Eunice Kathleen Waymon (21 February 1933 – 21 April 2003), better known by … Read Full Bio ↴Eunice Kathleen Waymon (21 February 1933 – 21 April 2003), better known by her stage name Nina Simone, was an American singer, pianist, arranger, and civil rights activist widely associated with jazz music. Simone aspired to become a classical pianist while working in a broad range of styles including classical, jazz, blues, soul, folk, rhythm and blues, gospel, and pop.
Simone was born Eunice Kathleen Waymon on 21st February 1933 in Tryon, North Carolina, USA, one of eight children. Like a number of other black singers in the U.S., she was inspired as a child by Marian Anderson, and began singing at her local church, also showing great talent as a pianist. Her public debut, a piano recital, was made at the age of ten. Her parents, who had taken seats in the front row, were forced to move to the back of the hall to make way for white audience members. This incident contributed to her later involvement in the civil rights movement.
Simone's mother, Mary Kate Waymon (who lived into her late nineties) was a strict Methodist minister; her father, John Divine Waymon, was a handyman and sometime barber who suffered bouts of ill-health. Mrs Waymon worked as a maid, and her employer, hearing of Nina's talent, provided funds for piano lessons for the little girl. Subsequently, a local fund was set up to assist in Eunice's continued education.
At seventeen, Simone moved to Philadelphia, Pennsylvania, where she taught piano and accompanied singers. She was able to begin studying piano at New York City's prestigious Juilliard School of Music but lack of funds meant that she was unable to fulfill her dream of becoming America's first Black classical pianist. She later had an interview to study piano at the Curtis Institute, but was rejected. Simone believed this rejection, which fueled her hatred of racism, was because she was black.
Simone turned to blues and jazz after getting her start at the Midtown Bar & Grill on Pacific Avenue in Atlantic City, taking the name Nina Simone in 1954; "Nina" was her boyfriend's nickname for her, and "Simone" was after the French actress Simone Signoret. She first came to public notice in 1959 with her wrenching rendition of George Gershwin's "I Loves You Porgy" (from Porgy and Bess), her only Top-Forty hit in the United States. This was soon followed by the single "My Baby Just Cares for Me" (this was also a hit in the 1980s in the United Kingdom when used for television advertisements for Chanel No 5 perfume).
Throughout the 1960s, Simone was involved in the civil rights movement and recorded a number of political songs, including "To Be Young, Gifted and Black" (later covered by Aretha Franklin and Donny Hathaway), "Backlash Blues", "Mississippi Goddam" (a response to the murder of Medgar Evers and the bombing of a church in Birmingham, Alabama killing four black children), "I Wish I Knew How It Would Feel to Be Free", and Kurt Weill's "Pirate Jenny", from The Threepenny Opera, re-cast in a southern town.
In 1961, Simone recorded a version of the traditional song "House of the Rising Sun", which was then covered by folk-blues artist, Dave Van Ronk, and later recorded by Bob Dylan, where it was picked up by The Animals and became their signature hit. Other songs she is famous for include "I Put a Spell on You" (originally by Screamin' Jay Hawkins), The Beatles' "Here Comes the Sun", "Four Women", Bob Dylan's "I Shall Be Released", the Bee Gees' "To Love Somebody", and "Ain't Got No (I Got Life)". The latter, from the musical Hair, was her debut in the UK charts, reaching number two in 1968, and a remixed version of the recording by Groovefinder was a UK Top Thirty hit in 2006.
Broadway musicals also supplied several hits for Simone: "My Baby Just Cares for Me", "Love Me or Leave Me", "Feeling Good", and "Ne Me Quitte Pas". Also "You Can Have Him" on the LP Live at Town Hall recorded when she was twenty-six years old; at the end of this operatic performance, which displays her great skill as an actress as well as a musician, she whoops with joy. This single recording encapsulates her extraordinary power, wit, flexibility, sensuality and occasional menace.
In 1987 Nina experienced a resurgence in popularity when "My Baby Just Cares for Me", a track from her first Bethlehem Records album (1958) became a huge hit in the UK and elsewhere. Nina's versatility as an artist was evident in all her music, which often had a folk-music simplicity.
In a single concert, she moved easily from gospel-inspired tunes to blues and jazz and, in numbers like "For All We Know", to numbers infused with European classical stylings, and counterpoint fugues.
Throughout most of her career she was accompanied by percussionist Leopoldo Flemming and guitarist and musical director Al Shackman.
In 1971, Simone left the United States following disagreements with her agents, record labels, and the tax authorities, citing racism as the reason. She returned in 1978 and was arrested for tax evasion (she had withheld several years of income tax as a protest against the Vietnam War). She lived in various countries in the Caribbean, Africa, and Europe, continuing to perform into her 60s. In the 1980s, she performed regularly at Ronnie Scott's jazz club in London. In 1995, Simone reportedly shot and wounded her neighbour's son with an air pistol after his laughing disturbed her concentration.
