Born and raised in Inglewood, California, Omarion rose to fame while still a teen as a member of the groundbreaking urban "boy band" B2K. His soulful vocals, riveting stage presence, and undeniable charisma helped B2K score a hit with the group's very first single, "Uh Huh," in 2001; achieve gold status with the group's self-titled debut album in 2002; and go RIAA platinum with the group's best-selling sophomore outing, Pandemonium! in 2003.
Omarion's undeniable media-geniality has led to numerous television guest appearances including "Punk'd," "The Sharon Osbourne Show," "Regis & Kelly" and the "American Music Awards." In addition to his musical performances, Omarion has acted on the big screen with key roles in "You Got Served" and "Fat Albert." Omarion stars in "Somebody Help Me," an innovative horror film directed by Chris Stokes and may be seen in the film "Feel The Noise" and Tyger ("Menace II Society") Williams' "Street Soldier."
For season five of America's Best Dance Crew on MTV, Omarion replaced Shane Sparks as a judge.
Currently he's signed to Rick Ross's label.
Touch
Omarion Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
Lay back
What
Lemmie tell you what I'm thinkin'
Look
We known each other
For some time
I been havin' visions
Fantasies (Fantasies)
Am I out of line
Just back into it
And let it touch (touch)
Come on and move
And let it touch (touch)
We cannot lose
Just let it touch (touch)
I will be true
Come on and let it touch
I see you naked
I'm bout to do it with the lights on (hold on)
Keep the lights on. (wait)
Your right wit me next to my bed
Givin' me head
Me eyes have seen
Nothin' like you
Want to bite you
So Sweet
Not tryna be
Disrespectful
But I just want to get you
Just back into it
And let it touch (touch)
Come on and move
And let it touch (touch)
We cannot lose
Just let it touch (touch)
I will be true
Come on and let it touch
When you walk in
In your sexy lingerie
In the middle of the doorway
(keep the lights on)
You know what I'm sayin'
I'm a take it off slowly
Peel you like a banana
Oh baby by the way (Oh baby by the way)
Tell me no I want you (tell me no I want you)
Cause you know at the end of the day (Cause you know at the end of the day)
Everything is up to you (Everything, yeah right)
Just back into it
And let it touch (touch)
Come on and move
And let it touch (touch)
We cannot lose
Just let it touch (touch)
I will be true
Come on and let it touch
Yeah
Now we close to the end
Keep the lights on (wait a minute)
I'm comin' to you (real slow)
Yo
Yo Everybody
How you feelin' out there?
I want to thank y'all
For partying with me. Yeah
Oh yeah
You can turn the lights off now.
Peace!
In Omarion's song Touch, the singer is trying to express his desires to be intimate with his partner. He tries to create a comfortable setting by asking his partner to lay back and relax while he shares his fantasies with her. Omarion talks about wanting to see his partner's naked body and being respectful while expressing his desires. He emphasizes that he wants his partner to be in control and that he will be true to her if she allows him to touch her. Throughout the song, Omarion emphasizes the importance of keeping the lights on, creating a sensual atmosphere with a hint of exhibitionism.
One interesting fact about the song is that it was released in 2004 as part of Omarion's debut solo album called "O." The song was a commercial success and reached number 94 on the Billboard Hot 100 chart. The song's music video was directed by Diane Martel and features Omarion performing sensual dance moves with a group of female dancers. Another interesting fact is that the song was produced by The Neptunes, a highly successful production duo consisting of Pharrell Williams and Chad Hugo.
Additionally, the song was featured in several movies and TV shows, including the dance film "Step Up" and the television series "The Sopranos." The song's lyrics and sensual melody make it a popular choice for dance performances and romantic settings. Moreover, Omarion's smooth vocals and the Neptunes' signature production style create a seductive and hypnotic atmosphere.
The chords for the song are D minor, B flat, F, and C major. The song follows a straightforward chord progression, with the verses following D minor, B flat, F, and C major, while the chorus follows C major, D minor, B flat, and F. The use of minor chords in the verses creates a sense of intimacy and vulnerability, while the major chords in the chorus lift the mood and create a more upbeat atmosphere. Overall, "Touch" is a sultry and seductive song that explores the dynamics of intimacy and desire in a delicate yet intimate way.
Line by Line Meaning
Yeah. Lets get real comfortable
The singer intends to create a comfortable environment for a romantic activity.
