There is more than one artist under this name:
1. OLIVIA - OLIVIA inspi'… Read Full Bio ↴There is more than one artist under this name:
1. OLIVIA - OLIVIA inspi' REIRA (TRAPNEST), Japanese singer
2. Olivia Longott, American r&b singer
3. Brazilian psychedelic-progressive band fronted by Olívia Byington
4. Olivia Ong, a Singaporean singer and actress.
5. Olivia was a French yéyé singer / 'beat girl' of the 1960s
6. Polish producer/DJ Karolina Oleś

1.OLIVIA (OLIVIA inspi' REIRA (TRAPNEST)) is stage name for japanese singer Olivia Lufkin, born on December 9, 1979 in Naha, Okinawa, Japan. She is the daughter of an American father and a Japanese mother. Olivia attended the Okinawa Actors School, alma mater of famous artists like 安室奈美恵 (Namie Amuro). She was discovered there and signed to Avex Trax in 1996 as part of the idol girl group D&D, which had an Eurobeat sound. When the group disbanded, OLIVIA became a solo artist. In contrast to her work with D&D, her first single, I.L.Y. ～欲望～ (I.L.Y. ~Yokubou~), released in 1999, had a driving rock sound. Her first two singles were written by others, but she wrote her third single, Dear Angel, and all her singles since then.
In 1999 and 2000, she released six singles altogether, all with a pop-rock or alternative sound, and at the end of the year, released her first album synchronicity, containing all her singles to date. In 2001 and 2002, she released two more singles.
Although critically acclaimed, her solo singles were not chart toppers; her biggest hits, her second and third singles, both peaked at #29 on the Oricon, and her successive releases charted lower and lower (her final single peaked at #99). Avex Trax switched her from the main label to their "indies" label cutting edge. Rather than chase after mainstream success, OLIVIA continued on her own path. In 2003, she released 4 mini-albums instead of singles with macabre yet whimsical titles such as Comatose Bunny Butcher. Likewise, her music became both darker and cuter. These mini-albums contained only English songs.
In 2004, she released her second album, The Lost Lolli, which was also all in English. This album peaked at #111 on the Oricon. However, Avex Trax released an overseas version of this album, reflecting OLIVIA's increasing success outside of Japan (typically, only chart-topping artists release overseas versions of their albums).
After releasing The Lost Lolli, OLIVIA went on an unofficial hiatus (except for a performance at the Halloween of the Living Dead hosted by HYDE on October 30, 2005) and worked as a fashion model and designer. In 2006, it was announced that she would be recording the closing song for the new NANA anime under the name OLIVIA inspi' REIRA (TRAPNEST). The show debuted on April 5, 2006. The single was released on June 28, and debuted in the Top 10 of the Oricon daily charts, her first single to do so.
OLIVIA confessed that the hiatus was because at the time of The Lost Lolli's release, she was "feeling pretty depressed", and "started to notice and realize a lot of her faults". Her musical tastes had changed and she realized her need for help in making music.
In the fall of 2006, OLIVIA anounced that she would be releasing a new mini-album on January 2007, entitled The Cloudy Dreamer. In addition to the several songs she recorded for the NANA anime, the mini-album featured a new song called Dream Catcher, which was used as the ending theme for the live action television drama series of 地獄少女 (Jigoku Shoujo).

2. Olivia (Olivia Theresa Longott, born on February 15, 1981) is an American R&B singer. In 2000, she became the first artist signed to Clive Davis' J Records. Her self-titled debut album, Olivia, was released in 2001 and featured the singles Bizounce, which made #15 on the charts, and Are U Capable. The album debuted at number fifty-five and was RIAA certified Gold on November 2002. At the time of the album's certification, Olivia had already been released from J Records, signing to Interscope Records.
In 2004, Olivia re-emerged as the first woman signed to G-Unit's label, G-Unit Records. She contributed vocals to the trio's debut album Beg for Mercy and to 50 Cent's The Massacre, including the album's number-one single Candy Shop.
Her first solo single released via G-Unit Records was Twist It, featuring fellow G-Unit member Lloyd Banks, followed up by So Sexy in the summer of 2005. Both songs failed to debut on the charts due to little promotion. Olivia briefly attended Hofstra University in New York and planned her second album, Behind Closed Doors, which was slated for a 2007 release on Interscope and G-Unit Records. Around the same time, Olivia contributed vocals to Shaggy's single Wild 2Nite. Olivia released her single Best Friend, featuring 50 Cent, in 2006. In 2011, Olivia embarked on a Reality Show venture with VH1 titled "Love & Hip-Hop" which lead to the itunes release her 1st single in over 5 years titled "December". This time around Olivia has hung up her gangsta swagger, singing about the promise of love.

