In 1993, the start of the turnaround occurred. Paul Weller invited the band to support him on some dates of his tour. On the back of these performances, Weller invited guitarist Steve Cradock to play on one of his singles, and vocalist Simon Fowler to sing on his album, Wild Wood. Cradock was asked to play live with Weller on his tour, and the money Cradock made kept the band afloat during this time.
Britpop fame (1995–2000)
The band recorded a demo that was sent to various industry figures. After hearing this tape, Noel Gallagher invited the band to play with Oasis on their 1995 tour. This support slot brought OCS to the attention of more record labels, and eventually in late 1995, the band signed with MCA Records. With the explosion of the Britpop scene, OCS's music became nationally and internationally known. Their second album Moseley Shoals was released to mixed-to-positive reviews, containing four hit singles and reached No. 2 in the UK Albums Chart. They also played at one of the concerts at Knebworth House supporting Oasis in August 1996.
Marchin' Already, the follow-up to Moseley Shoals, went to No. 1 in the UK Albums Chart, displacing Oasis' Be Here Now at the top of the charts in 1997. In 1998 they headlined their own arena tour in support of Marchin' Already and played three sold out nights at Stirling Castle, Scotland.
One from the Modern was released in 1999, and peaked in the UK Albums Chart at No. 4. The record spawned three top 40 singles, "Profit in Peace", "So Low" and "July". A Greatest Hits album, Songs for the Front Row, was released in 2001.
Post-Britpop (2001–2008)
After splitting with bassist Damon Minchella, the band continued to record and perform. Releases in 2001 (Mechanical Wonder), 2003 (North Atlantic Drift), 2005 (A Hyperactive Workout for the Flying Squad) and 2007 (On the Leyline) continued the trend of releasing new material every two years.
2004 saw the band release their first live album, Live: One for the Road. The album was a compilation of nineteen live tracks taken from various concerts. In 2006 the band released a live acoustic album, Live at the Jam House, which consisted of fifteen live tracks and also contained four new songs in "Great Man in Waiting", "The Word", "Still Trying" and "Matilda's England".
The band also released a live album in December 2006, which was recorded at Birmingham Academy and spread over two discs. People attending the gig were able to purchase the recording straight afterwards.
Recent years (2009–present)
In 2009, the band went into the studio with producer Gavin Monaghan, known for his work with Editors, Scott Matthews and The Twang, to work on a new album, Saturday, with a release date of 1 February 2010 to mark the 21st anniversary of the band. The album had a working title of 'Rockfield', named after the studios where it was recorded, but it was released as Saturday - both "Rockfield" and "Saturday" being tracks thereon.
On 2 November 2009, the band released a free downloadable version of a new song, "Mrs Maylie". "Magic Carpet Days", the first single from Saturday, was released on 25 January, followed by the album a few days later. The album charted at No. 35 on the UK Albums Chart. A second single, "Saturday", was released in May 2010 but it failed to chart. On 24 July 2010 they performed at the Wickerman Festival.
On 11 October 2010, the band released a 4-CD box set, 21, to celebrate the 21st anniversary of the band. It included many previously unreleased tracks and a brand new song entitled "Twenty One".
In March 2011, the band released a 15th anniversary special edition of their 1996 hit album Moseley Shoals. It consisted of the full album, b-sides and live tracks. The band played a full UK tour in support of the re-release. December saw the limited edition release of a double CD/DVD release of the band's Moseley Shoals gig at O2 Academy Birmingham, which was filmed on 26 February 2011. They performed an acoustic set at Lanford Live in 2011 for the Teenage Cancer Trust. In December 2012, the band announced the forthcoming release of their tenth studio album, Painting, which was released on 11 February 2013. They also played at V-festival where Inbetweeners actor James Buckley performed "The Circle" with them in Chelmsford and at The Electric Picnic Festival in Stradbally, Ireland.
In 2014 a special edition of Marchin' Already was released on a 2 CD edition and a special deluxe 4 disc box set which included a DVD of their live performance at Stirling Castle in 1998. Early 2015 saw the band celebrate their 25th anniversary with some acoustic concerts around the UK. They released a double CD live album which was recorded at the Manchester concert on the tour.
The following year, in 2016, the band announced several special concerts around the UK to celebrate the 20th anniversary of their 1996 hit album Moseley Shoals. They also played several dates in Australia for the first time in their career.
On 22 June 2016, the band officially announced that Scottish musician Raymond Meade would be joining the band permanently on bass, following the departures of both Dan Sealey and Andy Bennett. Meade had already played live with the band since the start of the year.
