OHN is an Austin, TX, USA band, founded by Bill Sarver (programming and pro… Read Full Bio ↴OHN is an Austin, TX, USA band, founded by Bill Sarver (programming and production - aka Bildeaux). Other members include: Chris Forshage (guitar, horn), Andrew Tachovsky (guitar), Brad Houser (bass, sax) and most recent addition Allison Scharf (vocals).
OHN's style - described as "DJ Shadow meets Bitches Brew-era Miles Davis" - has garnered rave reviews, from local & US media. OHN utilizes a combination of dual guitars, trumpet, keys, bass, drums, middle-eastern instruments, programmed beats, saxophone & samples, to create a live / electronic sound. OHN was formed from musicians from several Austin, TX bands. OHN defies categorization; an amalgam of diverse artists & genre, converging so seamlessly that the listener may be convinced that they are together, playing, rehearsing & recording 24/7.
They are not—although they do rehearse more before a live performance—but their ability to find the same sonic groove is no accident. Each of the members brings an impressive musical pedigree to the stage and studio and, more importantly, an attitude that pushing the boundaries outward and upward is good.
Sarver, has worked on material for artists including: Jarboe La Salle Devereaux (aka Jarboe and Jyoti - of Swans), Mike Robinson (aka Riggs and Mike Riggs - of Rob Zombie), Soak (of Interscope and Sire) and Laura Scarborough. Forshage has played with many acts, including Larry and Grass. Tachovsky is a guitar veteran, previously sharing stages with Forshage, in the band Pura Vida. Houser is a veteran of several bands, including: Critters Buggin (of Ropeadope), Edie Brickell and New Bohemians (of Geffen) and Lila's Medicine.
OHN’s material, featured on 2004’s Let’s Get It… and a 2005 release, In The End, All Things Begin, starts with Bildeaux generating rhythm tracks with a bass line and maybe a keyboard part or two. Members of the group then come in to lay down their parts, then Bildeaux edits, chops, samples and creates parts out of the various performances, and an OHN track is created.
It’s a process that has some techno-structure, but it is not devoid of soul. OHN brings energy and emotion to their live performances, with artists riffing on the basic structure of the songs.
“This is not an outfit that produces sterile ‘electronica’ and barely notices the audience,” wrote Marsha Mann in Insite Magazine. “These people know how to get it on for a live show."
For vocalist Scharf, involvement in OHN opened a new musical channel. “I played in an alt-rock band for several years, and I felt like I was constantly battling to be heard over the drums and distortion,” she says. “With electronica, I feel like I can utilize my voice in more ways: I can try for breathy, husky, soft, more aggressive, lower notes, higher notes.....whatever I think suits the song.”
As you’d expect, the musical influences that flavor OHN’s work are stunningly diverse, yet the band members are on the same page when it comes to applying it to their recording and performances. Sarver sums it up: “I am constantly listening to music of all genre types. I often hear old tunes and say "man, we gotta try that". I approach each track as an experiment to see if I can push my abilities and the musicians I work with to achieve something we have not accomplished before. That constant demand for something new is what keeps things exciting for me.”
OHN’s fans know that any given album—or track—can be different from the last; an OHN album often covers many genres of music. “We’re always looking to experiment and push our musical abilities as far as we can,” Sarver says.
nds found a common musical ground.
The second album was recorded in some of Austin's top studios over a span of two years. Bildeaux, founding father, programmer and producer, has worked on material for talented artists such as Jarboe from the Swans, Riggs from Rob Zombie, Soak (Interscope/Sire) and Laura Scarborough. Chris Forshage has played with many acts including Larry and Grass. Andrew Tachovsky is also a guitar veteran, previously sharing stages with Chris in the band Pura Vida. Ryan Blum-Kryzstal is a poet and jazz vocalist, currently attending the prestigious New School Of Jazz in NYC. Brad Houser has been a member of bands such as Critter's Buggin(Ropeadope), The New Bohemians(Geffen), and Lila's Medicine. The most recent addition is Allison Scharf, providing sensual vocals that mix perfectly with the sultry downtempo sounds.
Sites: Discogs
OHN's style - described as "DJ Shadow meets Bitches Brew-era Miles Davis" - has garnered rave reviews, from local & US media. OHN utilizes a combination of dual guitars, trumpet, keys, bass, drums, middle-eastern instruments, programmed beats, saxophone & samples, to create a live / electronic sound. OHN was formed from musicians from several Austin, TX bands. OHN defies categorization; an amalgam of diverse artists & genre, converging so seamlessly that the listener may be convinced that they are together, playing, rehearsing & recording 24/7.
