Neon Legion is a New Wave/Indie Rock band formed in 2009 in Buenos Aires, T… Read Full Bio ↴Neon Legion is a New Wave/Indie Rock band formed in 2009 in Buenos Aires, Toronto and New York, initially in the context of the recording of the new album of singer-songwriter Philip Kurt Kressin, who performed under the name Kirt.

Philip Kressin was born in Frankfurt a.M., Germany and is a classically trained composer and multi-instrumentalist.

Neon Legion is a New Wave/Indie Rock band formed in 2009 in Buenos Aires, Toronto and New York, initially in the context of the recording of the new album of singer-songwriter Philip Kurt Kressin, who performed under the name Kirt.

Neon Legion

Philip Kressin's incredible musical journey has taken him from a WWII bunker in Frankfurt to an isolated farm in Argentina. He's been a massive Michael Jackson obsessive and a teenage metalhead; a classical guitar student and a film composer.

Now the German-born songwriter and multi-instrumentalist who records under the name Neon Legion is releasing the self titled debut, an ambitious album that explores his appreciation for rock, electronic, and classical music and expresses his unique cultural curiosity.

Kressin studied at the Frensham Heights School near London, where rock & roll is an accepted part of the curriculum. He learned about Bach's harmonies and Handel's melodies, toured Europe as a member of the choir and orchestra, and rubbed elbows with the children of rock legends like Roger Waters and Brian May, often visiting the house where Led Zeppelin famously recorded "Stairway to Heaven." "I was also exposed to more electronic music, like Chemical Brothers and Leftfield," he recalls. Freshly inspired, he spent seven months totally alone on a farm in Argentina recording an electro album that never saw official release, though bits and pieces of songs made their way onto the album 15 years later.

He returned to England to study music at Brunel University, where he wrote a prize-winning piece about the Crusades and three-movement composition based on "2001: A Space Odyssey." Kressin then hunkered down at Black Solaris Studios, an old (and possibly haunted) WWII bunker back in Germany, where he produced hip-hop and electronic artists, and had his first foray into film composing with his classical score for the award-winning short Geigensolo.

Kressin somehow found time to record his first album, Cyan (under the name Kirt), and decamped for the sunnier climes of Buenos Aires to release the disc ("I just needed some light again," he says). During his two-year stay in Argentina he racked up considerable critical praise, spent time touring with an early incarnation of Neon Legion, and co-founded Multicorriente, a collective that functioned as his record label, and as publisher of a monthly cultural magazine.

When restlessness struck again, Kressin set out for what are now his twin bases in North America: New York City and Toronto. "I like to put together a different band in each city," he says. "Everyone brings their own sound and cultural perspective to the global group that is Neon Legion."

It took more than a dozen musicians in four countries on three continents to make "Neon Legion". After working out arrangements with his Argentinian group, Kressin enlisted Priestbird cellist Daniel Bensi in New York, as well as a large cast of Toronto musicians, referred to him by a mutual friend of Broken Social Scene's Jason Collett, including members of the experimental electronic group Holy Fu*k, The Hidden Cameras and Bahamas. Despite having so many hands on deck, the album maintains an organic feel uncommon in most synth-rock music. This is a result of having recorded primarily live, with Kressin putting aside his admitted "control freak" tendencies and trusting the instincts of his fellow musicians.

Mixed (and partially recorded) at Electric Lady Studios in New York, the album bears the unmistakable sonic stamp of that legendary building's 40-year history. At the fore is Kressin's vulnerable tenor, a counterpoint to the often moody, driving rock underneath. He credits Blonde Redhead's classical harmonies, with "an almost childlike male voice" as a particular inspiration for his vocal style on the record : "Sometimes singing quietly is stronger."