3.Brazilian psychedelic-progressive rock band fronted by Olívia Byington. Psychedelic and art-rock styles are strongly mixed with Bossa Nova creating an unusual sound.

5. Olivia was a French pop singer, considered to be part of the yéyé genre. She released just one single/EP: Moi je ramasse des coquillages in 1966. The record contained four songs.

6. Polish DJ/producer Olivia initially known for being a key resident DJ at Unsound festival in her hometown, Krakow, has also played at clubs and other festivals such as Berghain, De School, Tresor, Golden Pudel, Dekmantel and Nachtdigital. She has also released music on various labels : Pinkman, Dalmata Daniel, Dom Trojga, Syntetyk and K-Hole Trax.

Candy Shop
Olivia Lyrics

Jump to: Overall Meaning ↴ Line by Line Meaning ↴

Yeah
Uh-huh
So seductive

I'll take you to the candy shop
I'll let you lick the lollipop
Go 'head, girl, don't you stop
Keep goin' 'til you hit the spot, whoa

I'll take you to the candy shop (yeah)
Boy, one taste of what I got (uh-huh)
I'll have you spendin' all you got (come on)
Keep goin' 'til you hit the spot, whoa

You could have it your way, how do you want it?
You gon' back that thing up, or should I push up on it?
Temperature risin', okay, let's go to the next level
Dance floor jam-packed, hot as a tea kettle
I break it down for you now, baby, it's simple
If you be a nympho, I'll be a nympho
In the hotel, or in the back of the rental
On the beach or in the park, it's whatever you into
Got the magic stick, I'm the love doctor
Have your friends teasin' you 'bout how sprung I got ya
Wanna show me how you work it, baby? No problem, get on top
Then get to bouncin' 'round like a little rider
I'm seasoned vet when it come to this shit
After you work up a sweat you can play with this stick
I'm trying to explain, baby, the best way I can
I melt in your mouth girl, not in your hands, ha-ha

I'll take you to the candy shop
I'll let you lick the lollypop
Go 'head, girl, don't you stop
Keep goin' 'til you hit the spot, whoa
I'll take you to the candy shop
Boy, one taste of what I got
I'll have you spendin' all you got
Keep goin' 'til you hit the spot, whoa

Girl, what we do (what we do)
And where we do (and where we do)
The things we do (things we do)
Are just between me and you, yeah (oh yeah)

Give it to me, baby, nice and slow
Climb on the top, ride like you in a rodeo
You ain't never heard a sound like this before
'Cause I ain't never put it down like this
Soon as I come through the door, she get to pullin' on my zipper
It's like it's a race, who could get undressed quicker
Isn't it ironic how erotic it is to watch her in thongs?
Had me thinkin' 'bout that ass after I'm gone
I touch the right spot at the right time
Lights on or lights off, she like it from behind
So seductive you should see the way she whine
Her hips in slow mo' on the floor when we grind
Long as she ain't stoppin', homie, I ain't stoppin'
Drippin' wet with sweat, man, it's on and poppin'
On my champagne campaign, bottle after bottle, it's on
And we gon' sip 'til every bubble in every bottle is gone

I'll take you to the candy shop
I'll let you lick the lollypop
Go 'head, girl, don't you stop
Keep goin' 'til you hit the spot, whoa
I'll take you to the candy shop
Boy, one taste of what I got
I'll have you spendin' all you got
Keep goin' 'til you hit the spot, whoa

I'll take you to the candy shop
I'll let you lick the lollypop
Go 'head, girl, don't you stop
Keep goin' 'til you hit the spot, whoa
I'll take you to the candy shop
Boy, one taste of what I got

I'll have you spendin' all you got
Keep goin' 'til you hit the spot, whoa

Overall Meaning

The lyrics of Olivia's song "Candy Shop" are a metaphorical portrayal of a sensual encounter between two individuals. The candy shop serves as a symbol for a place where desires are indulged and pleasure is experienced. Olivia sings about taking her partner to this imaginary candy shop, where she allows him to "lick the lollipop" and encourages him to keep going until he hits the spot. The lyrics convey a sense of seduction and playfulness as Olivia describes the various scenarios in which they can engage in intimate activities, whether it's in a hotel room, on the beach, or even in the back of a rental car.

