Ol' Dirty Bastard simultaneously brought a measure of humor and a touch of the absurd to the Wu-Tang Clan. Often noted for his unusual mic technique (critic Steve Huey writes of Jones's "outrageously profane, free-associative rhymes" delivered "in a distinctive half-rapped, half-sung style"), Jones's stage name came from a 1980 kung fu film entitled Ol' Dirty & The Bastard, the relevance of which was articulated by Method Man's assertion that there was "no father" to Jones's style.
After establishing the Wu-Tang Clan, Ol' Dirty Bastard went on to a successful solo career. However, his professional success was hampered by his erratic personal behavior and frequent legal troubles, including incarceration. He died in late 2004 of a drug overdose in a recording studio.
Life and Career
Ol' Dirty Bastard was born Russell Jones in Brooklyn in 1968, and grew up in the neighborhood of Fort Greene. As he got older, he started hanging out more and more with his cousins Robert Diggs and Gary Grice; they all shared a taste for rap music and kung-fu movies. Diggs, later to be known as the RZA, Grice, later the GZA, and Jones formed Force Of The Imperial Master, which subsequently became known as the All in Together Now Crew after they had a successful underground single of that name.
Wu-Tang Clan
The cousins soon added six more friends and associates to the Clan, and released their debut album Enter the Wu-Tang (36 Chambers) in 1993 (1993 in music). 36 Chambers received enormous critical praise, and is now widely regarded as one of the best and most influential albums of any genre to be released in the 1990s, as well as one of the best hip hop albums of all time.
While most of the group's members received individual praise from critics and fans, Jones became perhaps the best-known member of the group. Armed with a seemingly crazed, slurred, often off-beat, half-sung half-rapped delivery, bizarre lyrics and humorous antics that were unlike anything ever heard before in rap, he seemed to encapsulate and personify the raw, unadulterated and innovative style of the group.
Ol' Dirty Bastard takes his name from the 1980 film by Meng-Hwa Ho called An Old Kung Fu Master, known also as Mad Mad Kung Fu and Ol' Dirty & The Bastard. The movie features Yuen Siu Tien aka Simon Yuen who can also be found in other classics such as Drunken Master. Yuen Siu Tien often played a character of an old drunkard who had mastered the martial art of Drunken Boxing.
Solo career
ODB's solo career began in 1995, the second member of the Wu-Tang Clan to release a solo album, following Method Man's 1994 effort, Tical. Return to the 36 Chambers: The Dirty Version, released on March 28, 1995, spawned the hit singles Brooklyn Zoo and Shimmy Shimmy Ya, and powered the album to gold status. The album's sound was as raw and gritty as 36 Chambers, producer RZA creating beats even more minimalist and stripped-down than on the group's debut.
That same year, he was featured on the remix of Mariah Carey's "Fantasy". What might have seemed like an unlikely pairing spawned a major hit song. "Fantasy" was among the first popular pop, R&B, and hip hop collaborations.
Around this time, Jones gained notoriety when, as he was being profiled for an MTV biography, he took two of his thirteen children by limousine to a New York State welfare office to pick up his welfare check while his latest album was still in the top ten of the US charts. The entire incident was filmed by an MTV camera crew and was broadcast nationwide.
In 1997, ODB appeared on the Wu-Tang Clan's second and most commercially successful album, Wu-Tang Forever. However, Jones appeared less often on the Clan's sophomore than on the debut; he contributed a solo track titled "Dog Shit" as well as hooks ("As High As Wu-Tang Get") and spoken introductions ("Triumph"), but other than these appearances and featuring prominently on the songs "Maria" and "Reunited," as well as delivering a very short verse on "Heaterz", he was absent.
In February 1998, Jones witnessed a car accident from the window of his Brooklyn recording studio. He and a friend ran to the accident scene and organized about a dozen onlookers who assisted in lifting the 1996 Ford Mustang—rescuing a 4-year-old girl from the wreckage. She was taken to a hospital with second and third degree burns. Using a false name, Jones visited the girl in the hospital frequently until he was spotted by members of the media.
