Setelah itu The Rollies merilis album Tiada Kusangka yang merupakan repackage atas lagu-lagu yang pernah mereka bawakan di album-album ketika Deddy Stanzah dan Iwan Krisnawan masih bergabung dalam The Rollies. Selanjutnya di era 1977-1979, The Rollies mendapat kontrak rekaman dari Musica Studio's. Ini bisa dianggap sukses kedua dalam perjalanan karier grup ini. Karena di era inilah The Rollies banyak menghasilkan hits seperti Sinar Yang Hilang (Wandi Kuswandi), Dansa Yok Dansa, dan Bimbi (Titiek Puspa), Hari Hari dan Kemarau (Oetje F Tekol), hingga Kau yang Kusayang (Antonius).
Di era ini di samping menggunakan nama New Rollies, Delly dan kawan-kawan mulai membuka diri dengan menyanyikan lagu-lagu karya komposer di luar The Rollies, misalnya A. Riyanto, Titiek Puspa, Johannes Purba, Antonius. Setelah The Rollies merilis album Keadilan (1977) Benny Likumahuwa mengundurkan diri dan lebih banyak berkutat di musik jazz. Posisinya lalu digantikan oleh Wawan Tagalos. Tengku Zulfian Iskandar Madian juga mengundurkan diri setelah merilis album Dansa Yok Dansa (1977), posisinya kemudian digantikan Pomo dari The Pro's.
Pada tahun 1979 The Rollies memperoleh penghargaan Kalpataru dari Menteri Lingkungan Hidup, Emil Salim, karena lagu Kemarau. Lagu yang dikarang oleh Oetje F Tekol, dianggap memuat misi dan pesan mengenai lingkungan hidup.
wanita
New Rollies Lyrics
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Engkau lambang kelembutan di dalam dunia ini
Wanita
Engkau tumpuan gelora asmara kaum pria
Wanita
Engkau juga yang membuat malapetaka
Bagi lawan jenismu yang slalu mendambakanmu
Wanita
Engkau yang slalu diharapkan oleh stiap pria
Wanita
Aku pun rindu akan belaian kasih dan sayangmu
Wanita
Wanita
Wanita
Hu uh uh
The lyrics of the song "Wanita" by New Rollies reflect a deep appreciation and acknowledgment of the role of women in the world. The first verse describes women as symbols of gentleness and tenderness in the world, emphasizing their importance as pillars of strength and love. They are seen as embodying the essence of femininity and grace.
In the following verse, the lyrics suggest that women are the focal point of passion and desire for men. They are portrayed as the object of affection and longing, with their presence igniting the flames of love and romance in the hearts of men. This highlights the power and allure that women possess, shaping the emotional landscape of relationships and interactions.
However, the lyrics also touch upon the complexity of relationships and the potential challenges that can arise. It mentions how women can also bring chaos and disaster to those who pursue them relentlessly or obsessively. This serves as a reminder of the dual nature of women, capable of both immense love and enchantment, as well as potential turmoil and heartbreak.
Overall, the lyrics convey a sense of longing and admiration for women, acknowledging their pivotal role in the lives of men. The repetition of the word "Wanita" throughout the song reinforces the reverence and fascination that the singer holds for women, highlighting their multifaceted nature and the depth of emotions they evoke. The closing lines expressing longing for the tenderness and affection of women encapsulate a yearning for the nurturing and loving presence that only women can provide.
Line by Line Meaning
Engkau lambang kelembutan di dalam dunia ini
You are a symbol of tenderness in this world
Engkau tumpuan gelora asmara kaum pria
You are the focus of the passion of men
Engkau juga yang membuat malapetaka
You are also the one who causes disaster
Bagi lawan jenismu yang slalu mendambakanmu
For the opposite sex who always desire you
Kau tebar mereka berbagai pesona
You spread various charms to them
Engkau yang slalu diharapkan oleh stiap pria
You are always expected by every man
Aku pun rindu akan belaian kasih dan sayangmu
I also long for your affection and love
Hu uh uh
Hu uh uh
Lyrics © Universal Music Publishing Group
Written by: ALAN JAMES MANOPO
Lyrics Licensed & Provided by LyricFind