Origins
Jeff Mangum was a member of The Olivia Tremor Control, along with his friend Will Cullen Hart and Bill Doss, appearing on their first release, the California Demise 7".
Prior to recording for friends under the NMH moniker, Mangum recorded at least one cassette under the name Milk: the only known tape was called Pygmie Barn in E Minor. This is the earliest known recordings that Mangum initiated and executed himself, on the cover there is "all songs: j.m '89. art: w. cullen hart". There is only an estimated dozen or so copies ever made of this tape, none of which have been made public. The tracklist etc. are also unknown.
Neutral Milk Hotel began life in Ruston, Louisiana, United States in the early 1990s, simply as a recording project for Mangum. He produced several demo cassettes, among them 1991's Invent Yourself a Shortcake, 1992's Beauty and 1993's Hype City Soundtrack, along with two more from this period, seemingly unnamed. Although easily found on the internet, these demos capture the project at a very embryonic state: songs are played in between various sound collages and tape experiments, and even, at one point, a six minute conversation between Mangum and Hart.
During this period, Mangum was wandering the country, staying in the closets of friends, and in a state of permanent unemployment. It was in these circumstances that the band's first formal releases took shape. Strictly speaking, however, the 'band' usually consisted of Mangum and whoever else was present at the time. This is obvious on Neutral Milk Hotel's first release, a 7" entitled Everything Is, recorded when Mangum was spending time in Seattle, Washington, released on Cher Doll Records in 1994.
On Avery Island
A full album, On Avery Island, followed, this time recorded mainly in Denver, Colorado, where Mangum was backed by Robert Schneider of the Apples in Stereo, Rick Benjamin of the Perry Weissman Three and Lisa Janssen of Secret Square. Merge Records released it in 1996. On On Avery Island, Mangum's unique vocal style and the band's quirky but playful arrangements create a carnival atmosphere of moods ranging from excitement, suspense, and melodrama.
After the release of On Avery Island, Neutral Milk Hotel became a fully-fledged band, as Julian Koster, Scott Spillane and Jeremy Barnes joined Mangum, the band now being based in New York. Soon after this, they moved to Athens, Georgia, where many of Mangum's friends had begun to settle, and the Elephant 6 recording company began, fully, to take shape. After this, the band went back to Denver, to record a proper follow up to On Avery Island.
In the Aeroplane Over the Sea
The band's second LP, In the Aeroplane Over the Sea, released in 1998, is notable as a critically acclaimed work and a widely popular recording. It is a spiritually motivated work, conceptually based on the beauty to be found in the horrific fate of Anne Frank and similarly overwhelming tragedies. (Mangum has, during live performances, including the one released under the title "Live at Jittery Joe's", described some of the songs off this album as based on urgent, recurring dreams he had of a European family during the 1940s.) The album was highly praised by critics for its wildly inventive instrumentation and Mangum's provocative and impassioned lyrics. Although it met with scant response from the general public when it was released, the recording has continued to gain momentum in indie music circles and has become a cult classic, selling well over 100,000 copies according to Merge Records. However, the record along with the year of constant touring that succeeded it took its toll on Mangum. The band quite abruptly went on hiatus turning down all requests for shows, including a support slot for R.E.M.. All of a sudden, the band appeared to go silent and very little has been heard from Mangum since 1999.
Hiatus
Although all the members are still active with one another in other projects, it is unknown whether any more Neutral Milk Hotel albums will be released. There were plans to release a Neutral Milk Hotel rarities album on the Orange Twin label; however, after an announcement in 2005 on the Orange Twin website claiming that Jeff Mangum had in fact eventually decided against the project, it is unclear if this will ever happen.
There has been, however, some activity since In the Aeroplane Over the Sea. First, Orange Twin re-released Everything Is...., complete with extra bonus tracks, as well as Live at Jittery Joe's, a bootleg recording of a show Mangum played in a coffee house in Athens in 1997. The Major Organ and the Adding Machine album, a rather secretive project released by Orange Twin in 2001 and consisting mainly of experimental musical collage, features Mangum, along with Julian Koster, Of Montreal's Kevin Barnes, Elf Power's Andrew Reiger and the Olivia Tremor Control and Circulatory System's Will Cullen Hart and Eric Harris. There was also the release of Orange Twin Field Works, Vol. 1, Mangum's field recording of a Bulgarian folk festival, also on Orange Twin in 2001. Additionally, he plays drums on the first Circulatory System album.