The album's 10 songs delve into existential and sometimes political topics—the nature of man, intellect vs. instinct, man vs. the environment—from an omniscient perspective, in an effort to examine the essence of humanity. "Hunt" tackles the Christian denial of the evolution of man ("The day that Christ christened his lies/The humans fell into the trap"), and in "Time to Feed," Kressin laments the destruction of planet Earth ("It leaves in me a fear so deep, I can't breathe") before offering atonement ("Mother, I'll take care of you like no other son would"). It's no wonder that when he sings "Maybe we're all the same" in "Twin," it seems to be meant with a sense of resignation.
The heavy themes never get in the way of hooks. "Eyes" finely incorporates electronic elements into a pulsing, guitar-driven groove; the insistent synth-pop of "Wicked Men" harkens back to the masters of the craft, Depeche Mode. Like most great records, "Neon Legion" gets plenty weird: "Pornoratorio" explodes with a cascade of tricky time signatures into a dramatic post-glam-rock chorus; the nearly eight-minute "La Revolucion" stomps ahead on an electronic pulse and foreboding synthesizer pattern, like an army of giant knights marching forward.

The analogy is an apt one: Kressin is the descendent of German knights, and he sees it as part of his mission to reemphasize values derived from their code of chivalry. "to refer back to a time when Germany was known for its poets, its thinkers, its innovations in technology and culture" Visually, that goal is emphasized via artist Josh Mongeau
Several years after he began plotting out the debut album, even Kressin is impressed with how the globe-trotting effort has come together with such a strong sense of cohesion. "That's part of the idea of Neon Legion," he says. "It's like a little army of creativity."

Kressin found the final and permanent members of Neon Legion in New York City, all of which have taken on acting roles in their epic music video for the single “Twin”. In the international vain of the band, the permanent members are James Mullen from the United States, Chloe Caillet from France, Juan Cruz Masotta from Argentina.

Band Members:
Philip Kurt Kressin - Vocals/Synth
James Mullen - Drums
Juan Cruz Masotta - Guitar
Chloe Caillet - Synth
Brett Caswell - Guitar
Afie Jurvanen - Guitar
Javier Bustos - Guitar
Chris Lesso - Drums
Brad Kilpatrick - Drums
Kieran Adams - Drums
Alejandro Lopez - Drums
Maxi Cataldi - Drums
Lincoln Hamlyn - Bass
Jon Hynes - Bass
Jeremy Little - Bass
Juan Huici - Bass
Ignacio de Andres
Nicolas Ospina - Synth
Daniel Bensi - Cello

The Sun
Neon Legion Lyrics

Jump to: Overall Meaning ↴ Line by Line Meaning ↴

It is a way to go away*
I have the bearings in my soul
It is a way to find my way
I cant bear it anymore
It is too late to turn away
You are burnt into my heart
It is the only sense I've got
But I cant bear it anymore

More
More
More
More
More
You are
You are
You are
Are the sun
Are the sun
Are the stars
The universe
It is your face that I can´t see
It´s in the pictures in the hall
A late view on myself
I cant bear it anymore
It is too late to turn away
You are burnt into my heart
It is the only sense I've got
But I cant bear it anymore
More
More
More
More
More
You are
You are
You are
Are the sun
Are the sun

Are the stars
The universe

Overall Meaning

The lyrics to the Neon Legion song, The Sun, seem to express a mixture of longing and resignation. The singer is searching for a way to get away, to find their way, but they cannot bear it anymore. The only sense they have left is the memory of someone they love, who has become burnt into their heart. The repetition of the words "more" and "you are" seem to emphasize the intensity and depth of the singer's feelings for this person.

The lyrics also suggest a sense of loss or absence. The singer cannot see the face of the person they love, but they find some comfort in the pictures on the wall. There is a poignant sense of regret in the line "A late view on myself," which suggests that the singer is reflecting on their life and relationship with this person in retrospect, perhaps after it is too late to change anything. Overall, the lyrics convey a powerful sense of emotional attachment and yearning, tinged with sadness and resignation.

Line by Line Meaning

It is a way to go away*
Leaving is necessary

I have the bearings in my soul
I am confident in my direction

It is a way to find my way
Departure is the path to discovery

I cant bear it anymore
The burden is too heavy to carry any longer

It is too late to turn away
The point of no return has been passed

You are burnt into my heart
Your memory is permanently etched into my being

It is the only sense I've got
My feelings for you are the only thing that makes sense

More
Desire for more of what I once had

You are
You are the center of my world

Are the sun
You are my source of light and warmth

Are the stars
You are the spark that ignites my hope