Yolanda
Ney Matogrosso Lyrics
Esta canção não é mais que mais uma canção
Quem dera fosse uma declaração de amor,
Romântica sem procurar a justa forma,
Do que me vem de forma assim tão caudalosa.
Te amo, te amo, eternamente te amo.
Se me faltares, nem por isso eu morro,
Se é pra morrer quero morrer contigo
Minha solidão se sente acompanhada
Por isso às vezes sei que necessito...
Teu colo, teu colo, eternamente teu colo.
De que me sentiria adescoberto
A minha pele vais despindo aos poucos
Me abres o peito, quando me acumulas
De amores, de amores,
Eternamente de amores,
Se alguma vez me sinto derrotado,
Eu abro mão do sol de cada dia,
Rezando o credo que tu me ensinaste,
Olho teu rosto e digo a ventania
Yolanda, Yolanda, eternamente, Yolanda
Contributed by Lucy N. Suggest a correction in the comments below.
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Ney de Souza Pereira (born August 1, 1941, in Bela Vista, Mato Grosso do Sul), widely known as Ney Matogrosso, is a Brazilian singer.
Matogrosso enlisted in the air force at the age of 17, being later transferred to Brasília. Within a few years, Matogrosso started singing in a vocal quartet, performing at college festivals throughout Brazil. With the hope of becoming a stage actor, Ney moved to Rio de Janeiro in 1966, where he lived as a hippie and made ends meet by selling arts and crafts. Read Full BioNey de Souza Pereira (born August 1, 1941, in Bela Vista, Mato Grosso do Sul), widely known as Ney Matogrosso, is a Brazilian singer.
Matogrosso enlisted in the air force at the age of 17, being later transferred to Brasília. Within a few years, Matogrosso started singing in a vocal quartet, performing at college festivals throughout Brazil. With the hope of becoming a stage actor, Ney moved to Rio de Janeiro in 1966, where he lived as a hippie and made ends meet by selling arts and crafts. In 1971, he moved to São Paulo, adopting the artistic name Ney Matogrosso, and joined the group Secos & Molhados, which in less than 18 months became a phenomenon, selling 1 million records. Endowed with a unique counter-tenor voice and a striking stage presence, Ney’s career soared.
After the group Secos e Molhados split up, Ney pursued a successful solo career in Brazil and abroad, obtaining several Gold and Platinum records.
Famous for his outlandish costumes, make-up, daring movements and singular high-pitch voice, Ney has always been regarded as a polemic character. One of his greatest hits was the song "Homem com H" (by Antônio Barros).
In the 1970's he released albums that were very important for his career: "Pecado", "Bandido", "Feitiço" and "Seu Tipo". In that period, Ney toured round United States, Argentina, Uruguay, Europe and Israel, performing hits like "América do Sul" (Paulo Machado), "Bandolero" (Lucinha) and "Não Existe Pecado ao Sul do Equador" (Chico Buarque/ Rui Guerra). In the 80's, Ney recorded "Por Debaixo dos Panos" (Ceceu), "Tanto Amar" (Chico Buarque), "Ando Meio Desligado" (Mutantes), "Sangue Latino" (João Ricardo/ Paulo Mendonça) and "Vereda Tropical" (Gonzalo Curiel).
In 1986, Matogrosso performed for the first time without wearing fancy costumes, adopting a low-key image. Since then, he has focused on his work as a singer, recording from the traditional repertoire of MPB (Música Popular Brasileira — the so-called Brazilian pop music genre). Recordings in this genre first appeared on the album "O Pescador de Pérolas" (1986), which featured "O Mundo É um Moinho" (Cartola), "Dora" (Dorival Caymmi), "Da Cor do Pecado" (Bororó) and "Aquarela do Brasil" (Ary Barroso).
Ney toured with guitarist Raphael Rabello, with whom he recorded the album "À Flor da Pele" in 1990. Then, he made two albums as a tribute to Brazilian performers/songwriters, like Ângela Maria ("Estava Escrito", 1994) and Chico Buarque ("Um Brasileiro", 1996).
Ney has the most outstanding stage presence anyone will ever experience, captivating vocals mixed with the most incredible Samba dancing skills. And when he looks at the audience you feel as if he is looking at you.
Matogrosso enlisted in the air force at the age of 17, being later transferred to Brasília. Within a few years, Matogrosso started singing in a vocal quartet, performing at college festivals throughout Brazil. With the hope of becoming a stage actor, Ney moved to Rio de Janeiro in 1966, where he lived as a hippie and made ends meet by selling arts and crafts. Read Full BioNey de Souza Pereira (born August 1, 1941, in Bela Vista, Mato Grosso do Sul), widely known as Ney Matogrosso, is a Brazilian singer.