Since the start of the hiatus Neutral Milk Hotel, Jeff Mangum has only played live properly again once, under the pseudonym 'World of Wild Beards, Inc.', at the Kings Arms pub in Auckland, New Zealand, at the request of the Tall Dwarfs' Chris Knox. He has also made appearances with Elf Power, and appeared onstage at the first of The Olivia Tremor Control's New York shows on their 2005 reunion tour, to sing briefly. Further releases from Neutral Milk Hotel, however, are indicated to be unlikely.
The other members are all still releasing or recording material: Julian Koster as The Music Tapes, Scott Spillane as The Gerbils and Jeremy Barnes as A Hawk & A Hacksaw, Bablicon and Marta Tennae.
In 2005, In the Aeroplane Over the Sea saw its re-release by Domino Records in the UK, in a sleeve featuring praise from, among others, Franz Ferdinand and The Arcade Fire, both very much influenced by the band. On Avery Island was re-released in the US in January of 2006 with live bonus tracks. Mangum has also been fairly busy creatively - following a charity auction on eBay of an acoustic guitar decorated by Mangum himself, more guitars hand-decorated by Mangum were sold via Orange Twin Records for $900 apiece. In addition, a number of Mangum's original drawings, this time costing only $10 each, were sold via Neutral Milk Hotel's website.
In 2013, made a reunion tour of the United States, Australia, Taiwan and Japan. The band subsequently played concerts sporadically until going on indefinite hiatus in mid-2015.
the king of carrot flowers no. 1
Neutral Milk Hotel Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
You were the king of carrot flowers
And how you built a tower tumbling through the trees
In holy rattlesnakes that fell all around your feet
And your mom would stick a fork right into daddy's shoulder
And dad would throw the garbage all across the floor
As we would lay and learn what each other's bodies were for
And this is the room
One afternoon I knew I could love you
And from above you how I sank into your soul
Into that secret place where no one dares to go
And your mom would drink until she was no longer speaking
And dad would dream of all the different ways to die
Each one a little more than he could dare to try
The lyrics of "King of Carrot Flowers Pt. 1" by Neutral Milk Hotel are a haunting and enigmatic exploration of childhood innocence, family dysfunction, and the secrets that lurk in the hidden corners of our souls. The song begins with a nostalgic remembrance of childhood, when the singer and his friend were "the king of carrot flowers" - a playful, imaginative title that suggests a carefree existence full of joy and wonder. They built towers and played in the trees, surrounded by the beauty of nature and the danger of "holy rattlesnakes".
But beneath this idyllic veneer lies a darker reality. The singer's parents are fighting, with his mom attacking his dad with a fork and his dad throwing garbage on the floor. The young narrator and his friend are left to discover their own bodies and desires, in a world of chaos and confusion. And yet, there is a sense of powerful connection between the singer and his friend, a moment of transcendence when they sink into each other's souls.
Throughout the song, there is a sense of danger and darkness lurking just beneath the surface, masked by the innocence and playfulness of childhood. The parents are struggling with addiction and depression, dreaming of death and oblivion. And yet, the singer and his friend are able to find a hidden, secret place of love and connection, where no one else dares to go.
