Simone was born Eunice Kathleen Waymon on 21st February 1933 in Tryon, North Carolina, USA, one of eight children. Like a number of other black singers in the U.S., she was inspired as a child by Marian Anderson, and began singing at her local church, also showing great talent as a pianist. Her public debut, a piano recital, was made at the age of ten. Her parents, who had taken seats in the front row, were forced to move to the back of the hall to make way for white audience members. This incident contributed to her later involvement in the civil rights movement.
Simone's mother, Mary Kate Waymon (who lived into her late nineties) was a strict Methodist minister; her father, John Divine Waymon, was a handyman and sometime barber who suffered bouts of ill-health. Mrs Waymon worked as a maid, and her employer, hearing of Nina's talent, provided funds for piano lessons for the little girl. Subsequently, a local fund was set up to assist in Eunice's continued education.
At seventeen, Simone moved to Philadelphia, Pennsylvania, where she taught piano and accompanied singers. She was able to begin studying piano at New York City's prestigious Juilliard School of Music but lack of funds meant that she was unable to fulfill her dream of becoming America's first Black classical pianist. She later had an interview to study piano at the Curtis Institute, but was rejected. Simone believed this rejection, which fueled her hatred of racism, was because she was black.
Simone turned to blues and jazz after getting her start at the Midtown Bar & Grill on Pacific Avenue in Atlantic City, taking the name Nina Simone in 1954; "Nina" was her boyfriend's nickname for her, and "Simone" was after the French actress Simone Signoret. She first came to public notice in 1959 with her wrenching rendition of George Gershwin's "I Loves You Porgy" (from Porgy and Bess), her only Top-Forty hit in the United States. This was soon followed by the single "My Baby Just Cares for Me" (this was also a hit in the 1980s in the United Kingdom when used for television advertisements for Chanel No 5 perfume).
Throughout the 1960s, Simone was involved in the civil rights movement and recorded a number of political songs, including "To Be Young, Gifted and Black" (later covered by Aretha Franklin and Donny Hathaway), "Backlash Blues", "Mississippi Goddam" (a response to the murder of Medgar Evers and the bombing of a church in Birmingham, Alabama killing four black children), "I Wish I Knew How It Would Feel to Be Free", and Kurt Weill's "Pirate Jenny", from The Threepenny Opera, re-cast in a southern town.
In 1961, Simone recorded a version of the traditional song "House of the Rising Sun", which was then covered by folk-blues artist, Dave Van Ronk, and later recorded by Bob Dylan, where it was picked up by The Animals and became their signature hit. Other songs she is famous for include "I Put a Spell on You" (originally by Screamin' Jay Hawkins), The Beatles' "Here Comes the Sun", "Four Women", Bob Dylan's "I Shall Be Released", the Bee Gees' "To Love Somebody", and "Ain't Got No (I Got Life)". The latter, from the musical Hair, was her debut in the UK charts, reaching number two in 1968, and a remixed version of the recording by Groovefinder was a UK Top Thirty hit in 2006.
Broadway musicals also supplied several hits for Simone: "My Baby Just Cares for Me", "Love Me or Leave Me", "Feeling Good", and "Ne Me Quitte Pas". Also "You Can Have Him" on the LP Live at Town Hall recorded when she was twenty-six years old; at the end of this operatic performance, which displays her great skill as an actress as well as a musician, she whoops with joy. This single recording encapsulates her extraordinary power, wit, flexibility, sensuality and occasional menace.
In 1987 Nina experienced a resurgence in popularity when "My Baby Just Cares for Me", a track from her first Bethlehem Records album (1958) became a huge hit in the UK and elsewhere. Nina's versatility as an artist was evident in all her music, which often had a folk-music simplicity.
In a single concert, she moved easily from gospel-inspired tunes to blues and jazz and, in numbers like "For All We Know", to numbers infused with European classical stylings, and counterpoint fugues.
Throughout most of her career she was accompanied by percussionist Leopoldo Flemming and guitarist and musical director Al Shackman.
In 1971, Simone left the United States following disagreements with her agents, record labels, and the tax authorities, citing racism as the reason. She returned in 1978 and was arrested for tax evasion (she had withheld several years of income tax as a protest against the Vietnam War). She lived in various countries in the Caribbean, Africa, and Europe, continuing to perform into her 60s. In the 1980s, she performed regularly at Ronnie Scott's jazz club in London. In 1995, Simone reportedly shot and wounded her neighbour's son with an air pistol after his laughing disturbed her concentration.
She had a reputation in the music industry for being volatile and sometimes difficult to deal with, a characterization with which Simone strenuously took issue.
