O.L.D. dispensed with Ralph's services,(replacing him with a drum machine, programmed by Jim) and embarked on a handful of low key New York shows, but as a 2- piece with drum machine, they never caught the imagination of the predominately metal crowds they played to. For the next album, 1991's "Lo Flux Tube" , the band recruited Jason Everman on bass - before joining O.L.D. , Jason was briefly in an up n coming Seattle band called Nirvana, and is in fact pictured on the front sleeve of their debut "Bleach" on Sub Pop. Jason quickly moved on, this time to Soundgarden and Mindfunk, and was replaced for the 3rd O.L.D. album, "The Musical Dimensions Of Sleastak" by Herschel Gaer. By this time O.L.D. were evolving into a 2 person studio-only project, the line up problems ensuring that live shows were non existent.
Open minded Metal and Alternative fans began to embrace the band - much like fellow Earache artist Godflesh, the drum machine was too much for traditional metallers to accept in the early 90's - however, the uniquely shimmering effects-laden guitars of Plotkin along with the intricately programmed beats found many admirers who were bored with the generic scene at the time, and even attracted attention from the more arty crowd including noted saxophonist and genre magpie, John Zorn. Plotkin became further immersed in studio technology and embarked on numerous collaborations of an Ambient nature, many with fellow Earache artist Mick Harris (Scorn, Napalm Death) whom he joined on a UK touring stint as guitarist.
Always out to challenge their audience, the band broke new ground with 1993's "Hold Onto Your Face" - Plotkin decided it would be a Remix album, which was something that only happened in dance music at the time, not rock bands, and several up and coming producers from the Hardcore Techno scene were duly let loose on the O.L.D. material. The results were nothing short of shocking .The record has historical importance, as Brooklyn's gabba-king Rob Gee and the UK's Ultraviolence, both as unknowns, made their official debut remixes on this release. Mick Harris' debut remixes is included also.
Having alienated all but the most open minded of their fans, the band returned to spectacular form for 1995's supreme "Formula" album, as O.L.D.'s final swansong on Earache, it is a true undiscovered classic, with superbly crafted trademark multi-layered guitars and mellower vocals adding up to a timeless piece of work that rewards listeners discovering it, even many years after.
Post Earache, O.L.D. fell apart but the talented Jim Plotkin continues to collaborate on countless projects, most notably Flux, Atomsmasher and doom project Khanate.
Glitch
O.L.D. Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
The lyrics to O.L.D.'s song Glitch's chorus "Peel away and emerge" may seem cryptic and open to interpretation. However, upon closer inspection, one might find that this line speaks about the process of transformation and growth. The word "peel away" implies the shedding off of old layers and shedding one's past or former self, while "emerge" suggests the emergence of a new, transformed version of oneself.
The repetition of this line 175 times may symbolize the repetition of the process of transformation, which can be a gradual and challenging process. The song's overall theme seems to be about confronting one's personal glitches or faults and coming out stronger on the other side.
The line may also be interpreted as a call to action- encouraging listeners to peel away their fears, doubts, and insecurities and emerge as their authentic selves. Ultimately, the chorus conveys a message of self-empowerment and personal growth- a reminder that we have the choice to transform ourselves and become the best versions of ourselves possible.
Line by Line Meaning
Peel away and emerge (x175)
This repetitive and enigmatic phrase seems to serve as the chorus of the song, and could be interpreted as a call to shed one's old self and rise anew. Its prolonged repetition may also suggest a sense of urgency or intensity in this transformation.
Contributed by Violet F. Suggest a correction in the comments below.
Haunted Man Sun
We def need a lot more Droog and Edan, always
zecharia sitchin
So privileged to hear the Humble Magnificent, thanks YOD
Wooper
@Warp75 yes to listen to hip hop for so long and and end up finding YOD is a blessing
Warp75
I’ve been listening to Hip Hop since ‘87.
I’m white from England do think I’m privileged ?
Roy Pal
That beat tho . . 10/10
Neltron8000
BRUH!!!!
Dansby
Edan's beat is from another universe.Genius.
galvatron 43
DROOG STAY MERCKIN!!!!!!🔥⚰️🔥⚰️
Kevy Cold Cuts aka The Noise Conductor
https://youtu.be/faSJqHrsKUA
socillizt4life
Dope AF!! Both YOD & EDAN on their A game🎤🔥