In November 2018 the band unveiled their first new material in five years since the release of Painting. The four track EP was released on 10" vinyl and available only at the band's Christmas shows. The EP received a 5 stars rating from Flick of the Finger, with the publication stating that 'Lushly textured, these four compelling and diverse new offerings are nothing short of brilliant.' In 2023 the band released a career-spanning box set entitled Yesterday, Today 1992–2018, which contained all their studio albums and 5 bonus CDs, totalling 230 tracks. The set also came with a 72-page book. A companion vinyl box set was also released, covering their first three studio albums from 1992–1997. In May, a follow-up vinyl set was released, covering the three studio albums released between 1999-2003. August saw the release of the final box set, covering the remaining four albums, 2005-2013.
Studio albums
Ocean Colour Scene (1992)
Moseley Shoals (1996)
Marchin' Already (1997)
B-Sides: Seasides & Freerides (1997)
One from the Modern (1999)
Mechanical Wonder (2001)
North Atlantic Drift (2003)
A Hyperactive Workout for the Flying Squad (2005)
On the Leyline (2007)
Saturday (2010)
Painting (2013)
Mechanical Wonder
Ocean Colour Scene Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
It's just a noise in my room
And I'm chasing the wonder and
It's just a hole in my tune
And the radio plays but it
But it don't sing a song
And the mechanical thunder is
And I walk down the road and I
I awake in a tune
But the mechanical thunder is
It's just a noise in my room
And we rode it once
On a thundering night
So I walk with you
Where the locks take flight
All machines make our lives today
And I like them the best
But the mechanical thunder is
It's just a noise in my head
And the radio plays at me
But it don't sing a song
But the mechanical wonder is
Ah, it's all going wrong
And they rode it once ("and we rode it once" on last chorus)
On a thundering night
So I walk with you
Where the locks take flight
And we keep on through
It's where the road don't roar
Where the farm once stood
Where the union crawls, big time
The machines that I'm walking from
Though they play in the songs
And the dreams that your holding on
Don't run for so long
So I'm hiding machines away
But I keep them for you
But the things that you want to say
It's just a noise in my room
And I look at the picture now
And there's a weight on us all
But the mechanical wonder is
It's a cure one and all
The opening lines of Ocean Colour Scene's song Mechanical Wonder discuss how technology has taken over our lives, and how it can become a distraction that can prevent us from focusing on the beauty of life. The mechanical wonder may refer to technology advancements, and the noise in the room could be a metaphor for the constant barrage of sounds and images that we are surrounded by in our modern world. The song touches on how the radio plays but doesn't sing a song, talking about how technology can fulfill our needs, but it cannot give the same level of satisfaction as a more personal interaction. The chorus repeats the idea that they have 'rode it once on a thundering night', which could refer to the excitement that technology once brought, but now they are looking for something more substantial.
As the song progresses, it talks about walking down the road, awakening to a tune, and continuing on where the road does not roar. They are searching for a place of peace, a place where the constant hum of technology is not overwhelming them. The final verse acknowledges that machines may have taken over their lives, but they are still holding onto them despite the problems they create. The weight on us all could represent the heavy burden that technology has placed on our lives, but the mechanical wonder could also be seen as a cure, offering a solution to problems such as distance and communication issues.
Overall, Mechanical Wonder is about finding balance between technology and the natural world, and how we can still find solace in life despite the constant noise. It suggests that even though technology has taken over our lives, we can still find joy in nature, and we can learn to appreciate life's simple pleasures.
Line by Line Meaning
The mechanical wonder is
The singer is referring to something that is supposed to be amazing and awe-inspiring.
It's just a noise in my room
However, to the singer, this wonder is insignificant and meaningless, just a background noise in their personal space.
And I'm chasing the wonder and
Despite this, the singer feels like they are still pursuing this wonder.
It's just a hole in my tune
But ultimately, it feels like something is missing and incomplete in their life, as if the wonder is nothing but a void instead of music to their ears.
And the radio plays but it
The radio serves as a metaphor for the media and the world at large.
But it don't sing a song
But to the singer, there is no real substance or content in what they hear from the outside world.
And the mechanical thunder is
The constant barrage of technology and progress everywhere is overwhelming to the singer.
What is all going wrong
They can't help but feel that something is fundamentally amiss.
And I walk down the road and I
The artist goes on despite this, trying to find meaning and purpose.
I awake in a tune
They wake up to life, hoping to find some kind of melody and harmony within it.
But the mechanical thunder is
But the noise and chaos of technology still follows and haunts them.
It's just a noise in my room
To the artist, it feels like an unwelcome, intrusive presence.
And we rode it once
The singer talks about an experience they shared with someone else.
On a thundering night
It was a night of excitement and energy.
So I walk with you
The companion they shared it with still walks with them today.