The evening following the traffic accident, Jones rushed onstage unexpectedly during Shawn Colvin's acceptance speech for "Song of the Year" at the Grammy Awards, and began complaining that he had recently purchased expensive clothes in anticipation of winning the "Best Rap Album" award that he lost to Puff Daddy. Before being escorted off-stage, he implored the audience, "I don't know how you all see it, but when it comes to the children, Wu-Tang is for the children. We teach the children. Puffy is good, but Wu-Tang is the best. I want you all to know that this is ODB, and I love you all. Peace!" (He evidently was confused between Shawn Colvin and Sean Combs, Puff Daddy's real name). His bizarre onstage antics were widely reported in the mainstream media.
In April 1998, he announced his new stage name, Big Baby Jesus (the first of many alternate stage names; see the list below), but was never able to give a coherent explanation for the very brief switch.
In 1999, he found time to release Nigga Please between jail sentences, which received much success and was even more bizarrely warped than his debut. This release included the single "Got Your Money" which became extremely successful in the US and elsewhere; it was produced by The Neptunes, and its success would serve as one of the production group's main stepping stones to the superstardom they would later achieve. As well as the Neptunes, the single also put singer Kelis, who sang the chorus, on the map; she went on to have a successful solo career.
In 2001, with Jones again in jail for crack cocaine possession, his record company Elektra Records made the decision to release a greatest hits album (despite there being only two albums in ODB's back catalogue) in order to both end their contract with the unreliable, troubled artist as well as make some money off the publicity generated by his legal troubles. After the contract with Elektra was terminated, the label D-3 records released the album "The Trials and Tribulations of Russell Jones" in 2002, comprised of tracks put together without Jones's input, using the vocals he had recorded prior to his capture by authorities. The label recruited many guests including several Wu-Tang Clan affiliates, No Limit Records artist C-Murder, and the Insane Clown Posse. However, the album was critically panned and sales were poor.
The year 2003 brought a change in the life of Ol' Dirty Bastard however. The day he was released from prison, with Mariah Carey and Damon Dash by his side, Jones signed a contract with Roc-A-Fella Records, and began a new chapter in his life. Living at his mother's home under house arrest and with a court-ordered probation hanging over his head, he managed to star in a VH1 reality television series. He also managed to record a new album, scheduled to be released in 2006 through Dame Dash Music Group.
He had stated that he also planned on collaborating with artists in the electronic music genre, such as Carnage and The Fiasco, Fischerspooner, and possibly even Massive Attack.
Legal troubles
In 1993, ODB was convicted of second degree assault for an attempted robbery and in 1994, he was shot in the abdomen following an argument with another rapper.
In 1997, he was arrested for failure to pay child support for three of his thirteen children. His wife, Icelene Jones, claimed he had not paid any support in over a year.
In 1998, he pled guilty to attempted assault on his wife and was the victim of a home invasion robbery at his girlfriend's house. He was shot in the back and arm but the wounds were superficial.
In July 1998, only days after being shot in a push-in robbery at a cousin's house in Brooklyn, he was arrested for shoplifting a pair of $50 shoes in Virginia Beach, Virginia, although he was carrying close to $500 at the time. He was issued bench warrants by the Virginia Beach Sheriffs Department to stand trial after he failed to appear in court numerous times. He was arrested for criminal threatening after a series of drunken confrontations in Los Angeles a few weeks later, and was then re-arrested for similar charges not long after that.
During a routine traffic stop, the details of which remain clouded in multiple versions of events, he was arrested for attempted murder and criminal weapon possession. The case was later dismissed.
In February 1999, he was arrested for driving without a license and for being a convicted felon wearing a bulletproof vest (the first person arrested for this infraction under a new California law). Back in New York weeks later, he was arrested for drug possession of crack cocaine and for traffic offenses. With multiple cases in the past and present, he was arrested with marijuana and 20 vials of crack. After his arrest, ODB reportedly asked the police to "make the rocks disappear". During a court hearing, he once called a female prosecutor a "sperm donor."
This criminal record was commented on by Chris Rock in his 1999 spoken word song, "No Sex (In the Champagne Room)", with Rock asserting that "ODB couldn'tve possibly committed all those crimes. Coolio did some of that shit."
ODB entered rehab while still technically a fugitive from the law, but strange behavior during a subsequent court date sent him to jail for a brief period.