She had a reputation in the music industry for being volatile and sometimes difficult to deal with, a characterization with which Simone strenuously took issue.
Though her onstage style could be somewhat haughty and aloof, in later years, Simone particularly seemed to enjoy engaging her adoring audiences by recounting sometimes humorous anecdotes related to her career and music and soliciting requests. Simone's regal bearing and commanding stage presence earned her the title the "High Priestess of Soul."
In 1993, she settled near Aix-en-Provence in the south of France. She had been ill with cancer for several years before she died on 21st April 2003 in her sleep at her home in Carry-le-Rouet.
Simone was the recipient of a Grammy Hall of Fame Award in 2000 for her song "I Loves You Porgy." She has also received fifteen Grammy Award nominations. On Human Kindness Day 1974 in Washington, D.C., more than 10,000 people paid tribute to Simone. Simone received two honorary degrees in music and humanities, from the University of Massachusetts Amherst and Malcolm X College. She preferred to be called "Dr. Nina Simone" after these honors were bestowed upon her. Only two days before her death, Simone was awarded an honorary degree by the Curtis Institute, the music school that had refused to admit her as a student at the beginning of her career.
In 2002, the city of Nijmegen (The Netherlands) named a street after her, the Nina Simonestraat. Simone lived in Nijmegen between 1988 and 1990.
Simone was inducted into the North Carolina Music Hall of Fame in 2009.
In 2010 a statue in her honor was erected in Trade Street, Tryon, North Carolina, her place of birth.
*Official site
Simone was born Eunice Kathleen Waymon on 21st February 1933 in Tryon, North Carolina, USA, one of eight children. Like a number of other black singers in the U.S., she was inspired as a child by Marian Anderson, and began singing at her local church, also showing great talent as a pianist. Her public debut, a piano recital, was made at the age of ten. Her parents, who had taken seats in the front row, were forced to move to the back of the hall to make way for white audience members. This incident contributed to her later involvement in the civil rights movement.
Simone's mother, Mary Kate Waymon (who lived into her late nineties) was a strict Methodist minister; her father, John Divine Waymon, was a handyman and sometime barber who suffered bouts of ill-health. Mrs Waymon worked as a maid, and her employer, hearing of Nina's talent, provided funds for piano lessons for the little girl. Subsequently, a local fund was set up to assist in Eunice's continued education.
At seventeen, Simone moved to Philadelphia, Pennsylvania, where she taught piano and accompanied singers. She was able to begin studying piano at New York City's prestigious Juilliard School of Music but lack of funds meant that she was unable to fulfill her dream of becoming America's first Black classical pianist. She later had an interview to study piano at the Curtis Institute, but was rejected. Simone believed this rejection, which fueled her hatred of racism, was because she was black.
Simone turned to blues and jazz after getting her start at the Midtown Bar & Grill on Pacific Avenue in Atlantic City, taking the name Nina Simone in 1954; "Nina" was her boyfriend's nickname for her, and "Simone" was after the French actress Simone Signoret. She first came to public notice in 1959 with her wrenching rendition of George Gershwin's "I Loves You Porgy" (from Porgy and Bess), her only Top-Forty hit in the United States. This was soon followed by the single "My Baby Just Cares for Me" (this was also a hit in the 1980s in the United Kingdom when used for television advertisements for Chanel No 5 perfume).
Throughout the 1960s, Simone was involved in the civil rights movement and recorded a number of political songs, including "To Be Young, Gifted and Black" (later covered by Aretha Franklin and Donny Hathaway), "Backlash Blues", "Mississippi Goddam" (a response to the murder of Medgar Evers and the bombing of a church in Birmingham, Alabama killing four black children), "I Wish I Knew How It Would Feel to Be Free", and Kurt Weill's "Pirate Jenny", from The Threepenny Opera, re-cast in a southern town.
In 1961, Simone recorded a version of the traditional song "House of the Rising Sun", which was then covered by folk-blues artist, Dave Van Ronk, and later recorded by Bob Dylan, where it was picked up by The Animals and became their signature hit. Other songs she is famous for include "I Put a Spell on You" (originally by Screamin' Jay Hawkins), The Beatles' "Here Comes the Sun", "Four Women", Bob Dylan's "I Shall Be Released", the Bee Gees' "To Love Somebody", and "Ain't Got No (I Got Life)". The latter, from the musical Hair, was her debut in the UK charts, reaching number two in 1968, and a remixed version of the recording by Groovefinder was a UK Top Thirty hit in 2006.