Line by Line Meaning
When you were young
When you were a child
You were the king of carrot flowers
You felt powerful and important
And how you built a tower tumbling through the trees
You had a vivid imagination and spent time playing outside
In holy rattlesnakes that fell all around your feet
You encountered dangerous creatures that made a lasting impression
And your mom would stick a fork right into daddy's shoulder
Your parents had a volatile and violent relationship
And dad would throw the garbage all across the floor
Your father acted out destructively during arguments
As we would lay and learn what each other's bodies were for
As young people, we explored our sexuality and discovered each other physically
And this is the room
I remember a moment in time and place
One afternoon I knew I could love you
When I reflected on our time together, I realized my strong feelings for you
And from above you how I sank into your soul
I felt a deep, almost mystical connection with you
Into that secret place where no one dares to go
We shared a private bond that was difficult to express or describe
And your mom would drink until she was no longer speaking
Your mother had a problematic relationship with alcohol
And dad would dream of all the different ways to die
Your father had suicidal ideations and struggled with his mental health
Each one a little more than he could dare to try
His thoughts were alarming and disturbing, but he never acted on them
Lyrics © Universal Music Publishing Group
Written by: JEFF MANGUM
Lyrics Licensed & Provided by LyricFind
@ariel9776
1. King of Carrot Flowers Pt 1.
When you were young
You were the king of carrot flowers
And how you built a tower tumbling through the trees
In holy rattlesnakes that fell all around your feet
And your mom would stick a fork right into daddy's shoulder
And dad would throw the garbage all across the floor
As we would lay and learn what each other's bodies were for
And this is the room
One afternoon I knew I could love you
And from above you, how I sank into your soul
Into that secret place where no one dares to go
And your mom would drink until she was no longer speaking
And dad would dream of all the different ways to die
Each one a little more than he could dare to try
@ariel9776
The King of Carrot Flowers Pt 2-3
I love you Jesus Christ
Jesus Christ I love you
Yes I do
I love you Jesus Christ
Jesus Christ I love you
Yes I do
And on the lazy days
The dogs dissolve and drain away
The world it goes
And all awaits
The day we are awaiting
Up and over
We go through the wave and undertow
I will float until I learn how to swim
Inside my mother in a garbage bin
Until I find myself again again
Up and over we go
Mouths open wide and spitting still
And I will spit until I learn how to speak
Up through the doorway as the sideboards creek
With them ever proclaiming me me oh
Up and over
We go the weight it sits on down and I don't know
I will shout until they know what I mean
I mean the marriage of a dead dog sing
And a synthetic flying machine machine
Oh-oohh-oh-oh
Oh-oohh-oh-oh
Oh-oohh-oh-oh
Oh-oohh-oh-oh
(Okay)
@josephiscancelled2732
When you were young you were the king of carrot flowers
And how you built a tower tumbling through the trees
In holy rattlesnakes that fell all around your feet
And your mom would stick a fork right into daddy's shoulder
And dad would throw the garbage all across the floor
As we would lay and learn what each other's bodies were for
And this is the room one afternoon I knew I could love you
And from above you how I sank into your soul
Into that secret place where no one dares to go
And your mom would drink until she was no longer speaking
And dad would dream of all the different ways to die
Each one a little more than he could dare to try
I love you Jesus Christ (Churiiiiisst)
Jesus Christ, I love you, yes I do (oooo)
I love you Jesus Christ (Churiiiiisst)
Jesus Christ, I love you, yes I do (ooooo)
And on the lazy days
The dogs dissolve and drain away
The world it goes and always waits
The day we are awaiting
Up and over, we go through the wave and undertow
I will float until I learn how to swim
Inside my mother in a garbage bin
Until I find myself again, again
(oh oh oh oh oh)
Up and over we go with mouths open wide and spitting still
I will spit until I learn how to speak
Up through the doorway as the sideboards creak
With them ever proclaiming me, me
(oh oh)
Up and over we go, the weight it sits on down and I don't know
I will shout until they know what I mean
I mean the marriage of a dead dog sing
And a synthetic flying machine, machine
(oh oh oh oh oh
oh oh oh oh oh
oh oh oh oh oh
oh oh oh oh oh
okay)
@jasonleon857
When you were young
