The band has featured international personnel throughout its career and presently consists of Cave, violinist and multi-instrumentalist Warren Ellis, bassist Martyn P. Casey (all from Australia), guitarist George Vjestica (United Kingdom), keyboardist/percussionist Toby Dammit (United States) and drummers Thomas Wydler (Switzerland) and Jim Sclavunos (United States). The band has released sixteen studio albums and completed numerous international tours, and has been considered "one of the most original and celebrated bands of the post-punk and alternative rock eras in the '80s and onward".
The band was founded in 1983 following the demise of Cave and Harvey's former group the Birthday Party, the members of which met at a boarding school in Victoria. By the release of their fifth studio album Tender Prey in 1988, they shifted from post-punk towards an experimental alternative rock sound, later incorporating various influences throughout their career. For example, the 2008 album Dig, Lazarus, Dig!!! and the side-project Grinderman were strongly influenced by garage rock. Synthesizers and minimal guitar work feature prominently on Push the Sky Away (2013), recorded after Harvey's departure from the band in 2009.
The project that would later evolve into Nick Cave and the Bad Seeds began following the demise of The Birthday Party in August 1983. Both Cave and Harvey were members of the Birthday Party, along with guitarist Rowland S. Howard and bassist Tracy Pew. During the recording sessions of the Birthday Party's scheduled EPs Mutiny/The Bad Seed, internal disputes developed in the band. The difference in Cave and Howard's approach to songwriting was a major factor, as Cave explained in an interview with On The Street: "the main reason why The Birthday Party broke up was that the sort of songs that I was writing and the sort of songs that Rowland was writing were just totally at odds with each other." Following the departure of Harvey, they officially disbanded. Cave also said that "it probably would have gone on longer, but Mick has the ability to judge things much more clearly than the rest of us."[8]
Cave and guitarist Kid Congo Powers during the band's 1986 tour.
An embryonic version of what would later become Nick Cave and the Bad Seeds was formed in the Birthday Party's then-home of London in September 1983, with Cave, Harvey (acting primarily as drummer), Einstürzende Neubauten guitarist Bargeld, Magazine bassist Barry Adamson, and Jim G. Thirlwell. The band was initially formed as a backing band for Cave's intended solo project Man Or Myth?, which had been approved by the record label Mute Records. During September and October 1983, they recorded material with producer Flood,[9] although the sessions were cut short due to Cave's touring with the Immaculate Consumptive, another project formed with Thirlwell, Lydia Lunch and Marc Almond.[10] In December 1983 Cave returned to Melbourne, Australia, where he formed a temporary line-up of his backing band, due to Bargeld's absence, that included Pew and guitarist Hugo Race. The band performed their first live show at Seaview in St. Kilda on 31 December 1983.
Following a short Australian tour, and during a period when they were without management, Cave and his band returned to London. Cave, Harvey, Bargeld, Race and Adamson formed the project's first consistent line-up, while Cave's longtime girlfriend Anita Lane was credited as a lyricist on the band's debut album.[citation needed] The group, which up to this time had been nameless, adopted the moniker Nick Cave and the Cavemen, which they used for the first six months of their career. However, they were later renamed Nick Cave and the Bad Seeds in May 1984, in reference to the final Birthday Party EP The Bad Seed.[citation needed] They began recording sessions for their debut album in March 1984 at London's Trident Studios and these sessions, together with the abandoned Man Or Myth? sessions from September–October 1983 that were recorded at The Garden studios, formed the album From Her to Eternity, released on Mute Records in 1984.
Mercy
Nick Cave & The Bad Seeds Lyrics
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In the middle month of winter
My camel skin was torture
I was in a state of nature
The wind, sir, it was wicked
I was so alone
Just as I predicted
My followers were gone
And I cried `Mercy'
Have mercy upon me
And I got down on my knees
Thrown into a dungeon
Bread and water was my portion
Faith - my only weapon
To rest the devil's legion
The speak-hole would slide open
A viper's voice would plead
Thick with innuendo
Syphilis and Greed
And she cried `Mercy'
Have mercy upon me
And I told her to get down on her knees
In a garden full of roses
My hands, tied behind me
My cousin was working miracles
I wondered if he'd find me
The moon was turned toward me
Like a platter made of gold
My death, it almost bored me
So often was it told
And I cried `Mercy'
I cried mercy on me
Cryind `Mercy'
Have mercy on me
The lyrics of Nick Cave & The Bad Seeds’s song “Mercy” paint a vivid picture of a man that has been cast out and left alone to fend for himself. The opening lines describe the harsh reality of being in the midst of winter while having to endure the grueling suffering of wearing dry camel skin. The man is “in a state of nature,” which could be interpreted in different ways, such as being stripped of the comforts of modern society or being in his rawest, most primal state.
