Formed in Veneto in 1973 around the nucleus of soprano Donella Del Monaco (the niece of famous tenor Mario Del Monaco), pianist-composer Alfredo Tisocco, philosopher Giorgio Bisotto and producer Renato Marengo, and aided in the years by many other musicians, the group released their first album in 1974, Opus Avantra - Donella Del Monaco (often referred to as Introspezione, from the title of the first track) on the collectible Trident label.
Usually considered their most accessible work, the album is built on classical-inspired themes with complex arrangements and dominated by the nice soprano voice of singer Del Monaco and good flute playing, with just an instrumental track, Rituale. The band also had a good live activity promoting their album in Veneto and Rome.
Donella Del Monaco was absent on the second album Lord Cromwell (plays suite for seven vices), that follows in the same style as the previous work, being replaced by an American chorus. Former Nuova Idea drummer Paolo Siani played on this album, that like the first one contains some interesting passages for the adventurous listeners.
Both Alfredo Tisocco (along with Gruppo Italiano di Danza Libera in 1975's Katharsis) and Donella Del Monaco (with 12 canzoni da battello in 1977 and Schoenberg Kabarett in 1978) also released individual albums in the same vein, and the duo reunited under the name Opus Avantra for a third album in 1989, Strata, and a CD-only fourth release in 1995, Lyrics.
2008 saw the reunion of Opus Avantra with Donella Del Monaco, Alfredo Tisocco and Giorgio Bisotto, for concerts in Romania and Japan, based on material from all their albums. The line-up also features Valerio Galla (drumes and percussion), Mauro Martello (flute), Anca Elena Botezatu (violin), Ioana Ionescu (violin), Alexandra Butnaru (viola), Violeta Loredana Dumitru (cello), and the show was directly produced by the reborn Cramps, with lights, sound and scenes made by Alan Walter Bedin.
The Tokyo concert was used for the DVD Viaggio immaginario/Live in Tokyo 2008.
L'Altalena
Opus Avantra Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
Riverenza come un guizzo di piuma
Come l'abitino immacolato
Vecchia bambola di stucco seduta
Io sono la regina di questo gioco di segni
Folle regina di questo gioco di segni
Guardali, ballano, corrono, gemono
Guardali, ballano, corrono, gemono
Guardali, ballano, corrono, gemono
Guardali, ballano, corrono, gemono
La luce del sole si è infranta
E il tempo mi ha presa con se
Ed io folle regina di questo gioco di segni
Ed io folle regina di questo gioco di segni
Guardali, ballano, corrono, gemono
Guardali, ballano, corrono, gemono
Guardali, ballano, corrono, gemono
Guardali, ballano, corrono, gemono
Guardali, ballano, corrono, gemono
La luce del sole si è infranta
E il tempo mi ha presa con sé
Altalena che si culla nel vuoto
The lyrics of Opus Avantra's "L'Altalena" create a dreamlike and surreal atmosphere, which serve to describe an image of a swing that sways in the void. The opening lines of the song, "Altalena che si culla nel vuoto/Riverenza come un guizzo di piuma," which translate to "Swing that sways in the void/ Reverence like a flutter of feathers," convey the delicate nature of the swing's movement, which is analogous to that of a feather in the wind. The subsequent lines draw parallel to a doll, which is older and crafted from a material that is more rigid than that of the feather. The "Vecchia bambola di stucco seduta," or "Old plaster doll sitting," symbolizes the static and lifeless nature of inanimate objects, which are in stark contrast to living beings.
The singer then proclaims herself as the "Folle regina di questo gioco di segni," or the "Crazy queen of this game of signs," which suggests that the swing and doll are just symbols in a larger game of life, one in which the singer is the ruler. The chorus, which repeats the line "Guardali, ballano, corrono, gemono," or "Watch them, dance, run, moan," depicts the various activities of the different characters within this game of life, emphasizing the idea that life is but a series of actions and reactions. The song ends with, "La luce del sole si è infranta/ E il tempo mi ha presa con se," or "The sunlight has shattered/ And time has taken me away," signifying the end of the game, and perhaps the end of the singer's life.
Line by Line Meaning
Altalena che si culla nel vuoto
Swinging in emptiness, the swing rocking back and forth without any physical force.
Riverenza come un guizzo di piuma
Graceful gesture like a sudden flicker of a feather.
Come l'abitino immacolato
As pristine as an immaculate dress.
Vecchia bambola di stucco seduta
Old doll made of plaster sitting still.
Io sono la regina di questo gioco di segni
I am the queen of this game of symbols.
Folle regina di questo gioco di segni
Mad queen of this game of symbols.
Guardali, ballano, corrono, gemono
Watch them, they dance, run, moan.
La luce del sole si è infranta
The sunlight shattered.
E il tempo mi ha presa con se
And time took me away.
Ed io folle regina di questo gioco di segni
And I, the mad queen of this game of symbols.
Writer(s): Clari Del Monaco, Gianalfredo Tisocco
Contributed by Landon O. Suggest a correction in the comments below.