Simone was born Eunice Kathleen Waymon on 21st February 1933 in Tryon, North Carolina, USA, one of eight children. Like a number of other black singers in the U.S., she was inspired as a child by Marian Anderson, and began singing at her local church, also showing great talent as a pianist. Her public debut, a piano recital, was made at the age of ten. Her parents, who had taken seats in the front row, were forced to move to the back of the hall to make way for white audience members. This incident contributed to her later involvement in the civil rights movement.
Simone's mother, Mary Kate Waymon (who lived into her late nineties) was a strict Methodist minister; her father, John Divine Waymon, was a handyman and sometime barber who suffered bouts of ill-health. Mrs Waymon worked as a maid, and her employer, hearing of Nina's talent, provided funds for piano lessons for the little girl. Subsequently, a local fund was set up to assist in Eunice's continued education.
At seventeen, Simone moved to Philadelphia, Pennsylvania, where she taught piano and accompanied singers. She was able to begin studying piano at New York City's prestigious Juilliard School of Music but lack of funds meant that she was unable to fulfill her dream of becoming America's first Black classical pianist. She later had an interview to study piano at the Curtis Institute, but was rejected. Simone believed this rejection, which fueled her hatred of racism, was because she was black.
Simone turned to blues and jazz after getting her start at the Midtown Bar & Grill on Pacific Avenue in Atlantic City, taking the name Nina Simone in 1954; "Nina" was her boyfriend's nickname for her, and "Simone" was after the French actress Simone Signoret. She first came to public notice in 1959 with her wrenching rendition of George Gershwin's "I Loves You Porgy" (from Porgy and Bess), her only Top-Forty hit in the United States. This was soon followed by the single "My Baby Just Cares for Me" (this was also a hit in the 1980s in the United Kingdom when used for television advertisements for Chanel No 5 perfume).
Throughout the 1960s, Simone was involved in the civil rights movement and recorded a number of political songs, including "To Be Young, Gifted and Black" (later covered by Aretha Franklin and Donny Hathaway), "Backlash Blues", "Mississippi Goddam" (a response to the murder of Medgar Evers and the bombing of a church in Birmingham, Alabama killing four black children), "I Wish I Knew How It Would Feel to Be Free", and Kurt Weill's "Pirate Jenny", from The Threepenny Opera, re-cast in a southern town.
In 1961, Simone recorded a version of the traditional song "House of the Rising Sun", which was then covered by folk-blues artist, Dave Van Ronk, and later recorded by Bob Dylan, where it was picked up by The Animals and became their signature hit. Other songs she is famous for include "I Put a Spell on You" (originally by Screamin' Jay Hawkins), The Beatles' "Here Comes the Sun", "Four Women", Bob Dylan's "I Shall Be Released", the Bee Gees' "To Love Somebody", and "Ain't Got No (I Got Life)". The latter, from the musical Hair, was her debut in the UK charts, reaching number two in 1968, and a remixed version of the recording by Groovefinder was a UK Top Thirty hit in 2006.
Broadway musicals also supplied several hits for Simone: "My Baby Just Cares for Me", "Love Me or Leave Me", "Feeling Good", and "Ne Me Quitte Pas". Also "You Can Have Him" on the LP Live at Town Hall recorded when she was twenty-six years old; at the end of this operatic performance, which displays her great skill as an actress as well as a musician, she whoops with joy. This single recording encapsulates her extraordinary power, wit, flexibility, sensuality and occasional menace.
In 1987 Nina experienced a resurgence in popularity when "My Baby Just Cares for Me", a track from her first Bethlehem Records album (1958) became a huge hit in the UK and elsewhere. Nina's versatility as an artist was evident in all her music, which often had a folk-music simplicity.
In a single concert, she moved easily from gospel-inspired tunes to blues and jazz and, in numbers like "For All We Know", to numbers infused with European classical stylings, and counterpoint fugues.
Throughout most of her career she was accompanied by percussionist Leopoldo Flemming and guitarist and musical director Al Shackman.
In 1971, Simone left the United States following disagreements with her agents, record labels, and the tax authorities, citing racism as the reason. She returned in 1978 and was arrested for tax evasion (she had withheld several years of income tax as a protest against the Vietnam War). She lived in various countries in the Caribbean, Africa, and Europe, continuing to perform into her 60s. In the 1980s, she performed regularly at Ronnie Scott's jazz club in London. In 1995, Simone reportedly shot and wounded her neighbour's son with an air pistol after his laughing disturbed her concentration.