They are not—although they do rehearse more before a live performance—but their ability to find the same sonic groove is no accident. Each of the members brings an impressive musical pedigree to the stage and studio and, more importantly, an attitude that pushing the boundaries outward and upward is good.
Sarver, has worked on material for artists including: Jarboe La Salle Devereaux (aka Jarboe and Jyoti - of Swans), Mike Robinson (aka Riggs and Mike Riggs - of Rob Zombie), Soak (of Interscope and Sire) and Laura Scarborough. Forshage has played with many acts, including Larry and Grass. Tachovsky is a guitar veteran, previously sharing stages with Forshage, in the band Pura Vida. Houser is a veteran of several bands, including: Critters Buggin (of Ropeadope), Edie Brickell and New Bohemians (of Geffen) and Lila's Medicine.
OHN’s material, featured on 2004’s Let’s Get It… and a 2005 release, In The End, All Things Begin, starts with Bildeaux generating rhythm tracks with a bass line and maybe a keyboard part or two. Members of the group then come in to lay down their parts, then Bildeaux edits, chops, samples and creates parts out of the various performances, and an OHN track is created.
It’s a process that has some techno-structure, but it is not devoid of soul. OHN brings energy and emotion to their live performances, with artists riffing on the basic structure of the songs.
“This is not an outfit that produces sterile ‘electronica’ and barely notices the audience,” wrote Marsha Mann in Insite Magazine. “These people know how to get it on for a live show."
For vocalist Scharf, involvement in OHN opened a new musical channel. “I played in an alt-rock band for several years, and I felt like I was constantly battling to be heard over the drums and distortion,” she says. “With electronica, I feel like I can utilize my voice in more ways: I can try for breathy, husky, soft, more aggressive, lower notes, higher notes.....whatever I think suits the song.”
As you’d expect, the musical influences that flavor OHN’s work are stunningly diverse, yet the band members are on the same page when it comes to applying it to their recording and performances. Sarver sums it up: “I am constantly listening to music of all genre types. I often hear old tunes and say "man, we gotta try that". I approach each track as an experiment to see if I can push my abilities and the musicians I work with to achieve something we have not accomplished before. That constant demand for something new is what keeps things exciting for me.”
OHN’s fans know that any given album—or track—can be different from the last; an OHN album often covers many genres of music. “We’re always looking to experiment and push our musical abilities as far as we can,” Sarver says.
nds found a common musical ground.
The second album was recorded in some of Austin's top studios over a span of two years. Bildeaux, founding father, programmer and producer, has worked on material for talented artists such as Jarboe from the Swans, Riggs from Rob Zombie, Soak (Interscope/Sire) and Laura Scarborough. Chris Forshage has played with many acts including Larry and Grass. Andrew Tachovsky is also a guitar veteran, previously sharing stages with Chris in the band Pura Vida. Ryan Blum-Kryzstal is a poet and jazz vocalist, currently attending the prestigious New School Of Jazz in NYC. Brad Houser has been a member of bands such as Critter's Buggin(Ropeadope), The New Bohemians(Geffen), and Lila's Medicine. The most recent addition is Allison Scharf, providing sensual vocals that mix perfectly with the sultry downtempo sounds.
Sites: Discogs
Regret
OHN Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
I regret my past
Stay alone
Stay alone
The lyrics of OHN's song "Regret" convey a sense of remorse and the desire for solitude. The singer expresses disappointment in their past actions and decisions, suggesting that they have caused pain or regret. The simple and direct statement of "I regret my past" emphasizes the weight of the singer's feelings and their desire to make amends. The second line, "Stay alone," further emphasizes their desire for reflection and isolation.
The choice to use such a minimalistic arrangement places the focus solely on the lyrics, allowing the message to resonate more deeply. The repetition of the phrase "Regret, regret, regret" throughout the song serves to hammer home the theme of remorse and the overwhelming sense of guilt that the singer feels.
Overall, "Regret" is a poignant and introspective examination of the human condition, exploring feelings of disappointment and the desire to be alone with one's thoughts.
Line by Line Meaning
I regret my past
Looking back, I wish I made different choices in my life.
Stay alone
I choose to isolate myself and not seek companionship.
Lyrics © Kobalt Music Publishing Ltd.
Written by: RYUICHI SAKAMOTO, J-ME SMITH
Lyrics Licensed & Provided by LyricFind
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