time signatures into a dramatic post-glam-rock chorus; the nearly eight-minute "La Revolucion" stomps ahead on an electronic pulse and foreboding synthesizer pattern, like an army of giant knights marching forward.
The analogy is an apt one: Kressin is the descendent of German knights, and he sees it as part of his mission to reemphasize values derived from their code of chivalry. "to refer back to a time when Germany was known for its poets, its thinkers, its innovations in technology and culture" Visually, that goal is emphasized via artist Josh Mongeau
Several years after he began plotting out the debut album, even Kressin is impressed with how the globe-trotting effort has come together with such a strong sense of cohesion. "That's part of the idea of Neon Legion," he says. "It's like a little army of creativity."
Kressin found the final and permanent members of Neon Legion in New York City, all of which have taken on acting roles in their epic music video for the single “Twin”. In the international vain of the band, the permanent members are James Mullen from the United States, Chloe Caillet from France, Juan Cruz Masotta from Argentina.
Band Members:
Philip Kurt Kressin - Vocals/Synth
James Mullen - Drums
Juan Cruz Masotta - Guitar
Chloe Caillet - Synth
Brett Caswell - Guitar
Afie Jurvanen - Guitar
Javier Bustos - Guitar
Chris Lesso - Drums
Brad Kilpatrick - Drums
Kieran Adams - Drums
Alejandro Lopez - Drums
Maxi Cataldi - Drums
Lincoln Hamlyn - Bass
Jon Hynes - Bass
Jeremy Little - Bass
Juan Huici - Bass
Ignacio de Andres
Nicolas Ospina - Synth
Daniel Bensi - Cello
Eyes
Neon Legion Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
Through the crowd
And they don´t know
They are in control
It´s so hard to rule the world
When everyone wants to own it too
It´s so hard to save the day
When everyone wants to want their way
We see it
We seize it
We cause it
We make it true
We seize it
We think it
We cause it
We make it true
I see through you
I see through you
I see so clearly through your eyes
Through your eyes
What if all our dreams came true?
There´ll be a new day
And then what would we do?
Whose desire desires ours?
We all stock blueprints of our truth
It´s so good to break the rules
To break the rule of the ruling fools
We see it
We seize it
We cause it
We make it true
We seize it
We think it
We cause it
We make it true
I see through you
I see so clearly through your eyes
Through your eyes
The song 'Eyes' by Neon Legion is a powerful commentary on the struggle for control and power in the world. The lyrics describe how difficult it is to rule the world when everyone wants to own it too, and how hard it is to save the day when everyone wants things their own way. The singer talks about how they see through people's eyes and the difficulty of knowing whose desire desires theirs. They ask what we would do if all our dreams came true, and suggest that breaking the rule of the ruling fools can be liberating.
The chorus emphasizes the power that we have to seize control and make our dreams come true. The repetition of 'We see it, we seize it, we cause it, we make it true' highlights the determination and agency of the singer. The phrase 'I see through you' is repeated twice, emphasizing the idea that the singer can see past the facade that others present to the world. This may imply a sense of cynicism or distrust, as the singer is wary of people's motivations and desires.
Overall, 'Eyes' is a song about power, agency, and the struggle for control in the world. It highlights the complexity of human desires and motivations, and suggests that breaking the rules can sometimes be necessary to achieve our dreams.
Line by Line Meaning
Your Eyes wander*
You are searching for something or someone among the crowd.
Through the crowd
By looking at different people, trying to find what or whom you are looking for.
And they don´t know
The people you are searching among are unaware of your quest.
They are in control
The people you seek have power over you, even if they do not know it.
It´s so hard to rule the world
Having control over everything or everyone is not an easy task.
When everyone wants to own it too
Others are also fighting for control over the things that you desire.
It´s so hard to save the day
Being a hero or making a difference is difficult.
When everyone wants to want their way
Each person has their own ideas of how things should be done or should turn out.
We see it
We have knowledge of something important.
We seize it
We make it our own or take hold of what we know.
We cause it
We are the origin or reason for a significant event.
We make it true
We bring into existence what we know or desire.
I see through you
You cannot hide your real intentions or emotions from me.
I see so clearly through your eyes
I understand what you're feeling or trying to convey, even if you're not speaking.
What if all our dreams came true?
Imagine if everything we wish for or desire happened.
There´ll be a new day
A significant change will occur, and a new era will dawn.
And then what would we do?
What would we strive for or do once our deepest desires are fulfilled?
Whose desire desires ours?
It's unclear whose desires align with ours in the grand scheme of things.
We all stock blueprints of our truth
We all have an idea of what we believe to be true based on our experiences.
It´s so good to break the rules
Defying expectations or rules can be liberating or desirable.
To break the rule of the ruling fools
Going against those who are in power or have control over us can be seen as necessary or righteous.
Contributed by Evelyn T. Suggest a correction in the comments below.
Nicole Sommer
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