Broadway musicals also supplied several hits for Simone: "My Baby Just Cares for Me", "Love Me or Leave Me", "Feeling Good", and "Ne Me Quitte Pas". Also "You Can Have Him" on the LP Live at Town Hall recorded when she was twenty-six years old; at the end of this operatic performance, which displays her great skill as an actress as well as a musician, she whoops with joy. This single recording encapsulates her extraordinary power, wit, flexibility, sensuality and occasional menace.
In 1987 Nina experienced a resurgence in popularity when "My Baby Just Cares for Me", a track from her first Bethlehem Records album (1958) became a huge hit in the UK and elsewhere. Nina's versatility as an artist was evident in all her music, which often had a folk-music simplicity.
In a single concert, she moved easily from gospel-inspired tunes to blues and jazz and, in numbers like "For All We Know", to numbers infused with European classical stylings, and counterpoint fugues.
Throughout most of her career she was accompanied by percussionist Leopoldo Flemming and guitarist and musical director Al Shackman.
In 1971, Simone left the United States following disagreements with her agents, record labels, and the tax authorities, citing racism as the reason. She returned in 1978 and was arrested for tax evasion (she had withheld several years of income tax as a protest against the Vietnam War). She lived in various countries in the Caribbean, Africa, and Europe, continuing to perform into her 60s. In the 1980s, she performed regularly at Ronnie Scott's jazz club in London. In 1995, Simone reportedly shot and wounded her neighbour's son with an air pistol after his laughing disturbed her concentration.
She had a reputation in the music industry for being volatile and sometimes difficult to deal with, a characterization with which Simone strenuously took issue.
Though her onstage style could be somewhat haughty and aloof, in later years, Simone particularly seemed to enjoy engaging her adoring audiences by recounting sometimes humorous anecdotes related to her career and music and soliciting requests. Simone's regal bearing and commanding stage presence earned her the title the "High Priestess of Soul."
In 1993, she settled near Aix-en-Provence in the south of France. She had been ill with cancer for several years before she died on 21st April 2003 in her sleep at her home in Carry-le-Rouet.
Simone was the recipient of a Grammy Hall of Fame Award in 2000 for her song "I Loves You Porgy." She has also received fifteen Grammy Award nominations. On Human Kindness Day 1974 in Washington, D.C., more than 10,000 people paid tribute to Simone. Simone received two honorary degrees in music and humanities, from the University of Massachusetts Amherst and Malcolm X College. She preferred to be called "Dr. Nina Simone" after these honors were bestowed upon her. Only two days before her death, Simone was awarded an honorary degree by the Curtis Institute, the music school that had refused to admit her as a student at the beginning of her career.
In 2002, the city of Nijmegen (The Netherlands) named a street after her, the Nina Simonestraat. Simone lived in Nijmegen between 1988 and 1990.
Simone was inducted into the North Carolina Music Hall of Fame in 2009.
In 2010 a statue in her honor was erected in Trade Street, Tryon, North Carolina, her place of birth.
*Official site
I Loves You Porgy
Nina Simone Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
I loves you, Porgy
Don't let him take me
Don't let him handle me and drive me mad
If you can keep me
I wanna stay here with you forever and I'll be glad
Yes, I loves you, Porgy
Don't let him take me
Don't let him handle me with his hot hands
If you can keep me
I wants to stay here with you forever
I've got my man
I love you, Porgy
Don't let him take me
Don't let him handle me and drive me mad
If you can keep me
I wanna stay here with you forever
I've got my man
Someday I know he's coming to call me
He's going to handle me and hold me soon
He's going to be like dying, Porgy
When he calls me
But when he comes I know I'll have to go
I love you, Porgy
Don't let him take me
Honey, don't let him handle me and drive me mad
If you can keep me
I wanna stay here with you forever
I've got my man
Don't let him take me
Don't let him handle me and drive me mad
If you can keep me
I wanna stay here with you forever and I'll be glad
Yes, I loves you, Porgy
Don't let him take me
If you can keep me
I wants to stay here with you forever
I've got my man
I love you, Porgy
Don't let him take me
Don't let him handle me and drive me mad
If you can keep me
I wanna stay here with you forever
I've got my man
Someday I know he's coming to call me
He's going to handle me and hold me soon
He's going to be like dying, Porgy
When he calls me
But when he comes I know I'll have to go
I love you, Porgy
Don't let him take me
Honey, don't let him handle me and drive me mad
If you can keep me
I wanna stay here with you forever
I've got my man
Nina Simone's song "I Loves You Porgy" is a poignant and emotional expression of love and fear. The lyrics convey a plea to a man named Porgy, begging him to protect the singer from another man who threatens to "handle [her] and drive [her] mad." The repeated refrain of "I loves you, Porgy" serves as both a declaration of love and a desperate appeal for safety.
