The band presently consists of Cave, violinist and multi-instrumentalist Warren Ellis, bassist Martyn P. Casey (all from Australia), guitarist George Vjestica (United Kingdom), keyboardist/percussionist Larry Mullins, also known as Toby Dammit (United States), and drummers Thomas Wydler (Switzerland) and Jim Sclavunos (United States). The band is said on Allmusic to be considered "one of the most original and celebrated bands of the post-punk and alternative rock eras in the '80s and onward".
The band was founded in 1983 following the demise of Cave and Harvey's former group the Birthday Party, the members of which met at a boarding school in Victoria. By the release of their fifth studio album Tender Prey in 1988, they shifted from post-punk towards an experimental alternative rock sound, later incorporating various influences throughout their career. For example, the 2008 album Dig, Lazarus, Dig!!! and the side-project Grinderman were strongly influenced by garage rock. Synthesizers and minimal guitar work feature prominently on Push the Sky Away (2013), recorded after Harvey's departure from the band in 2009.
The project that would later evolve into Nick Cave & the Bad Seeds began following the demise of The Birthday Party in August 1983. Both Cave and Harvey were members of the Birthday Party, along with guitarist Rowland S. Howard and bassist Tracy Pew. During the recording sessions of the Birthday Party's scheduled EPs Mutiny/The Bad Seed, internal disputes developed in the band. The difference in Cave and Howard's approach to songwriting was a major factor, as Cave explained in an interview with On The Street: "the main reason why The Birthday Party broke up was that the sort of songs that I was writing and the sort of songs that Rowland was writing were just totally at odds with each other." Following the departure of Harvey, they officially disbanded. Cave also said that "it probably would have gone on longer, but Mick has the ability to judge things much more clearly than the rest of us."
An embryonic version of what would later become Nick Cave & the Bad Seeds was formed in the Birthday Party's then-home of London in September 1983, with Cave, Harvey (acting primarily as drummer), Einstürzende Neubauten guitarist Bargeld, Magazine bassist Barry Adamson, and Jim G. Thirlwell. The band was initially formed as a backing band for Cave's intended solo project Man Or Myth?, which had been approved by the record label Mute Records. During September and October 1983, they recorded material with producer Flood,[9] although the sessions were cut short due to Cave's touring with the Immaculate Consumptive, another project formed with Thirlwell, Lydia Lunch and Marc Almond.[10] In December 1983 Cave returned to Melbourne, Australia, where he formed a temporary line-up of his backing band, due to Bargeld's absence, that included Pew and guitarist Hugo Race. The band performed their first live show at Seaview in St. Kilda on 31 December 1983.
Following a short Australian tour, and during a period when they were without management, Cave and his band returned to London. Cave, Harvey, Bargeld, Race and Adamson formed the project's first consistent line-up, while Cave's longtime girlfriend Anita Lane was credited as a lyricist on the band's debut album.[citation needed] The group, which up to this time had been nameless, adopted the moniker Nick Cave and the Cavemen, which they used for the first six months of their career. However, they were later renamed Nick Cave and the Bad Seeds in May 1984, in reference to the final Birthday Party EP The Bad Seed.[citation needed] They began recording sessions for their debut album in March 1984 at London's Trident Studios and these sessions, together with the abandoned Man Or Myth? sessions from September–October 1983 that were recorded at The Garden studios, formed the album From Her to Eternity, released on Mute Records in 1984. Thirlwell left during the recording sessions for Eternity, citing creative disagreements and desires to work on his own solo material. Race, and touring guitarist Edward Clayton-Jones, left to form the Wreckery in Melbourne.
After the departure of Race and Lane, the remaining members moved to West Berlin, Germany in 1985 and released a second album The Firstborn Is Dead.
The band garnered an increased following due to a second 1986 album release, Your Funeral, My Trial, which coincided with Adamson's departure.
After a period of time in New York City, Cave relocated to São Paulo, Brazil, shortly after the final tour for Tender Prey and, after successfully finishing drug rehabilitation, began experimenting with piano-driven ballads. The result of this post-rehabilitation period was 1990's The Good Son.
In mid-1993, the group returned once more to London and recorded Let Love In.
In 1996 the band released Murder Ballads, their best-selling album to date.
The sound of The Boatman's Call, released in 1997, was a radical departure from the archetypal and violent narratives of the band's past releases.
After the release of the 2008 live album "Live at the Royal Albert Hall", Cave embarked on a brief hiatus.
Following Cave's hiatus the band oversaw the release of Original Seeds, a compilation of material from other artists that influenced the group.
The proper follow-up to The Boatman's Call was 2001's No More Shall We Part.
The band released Nocturama in 2003. The album marked a return to band-oriented and collaborative arrangements.
In 2004 the band released the acclaimed two-disc set Abattoir Blues / The Lyre of Orpheus, with Bargeld replaced by the English actor, guitarist and organist James Johnston.
In 2005 the band released B-Sides & Rarities, a three-volume, 56-song collection of B-sides, rarities and compilation tracks released on Mute Records.
The band released their 14th studio album Dig, Lazarus, Dig!!! in 2008.
The band's 15th studio album, Push the Sky Away, was released in mid-February 2013.
The album "Ghosteen" was released in October 2019.
