From 1972 to 1973, Hagen enrolled in the crash-course performance program at The Central Studio for Light Music in East Berlin. Upon graduation, she joined the band Automobil (picture), which released a well-received album in Germany, including her first hit "Du hast den Farbfilm vergessen" in 1974.
After a concert for a West German labour union in 1976 her stepfather, Wolf Biermann, was forbidden to return to the GDR. Because of their protests against it her mother, Eva-Maria Hagen and Nina were thrown out of GDR in 1977, and followed Biermann to his hometown Hamburg.
Nina subsequently met West-Berlin photographer Jim Rakete (who also produced some bands he shot the cover-photos for - like "Nena" some years later). He brought Nina together with the politically left-wing band "Lokomotive Kreuzberg" (later known as "Spliff"): thus the "Nina Hagen Band" was born.
In 1978 The Nina Hagen Band released their self-titled debut album, which included titles like "TV-Glotzer" (a cover of "White Punks on Dope" by The Tubes) and "Auf'm Bahnhof Zoo".
According to reviewer Fritz Rumler, she thrusts herself into the music, aggressively, directly, furiously, roars in the most beautiful operatic alto, then, through shrieks and squeals, precipitates herself into luminous soprano heights... she parodies, satirises, and howls on stage like a dervish.
Nina Hagen's eccentricity led to big disputes in the band and during a subsequent European tour Hagen decided to leave the band, though she was still under contract to produce a second album in 1979. This LP, Unbehagen (in addition to the obvious pun on her name, in German this also means 'discomfort' or 'unease'), was eventually produced with the band recording their tracks in Berlin and Hagen recording the vocals in Los Angeles, California. It included the single "African Reggae"/"Wir leben immer... noch" (a cover of Lene Lovich's "Lucky Number"). The headless Nina Hagen Band soon developed a successful independent musical career as Spliff.
Meanwhile, Hagen's public persona was steadily creating an increasing media uproar and she became infamous for an appearance on an Austrian talk show called Club 2, in which she performed an explicit simulation of masturbation. She also acted with Dutch sex-drugs-and-rock-'n'-roll legend Herman Brood in the movie Cha Cha, along with Lene Lovich and various Dutch bands.
An European tour with a new band in 1980 was cancelled, she had a love affair with a 16 year old punk from Amsterdam called Noddy (www.noddyriot.co.uk) and sang a RHCP rapduet with him at the OneWorldPoetry festival at the MilkyWay and lived with him in New York and in the Bahamas.
In 1982 her first solo album NunSexMonkRock, a dissonant mix of punk, funk and opera, was a minor hit, and led to a world tour with the No Problem Orchestra.
In 1983 came the album Angstlos and a minor European tour. By this time, Hagen's public appearances were becoming even stranger; over the years they frequently included discussions of God, UFOs, her social and political beliefs, animal rights / vivisection and claims of alien sightings. The English version of Angstlos, 'Fearless', generated two major club hits in America , "Zarah" and the disco/punk/opera classic, "New York New York".
1985's 'Nina Hagen In Ekstasy' fared less well, but it did generate club hits with "Universal Radio" and a cover of "Spirit In The Sky", and it also featured her hardcore punk take on Frank Sinatra's "My Way", which had been one of her signature live tunes in previous years. Her contract with CBS over, she released the Punk Wedding EP independently in 1987, a celebration of her marriage to an 18-year old punk. It followed an independent 1986 one-off single with Lene Lovich, the anthemic "Don't Kill The Animals".
In 1989 Hagen released the album Nina Hagen which was backed up by another German tour. Now living in Paris with her daughter Cosma Shiva, in 1991 she toured Europe in support of her new album Street.
In 1992 Hagen became the host of a TV show on RTLplus. The following year she released Revolution Ballroom and two years later the German-language album Freud Euch appeared, recorded in English as Beehappy in 1996. Also in 1996, Hagen collaborated with electronic music composer Christopher Franke on "Alchemy of Love", the theme song for the Tenchi Universe movie Tenchi Muyo! in Love.
In 1998, Hagen became the host of a weekly science fiction show on the British Sci-Fi-Channel, in addition to embarking on another tour of Germany. In 1999, she released the devotional album Om Namah Shivay, which was distributed exclusively online. She also sang "Witness" on KMFDM's Adios.
Nina has a strong interest in various religions, but that is mainly driven by her urge to build a better world and her own colorful freedom within it.
In 2000, her song Schön ist die Welt became the official song of Expo 2000. The album The Return of the Mother was released in February 2001, accompanied by another German tour.
Hagen dubbed the voice of Sally in the German release of Tim Burton's The Nightmare Before Christmas and she also did some voice work in Hot Dogs by Michael Schoemann.
Hagen has been featured on many songs by other bands, for instance Oomph!'s song Fieber, a cover of Rammstein's "Seemann" with Apocalyptica and in 2008 appeared readily on psy-trance act S.U.N. Project's X Black Album, most notably on the fully vocal track We're In Space. She also sang the song "Garota de Berlim" with Brazilian singer Supla in her early years.
Her two children are Cosma Shiva and Otis.
URLs:
BEST archive for Nina Hagen pictures and stuff (regrettably just in German), incl. very old GDR pics like a beautiful one at the age of 18 and one shot by the "Stasi" (together with her stepfather Wolf Biermann - wiki)
Bei mir bist Du schön
Nina Hagen Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
Bei mir bist du schön means you're grand
Bei mir bist du schön, again I'll explain
It means you're the fairest in the land
I could say bella, bella, even say wunderbar
Each language only helps me tell you how grand you are
I've tried to explain, bei mir bist du schön
In Nina Hagen's rendition of the song "Bei mir bist du schön", the singer expresses her love and admiration for someone she deems beautiful and grand. The lyrics start with the phrase "Bei mir bist du schön", which translates to "To me, you are beautiful." The singer then goes on to explain the meaning behind the phrase, emphasizing that it refers to the person being the fairest in the land, or simply grand.
The lyrics also show the singer trying to find other ways to express the person's beauty and grandeur, mentioning "bella" and "wunderbar" in other languages. However, the singer ultimately admits that these terms cannot fully convey the person's splendor, and thus goes back to the original phrase "bei mir bist du schön."
Line by Line Meaning
Bei mir bist du schön, please let me explain
Let me clarify that being with me makes you beautiful and worthy.
Bei mir bist du schön means you're grand
I want to convey that being with me is the best and you are amazing.
Bei mir bist du schön, again I'll explain
I want to reiterate that being with me is special and that you are truly stunning.
It means you're the fairest in the land
Being with me makes you the most beautiful person around.
I could say bella, bella, even say wunderbar
I could use any language to express how amazing I think you are.
Each language only helps me tell you how grand you are
No matter how I say it, being with me is what makes you truly incredible.
I've tried to explain, bei mir bist du schön
I've done my best to articulate that you are truly beautiful being with me.
So kiss me, and say you understand!
Now, show me that you comprehend that being with me makes you grand by kissing me.
Contributed by Lila L. Suggest a correction in the comments below.
Harry Vsingersongwriter
You just got to love Nina ❤️❤️❤️
pig willnot
NINA ROCKS !!!!
RAMLIA1
❤️❤️❤️
OlhandoParasEstrelas Acima
Awesome
Alberto Bohon
she is jewish german?
jojo spice
No. Her father was
breitside
she s sowJatt
athan 2-T
zucker -- hier gibt es wenisten bei like von mir keine sperre wie auf facebook --
aber ein bisschen mehr bildbewegung darf in so einen video gern sein