The woman in the song is torn between two desires: the desire to stay with Porgy forever and the knowledge that someday another man will come to "handle [her] and hold [her] soon." She acknowledges that when this happens, she will have to go, but nonetheless implores Porgy to keep her safe until that time.
Overall, the song paints a vivid picture of one woman's emotional struggle as she grapples with the conflicting forces of love and danger. Simone's raw, soulful vocal performance only adds to the intensity of the lyrics, making "I Loves You Porgy" a powerful statement on the complexity of human emotions.
Line by Line Meaning
I loves you, Porgy
I love you, Porgy.
Don't let him take me
Don't let him take me away from you.
Don't let him handle me and drive me mad
Don't let him mistreat me and drive me insane.
If you can keep me
If you can protect me and keep me safe,
I wanna stay here with you forever and I'll be glad
I want to be with you forever and be happy.
Someday I know he's coming to call me
I know he will come to visit me.
He's going to handle me and hold me soon
He will touch me and embrace me soon.
He's going to be like dying, Porgy
It will feel like dying when he comes.
When he calls me
When he asks me to come with him.
But when he comes I know I'll have to go
But I know I have to leave with him when he comes.
Honey, don't let him handle me and drive me mad
Please don't let him mistreat me and make me crazy, my dear.
I've got my man
I belong to you, Porgy.
Lyrics © O/B/O DistroKid
Written by: Du Bose Heyward, George Gershwin, Ira Gershwin
Lyrics Licensed & Provided by LyricFind
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@gobabe2396
Warning: Long.
I absolutely love this song.
The Play “Porgy and Bess “was par none. George and Ira Gershwin was simply the greatest musical writers and lyricist- genius’s of their time.
Nina Simone’s is unmatched and my favorite rendition.
She put her entire head body and both feet into this song.
I use to scream this at lung top. I was only a little girl at that time. But that love resonated throughout my entire being.
To think one could love another so intensely, that it’s loss pulls at the Chordae Tendonae of your heart.
I Understood that love then and still do now. I played for keeps.
It tickled my parents to watch me sit on the floor looking at the big wooden box with the turntable and speakers inside the screen.
I would press my forehead to the speaker screen cover and strain my eyes peering inside with all my might.
I’d ask my mother, when is the di get going to come out of this box. And, I just can’t see her on the stage but I know she is in there. My mother 😳😮 thinking omg we are going to be driven to the brink of madness. And that I did. Album After album would vanish.
I thought the singers were little people inside that stereo. Even though I clearly seen the album placed on the turntable and the music start up.
To me, that was the orchestra. Crazy right.
What does it have to do with the artist on this page. I can’t deal with any of that still. So I digressed
RIP to all the greats.
🙏🏽❤️
@keilangoncalves2011
Lyrics
I love you, Porgy
Don't let him take me
Don't let him handle me and drive me mad
If you can keep me, I wanna stay here
With you forever and I'll be glad
Yes, I love you, Porgy
Don't let him take me
Don't let him handle me with his hot hands
If you can keep me, I want to stay here
With you forever, I've got my man
I love you, Porgy
Don't let him take me
Don't let him handle me and drive me mad
If you can keep me, I wanna stay here
With you forever, I've got my man
Someday I know he's coming to call me
He's going to handle me and hold me
So, it's going to be like dying, Porgy
When he calls me
But when he comes I know, I'll have to go
I love you, Porgy
Don't let him take me
Honey, don't let him handle me and drive me mad
If you can keep me, I wanna stay here
With you forever, I've got my man
@ebaylistentomusic
My late friend lived in the same building as Nina.He worked in entertainment and did her some kind of business favor. She called him and invited him to her apartment where she played a short private concert for him as thanks. He told me of sitting on her couch, seeing the NYC skyline and hearing her play for him as so magical.
@toddbonin6926
Wow!!! What an amazing experience!
@silverlakegirl9078
Omg...... I'm soooo jealous.
@ewadd
This makes me a little emotional! What an incredible experience
@mattalexander4624
Nina was SPECIAL . There will NEVER be another like her.
@tonystarke9820
Then they all lived happily ever after right 🙄
@ArielPettyjohn
Nina Simone was century-defining as a performer. I can't say that I've ever seen a more beautiful person in my whole life than Nina in this performance.
@douglashott9843
So grateful that Ed Sullivan made sure artists like her got massive exposure.
@michelebisbano8988
MESMERIZING - the song, the arrangement, THE PIANO! what a genius. mega-talent. MASTER CLASS!
@chriscollins1525
This is first time I've teared up listening to a song.