Matogrosso enlisted in the air force at the age of 17, being later transferred to Brasília. Within a few years, Matogrosso started singing in a vocal quartet, performing at college festivals throughout Brazil. With the hope of becoming a stage actor, Ney moved to Rio de Janeiro in 1966, where he lived as a hippie and made ends meet by selling arts and crafts. In 1971, he moved to São Paulo, adopting the artistic name Ney Matogrosso, and joined the group Secos & Molhados, which in less than 18 months became a phenomenon, selling 1 million records. Endowed with a unique counter-tenor voice and a striking stage presence, Ney’s career soared.
After the group Secos e Molhados split up, Ney pursued a successful solo career in Brazil and abroad, obtaining several Gold and Platinum records.
Famous for his outlandish costumes, make-up, daring movements and singular high-pitch voice, Ney has always been regarded as a polemic character. One of his greatest hits was the song "Homem com H" (by Antônio Barros).
In the 1970's he released albums that were very important for his career: "Pecado", "Bandido", "Feitiço" and "Seu Tipo". In that period, Ney toured round United States, Argentina, Uruguay, Europe and Israel, performing hits like "América do Sul" (Paulo Machado), "Bandolero" (Lucinha) and "Não Existe Pecado ao Sul do Equador" (Chico Buarque/ Rui Guerra). In the 80's, Ney recorded "Por Debaixo dos Panos" (Ceceu), "Tanto Amar" (Chico Buarque), "Ando Meio Desligado" (Mutantes), "Sangue Latino" (João Ricardo/ Paulo Mendonça) and "Vereda Tropical" (Gonzalo Curiel).
In 1986, Matogrosso performed for the first time without wearing fancy costumes, adopting a low-key image. Since then, he has focused on his work as a singer, recording from the traditional repertoire of MPB (Música Popular Brasileira — the so-called Brazilian pop music genre). Recordings in this genre first appeared on the album "O Pescador de Pérolas" (1986), which featured "O Mundo É um Moinho" (Cartola), "Dora" (Dorival Caymmi), "Da Cor do Pecado" (Bororó) and "Aquarela do Brasil" (Ary Barroso).
Ney toured with guitarist Raphael Rabello, with whom he recorded the album "À Flor da Pele" in 1990. Then, he made two albums as a tribute to Brazilian performers/songwriters, like Ângela Maria ("Estava Escrito", 1994) and Chico Buarque ("Um Brasileiro", 1996).
Ney has the most outstanding stage presence anyone will ever experience, captivating vocals mixed with the most incredible Samba dancing skills. And when he looks at the audience you feel as if he is looking at you.
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WÂNIA G. B.
Esta canção não é mais que mais uma canção
Quem dera fosse uma declaração de amor
Romântica, sem procurar a justa forma
Do que lhe vem de forma assim tão caudalosa
Te amo, te amo
Eternamente te amo
Se me faltares, nem por isso eu morro
Se é pra morrer, quero morrer contigo
Minha solidão se sente acompanhada
Por isso às vezes sei que necessito
Teu colo, teu colo
Eternamente teu colo
Quando te vi, eu bem que estava certo
De que me sentiria descoberto
A minha pele vais despindo aos poucos
Me abres o peito quando me acumulas
De amores, de amores
Eternamente de amores
Se alguma vez me sinto derrotado
Eu abro mão do sol de cada dia
Rezando o credo que tu me ensinaste
Olho teu rosto e digo à ventania
Yolanda, Yolanda, eternamente Yolanda
Fonte: LyricFind
Ney Matogrosso
Não deixe de conferir o álbum "Bloco Na Rua" que está disponível em todos os aplicativos de música: https://somlivre.lnk.to/Bloco_Na_Rua_Deluxe
Pedro Marcos Rodrigues
As décadas de 70 e 80 foi toda ouvindo essas musicas.
Então ao ouvir de repente viajamos no tempo para a época de nossa adolescência e juventude, que saudade. Direto de Mossoró RN.
Neia Santos
O que quer dizer há um ano?
Terezinha Moura
Lindo e linda música
Maria Ivanilda De Lima
Eu tá bem estou ouvindo Iolanda de ribeiraopreto
Papuette
Assim como todos nos, sus influencias são inúmeras. Ms ele foi fortemente influenciado pela música da América Latina hispanoparlante
Ivan Morais
Eu nao sei quais são as influências musicais desse homem, só sei que nunca vi nada parecido. Nunca vi nada tão autêntico, tão único!
Marcos Viana.
Pelo menos as roupas são inspiradas em povos antigos depois de pesquisar bem !
O próprio Ney Matogrosso declarou isso em entrevista !👍
POLO BRAZIL
@jack assus quem é vc, também percebi a semelhança
POLO BRAZIL
Realmente único, ao mesmo tempo atemporal, verdadeira arte, talento