On 22 October 2021, the band released B-Sides & Rarities Part II; the sequel to their 2005 compilation B-Sides & Rarities.
Henry Lee
Nick Cave & The Bad Seeds Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
And stay all night with me
You won't find a girl in this damn world
That will compare with me
And the wind did howl, and the wind did blow
La la la la la
La la la la lee
A little bird lit down on Henry Lee
I can't get down and I won't get down
And stay all night with thee
For the girl I have in that merry green land
I love far better than thee
And the wind did howl, and the wind did blow
La la la la la
La la la la lee
A little bird lit down on Henry Lee
She leaned herself against a fence
Just for a kiss or two
And with a little pen-knife held in her hand
Well she plugged him through and through
And the wind did roar, and the wind did moan
La la la la la
La la la la lee
A little bird lit down on Henry Lee
Come take him by his lily-white hands
Come take him by his feet
And throw him in this deep, deep well
That's more than one hundred feet
And the wind did howl, and the wind did blow
La la la la la
La la la la leeA little bird lit down on Henry Lee
Lie there, lie there, little Henry Lee
'Til the flesh drops from your bones
For the girl you have in that merry green land
Can wait forever for you to come home
And the wind did howl, and the wind did moan
La la la la la
La la la la lee
A little bird lit down on Henry Lee
La la la la la
La la la la lee
A little bird lit down on Henry Lee
La la la la la
La la la la lee
A little bird lit down on Henry Lee
La la la la la
La la la la lee
A little bird lit down on Henry Lee
The song Henry Lee by Nick Cave & The Bad Seeds tells the story of a woman who vies for the love of a man named Henry Lee. She claims that he won't find a girl in this "damn world" that can compare to her, but Henry Lee insists that he loves a girl from "that merry green land" far better than her. The woman becomes angry and kills Henry Lee with a pen-knife, then dumps his body in a deep well. The song ends with a haunting repetition of the wind howling and a little bird landing on Henry Lee's corpse.
The song's lyrics are based on a traditional folk song of the same name, which has been recorded by various artists throughout history. Nick Cave & The Bad Seeds' version uses traditional elements of American blues music to create a dark and ominous atmosphere that echoes the song's macabre story. The song also features a duet between Nick Cave and British folk singer PJ Harvey.
Line by Line Meaning
Get down, get down, little Henry Lee
Come here, Henry Lee. Get down from wherever you are and come closer.
And stay all night with me
Spend the night with me. Be by my side until the morning light.
You won't find a girl in this damn world
No other woman can compare to me. I am unique and special.
That will compare with me
I am unparalleled in my beauty, my charm, and my essence.
And the wind did howl, and the wind did blow
The weather was tumultuous and wild. Nature was restless.
La la la la la
This is a musical interlude. No words to be found here.
La la la la lee
This is a musical interlude. No words to be found here.
A little bird lit down on Henry Lee
A bird landed on Henry Lee. This may have symbolic meaning or be purely descriptive.
I can't get down and I won't get down
I cannot come to you. I do not want to be with you.
And stay all night with thee
I do not want to spend the night with you. I have other priorities.
For the girl I have in that merry green land
I have a girlfriend in a faraway land where life is joyful and festive.
I love far better than thee
I care for my girlfriend more than I care for you. She means more to me.
She leaned herself against a fence
She stood by a fence and rested herself against it, possibly waiting for someone or taking a break.
Just for a kiss or two
She did this just to get a couple of kisses from him. It was a simple, sweet request.
And with a little pen-knife held in her hand
She had a small knife with her that she was holding.
Well she plugged him through and through
She stabbed Henry Lee repeatedly until he died.
And the wind did roar, and the wind did moan
The wind picked up speed and intensity, creating a loud, mournful sound.
Come take him by his lily-white hands
Grab Henry Lee's pale, white hands.
Come take him by his feet
Lift his feet off the ground and start carrying him.
And throw him in this deep, deep well
Find a deep well and toss his body inside it.
That's more than one hundred feet
This well is extremely deep, over one hundred feet in depth.
Lie there, lie there, little Henry Lee
Stay in the well, Henry Lee. Do not rise from your resting place.
'Til the flesh drops from your bones
Stay there until your body starts decomposing and your flesh falls off your bones.
Can wait forever for you to come home
The girl in the merry green land will wait for Henry Lee to come home, even if it takes an eternity.
Lyrics © BMG Rights Management, Warner Chappell Music, Inc.
Written by: Nicholas Cave, Traditional
Lyrics Licensed & Provided by LyricFind
@rubytuesdayphoenix
There needs to be a support group for those of us who can't stop watching this
@ognacyyoutuification
yup. admiration, jealousy, envy. what a video.
@nikita70
Yes, and for those who hate an idea of NC getting old and having settled down with Susie Bick.
@Tinaigenigen
I second that 😍
@drugtaken
True
@theblackheath8547
I’ll be the president. Not saying I watched it a lot but out of the 17 million views 16 million are mine.
@xyzHeart
2 people , an empty room no special effects. Just their chemistry
@Hush844
❤ sempre...
@andrewp.schubert2417
Simply a Masterpiece.
@owrowsh
You forgot the script, director, cameramen and remaining crew