Simone was born Eunice Kathleen Waymon on 21st February 1933 in Tryon, North Carolina, USA, one of eight children. Like a number of other black singers in the U.S., she was inspired as a child by Marian Anderson, and began singing at her local church, also showing great talent as a pianist. Her public debut, a piano recital, was made at the age of ten. Her parents, who had taken seats in the front row, were forced to move to the back of the hall to make way for white audience members. This incident contributed to her later involvement in the civil rights movement.
Simone's mother, Mary Kate Waymon (who lived into her late nineties) was a strict Methodist minister; her father, John Divine Waymon, was a handyman and sometime barber who suffered bouts of ill-health. Mrs Waymon worked as a maid, and her employer, hearing of Nina's talent, provided funds for piano lessons for the little girl. Subsequently, a local fund was set up to assist in Eunice's continued education.
At seventeen, Simone moved to Philadelphia, Pennsylvania, where she taught piano and accompanied singers. She was able to begin studying piano at New York City's prestigious Juilliard School of Music but lack of funds meant that she was unable to fulfill her dream of becoming America's first Black classical pianist. She later had an interview to study piano at the Curtis Institute, but was rejected. Simone believed this rejection, which fueled her hatred of racism, was because she was black.
Simone turned to blues and jazz after getting her start at the Midtown Bar & Grill on Pacific Avenue in Atlantic City, taking the name Nina Simone in 1954; "Nina" was her boyfriend's nickname for her, and "Simone" was after the French actress Simone Signoret. She first came to public notice in 1959 with her wrenching rendition of George Gershwin's "I Loves You Porgy" (from Porgy and Bess), her only Top-Forty hit in the United States. This was soon followed by the single "My Baby Just Cares for Me" (this was also a hit in the 1980s in the United Kingdom when used for television advertisements for Chanel No 5 perfume).
Throughout the 1960s, Simone was involved in the civil rights movement and recorded a number of political songs, including "To Be Young, Gifted and Black" (later covered by Aretha Franklin and Donny Hathaway), "Backlash Blues", "Mississippi Goddam" (a response to the murder of Medgar Evers and the bombing of a church in Birmingham, Alabama killing four black children), "I Wish I Knew How It Would Feel to Be Free", and Kurt Weill's "Pirate Jenny", from The Threepenny Opera, re-cast in a southern town.
In 1961, Simone recorded a version of the traditional song "House of the Rising Sun", which was then covered by folk-blues artist, Dave Van Ronk, and later recorded by Bob Dylan, where it was picked up by The Animals and became their signature hit. Other songs she is famous for include "I Put a Spell on You" (originally by Screamin' Jay Hawkins), The Beatles' "Here Comes the Sun", "Four Women", Bob Dylan's "I Shall Be Released", the Bee Gees' "To Love Somebody", and "Ain't Got No (I Got Life)". The latter, from the musical Hair, was her debut in the UK charts, reaching number two in 1968, and a remixed version of the recording by Groovefinder was a UK Top Thirty hit in 2006.
Broadway musicals also supplied several hits for Simone: "My Baby Just Cares for Me", "Love Me or Leave Me", "Feeling Good", and "Ne Me Quitte Pas". Also "You Can Have Him" on the LP Live at Town Hall recorded when she was twenty-six years old; at the end of this operatic performance, which displays her great skill as an actress as well as a musician, she whoops with joy. This single recording encapsulates her extraordinary power, wit, flexibility, sensuality and occasional menace.
In 1987 Nina experienced a resurgence in popularity when "My Baby Just Cares for Me", a track from her first Bethlehem Records album (1958) became a huge hit in the UK and elsewhere. Nina's versatility as an artist was evident in all her music, which often had a folk-music simplicity.
In a single concert, she moved easily from gospel-inspired tunes to blues and jazz and, in numbers like "For All We Know", to numbers infused with European classical stylings, and counterpoint fugues.
Throughout most of her career she was accompanied by percussionist Leopoldo Flemming and guitarist and musical director Al Shackman.
In 1971, Simone left the United States following disagreements with her agents, record labels, and the tax authorities, citing racism as the reason. She returned in 1978 and was arrested for tax evasion (she had withheld several years of income tax as a protest against the Vietnam War). She lived in various countries in the Caribbean, Africa, and Europe, continuing to perform into her 60s. In the 1980s, she performed regularly at Ronnie Scott's jazz club in London. In 1995, Simone reportedly shot and wounded her neighbour's son with an air pistol after his laughing disturbed her concentration.
She had a reputation in the music industry for being volatile and sometimes difficult to deal with, a characterization with which Simone strenuously took issue.