The song emphasizes the mutual desire and consent between the individuals involved, as Olivia asks how her partner wants to experience their encounter and assures him that whatever he is into, she is open to exploring. The lyrics also highlight Olivia's confidence and prowess in satisfying her partner, as she refers to herself as a "seasoned vet" when it comes to these intimate encounters.

Line by Line Meaning

I'll take you to the candy shop
I will show you a world of pleasure and desire

I'll let you lick the lollipop
I will allow you to experience the sweetness and indulgence

Go 'head, girl, don't you stop
Keep going, don't hold back

Keep goin' 'til you hit the spot, whoa
Continue until you reach the peak of satisfaction

Boy, one taste of what I got
Once you experience my offering, you'll be hooked

I'll have you spendin' all you got (come on)
I will make you willing to give everything for this pleasure

You could have it your way, how do you want it?
You have the power to choose how you want to experience this

You gon' back that thing up, or should I push up on it?
You can either take control or let me take charge in this intimate act

Temperature risin', okay, let's go to the next level
As the passion intensifies, let's push the boundaries further

Dance floor jam-packed, hot as a tea kettle
The atmosphere is electric and filled with excitement

I break it down for you now, baby, it's simple
Let me explain this pleasure in a straightforward manner

If you be a nympho, I'll be a nympho
If you have an insatiable appetite, I can match it

In the hotel, or in the back of the rental
We can indulge in pleasure anywhere, be it a hotel or a car

On the beach or in the park, it's whatever you into
We can explore pleasure in unconventional or public places, depending on your desires

Got the magic stick, I'm the love doctor
I possess the ability to bring you immense pleasure, I am an expert in love-making

Have your friends teasin' you 'bout how sprung I got ya
Your friends will envy the pleasure I bring you, as you become deeply infatuated

Wanna show me how you work it, baby? No problem, get on top
Tell me how you want to experience pleasure, and take control

Then get to bouncin' 'round like a little rider
Engage in rhythmic movements that bring you pleasure and satisfaction

I'm seasoned vet when it come to this shit
I am highly experienced and skilled in this realm of pleasure

After you work up a sweat you can play with this stick
Once you are sexually stimulated, you can explore further with me

I'm trying to explain, baby, the best way I can
I am attempting to articulate this pleasure to you in the most effective way

I melt in your mouth girl, not in your hands, ha-ha
I bring intense pleasure to you, without leaving a trace

Girl, what we do (what we do)
The activities we engage in

And where we do (and where we do)
The locations in which we experience pleasure

The things we do (things we do)
The specific acts we partake in

Are just between me and you, yeah (oh yeah)
Our intimate experiences are kept confidential between us

Give it to me, baby, nice and slow
Engage in pleasurable acts with a gentle and sensual manner

Climb on the top, ride like you in a rodeo
Take control and ride with passion and energy

You ain't never heard a sound like this before
The sounds of pleasure you will experience will be unique and exhilarating

'Cause I ain't never put it down like this
I have never delivered pleasure like this before

Soon as I come through the door, she get to pullin' on my zipper
As soon as I arrive, she eagerly undresses me

It's like it's a race, who could get undressed quicker
Undressing becomes a competition, both eager for pleasure

Isn't it ironic how erotic it is to watch her in thongs?
It is intriguing and arousing to witness her in revealing lingerie

Had me thinkin' 'bout that ass after I'm gone
Even after our encounter, I can't stop thinking about her enticing physique

I touch the right spot at the right time
I know exactly how to stimulate her in a pleasurable way

Lights on or lights off, she like it from behind
She enjoys pleasure regardless of the lighting, and prefers certain positions

So seductive you should see the way she whine
She is alluring and enticing in the way she moves

Her hips in slow mo' on the floor when we grind
As we engage in intimate acts, her hips move in a slow, captivating manner

Long as she ain't stoppin', homie, I ain't stoppin'
As long as she continues to desire more, I am willing to give more

Drippin' wet with sweat, man, it's on and poppin'
We are both drenched in sweat, indicating a highly intense and passionate encounter

On my champagne campaign, bottle after bottle, it's on
We indulge in luxury and pleasure, consuming champagne in abundance

And we gon' sip 'til every bubble in every bottle is gone
We will continue to drink until every last drop of pleasure is enjoyed

Lyrics © Sony/ATV Music Publishing LLC, Kobalt Music Publishing Ltd., RESERVOIR MEDIA MANAGEMENT INC
Written by: Curtis Jackson, Scott Storch

Lyrics Licensed & Provided by LyricFind

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