Though her onstage style could be somewhat haughty and aloof, in later years, Simone particularly seemed to enjoy engaging her adoring audiences by recounting sometimes humorous anecdotes related to her career and music and soliciting requests. Simone's regal bearing and commanding stage presence earned her the title the "High Priestess of Soul."
In 1993, she settled near Aix-en-Provence in the south of France. She had been ill with cancer for several years before she died on 21st April 2003 in her sleep at her home in Carry-le-Rouet.
Simone was the recipient of a Grammy Hall of Fame Award in 2000 for her song "I Loves You Porgy." She has also received fifteen Grammy Award nominations. On Human Kindness Day 1974 in Washington, D.C., more than 10,000 people paid tribute to Simone. Simone received two honorary degrees in music and humanities, from the University of Massachusetts Amherst and Malcolm X College. She preferred to be called "Dr. Nina Simone" after these honors were bestowed upon her. Only two days before her death, Simone was awarded an honorary degree by the Curtis Institute, the music school that had refused to admit her as a student at the beginning of her career.
In 2002, the city of Nijmegen (The Netherlands) named a street after her, the Nina Simonestraat. Simone lived in Nijmegen between 1988 and 1990.
Simone was inducted into the North Carolina Music Hall of Fame in 2009.
In 2010 a statue in her honor was erected in Trade Street, Tryon, North Carolina, her place of birth.
*Official site
The Folks Who Live On The Hill
Nina Simone Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
You and I, shiny and new a cottage that two can fill
And we'll be pleased to be called
The folks who live on the hill
We will make changes as any fam'ly will
And we will be pleased to be called
The folks who live on the hill
Our veranda will command a view of meadows green
The sort of view that seems to want to be seen
And when our kids grow up and leave us
We'll sit and look at the same old view, just we two
Darby and Joan, who used to be Jack and Jill
And we'll be pleased to be called
What we have always been called
The folks who live on the hill
Nina Simone's song The Folks Who Live on the Hill paints a vivid picture of a couple's dreams of building a home and creating a life together. The lyrics paint a picture of a future, a world where a cottage sits high upon a hill with a view of the lush green meadows, and the couple enjoying a peaceful life together.
The song's first verse speaks of a future where they will both build a house on a high hilltop, a cottage that would be perfect for two people. And they will happily be called "The folks who live on the hill." In the second verse, the couple imagines themselves adding a wing or two to their home, as any family would do, making changes to accommodate their lives better. The veranda of their little cabin would look out over beautiful meadows, and the couple dreams of sitting on this porch and enjoying the view together.
The final verse seems to depict an idyllic future where they both grow old and their children leave, and they remain sitting on the porch and admiring the view, just enjoying each other's company. The image of Darby and Joan, who used to be called Jack and Jill, being pleased to be called The folks who live on the hill shows contentment with each stage in their lives, at each age.
Overall, the song speaks of the joy of creating a life and home together, of building a future on the foundation of love.
Line by Line Meaning
Someday we'll build a house on a hilltop high
At some point in our lives, we aim to construct a dwelling atop a high point of elevation
You and I, shiny and new a cottage that two can fill
Together, we will create and inhabit a pristine home, suitable for just the two of us
And we'll be pleased to be called
The folks who live on the hill
We will derive satisfaction from being referred to as the residents living on the elevated properties
Someday we may be adding a thing or two, a wing or two
We will make changes as any fam'ly will
We may need to expand our dwelling or make some improvements if we choose for our family to reside within
And we will be pleased to be called
The folks who live on the hill
Even with changes we make, we will still take pleasure in being recognized as the occupants of the hilltop homes
Our veranda will command a view of meadows green
The sort of view that seems to want to be seen
We will have a porch that overlooks beautiful, vast meadows that are so stunning, they appear to be inviting attention
And when our kids grow up and leave us
We'll sit and look at the same old view, just we two
Once our children mature and move out, we will contemplate the same breathtaking sight, just as the two of us
Darby and Joan, who used to be Jack and Jill
And we'll be pleased to be called
What we have always been called
The folks who live on the hill
Even as we age, we will be content to continue being known as the hill-dwelling individuals, formerly known by our first names Jack and Jill, now known as Darby and Joan
Lyrics © O/B/O APRA AMCOS
Lyrics Licensed & Provided by LyricFind
Harry strings
on Blackbird
This is one of the inspired song have ever heard, it's touches my soul..
Daniel
on Feeling Good
Just unbelievable, I dig it. Great music & artists.
Nikolaos Souroufis
on Sinnerman
amazing !!!!!!!!