In October 2000, he escaped from his court-mandated drug treatment facility and spent one month as a fugitive. During his time on the run, he hooked up with the RZA and managed to log some time in the recording studio. He then appeared onstage swigging a bottle at a record release party for The W, a Wu-Tang Clan album. He was later arrested in a Philadelphia McDonald's parking lot while signing autographs, and extradited to New York City. A Manhattan court sentenced him to two to four years incarceration. Mental problems resulted in a suicide attempt not long after his sentencing.
In May 2003, Russell Jones was released from prison. It was said that long time friend, Mariah Carey, picked him up after his release.
At first, his legal troubles and odd behavior made Jones "something of a folk hero", according to The New Yorker writer Michael Agger. However, Huey writes that "it was difficult for observers to tell whether ODB's wildly erratic behavior was the result of serious drug problems or genuine mental instability ... the possibility that his continued antics were at least partly the result of conscious image-making disappeared as time wore on."
Russell Jones collapsed at approximately 5:29 p.m. on November 13, 2004 at Wu-Tang's recording studio (36 Records LLC on West 34th Street in New York City). He was pronounced dead less than an hour later. He was buried at Brooklyn's Christian Cultural Center.
A statement was released on Saturday (November 13, 2004) evening by his mother Cherry Jones:
"This evening, I received a phone call that is every mother's worst dream," she said. "My son, Russell Jones, passed away. To the public, he was known as Ol' Dirty Bastard, but to me, he was known as Rusty, the kindest, most generous soul on earth. I appreciate all the support and prayers that I have received. Russell was more than a rapper, he was a loving father, brother, uncle, and most of all, son."
A statement was also released by Damon Dash, who signed ODB to Roc-A-Fella Records in the fall of 2004:
"All of us in the Roc-A-Fella family are shocked and saddened by the sudden and tragic death of our brother and friend. Russell inspired all of us with his spirit, wit and tremendous heart. He will be missed dearly, and our thoughts, prayers and deepest condolences go out to his wonderful family. The world has lost a great talent, but we mourn the loss of our friend."
The cause of death remained unknown until December 15, 2004; although he reportedly complained of chest pains prior to collapsing, a heart attack was not listed as the cause of death. During the initial autopsy of the 35-year-old rapper, a doubled plastic bag containing cocaine was discovered in his stomach. Final results from an autopsy show he had a lethal mixture of the prescription painkiller Tramadol and high amounts of cocaine in his system at the time of his death, which was ruled an accidental overdose by the New York Medical Examiner's Office.
Hippa To Da Hoppa
Ol' Dirty Bastard Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
My beats are slammin' from the rugged programming
My man Bob Marley hey my man I'm Jammin'
You could never touch the stamina, while I'm rammin' the
Hip-hop crowd makes me rah rah rah
Other MC's got flipped with the ease
Beggin' me for burnt cigar, stop the music please
Make a crowd say ho, at a strip show
Represent, my name is Ason, keep calm
Rhyme's too smoky, funky like a stink bomb
Boom! Blowin' up niggas better than pullin' the trigger
So you betta' run for cover!
Niggas better loosen they ass, felt the glass
A forty ounce bottle, yo yo yo yo money yo pass!
Ooh ooh ooh I sweat it live
MC gonna live God? No, the nigga die
The maximum of MC's are populating
The minimum of those MC's are dominating
Now all and together now, to what what who?
Rhymes come stinky like a girl's poo-poo
Hippa to da hoppa and you just don't stoppa
Hippa to da hoppa and you just don't stoppa
Ah shit, here I go once again
Rhymes get shitty from the time that I spend
I come old like toe fungus mold
Ask my grand-pop pop duke gave my soul
Then I came with that old Al Green shit
Saaa-die, taught me the ballistic
I get you blurry in your eye with a high note
Down, to the Brownsville, oops you got smoked
The shit I'm droppin' is stinkin' up your area
When I shoot it through like a messenger carrier
I keep my breath smellin' like shit so I can get
Funky, baby I'm not havin' it
Hippa to da hoppa and you just don't stoppa
Hippa to da hoppa and you just don't stoppa
Hippa to da hoppa and you just don't stoppa
Hippa to da hoppa and you just don't stoppa
The lyrics to Ol' Dirty Bastard's "Hippa to da Hoppa" are a classic example of his unique, eccentric style. The song opens with ODB proclaiming the quality of his beats, which are "slammin'" due to his rugged programming. He then pays tribute to Bob Marley, declaring that he's "Jammin'". ODB brags about his stamina, which allows him to dominate the hip-hop crowd and make them say "rah rah rah". He is confident in his skills as a rapper and refuses to stop the music when other MCs beg him to.