As the song progresses, it becomes clear that the man’s circumstance has taken a turn for the worse. He finds himself thrown into a dungeon, deprived of any comfort except faith, which serves as his only weapon to combat the devil's legion. The “viper’s voice” that speaks to him through the speak-hole is described as thick with innuendo, syphilis, and greed. This leaves very little room for any sort of mercy to be shown.
The final verse takes place in a garden full of roses, with the man’s hands tied behind him. His cousin is described as “working miracles,” which could be interpreted in many ways, such as performing miracles through faith or doing something extraordinary to save him. The moon, which is turned toward him like a platter made of gold, almost bores him because he has heard about his death so many times before. The song ends with his final plea for mercy.
Line by Line Meaning
I stood in the water
I found myself standing in the water, surrounded by coldness and isolation.
In the middle month of winter
It was during the middle of winter, when the darkness is at its peak and light is scarce.
My camel skin was torture
The roughness of my clothing was causing me discomfort and pain.
I was in a state of nature
I was in an unpolished and raw state, with no pretense or facade to obscure my true self.
The wind, sir, it was wicked
The wind was harsh and unforgiving, adding to my sense of being at the mercy of the elements.
I was so alone
I had no companionship or support, and felt the weight of being entirely by myself.
Just as I predicted
This outcome was expected and had been anticipated by me.
My followers were gone
The people who had once followed and supported me had abandoned me in my time of need.
And I cried `Mercy'
Desperately, I called out for mercy, for a reprieve from the difficulties I was experiencing.
Have mercy upon me
I begged for mercy to be shown to me, to be granted some relief from suffering.
And I got down on my knees
I humbled myself and pleaded for help, expressing my vulnerability and sense of powerlessness.
Thrown into a dungeon
I was unfairly put into confinement, stripped of my freedom and dignity.
Bread and water was my portion
I was given only the basic necessities, with no luxuries or comforts provided.
Faith - my only weapon
In the face of such injustice, I relied on my faith as a source of strength and resilience.
To rest the devil's legion
I fought against the forces of evil that sought to harm and destroy me.
The speak-hole would slide open
A small opening in the wall was the only way I could communicate with the outside world.
A viper's voice would plead
Someone with malicious intent would speak to me, trying to manipulate or deceive me.
Thick with innuendo
Their words were loaded with hidden meanings and implications, meant to confuse and disorient me.
Syphilis and Greed
The forces that sought to harm me were driven by perverse desires and avarice.
And she cried `Mercy'
Another person cried out for mercy, perhaps recognizing the need for compassion and forgiveness.
And I told her to get down on her knees
I demanded that the person who spoke to me show humility and supplication, as a condition for receiving mercy.
In a garden full of roses
In a place of great beauty and serenity, surrounded by natural abundance.
My hands, tied behind me
I was bound and constrained, unable to move with freedom or ease.
My cousin was working miracles
Someone close to me was performing miraculous deeds, perhaps raising hope that I too could be liberated from my troubles.
I wondered if he'd find me
I expressed doubt and uncertainty about my fate, unsure if anyone would be able to rescue me.
The moon was turned toward me
The moon, a symbol of change and transformation, seemed to be paying attention to me and my plight.
Like a platter made of gold
The moon was radiant and beautiful, shining like a valuable treasure.
My death, it almost bored me
I had become so despondent and weary that the prospect of dying held little terror or disturbance for me.
So often was it told
The story of my demise had been recounted so many times, it had lost its impact and meaning.
I cried `Mercy'
Once again, I called out for mercy, seeking relief from the challenges that had overtaken me.
I cried mercy on me
I implored for mercy to be bestowed upon me, understanding that I had no ability to change my situation on my own.
Cryind `Mercy'
My desperate and anguished cry for help and compassion.
Have mercy on me
My plea for forgiveness and relief, recognizing my own weakness and vulnerability.
Lyrics © Warner/Chappell Music, Inc., RESERVOIR MEDIA MANAGEMENT INC
Written by: MANDEEP RUBY BUMRAH, CHRIS RYAN GREENOUGH, WILLIAM G. L. KEELEY, CLARK TODD SHERMAN
Lyrics Licensed & Provided by LyricFind