Though her onstage style could be somewhat haughty and aloof, in later years, Simone particularly seemed to enjoy engaging her adoring audiences by recounting sometimes humorous anecdotes related to her career and music and soliciting requests. Simone's regal bearing and commanding stage presence earned her the title the "High Priestess of Soul."
In 1993, she settled near Aix-en-Provence in the south of France. She had been ill with cancer for several years before she died on 21st April 2003 in her sleep at her home in Carry-le-Rouet.
Simone was the recipient of a Grammy Hall of Fame Award in 2000 for her song "I Loves You Porgy." She has also received fifteen Grammy Award nominations. On Human Kindness Day 1974 in Washington, D.C., more than 10,000 people paid tribute to Simone. Simone received two honorary degrees in music and humanities, from the University of Massachusetts Amherst and Malcolm X College. She preferred to be called "Dr. Nina Simone" after these honors were bestowed upon her. Only two days before her death, Simone was awarded an honorary degree by the Curtis Institute, the music school that had refused to admit her as a student at the beginning of her career.
In 2002, the city of Nijmegen (The Netherlands) named a street after her, the Nina Simonestraat. Simone lived in Nijmegen between 1988 and 1990.
Simone was inducted into the North Carolina Music Hall of Fame in 2009.
In 2010 a statue in her honor was erected in Trade Street, Tryon, North Carolina, her place of birth.
*Official site
I Like the Sunrise
Nina Simone Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
I like the new day it brings new hope they say
I like the sunrise blazing in the new sky
Nighttime's so weary and oh so am I
Every evening I wish upon a star
That my brand new tomorrow isn't very far
When that heavy blue curtain on night
I like the sunrise so heavenly to see
I like the sunrise and I hope it likes poor me
The lyrics to Nina Simone's song "I Like the Sunrise" express the sentiment of finding hope and renewal in the dawning of a new day, after enduring a long night of weariness. Simone conveys the idea that with each new sunrise comes the promise of new beginnings, and the hope of a brighter tomorrow. The imagery of the sunrise as a "heavenly" sight further emphasizes the idea that it offers a glimmer of beauty and wonder in an otherwise mundane and difficult existence.
Simone also touches on a universal experience of nighttime being a time for introspection and reflection, as well as a time for wishing for a better day to come. The line "Every evening I wish upon a star" reflects the human desire for things to get better, for a new dawn to bring a new opportunity or a shift in circumstances. The final lines of the song - "I like the sunrise and I hope it likes poor me" - speak to a sense of humility and gratitude, as though the simple act of appreciating the beauty of the sunrise is enough to merit a positive change in one's life.
The overall theme of the song is one of hope and faith in the cyclical nature of life, with each new day bringing the possibility for something good to come along. Through her powerful vocals and poignant lyrics, Simone conveys the message that we should always hold onto the hope that comes with the dawn of a new day.
Line by Line Meaning
I like the sunrise cos it brings a new day
I appreciate the sunrise as it represents a fresh start
I like the new day it brings new hope they say
I value the potential of a new day and the possibilities it holds
I like the sunrise blazing in the new sky
I enjoy the sight of the sun bursting forth into the sky at dawn
Nighttime's so weary and oh so am I
I feel worn out by the darkness and the long hours of the night
Every evening I wish upon a star
Each night, I have a glimmer of hope for a brighter tomorrow
That my brand new tomorrow isn't very far
I long for a new beginning, and I hope it is just around the corner
When that heavy blue curtain on night
At the end of each day, I feel weighed down by the darkness
Is high in the sky way out of sight
I find relief when the night sky fades into the background
I like the sunrise so heavenly to see
The sight of the sunrise feels sacred and awe-inspiring to me
I like the sunrise and I hope it likes poor me
I aspire to be worthy of the beauty and gifts that the new day brings
Lyrics © O/B/O APRA AMCOS
Written by: DUKE ELLINGTON
Lyrics Licensed & Provided by LyricFind
@amounamaknoun5736
Peaceful ❤
@jessebignell5147
This is what should be played, instead of any national anthem.
@kontrabas41
Duke Ellington komposition. From the Liberian suite
@Wolfhoundersful
I like the sunrise 'cause it brings a new day,
I like a new day, it brings new hope, they say.
I like the sunrise blazing in the new start,
Night time is weary, oh and so am I.
[2x:]
Every evening I wish upon a star
That my brand new bright tomorrow isn't very far.
When that heavy blue curtain of night is raised up high,
Out of sight, I like the sunrise, oh heavenly day,
I like the sunrise, I hope it lights for me