Where the locks take flight
They are going to a place where things can change and transform.
All machines make our lives today
The artist acknowledges the ubiquity and importance of technology.
And I like them the best
They personally appreciate and enjoy the convenience and comforts that technology brings.
But the mechanical thunder is
Still, they can't escape the oppressive noise and stress that comes with it.
It's just a noise in my head
It affects the artist not only physically but also mentally and emotionally.
And the radio plays at me
The media and outside world continue to reach out and demand the artist's attention.
But it don't sing a song
But they still find little to no substance in what they hear.
But the mechanical wonder is
The singer still holds onto the hope that something amazing is out there somewhere.
Ah, it's all going wrong
But it still feels like something is off, that things are not as they should be.
And they rode it once
The singer reiterates the experience they shared with someone else.
On a thundering night
It was a night of energy and excitement for them both.
So I walk with you
The person they shared it with still walks by their side.
Where the locks take flight
They again go to a place where transformation is possible, where things can change for the better.
And we keep on through
They keep on persevering despite the uncertainties and struggles.
It's where the road don't roar
They seek out a path that is not overrun by technology and outside noise.
Where the farm once stood
Instead, they go where nature used to be and find solace in that simplicity and normalcy.
Where the union crawls, big time
They go where there is no dissonance, no discord or cruelty.
The machines that I'm walking from
The artist tries to distance themselves from the negative aspects of technology.
Though they play in the songs
But they still can't escape the fact that machines are all around them, even in the things they enjoy.
And the dreams that your holding on
The singer addresses someone else, who holds onto their hopes and aspirations.
Don't run for so long
But the artist warns them that they need to be realistic, that their dreams can't be sustained forever.
So I'm hiding machines away
The singer tries to put distance between themself and technology as much as they can.
But I keep them for you
Despite this, they still willingly make use of machines for the sake of others.
But the things that you want to say
The singer is addressing someone else once again, analyzing their intentions and desires.
It's just a noise in my room
But ultimately, to the artist, those things fall on deaf ears, like more of the meaningless noise and chaos around them.
And I look at the picture now
The artist takes a moment to reflect and contemplate their surroundings.
And there's a weight on us all
But they find that there is still a sense of responsibility and connection to the world around them.
But the mechanical wonder is
And to the singer, the solution to that weight and responsibility is still found in that elusive, intriguing mechanical wonder.
It's a cure one and all
They see that wonder as a panacea, a cure for all that is wrong with the world and themselves.
Lyrics © Universal Music Publishing Group
Written by: DAMON MINCHELLA, OSCAR LLOYD HARRISON, SIMON FOWLER, STEPHEN CRADOCK
Lyrics Licensed & Provided by LyricFind
Sçss G223
The mechanical wonder is
It's just a noise in my room
And I'm chasing the wonder and
It's just a hole in my tune
And the radio plays but it
But it don't sing a song
And the mechanical thunder is
What is all going wrong
And I walk down the road and I
I awake in a tune
But the mechanical thunder is
It's just a noise in my room
And we rode it once
On a thundering night
So I'll walk with you
Where the larks take flight
Oh machines make our lives today
And I like them the best
But the mechanical thunder is
Is just a noise in my head
And the radio plays at me
But it don't sing a song
But the mechanical wonder is
How it's all going wrong
And we rode it once
On a thundering night
So I'll walk with you
Where the larks take flight
And we'll keep on through
It's where the road don't roar
Where the farm once stood
Where the union crawls, big time
They're machines that I'm walking from
Though they play in the songs
And the dreams that you're holding on
Don't hold on for so long
So I'm hiding machines away
But I'll keep them for you
But the things that you wanna say
Is just a noise in my room
And I look at the picture now
And there's a weight on us all
But the mechanical wonder is
It's a cure one and all
And we rode it once
On a thundering night
So I'll walk with you
Where the larks take flight
And we'll keep on through
It's where the road don't roar
Where the farm once stood
Where the union crawls, big time
peter adams
Ocean Colour Scene are a magnificent power mod pop band.Love every thing they have done.They should be as big as The Who.
WF
Well said Peter my son
Alan Binnie
A brilliantly crafted masterpiece from a truly remarkable Band.
Stephen Brady
Great song by a criminally underrated band
Amat Mulisha
Goosebumps.words can’t describe how i really miss 90’s music and life.this is the real music not like garbage we have on 2017
Jase Campbell
Still listening in 2020 🙏🏻🥰 look at the state of this music industry nowadays
TheRealThing
This was 2000s
Maite Varas Ortiz
A true masterpiece. I miss the 90s 😢
GRiMDiViDUAL
be OK
Scott Paterson
So do I but this was from 2001...