ODB then delivers some humorous, off-the-wall rhymes, referring to himself as Ason and declaring that his rhymes are "smoky" and "funky like a stink bomb". He boasts about his ability to blow up his competition and commands them to "loosen they ass". Despite his bizarre lyrics, ODB's flow is smooth and confident throughout the song.
In the second verse, ODB continues to showcase his unique style with references to toe fungus and Al Green. He brags about his ability to get "blurry in your eye with a high note" and takes credit for smoking his competition from Brownsville. The last lines of the song repeat the title phrase "Hippa to da Hoppa" and emphasize that ODB isn't stopping anytime soon.
Line by Line Meaning
My beats are slammin'
My music is expertly made with forceful bass and intense rhythm
My man Bob Marley hey my man I'm Jammin'
I'm listening to the music of the legendary Bob Marley while I create my own beats
You could never touch the stamina, while I'm rammin' the
My energy and skill are unmatched as I rap
Hip-hop crowd makes me rah rah rah
The audience at a hip-hop show excites me and I get pumped up
Other MC's got flipped with the ease
Other rappers are easily bested by my skills
Beggin' me for burnt cigar, stop the music please
Other rappers beg for a break or a distraction from my excellence
No, 'cause I'm a pro, rap to the convo'
I am a professional and my rhymes are central to the conversation
Make a crowd say ho, at a strip show
My music is so irresistible it can even make a strip show crowd hype
Represent, my name is Ason, keep calm
My name is Ason and I am representing myself with composure
Rhyme's too smoky, funky like a stink bomb
My rhymes are strange and unusual, like a funky stink bomb
Boom! Blowin' up niggas better than pullin' the trigger
My music is so powerful it can take down enemies better than a gun
So you betta' run for cover!
My rhymes and beats are so intense you better shield yourself
Niggas better loosen they ass, felt the glass
Rappers need to relax and enjoy the party like they enjoyed a forty in the past
A forty ounce bottle, yo yo yo yo money yo pass!
Pass around a forty ounce bottle as a shared experience at the gathering
Ooh ooh ooh I sweat it live
I put all my effort into my live performances
MC gonna live God? No, the nigga die
Rappers should focus on living in the moment and creating something meaningful, rather than worrying about legacy and fame
The maximum of MC's are populating
There are a lot of rappers out there making music
The minimum of those MC's are dominating
However, only a select few rappers are truly dominating the industry
Now all and together now, to what what who?
Now everyone together, let's listen to what I have to say
Rhymes come stinky like a girl's poo-poo
My rhymes are unconventional and maybe even a little off-putting
Ah shit, here I go once again
Here I am, ready to go with another round of rhymes
Rhymes get shitty from the time that I spend
My rhymes don't always need to be perfect, they just need to be created from the heart and soul
I come old like toe fungus mold
I might not be young, but I still have something worth saying
Ask my grand-pop pop duke gave my soul
I have been influenced and inspired by generations before me
Then I came with that old Al Green shit
I have taken inspiration from old-school soul music, like Al Green
Saaa-die, taught me the ballistic
I've learned to be tough and aggressive from my upbringing in a rough area
I get you blurry in your eye with a high note
My high notes and vocals can hit you right in the emotions
Down, to the Brownsville, oops you got smoked
I represent the tough neighborhood of Brownsville and can easily take down anyone who opposes me
The shit I'm droppin' is stinkin' up your area
My music is so unconventional and powerful that it's shaking up the rap scene
When I shoot it through like a messenger carrier
I deliver my music just like a messenger delivers a message
I keep my breath smellin' like shit so I can get
I purposely keep my breath smelly to indicate that I care more about making music than appearances
Funky, baby I'm not havin' it
My music is funky and unconventional and that's just the way it is
Lyrics © Universal Music Publishing Group, Warner Chappell Music, Inc.
Written by: Al Jackson, Booker T. Jones, Duck Dunn, Robert Diggs, Russell T. Jones, Steve Cropper
Lyrics Licensed & Provided by LyricFind