She had a reputation in the music industry for being volatile and sometimes difficult to deal with, a characterization with which Simone strenuously took issue.
Though her onstage style could be somewhat haughty and aloof, in later years, Simone particularly seemed to enjoy engaging her adoring audiences by recounting sometimes humorous anecdotes related to her career and music and soliciting requests. Simone's regal bearing and commanding stage presence earned her the title the "High Priestess of Soul."
In 1993, she settled near Aix-en-Provence in the south of France. She had been ill with cancer for several years before she died on 21st April 2003 in her sleep at her home in Carry-le-Rouet.
Simone was the recipient of a Grammy Hall of Fame Award in 2000 for her song "I Loves You Porgy." She has also received fifteen Grammy Award nominations. On Human Kindness Day 1974 in Washington, D.C., more than 10,000 people paid tribute to Simone. Simone received two honorary degrees in music and humanities, from the University of Massachusetts Amherst and Malcolm X College. She preferred to be called "Dr. Nina Simone" after these honors were bestowed upon her. Only two days before her death, Simone was awarded an honorary degree by the Curtis Institute, the music school that had refused to admit her as a student at the beginning of her career.
In 2002, the city of Nijmegen (The Netherlands) named a street after her, the Nina Simonestraat. Simone lived in Nijmegen between 1988 and 1990.
Simone was inducted into the North Carolina Music Hall of Fame in 2009.
In 2010 a statue in her honor was erected in Trade Street, Tryon, North Carolina, her place of birth.
*Official site
Baubles Bangles and Beads
Nina Simone Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
Baubles bangles bright shiny heads sparkles spangles
My heart will sing sing-a-linge
Wearing baubles bangles and beads
I glitter and gleam so make somebody dream
So that some day he may buy me
A ring a-ling a-ling a-ling a-ling
I've heard that's where it leads
Wearing baubles bangles and beads
Nina Simone's Baubles Bangles And Beads is a song that describes the human obsession with material possessions, especially jewelry. The lyrics convey the power of jewelry in attracting people's attention and making one feel confident and beautiful. The use of onomatopoeia in the first stanza, especially with the word 'ching-a-lingle,' highlights the sound of the jewelry as it hits against each other. The words 'bright shiny heads sparkles spangles' express the appearance of the jewelry and how it catches people's eyes, making them shine and look beautiful.
In the second stanza, the singer acknowledges the power that jewelry holds over her life. She feels that wearing baubles, bangles, and beads make her glitter and gleam, which could make someone dream of buying her more jewelry. The repetition of 'a-ling a-ling a-ling a-ling' emphasizes how she desires a ring, which represents the ultimate symbol of possession and commitment. However, the use of the phrase "I've heard that's where it leads" suggests the singer is also wary of the dangers of materialism and hopes that acquiring more jewelry wouldn't lead to disaster.
Overall, the song Baubles Bangles And Beads by Nina Simone is a beautiful tribute to the power of jewelry and how it makes people feel beautiful, confident and desired, even though it's also a reminder of the dangers of consumerism, emptiness, and the hollow feeling that arises when we find our identity in possessions.
Line by Line Meaning
Baubles bangles hear how they ring ching-a-lingle
Listen to the sound of the jingling baubles and bangles.
Baubles bangles bright shiny heads sparkles spangles
The baubles and bangles are shiny and sparkly with lots of decorations on them.
My heart will sing sing-a-linge
The singer's heart is full of joy and happiness.
Wearing baubles bangles and beads
The singer is wearing ornaments and decorations that make her happy.
I glitter and gleam so make somebody dream
The singer's ornaments are so beautiful that they can make someone dream.
So that some day he may buy me
The singer hopes that someone will buy her beautiful ornaments.
A ring a-ling a-ling a-ling a-ling
The singer hopes for a beautiful ring that will make a sound when she moves.
A-ling a-ling a-ling a-lingle
The sound of the ring will bring happiness to her heart.
I've heard that's where it leads
The singer has heard that wearing beautiful ornaments might lead to happiness and fulfillment.
Wearing baubles bangles and beads
The ornaments the singer wears give her joy and happiness.
Lyrics © Warner/Chappell Music, Inc.
Written by: OSCAR PETTIFORD
Lyrics Licensed & Provided by LyricFind
Ann Wilson
Beautiful!
Fredas Pocevicius
Yes it is...beutyful
DEW
Interesting "Nina Simone" spin on this song ...but check out Sarah Vaughn's version...
Francisco Partida
Vaughn is one of my favorites but Nina will forever remain my musical muse.