Lay back
The singer wants the listener to get relaxed and ready for the upcoming activity.
What
The singer uses this word to express his excitement.
Lemmie tell you what I'm thinkin', Look
The artist is about to express his thoughts about what they both should do.
We known each other, For some time
The artist wants the listener to acknowledge that they know each other for some time now.
I think it's time (sorry baby)
The singer thinks that it's time to take their relationship to the next level and apologize for being too forward.
I been havin' visions, Fantasies (Fantasies), Am I out of line
The singer has been imagining romantic activities with the listener and wants to know if he's being inappropriate.
Just back into it, And let it touch (touch)
The artist wants the listener to be open and enjoy the physical touch that they will share.
Come on and move, And let it touch (touch)
The artist is encouraging the listener to move and continue enjoying the touch.
We cannot lose, Just let it touch (touch)
The artist is assuring the listener that they have nothing to lose and they should continue indulging in the activity.
I will be true, Come on and let it touch
The singer assures the listener that everything that follows will be genuine and authentic, and invites the listener to keep going.
I see you naked, I'm bout to do it with the lights on (hold on), Keep the lights on. (wait)
The artist wants to enjoy the activity with the lights on and asks the listener to wait for a moment before continuing.
Your right wit me next to my bed, Givin' me head
The singer is enjoying the physical pleasure that they are receiving from the listener.
Me eyes have seen, Nothin' like you
The singer considers the listener to be unique and special, unlike anyone else he has ever encountered.
Want to bite you, So Sweet
The singer is physically attracted to the listener and finds them to be sweet.
Not tryna be, Disrespectful
The artist wants the listener to know that he doesn't intend to be rude or disrespectful in any way.
But I just want to get you
The artist wants to indulge in the physical pleasure that the listener can offer him.
When you walk in, In your sexy lingerie
The singer recalls a time when the listener was wearing seductive clothing and wants to relive that moment.
In the middle of the doorway (keep the lights on)
The singer wants the seductive moment to happen among the sight of the light in the room.
You know what I'm sayin', I'm a take it off slowly
The artist wants the seductive clothing to be removed slowly.
Peel you like a banana
The artist wants to undress the listener completely.
Oh baby by the way (Oh baby by the way)
The artist wants to address the listener affectionately.
Tell me no I want you (tell me no I want you)
The singer wants the listener to stop him if they are not comfortable going forward.
Cause you know at the end of the day (Cause you know at the end of the day), Everything is up to you (Everything, yeah right)
The artist wants the listener to know that everything that happens between them will be decided by the listener itself and their happiness is a mutual goal.
Now we close to the end, Keep the lights on (wait a minute)
The singer is near to climax and wants the listener to wait for a moment before continuing.
I'm comin' to you (real slow), Yo, Yo Everybody, How you feelin' out there?
The singer is coming to the listener slowly and takes a break to address the audience.
I want to thank y'all, For partying with me. Yeah, Oh yeah, You can turn the lights off now. Peace!
The singer is thanking the audience for joining him and announces that he's done with the performance and the lights can be turned off now.
Lyrics ยฉ Universal Music Publishing Group, Royalty Network, Sony/ATV Music Publishing LLC, Warner Chappell Music, Inc.
Written by: CELETIA MARTIN, JEROME WILLIAMS
Lyrics Licensed & Provided by LyricFind
@Empressive
They killed this choreography.
@m.nicole7996
Definitely!!
@StoneKvtter
+Empressive I'm not ashamed to admit that use to mock the choreography so much I started thinkin I can poplock.
@chrisbolton8767
this omarion is whole better than omarion today, I'm jus sayin bout his style, but they killed this choreography definitely
@lxhart77
no doubt
@alissalewis2971
Gerog Jasmine
Rdoges Liwes
@nikelombambo
it's 2021.. I'm 32 years old now.. And this is STILL some of the best choreography ever seen in a music video.. Those back up dancers are so underrated. They killed it..
@gabriellearrington2118
Thank you for this. I'm 33. I still come back. 2021. This was our era!
@nikelombambo
@@gabriellearrington2118 Yes it was Gabrielle.. Yes it was.. And what an era it was haha.. Blessings to you and your family. Enjoy the rest of this year. Good luck for next year and I hope you KILL IT in what ever it is you do or pursue.
@GEMINI_THE_BES89
Same age with you