You were the king of carrot flowers
And how you built a tower tumbling through the trees
In holy rattlesnakes that fell all around your feet
And your mom would stick a fork right into daddy's shoulder
And dad would throw the garbage all across the floor
As we would lay and learn what each other's bodies were for
And this is the room
One afternoon I knew I could love you
And from above you how I sank into your soul
Into that secret place where no one dares to go
And your mom would drink until she was no longer speaking
And dad would dream of all the different ways to die
Each one a little more than he could dare to try
@julipazos1146
I love you, Jesus Christ
Jesus Christ, I love you, yes I do
I love you, Jesus Christ
Jesus Christ, I love you, yes I do
And on the lazy days, the dogs dissolve and drain away
The world it goes and always waits
The day we are awaiting
Part Three
[Verse 2]
Up and over we go
Through the wave and undertow
I will float until I learn how to swim
Inside my mother in a garbage bin
Until I find myself again
Again, oh-oh-oh-oh
[Verse 3]
Up and over we go
Mouths open wide and spitting snow
I will spit until I learn how to speak
Up through the doorway as the sideboards creak
With them ever proclaiming me
Me, oh
[Verse 4]
Up and over we go
The weight it sits on down and I don't know
I will shout until they know what I mean
I mean the marriage of a dead dog sing
And a synthetic flying machine
Machine, oh-oh-oh-oh
Oh-oh-oh-oh
Oh-oh-oh-oh
Oh-oh-oh-oh
(Okay)
@omegascrub
"And now a song for Jesus Christ
and since this seems to confuse
people I'd like to simply say that I
mean what I sing although the
theme of endless endless on this
album is not based on any religion
but more in the belief that all
things seem to contain a white light
within them that I see as eternal" - Jeff Mangum
@paulmarsh9544
When you were young, you were the king of carrot flowers
And how you built a tower tumbling through the trees
In holy rattlesnakes that fell all around your feet
And your mom would stick a fork right into daddy's shoulder
And dad would throw the garbage all across the floor
As we would lay and learn what each other's bodies were for
[Verse 2]
And this is the room one afternoon, I knew I could love you
And from above you how I sank into your soul
Into that secret place where no one dares to go
And your mom would drink until she was no longer speaking
And dad would dream of all the different ways to die
Each one a little more than he could dare to try
@jonconnell2613
The whole controversial “I love you Jesus Christ” thing - Jeff was from an abusive chaotic family and my interpretation of it is he will sometimes revert to a belief that helps him deal with how bad he feels
It doesn’t mean that either it’s a completely true belief or that he’s religious , he just goes there hoping it will fix something in him that it ultimately can’t.
I am a recovering abusive victim who has done this myself and that’s what I feel Jeff transmitting here, whether it was his deliberate intention to when he wrote it or not.
Probably just some powerful subconscious shit because he was an amazing songwriter and I imagine he just wrote what came to him.
If you listen to the chaos of the lyrics and music versus that one random line about Jesus, it fits together
I fucking love his music 💯💚
@vanquishingrace5043
Neutral Milk Hotel is perfect for trying to learn how to sing and play guitar at the same time.
@joshbryant3776
Ruben Chapman I learned how to play and sing when I learned in the aeroplane over the sea! I’m on a mission to learn all of their songs. Ive learned engine, in the aeroplane over the sea and pt.1 of this masterpiece next on my list is three peaches
@bruhfrbruh
@Josh Bryant I started learning the guitar a few weeks ago and it's the first song I'm learning altogether! :))
@joshbryant3776
JustAnotherBoredRedditor great choice! They have some good beginner songs. Keep at it and next thing you know you’re gonna be ripping up king of carrot flowers
@arvidbergman
@bradyn bassett The guitar chords on a lot of Neutral Milk Hotel songs are very simple, yes.
@Oceanmachine27
@bradyn bassett Jeff Mangum has a tendency to sing very drawn-out lines that take a lot of vocal stamina-- dude sings like he's got three lungs. Good training for aspiring singers.
@JackT13
‘And dad would dream of all the different ways to die, each one a little more than he could dare to try’
Powerful, powerful stuff
@yaboiiiogre1332
You know you have found a great album when not a single person is complaining that they were “born in the wrong generation”
@genericprotagonist2842
This is one of the most obscure songs on you, so I'm not surprised.
@peterkrothotkin8700
Well now that you say it...